You know how you quietly hope that one day mom and dad will start talking to each other again? Seeing Bandrew comment and approve on one of Mike's videos really is the next best thing
Everyone’s mileage varies, but I’ll give you mine: At least on my voice, nothing sounds like an RE20 (which is to say, nothing sounds as good). I’ve worked in radio since 1984, and I’ve used Shure SM57/58’s, RCA BK-11 (and 44DX, 77), Sennheiser 421, Heil PR40, Audio Technica AT812, Rode Broadcaster, other EV mics (666, RE11, RE50, 635A) and several others…so I’ve been able to compare it to other options, and the combination that I always come back to is the ElectroVoice RE20 with a Symetrix 528E voice processor. The Symetrix provides a mic preamp, de-esser, compressor, and EQ, as well as an output stage to level match to whatever piece of equipment comes next (perhaps a mixer, console or sound card). The RE20/528E combination is a classic one that many radio stations have used. Now that digital processing is more common, some stations prefer that to the 528E, but it was a popular solution for something like 15 or 20 years. I find the RE20 responds exceptionally well to the processing options offered by the 528E, and it appears I was not alone. Having used such a variety of mics, including ribbons and condensers, I can tell you exactly why I like the RE20. Besides the sound itself, which I already noted becomes even better with the enhancements of the 528E processor, I find that the RE20 has less self-noise than its sister mics in the same line (RE320, RE27 N/D). Being a not overly sensitive dynamic mic, I find it works well in situations where a condenser mic tends to pick up TOO well. In my experience, condenser mics capture every little sound from the HVAC vents, the laughter from just outside the not-altogether-soundproof studios, and the sirens passing outside on the boulevard…so I don’t really need a Cloudlifter, Fethead or any other inline pre-preamplifier. EV RE20 allows me to run the mic level lower, get closer to it, and gate it with the compressor on my processor, creating recordings that are quieter than my room actually is while not having to deal with proximity effect because of the Variable-D technology. And the RE20 design has been basically unchanged for these 50 years, so again, it must be working for a great many people besides just me. (However, you can also say that about the longevity of Shure 57/58 and SM7B, to be fair.) Your studio may be quieter, and your voice may be better than mine (this is highly likely), so you may find a better alternative for your situation…and for full disclosure, I’ve not used Shure SM7B, any of the Neumann mics, or any of the AKG line, so I may also someday find an alternative that works better for me than RE20 (although I haven’t yet in 35 years). All of this said, I circle back around to my opening statement, that everyone’s mileage varies. We can argue digital vs. analog, tubes vs. solid state and boxers vs. briefs all day long, but at the end of the day, you take all the advice with a grain of salt, do your own research and find the one that works best for you. Knowing that a certain design has had a long life and worked for a lot of people is a great place to start, but that’s just the beginning. You gotta walk this lonesome valley by yourself, nobody else can walk it for you, etc., so happy hunting! Your best choice mic is out there somewhere.
This is THE broadcast radio mic. Virtually every commercial radio station from coast to coast uses theses. I’ve used nearly a half dozen of these on-air and in the production studios of several radio stations, on both AM and FM, over the years. I can guarantee that if you’re an American and have ever listened to the radio, you’ve heard this mic. Excellent quality. ...and another excellent review by Mike.
The Electro Voice RE20 was a big win in my ears, I honestly preferred it's smoothness even over the TLM103, I know I'm gonna be called blasphemous for saying that but it's true, it won unanimously, I will also say the E100s actually was the closest to it from where I was sitting both had that beautiful smooth tone, that works really well on your voice, more so than the TLM103.
No, you’re right. The RE20 is the best all around microphone ever made in my opinion. There’s a reason it’s still the #1 mic in radio for something like 30 years. It’s just phenomenal.
@@adamspeaking373 The reason it's the #1 mic in radio is because of announcers who have no idea how to "work" a microphone. They were actually designed to get a more consistent sound no matter how you use it. It's the "automatic transmission" of microphones. I used both extensively during a 27 year career in radio (announcing AND production) and the SM7b is a better mic all around... IF you know how to use it.
@@garystackhouse5787 That's probably because you can modulate properly and you enjoy the low end, but the sound is a bit distorted in a way that some people love it. I can listen to a more detailed voice with the RE20, I don't like to tweak mics because I work with music and there is already too much that changes if the mix is too busy. Horses for courses :)
This mic is a classic and has been around since 1968. Where the Shure Super 55 mic would be the Rolls Royce of mics, the Electro Voice would be the Bentley. The RE20 has been used in nearly every radio station in the country for decades. I used it back in the late '70s at KEZY 1190 AM in Anaheim California and totally fell in love with it. Like the Shure, it's a total workhorse and built like a tank. I really loved seeing this mic on your channel. It's not just a mic to me, but a piece of my history. Lots of fond memories. Peace brother.
I have owned one (in the shock mount) since 1980! GREAT mic. I have always preferred it over Shure SM7B and Sennheiser MD421. It’s right for my voice. Almost every radio station in America uses one of these three… the RE-20 is most honest, so it’s probably the most popular among announcers.
The RE20 sounds better to me than the SM7B in terms of overall quality. I can't put it in words, but there isn't as much clarity in the SM7B as there is in the RE20. But that's all I can really say.
SM7B's frequency response only goes down to 50 hertz so it doesn't really pick up the super low sub-bass frequencies in his voice. It's just overall more tinny sounding and you can tell that it's lacking the sub-bass.
The SM takes eq and compression better than a more colored mic would be able to, the EV included, IMO.. It’s just less work when you’re not fighting a microphone ‘s coloration. The 7B was good enough for the engineers of countless records, even Thriller was rumored to have used it.. The RE is absolutely my choice for doing voiceover work specifically. Anything music related however, the 7B is a go to for rock artists, metal, anyone with a warm sounding voice or guitar cabinets, bass guitar, it’ll even do drums if you ask it nicely enough. More versatile imo.
