Thank you for the thorough lesson, Jonny! Thanks to PWJ, I've learned most of the progressions you explained here over the past few years, and my playing has improved significantly with all your practical and useful lessons! 😊♥️
I love the nice variety of chord progressions and styles to learn. And I just want to say that I like getting information at the end of each progression and where to find more tips and lessons about playing that particular section and other things that are similar. Thank you.
He’s demonstrating phrases built from the chords in this part of the lesson. Jonny’s left-hand is playing the 5th (C in the lower bass range) and the b3 (Ab) above the Root, while the right-hand is playing the 6th (D) and 9th (G). The Perfect 5th is always a good substitute for the Root.
The F is played on the 2nd beat, coming down from the 9th and the F is there in the 4th bar. It would indeed be strange to use a chord name when that actual note isn't played at all, but that's not quite the case here.
00:00 - Intro
00:18 - 1. Power Progression
03:16 - 2. John Williams Progression
05:10 - 3. Gospel Progression
07:13 - 4. Pop Progression
08:49 - 5. The Turnaround
11:05 - 6. The Love Progression
13:43 - 7. The Happy Progression
15:40 - 8. Sentimental Progression
17:39 - 9. Doo-Wop Progression
20:06 - 10. Cycle of 5ths Progression
22:32 - 11. Blues Progression
25:36 - Conclusion
Thanks Johnny, I learnt so much with you❤ and still learning
You are so welcome
Thank you for the thorough lesson, Jonny! Thanks to PWJ, I've learned most of the progressions you explained here over the past few years, and my playing has improved significantly with all your practical and useful lessons! 😊♥️
Your playing is fantastic Milan!
Great summary, thx Jonny 😊. Nice to see you back as well 😊
Thanks!
Great Jonny.., the best of best, thank you so very much!
Thank you so much for watching!
Ciao, perché il quinto grado è minore in una scala maggiore. Grazie, ciao❤
Nice. Thanks.
Id prefer not to have all the stopping for promotions. Maybe just say it once at beginning or end?
You’re an amazing pianist and teacher 🎉
Thank you so much!
Cannonball Adderley's "Mercy, mercy, mercy" has a great "happy progression".
For sure!
I think of the first progression as V-II-IV -I
me too
Awesome!❤
Thanks!
Wow. My playing took a big jump today, just from this fly-over. I gotta go back and do each individual lesson. Thanks Jonny!
I love the nice variety of chord progressions and styles to learn. And I just want to say that I like getting information at the end of each progression and where to find more tips and lessons about playing that particular section and other things that are similar. Thank you.
Thank you!
This is wonderful. May Cecilia bless you
you are the best, fantastic teatcher
Thank you!
This is so helpful!
So glad, thanks!
The biggest and Legendary tonny may
The great teacher i never see
Thanks for this lesson
That first chord progression should have been in F major.
Why?
You mean the V, so G should have been major, right ?
@@TaffmanGuyo, because it’s a progression in F major. That’s why.
Great stuff man!
Thank you!
4:34
Not fair! Only you have the Most Important Piano!
4:52 It's so crazy this is called a Fm69 chord, there's no F here 😅. I feel sometimes chords are just random names given to them.
The note naming system does have some inherent problems with it.
He’s demonstrating phrases built from the chords in this part of the lesson. Jonny’s left-hand is playing the 5th (C in the lower bass range) and the b3 (Ab) above the Root, while the right-hand is playing the 6th (D) and 9th (G). The Perfect 5th is always a good substitute for the Root.
The F is played on the 2nd beat, coming down from the 9th and the F is there in the 4th bar.
It would indeed be strange to use a chord name when that actual note isn't played at all, but that's not quite the case here.
@@ZorbaTheDutch It is more common than you may think. So-called rootless voicings are used a lot in jazz.