Hey Mike, I dunno if your going to see this... But I just wanted to say thank you for these videos. I know you probably don't think anything of it, but your videos are a HUGE insight to those of us who are ignorant to the inner workings of voice recording and sound production. I've learned so much from your videos and I just wanted to give you some encouragement and praise. I really appreciate the professional insight you offer and I've learned some invaluable lessons from your videos. You are a great teacher, and you make the act of using you voice as an instrument so accessible. You're talent is unmistakable, and I appreciate all the time and effort you've put into helping others. It's truly remarkable! I wish you the best, and I always look forward to your videos! I can proudly call myself a booth junkie from here on out!
I got a 320 recently and am really liking it so far. I dont do a lot of voice overs and more rock music so it suits me a little better. Especially for kick drums theyre great
I used to have the EV RE20 during my radio days - loved it! For at home, I decided to go for the 'younger' sibling, the RE320 - any chance you'll get your hands on that one for a direct comparison, Mike? Thanks for keeping the reviews coming - awesome work!
SM7b is intended to be usd right up on the foam, utilizing the Prox, and it sounds great that way, but ba if you are off mic. the RE20 is designed to minimize that effect and sounds pretty good up close, but I find the SM7b to be a better mic for electric guitars and other instruments, and the RE20 to feel really hollow on anything other than male vocals. Hard choice, but I think the SM7b is actually a more versatile mic, as long as you have a ton of gain and get super close.
I just love the sound of the RE20. Maybe I'm used to it, but to my ears it sounds so nice and cozy. A lot cozier than the SM7b, which I think sounds a bit flatter and boxy. RE20 and CAD e100s (a bit more clarity) sound both very nice to me. And funnily, I thought the TLM and RE20 sound the most similar of all comparisons in that video (except proximity effect, which is clearly different) ;)
Thanks for the test. I tried the Sm7b, re27, and re20. With my voice the Sm7b with presence worked best. But with others the other mics were better. Mics seem to be very person dependent
Absolutely, different mics. suits different voices. there's no "one fits all". For me, I find the RE20 warm and pleasing IMO. The sm7b on me sounds a bit dull and flat (I guess that's one of the selling points) I just like the sound more warm and calm if that's a way to explain it.
Finally the mic for you! RE 20 is the best sounding mic compared to all the other mics for you voice. If I was you, I would sell the SM7, TLM, then I would buy this incredible RE 20 mic. All other mics that you were comparing to the RE 20, sound like plastic toys. No more pop filters and finding the perfect position in front of the mic. I wish I could afford this mic, I would get one, and never look back. Perfect match! Thank you Mike and keep up the good work! Peace out from Bosnia bro! Sani
I own the SM7B and RE20 both. SM7B is a better all-rounder all-purpose mic; great at most things - not bad at anything. RE20, while not great for song vocals in my experience, is absolutely amazing on podcasts, broadcasts, etc.
Thanks, Mike. Nice seeing this. I have the RE20 going into a cloud lifter for a couple years now. I run mine into a 12 channel Mackie mixer into the USB into my computer. I have been wondering how it compared to the Neumann. So glad I found this video. 😊 Thanks
The RE20 may not have the most accurate sound, but it has a warmth and presence that is hard to beat with a characteristic sound that is pleasing to the ear. It also seems to be the most consistent and forgiving in regards to proximity and off axis response. My favorite.
No test can be perfect but bravo this is great. What I think you didn’t get to for the sake of being practical is the amount of control you get with the sm7 and when you have a powerful enough pre, the tones are much different. If you don’t do much in post, or don’t want to, the RE20 is for You IMO
Your work is magic. Thank you for being on top of your game; your work has helped many. I’m a hobby film maker and I am just now getting into studio microphone space. I bought a Blue Yeti last week and I am not impressed. I went against my philosophy; buy the best and cry once. I plan on doing more voiceovers on my videos and a podcast for my medical practice. The Yeti picked up to much background and sounded cheap in comparison. I guess I’ll bit the bullet snd order the RE20. I was buying the Rode NT but I’m sold on the RE20 now. You have a hooked on audio and you got yourself a new sub. 👍🏼 Cheers, Michael
Really one of the best videos showing the minute differences amongst these microphones. I own (4) EV RE20's, Neumann TLM103, CAD E100S, so this was valuable video to me. I also own another contender that was not tested the Sennheiser MD521 and MD441. l would say the MD421 would be a good comparison to the RE20 while the MD441 would compare more favorably to the RE27ND with a little brighter.response. The RE20, SM7B and MD421 just happen to be the top (3) broadcast dynamic microphones in the world for years. I also own a multitude of other Ribbons, Tube Condensers, FET/Solid State Condensers. Another rare microphone that I have is the Stedman N90 which is side-address dynamic which looks like a TLM103 with dynamic capsule wth Neodymnium (ND) magnet. Urban legend has it that the diaphragm is actually an OEM version of the RE27ND. Most of my dynamics were purchased for recording drums. Although I still have the Shure SM7B on my radar, I don't see it used on drums, but is still a desirable mic for voice and vocals (Think Michael Jackson Thriller). The RE20 has also been used on countless hits by Chicago, Paul.McCartney, Stevie Wonder and many others. Sennheiser MD421/MD441 have also been used.on many hit songs by Linda Ronstadt and Stevie Nicks. Another one of my condensers the AKG414EB is a workhorse on vocals. Thak you for spending the time you invested for getting this video right and making it fair. Still need to get a couple of Cloudlifters for my Dynamics and Ribbons...
Great review. I've had the opportunity to work with both the RE 20 and SM7B for a long time. Have always thought the SM7B sounded thin. The RE 20 can get muddy if you try to EQ too much especially the low end. Have never really been able to make it crisp and detailed either. It's a solid work horse though. Was really surprised that TLM 103 was only slightly more detailed. Not sure it was $500-$600 more detailed. Nice job with the video Mike!
I never realized talkers were so into gear until I started mic shopping. I just got one of these for recording vocals. So far, it is far less sibilant and harsh than every condenser mic I have ever tried. I love it so far. Great review. Cheers.
Excellent comparisons! Have long been a fan of the RE20 for broadcast. When outfitting a budget home studio, I opted for the Rode knockoff of the RE20 (Rode Procaster) and found it favorably comparable -at least to my ear.
Love all the love you're getting from everyone in the comments. Not even sure how many of us that watch you are voice actors (i'm not) but learning quite a bit about microphones nonetheless. They both sound great, but the RE20 seems to have more bass when you get close to it. But for $100 dollars less, SM7B is a great deal. :)
Booth Junkie ROCKS! I use a Shure SM7B -> FetHead -> Audient ID14. Sounds awesome to me. He mentioned a Presonus in this vid .. must be his booth interface as I know he uses an ID22 at the desk.
Wow... I just about pulled the trigger on a sm7b... Listened to this video with my Shure se215.... Completely changed my mind. The re20 was so much smoother it's dificult to find streamers with a voice as deep as mine and yours!
No doubt the RE20 sounded fuller in this comparison, but I think the SM7B would sound just as warm or warmer if you spoke directly into it. The RE20 sounds full even if you're a little bit off-axis, but the SM7B is a lot more sensitive to positioning. I like the SM7B sound a lot, but I don't think it's easiest mic to work with for a set-it-and-forget-it kind of work that self producing artists have to do. You have to work the sweet spot more. If you move your head when you're recording, the SM7B can have frequency shifts that are very difficult to work with. But man, it sounds nice if you have a vocalist who can stay on it.
Great test Mike - Thank you. Just as i'm going to bay a new microphone - so perfect thank you. My mind is set on The SM7B - but the Electro-Voice RE27N/D Dynamic Cardioid Multipurpose Microphone seem to be in the top as well. I was surprised at how cool a sound the CAD E-100S Audio Equitek E100S Large Diaphragm Supercardioid Condenser Microphone has - it seems super good. So thank You very much
I use an RE20 without a shock mount. It's just mounted on a mic stand. I can even adjust the mic position, while talking and it doesn't make a noise. It's not necessary.
True that. If the RE20 is on a table stand, the shock mount may be necessary. But on a floor stand, probably not and you can save your $99 (plus tax and shipping).
Hey Mike thanks for the reviewof the RE20 RE27,TLM103. Like how warm the RE20 was and the Proximty affect of it. About 7 months ago I got the AKG-P420. I am new to V.O, and just started getting coaching. Let me know what you think of the AKG P-420. Thanks for all you do on this channel. John
The nature of dynamic mics is why I'm maining an old Sennheiser ProfiPower (MD431), a pair of compressors and a noise-suppressor on top of that and it's so good, Ihaven't fallen in love with a mic ever since.
I like the “this is the better mic” statements, and I’ll prove it with my vast experience and unchallenged wisdom. Especially when we’re talking about something subjective like sound or taste. No doubt that the Shure is a top notch mic, or it wouldn’t be used as much as it is, but listening with professional cans (even with RUclips compression) the RE20 just sounded soo much better to my ears... with his voice. Which obviously means it’s the better mic and will sound fantastic on my voice and every other person who ever uses it... cased closed. Best broadcast mic ever. Thanks for the review, wish I had a deep baritone voice instead of sounding like a 12 year old girl on recordings. So much for my VO career. Oh well.
I was honestly going to pick the SM7B for the longest time and I have even tested a demo in-store. It is certainly more versatile, and I of course like that it has both a high pass filter and a presence boost, but I kinda feel like I almost like the RE-20 slightly more. Hmm, hard to choose.
the one thing to note between the SM7B and the RE20 is that the SM7's diaphragm (where the actual audio is picked up) is actually seated significantly further back than where your mouth would be (remove the windshield to see).
I've used both of these mics extensively in radio, both as an announcer and in production. I always preferred the Shure as they sound better over music (probably why they're favoured by both radio and music producers for voice.) The RE20 is fine on a cold read, but the SM7b cuts through a mix better, and is also easier to EQ as it's not as coloured as the RE20. Also, you can get the same nice warm sound from the SM7b as you can from an RE20... you just need to know how to use it. The RE20s were actually designed to get a more consistent sound from announcers who didn't have a clue how to work a microphone.
This is my only mic. I have a Scarlett 2i2 and use Reaper. GET A (pre)PREAMP! Cloudlifter is too expensive. Get Fethead or SE Dynamite for $99. I just slapped on an SE Dynamite and my EV RE20 ROARED TO LIFE! My God, I've never heard my eyelashes move through the air when I blink...but I do now! Great vid, Mike. Can you point me towards someone around NYC you could recomend for mic technique for a newbie?
The warmth and richness of the RE20 just pulls me. I notice that younger folks who didn't so much grow up with radio...tend like the brighter profile of the SM7B or RE320 more.
Some bonus trivia - the RE20 is one of the microphones Kurt Cobain used on Nirvana's In Utero album. So it's not just for voiceover, it can work for singing as well.
Absolutely. The RE 20 has been a singing staple for years. Among many many others, Stevie Wonder and Bonnie Raitt, both of whom know good sound and have access to any mic, have used it. Parenthetically, it remains a common first choice for kick drum in pro studios - another reason why decisions should always be made by ear and not on published frequency response curves. Even the cheapest mics boast 20-20K response. The high and low figures are not cut-off points, but selected dB down thresholds.
Excellent Quality Review ... the side by side , A to B to A to B and back is undeniably helpful. Thank You so much. As far as I could tell , the EV RE27ND seemed like it was a mixture of the RE20 and the TLM103... I think I might be leaning towards the 27ND ...
Wow. The RE20 compares very well to these other mics. Impressive. I knew it was good, but I still thought of it as "a dynamic" - i.e. far from the rich sound of various condensers.
I actually own a professional studio. The RE 20 with the cloud lifter seemed as good as the Neumann TLM103. In fact the EV RE20 was perfect for your voice and would not really need any additional EQ. The VOX on the RE 20 for your voice was so perfect if I needed more low end I would use a different mic and only use it for low end by pointing it at your chest(where bass comes from). I would then take the bass from the secondary mic to mix in with the primary mic in specific areas of a track where that amount of bass is needed to cut through the mix. I don't own an EV RE 20 yet but I'm about to order one. All the other mic's you tested, with the exception of the RE20 and TLM103, where slightly exaggerated in the mid-range which created a nasal sound that would have required a lot of EQ work during mixing to correct for.
Arcy Stem 'Compression" should never be used as part of your signal chain. The goal of any sound technician is to get a perfect dry take before doing any damaging audio processing. If you record with a compressor you can't get it out and it will make your recording sound like it has no soul. Kind of how you sounded like you had no soul when you decided to use childish profanity in your previous post. Please take the time to get an education on audio engineering from a university so you may learn how to record properly,
Hey Mike, I love my RE20, I happen to be an EV dynamic freak in general. I record music as well and any of the older EV RE series mics are sturdy, honest, versatile workhorses that thrive in less than ideal environments. As far as mic boosters are concerned....I've had great success with the Klark Teknik CT 1. They can be had for about 30 bucks from various vendors. Reasonably priced alternative to the Cloud Lifter etc., Yet I never hear anyone make mention of them.
I chose the sm7b over the re20 but this review shows me that I should have gone with the re20. When you get up close the difference is negligible almost unnoticeable but as demonstrated the eq is preserved so well as you distance yourself from the 20 compared to the sm7b. As you distance yourself from the sm7b the sound gets WAY thinner.
Nice review, I think RE20 it’s the best for your voice, natural and easy to mix. I also have one and use a lot on many sources, works great with a good preamp and sometimes a with little compression on the way in. Thanks!
The cloudlifter really does accentuate the differences between the two. Your voice on the RE20 sounds richer to my ears (maybe a more pronounced low to low-mid range), and thinner on the SM7B. Could be the proximity effect... but that's just what I noticed.
Great job! I am a major Shure fan and use one whenever I am singing. However, for my home PC setup, there is only one mic I use, and that would be the RE20, on a 2i2 Interface.
Holy shit, the difference on your voice is really remarkable compared to the SM7B. The RE20 is remarkably better for you. I'd probably go with the SM7B for female talent. This is the first of your $400 mic reviews that has me really wanting to upgrade.
I like the RE20 a lot but the price is very high, Its now 2020 and a lot of new dynamic voice oriented mics have appeared so it would be nice to do an uptodate comparison, the mic Im thinking of is the newish Sontronics Podcast pro which comes in at a fraction of cost compared to the RE20. Nice review thou.
RE20 ver the SM7B for sure. Sounds much warmer and more natural. Surprisingly sounds really similar to the Neumann. I just recently bought the RE320 and really like it so far. I use it for more rock vocals and instruments so the added gain and brighter sound is why I went with it over the RE20. EV makes awesome products all around though.
Thanks for the reviews. I'm slowly trying to break in to this, but I'd love it if you can talk through the way you have your interface (XLR to PC) setup. I'm running a Tascam US800 which seems to be doing well in anything other than Windows 10 (Paired with a cheap Behringer C1) - It's time to potentially change to over to something else for compatibility reasons. As well as upgrade the Mic.
I’ve spent A LOT of time on that mic as a radio jock (aka “radio DJ”). Not the best sounding mic but it works good for FM broadcasting. The AM stations I worked used different mics. I didn’t use the RE-20 on AM. I mostly used the Sennheiser MD421 on AM radio. Not sure if there was a reason the stations chose different gear of if it was coincidence.
The 421's tend to sound very brittle, which aids in AM intelligibility due to AM's limited audio bandwidth. Without some sort of pop filter the 421 is also way less forgiving to bad mic technique.than the RE20.
I use an RE20 (used it in radio news, works well with my voice, and for my saxophone playing) and a Rode NT2, but usually opt for the RE20 because of it's dynamic dropoff for noise. I'm sure you hear much more difference in the mics in the studio than we do here on RUclips because of the video compression etc. I find that unless the differences are glaring, they all pretty much sound the same once exported as a video and then run through YT processing. but I enjoy the reviews nonetheless... the RE27 definitely sounded brighter than the RE20. Have you ever tried a Heil PR40? supposed to be the RE20 Killer. I did a comparison a few years back, and stuck with the EV. ;)
Hey man, I'm starting with video voice overs (narration to animated presentations) and podcasts. I was wondering if in your experience, the NT2 is SIGNIFICANTLY different from the, say, NT1/Procaster/Broadcaster, or the RE20. Any comment (in whatever direction) and tips would be appreciated Thanks!
I really like that RE20 on your voice. Never been a big fan of SM7Bs, Cloudlifter or not. The Cloudlifter does increase the "treble" and decrease "bass" in your test here on my listening station.
it does sound nice RE 20, but i personally think the condenser mics sound much nicer to the ear. at least to my ears that is. RE 20 though sounds way better than the so called "big sibling'" as always mike great review! its because of your vids i bought a nice mic!! Rode NT1 that is.
The RE20 is a proven winner for broadcasters. I spent 41 years in radio and for many of those years, including at the network level, the RE20 was the mic that greeted me each day. At my last station they actually switched out Shure SM7's (original style) for RE20's and the audio upgrade (with processing, of course) was quite noticeable on the air. Today I do some limited voice work and my home studio mic is, guess what? The RE20! The SM7 and SM7B's are excellent mics, but I prefer the RE20 for my voice. As you probably know, Michael Jackson used the SM7 for many if not most of his recordings, including the legendary "Thriller" album.
I have done clubs professional audio for 22 years my experience is in speakers and general professional audio equipment no much in microphones but I want to share a quality opinion, I used all the commercial speakers brands , the quality of EV in 15" and 18" subwoofers is the best, we done tests and no other brand punch the bass beats in your chest @ the same power and configuration, EV been in business forever and they have hands down quality products. This is what happen with amplifiers, when you start to get close to the max capacity is when the amplifiers enter to the range of distortion/noise, if you have a more powerful amplifier you need less turn of the knob for get the same end power witch means the amplifier is working in the harmonic range and also cold giving you a more crisp and clean quality sound. This apply to the power amplifier but is the same principle managing signals, if you are in the max of your gain knob you are amplifying also noise in some cases can be more audible than others but are easy to see in a Oscilloscope.
To my ears (and through RUclips's compression) the RE20 makes your voice sound like gold. SM7B, E100S AND RE27 sound thinner in comparison. The TLM103 sounds similar to the RE20 when you get closer to it.
Your reviews are excellent and provide great insight into these mics performance.
I typically don't like more conversational reviews, but you do it expertly. You keep it entertaining and informative. Keep up the good work.
when my two favorite youtubers for microphones interact :o
@KazumaY19 What a time to be alive
You know how you quietly hope that one day mom and dad will start talking to each other again? Seeing Bandrew comment and approve on one of Mike's videos really is the next best thing
hey podcastage. thanks for your answer in one of your Videos ^^
man that re20 mic sounds so warm on your voice it's putting me to sleep, good job sir.
Score Moore me too I was getting tired when I was listening to the mic tests lol
In the first minute, I was ready to listen to him speak all day, what a legendary mic. Sounds absolutely amazing.
It's perfect for his voice, listening to his reviews with his mic has me sold on it and when I listen to others reviews I'm not so sure.
Honestly, I started nodding off 😃😃😃
It sounds crap for me tlm 103 much more warmer
Everyone’s mileage varies, but I’ll give you mine: At least on my voice, nothing sounds like an RE20 (which is to say, nothing sounds as good). I’ve worked in radio since 1984, and I’ve used Shure SM57/58’s, RCA BK-11 (and 44DX, 77), Sennheiser 421, Heil PR40, Audio Technica AT812, Rode Broadcaster, other EV mics (666, RE11, RE50, 635A) and several others…so I’ve been able to compare it to other options, and the combination that I always come back to is the ElectroVoice RE20 with a Symetrix 528E voice processor. The Symetrix provides a mic preamp, de-esser, compressor, and EQ, as well as an output stage to level match to whatever piece of equipment comes next (perhaps a mixer, console or sound card).
The RE20/528E combination is a classic one that many radio stations have used. Now that digital processing is more common, some stations prefer that to the 528E, but it was a popular solution for something like 15 or 20 years. I find the RE20 responds exceptionally well to the processing options offered by the 528E, and it appears I was not alone.
Having used such a variety of mics, including ribbons and condensers, I can tell you exactly why I like the RE20. Besides the sound itself, which I already noted becomes even better with the enhancements of the 528E processor, I find that the RE20 has less self-noise than its sister mics in the same line (RE320, RE27 N/D). Being a not overly sensitive dynamic mic, I find it works well in situations where a condenser mic tends to pick up TOO well. In my experience, condenser mics capture every little sound from the HVAC vents, the laughter from just outside the not-altogether-soundproof studios, and the sirens passing outside on the boulevard…so I don’t really need a Cloudlifter, Fethead or any other inline pre-preamplifier. EV RE20 allows me to run the mic level lower, get closer to it, and gate it with the compressor on my processor, creating recordings that are quieter than my room actually is while not having to deal with proximity effect because of the Variable-D technology. And the RE20 design has been basically unchanged for these 50 years, so again, it must be working for a great many people besides just me. (However, you can also say that about the longevity of Shure 57/58 and SM7B, to be fair.)
Your studio may be quieter, and your voice may be better than mine (this is highly likely), so you may find a better alternative for your situation…and for full disclosure, I’ve not used Shure SM7B, any of the Neumann mics, or any of the AKG line, so I may also someday find an alternative that works better for me than RE20 (although I haven’t yet in 35 years).
All of this said, I circle back around to my opening statement, that everyone’s mileage varies. We can argue digital vs. analog, tubes vs. solid state and boxers vs. briefs all day long, but at the end of the day, you take all the advice with a grain of salt, do your own research and find the one that works best for you. Knowing that a certain design has had a long life and worked for a lot of people is a great place to start, but that’s just the beginning. You gotta walk this lonesome valley by yourself, nobody else can walk it for you, etc., so happy hunting! Your best choice mic is out there somewhere.
This is THE broadcast radio mic. Virtually every commercial radio station from coast to coast uses theses. I’ve used nearly a half dozen of these on-air and in the production studios of several radio stations, on both AM and FM, over the years.
I can guarantee that if you’re an American and have ever listened to the radio, you’ve heard this mic. Excellent quality.
...and another excellent review by Mike.
The Electro Voice RE20 was a big win in my ears, I honestly preferred it's smoothness even over the TLM103, I know I'm gonna be called blasphemous for saying that but it's true, it won unanimously, I will also say the E100s actually was the closest to it from where I was sitting both had that beautiful smooth tone, that works really well on your voice, more so than the TLM103.
No, you’re right. The RE20 is the best all around microphone ever made in my opinion. There’s a reason it’s still the #1 mic in radio for something like 30 years. It’s just phenomenal.
agree 100%
@@adamspeaking373 The reason it's the #1 mic in radio is because of announcers who have no idea how to "work" a microphone. They were actually designed to get a more consistent sound no matter how you use it. It's the "automatic transmission" of microphones. I used both extensively during a 27 year career in radio (announcing AND production) and the SM7b is a better mic all around... IF you know how to use it.
@@garystackhouse5787 That's probably because you can modulate properly and you enjoy the low end, but the sound is a bit distorted in a way that some people love it. I can listen to a more detailed voice with the RE20, I don't like to tweak mics because I work with music and there is already too much that changes if the mix is too busy. Horses for courses :)
103 is overrated because of its name. It's hyped in a totally false way in the presence band.
This mic is a classic and has been around since 1968. Where the Shure Super 55 mic would be the Rolls Royce of mics, the Electro Voice would be the Bentley. The RE20 has been used in nearly every radio station in the country for decades. I used it back in the late '70s at KEZY 1190 AM in Anaheim California and totally fell in love with it. Like the Shure, it's a total workhorse and built like a tank. I really loved seeing this mic on your channel. It's not just a mic to me, but a piece of my history. Lots of fond memories. Peace brother.
I have owned one (in the shock mount) since 1980! GREAT mic. I have always preferred it over Shure SM7B and Sennheiser MD421. It’s right for my voice. Almost every radio station in America uses one of these three… the RE-20 is most honest, so it’s probably the most popular among announcers.
The RE20 sounds better to me than the SM7B in terms of overall quality. I can't put it in words, but there isn't as much clarity in the SM7B as there is in the RE20. But that's all I can really say.
The SM7B sounds thinner, or the RE20 more warm...
SM7B's frequency response only goes down to 50 hertz so it doesn't really pick up the super low sub-bass frequencies in his voice. It's just overall more tinny sounding and you can tell that it's lacking the sub-bass.
The SM takes eq and compression better than a more colored mic would be able to, the EV included, IMO.. It’s just less work when you’re not fighting a microphone ‘s coloration. The 7B was good enough for the engineers of countless records, even Thriller was rumored to have used it..
The RE is absolutely my choice for doing voiceover work specifically. Anything music related however, the 7B is a go to for rock artists, metal, anyone with a warm sounding voice or guitar cabinets, bass guitar, it’ll even do drums if you ask it nicely enough. More versatile imo.
That is probably caused by the foam on the sm7b. Re20 sounds much more organic and natural.
Sm7b is much much dryer in the sound.
The Shure sounds kind of cold, and bright, and the Electrovoice sounds so warm and comfy! I can see why people love it.
I guess overhyped lows are "warm"
Hey Mike, I dunno if your going to see this... But I just wanted to say thank you for these videos.
I know you probably don't think anything of it, but your videos are a HUGE insight to those of us who are ignorant to the inner workings of voice recording and sound production. I've learned so much from your videos and I just wanted to give you some encouragement and praise. I really appreciate the professional insight you offer and I've learned some invaluable lessons from your videos. You are a great teacher, and you make the act of using you voice as an instrument so accessible. You're talent is unmistakable, and I appreciate all the time and effort you've put into helping others. It's truly remarkable! I wish you the best, and I always look forward to your videos! I can proudly call myself a booth junkie from here on out!
Loving the content brutha - LOVE my RE20 and 320
NOOOO
What is the difference brother
I got a 320 recently and am really liking it so far. I dont do a lot of voice overs and more rock music so it suits me a little better. Especially for kick drums theyre great
@@chickenmuffin 320 has more high end
I used to have the EV RE20 during my radio days - loved it! For at home, I decided to go for the 'younger' sibling, the RE320 - any chance you'll get your hands on that one for a direct comparison, Mike? Thanks for keeping the reviews coming - awesome work!
SM7b is intended to be usd right up on the foam, utilizing the Prox, and it sounds great that way, but ba if you are off mic. the RE20 is designed to minimize that effect and sounds pretty good up close, but I find the SM7b to be a better mic for electric guitars and other instruments, and the RE20 to feel really hollow on anything other than male vocals. Hard choice, but I think the SM7b is actually a more versatile mic, as long as you have a ton of gain and get super close.
You have a million dollar voice, you will sound great on a 50 $ microphone :)
I just love the sound of the RE20. Maybe I'm used to it, but to my ears it sounds so nice and cozy. A lot cozier than the SM7b, which I think sounds a bit flatter and boxy. RE20 and CAD e100s (a bit more clarity) sound both very nice to me. And funnily, I thought the TLM and RE20 sound the most similar of all comparisons in that video (except proximity effect, which is clearly different) ;)
Re20 so much better - looks great - siounds even better. Thanks for this review. I just bought an RE20
Thanks for the test. I tried the Sm7b, re27, and re20. With my voice the Sm7b with presence worked best. But with others the other mics were better. Mics seem to be very person dependent
jerry kurata i wonder which ine should i get for mu alto voice. could u check my utube channel videos to suggest me a brand?
Absolutely, different mics. suits different voices. there's no "one fits all". For me, I find the RE20 warm and pleasing IMO. The sm7b on me sounds a bit dull and flat (I guess that's one of the selling points) I just like the sound more warm and calm if that's a way to explain it.
I ended up the Senn 416 for voice over, and the Deity D3 pro for Zoom and other online conferencing
Finally the mic for you!
RE 20 is the best sounding mic compared to all the other mics for you voice.
If I was you, I would sell the SM7, TLM, then I would buy this incredible RE 20 mic.
All other mics that you were comparing to the RE 20, sound like plastic toys.
No more pop filters and finding the perfect position in front of the mic.
I wish I could afford this mic, I would get one, and never look back.
Perfect match!
Thank you Mike and keep up the good work!
Peace out from Bosnia bro!
Sani
Wow! That mic sounds SO good. Stellar on your voice.
I own the SM7B and RE20 both. SM7B is a better all-rounder all-purpose mic; great at most things - not bad at anything. RE20, while not great for song vocals in my experience, is absolutely amazing on podcasts, broadcasts, etc.
Thanks, Mike. Nice seeing this. I have the RE20 going into a cloud lifter for a couple years now. I run mine into a 12 channel Mackie mixer into the USB into my computer. I have been wondering how it compared to the Neumann. So glad I found this video. 😊 Thanks
How does it sound without the cloudlifter, and the Mackie on full?
The RE20 may not have the most accurate sound, but it has a warmth and presence that is hard to beat with a characteristic sound that is pleasing to the ear. It also seems to be the most consistent and forgiving in regards to proximity and off axis response. My favorite.
Its more accurate than most other dynamic mics including sm7b
No test can be perfect but bravo this is great. What I think you didn’t get to for the sake of being practical is the amount of control you get with the sm7 and when you have a powerful enough pre, the tones are much different. If you don’t do much in post, or don’t want to, the RE20 is for You IMO
Your work is magic. Thank you for being on top of your game; your work has helped many. I’m a hobby film maker and I am just now getting into studio microphone space.
I bought a Blue Yeti last week and I am not impressed. I went against my philosophy; buy the best and cry once.
I plan on doing more voiceovers on my videos and a podcast for my medical practice. The Yeti picked up to much background and sounded cheap in comparison.
I guess I’ll bit the bullet snd order the RE20. I was buying the Rode NT but I’m sold on the RE20 now.
You have a hooked on audio and you got yourself a new sub. 👍🏼
Cheers, Michael
Really one of the best videos showing the minute differences amongst these microphones. I own (4) EV RE20's, Neumann TLM103, CAD E100S, so this was valuable video to me. I also own another contender that was not tested the Sennheiser MD521 and MD441. l would say the MD421 would be a good comparison to the RE20 while the MD441 would compare more favorably to the RE27ND with a little brighter.response. The RE20, SM7B and MD421 just happen to be the top (3) broadcast dynamic microphones in the world for years. I also own a multitude of other Ribbons, Tube Condensers, FET/Solid State Condensers. Another rare microphone that I have is the Stedman N90 which is side-address dynamic which looks like a TLM103 with dynamic capsule wth Neodymnium (ND) magnet. Urban legend has it that the diaphragm is actually an OEM version of the RE27ND. Most of my dynamics were purchased for recording drums. Although I still have the Shure SM7B on my radar, I don't see it used on drums, but is still a desirable mic for voice and vocals (Think Michael Jackson Thriller). The RE20 has also been used on countless hits by Chicago, Paul.McCartney, Stevie Wonder and many others. Sennheiser MD421/MD441 have also been used.on many hit songs by Linda Ronstadt and Stevie Nicks. Another one of my condensers the AKG414EB is a workhorse on vocals. Thak you for spending the time you invested for getting this video right and making it fair. Still need to get a couple of Cloudlifters for my Dynamics and Ribbons...
Thanks for the great review. Had already got this mic but wanted to hear and overview and this was perfect!
Today I've been researching for a new voice recording setup, let me just say that you are doing some excellent work my man. Excellent stuff!
Great review. I've had the opportunity to work with both the RE 20 and SM7B for a long time. Have always thought the SM7B sounded thin. The RE 20 can get muddy if you try to EQ too much especially the low end. Have never really been able to make it crisp and detailed either. It's a solid work horse though. Was really surprised that TLM 103 was only slightly more detailed. Not sure it was $500-$600 more detailed. Nice job with the video Mike!
I never realized talkers were so into gear until I started mic shopping. I just got one of these for recording vocals. So far, it is far less sibilant and harsh than every condenser mic I have ever tried. I love it so far. Great review. Cheers.
I've been using an RE20 for over a decade and absolutely love it!
Excellent comparisons! Have long been a fan of the RE20 for broadcast.
When outfitting a budget home studio, I opted for the Rode knockoff of the RE20 (Rode Procaster) and found it favorably comparable -at least to my ear.
Love all the love you're getting from everyone in the comments. Not even sure how many of us that watch you are voice actors (i'm not) but learning quite a bit about microphones nonetheless. They both sound great, but the RE20 seems to have more bass when you get close to it. But for $100 dollars less, SM7B is a great deal. :)
That RE20 sounds buttery smooth with a nice broad field of sound, had to go pick one up - Thanks for the video
Great review ! The re20 is much warmer than the sm7b. I was looking to pick up one of the two and I like the re20. Definitely my choice.
Great review as always Mike! You nailed every comparison I was looking for to the RE20. Not regretting the purchase of a RE20 at all :)
Booth Junkie videos are great. Not only informative, but premium entertainment, too.
I've always loved my RE20 and watching this video confirmed why. Thanks man!
Good job man! Love the seamless switching between the mics, you can easily tell the difference that way.
Booth Junkie ROCKS! I use a Shure SM7B -> FetHead -> Audient ID14. Sounds awesome to me. He mentioned a Presonus in this vid .. must be his booth interface as I know he uses an ID22 at the desk.
LOL. Really? Do you have an intelligent reason why you say such a silly thing?
Wow... I just about pulled the trigger on a sm7b... Listened to this video with my Shure se215.... Completely changed my mind. The re20 was so much smoother it's dificult to find streamers with a voice as deep as mine and yours!
That is is a great sounding microphone...balanced and transparent...wow!
Grabbed an RE20, combined it with the DBX 286S preamp, turned that gain up, wow mommy. That sound is so crisp and clean.
No doubt the RE20 sounded fuller in this comparison, but I think the SM7B would sound just as warm or warmer if you spoke directly into it. The RE20 sounds full even if you're a little bit off-axis, but the SM7B is a lot more sensitive to positioning. I like the SM7B sound a lot, but I don't think it's easiest mic to work with for a set-it-and-forget-it kind of work that self producing artists have to do. You have to work the sweet spot more. If you move your head when you're recording, the SM7B can have frequency shifts that are very difficult to work with. But man, it sounds nice if you have a vocalist who can stay on it.
Great test Mike - Thank you. Just as i'm going to bay a new microphone - so perfect thank you. My mind is set on The SM7B - but the Electro-Voice RE27N/D Dynamic Cardioid Multipurpose Microphone seem to be in the top as well. I was surprised at how cool a sound the CAD E-100S Audio Equitek E100S Large Diaphragm Supercardioid Condenser Microphone has - it seems super good. So thank You very much
Gotta say, that RE20 pairs so well with your voice, SM7b has just a little more ruffage.
Love your reviews! but I think I'm going mic crazy because now when I'm watching the news I'm like "hmmm that's an RE20."
I use an RE20 without a shock mount. It's just mounted on a mic stand. I can even adjust the mic position, while talking and it doesn't make a noise. It's not necessary.
True that. If the RE20 is on a table stand, the shock mount may be necessary. But on a floor stand, probably not and you can save your $99 (plus tax and shipping).
Hey Mike thanks for the reviewof the RE20 RE27,TLM103. Like how warm the RE20 was and the Proximty affect of it. About 7 months ago I got the AKG-P420. I am new to V.O, and just started getting coaching. Let me know what you think of the AKG P-420. Thanks for all you do on this channel. John
The nature of dynamic mics is why I'm maining an old Sennheiser ProfiPower (MD431), a pair of compressors and a noise-suppressor on top of that and it's so good, Ihaven't fallen in love with a mic ever since.
I like the “this is the better mic” statements, and I’ll prove it with my vast experience and unchallenged wisdom. Especially when we’re talking about something subjective like sound or taste.
No doubt that the Shure is a top notch mic, or it wouldn’t be used as much as it is, but listening with professional cans (even with RUclips compression) the RE20 just sounded soo much better to my ears... with his voice. Which obviously means it’s the better mic and will sound fantastic on my voice and every other person who ever uses it... cased closed. Best broadcast mic ever.
Thanks for the review, wish I had a deep baritone voice instead of sounding like a 12 year old girl on recordings. So much for my VO career. Oh well.
I could listen to the re20 all day
I was honestly going to pick the SM7B for the longest time and I have even tested a demo in-store. It is certainly more versatile, and I of course like that it has both a high pass filter and a presence boost, but I kinda feel like I almost like the RE-20 slightly more. Hmm, hard to choose.
It's great hearing actual pro opinions of these mics! I'd love to see a comparison including the Heil PR 40. Keep it up! :)
PR-40 is a great Mic 🎙️
Where style meets substance these are the best general mic reviews on RUclips.
the one thing to note between the SM7B and the RE20 is that the SM7's diaphragm (where the actual audio is picked up) is actually seated significantly further back than where your mouth would be (remove the windshield to see).
I've used both of these mics extensively in radio, both as an announcer and in production. I always preferred the Shure as they sound better over music (probably why they're favoured by both radio and music producers for voice.) The RE20 is fine on a cold read, but the SM7b cuts through a mix better, and is also easier to EQ as it's not as coloured as the RE20. Also, you can get the same nice warm sound from the SM7b as you can from an RE20... you just need to know how to use it. The RE20s were actually designed to get a more consistent sound from announcers who didn't have a clue how to work a microphone.
This is my only mic. I have a Scarlett 2i2 and use Reaper. GET A (pre)PREAMP! Cloudlifter is too expensive. Get Fethead or SE Dynamite for $99.
I just slapped on an SE Dynamite and my EV RE20 ROARED TO LIFE! My God, I've never heard my eyelashes move through the air when I blink...but I do now!
Great vid, Mike.
Can you point me towards someone around NYC you could recomend for mic technique for a newbie?
The warmth and richness of the RE20 just pulls me. I notice that younger folks who didn't so much grow up with radio...tend like the brighter profile of the SM7B or RE320 more.
As a younger folk who didnt grow up with radio, i love the re20
Some bonus trivia - the RE20 is one of the microphones Kurt Cobain used on Nirvana's In Utero album. So it's not just for voiceover, it can work for singing as well.
Absolutely. The RE 20 has been a singing staple for years. Among many many others, Stevie Wonder and Bonnie Raitt, both of whom know good sound and have access to any mic, have used it. Parenthetically, it remains a common first choice for kick drum in pro studios - another reason why decisions should always be made by ear and not on published frequency response curves. Even the cheapest mics boast 20-20K response. The high and low figures are not cut-off points, but selected dB down thresholds.
It also works great for Orchestral and Solo instrumental use. Most of my Mics are E-V
Bob Dylan used it for "Blood on the Tracks" LP (circa 1976 I think)
Excellent Quality Review ... the side by side , A to B to A to B and back is undeniably helpful. Thank You so much. As far as I could tell , the EV RE27ND seemed like it was a mixture of the RE20 and the TLM103... I think I might be leaning towards the 27ND ...
Wow. The RE20 compares very well to these other mics. Impressive. I knew it was good, but I still thought of it as "a dynamic" - i.e. far from the rich sound of various condensers.
This video shows that you need to use the Cloudlifter. It makes a huge difference to me.
Sooo! Helpful when you explain the terminology and use the features to allow me to hear it in action. Thx!!
I actually own a professional studio. The RE 20 with the cloud lifter seemed as good as the Neumann TLM103. In fact the EV RE20 was perfect for your voice and would not really need any additional EQ. The VOX on the RE 20 for your voice was so perfect if I needed more low end I would use a different mic and only use it for low end by pointing it at your chest(where bass comes from). I would then take the bass from the secondary mic to mix in with the primary mic in specific areas of a track where that amount of bass is needed to cut through the mix. I don't own an EV RE 20 yet but I'm about to order one. All the other mic's you tested, with the exception of the RE20 and TLM103, where slightly exaggerated in the mid-range which created a nasal sound that would have required a lot of EQ work during mixing to correct for.
Arcy Stem 'Compression" should never be used as part of your signal chain. The goal of any sound technician is to get a perfect dry take before doing any damaging audio processing. If you record with a compressor you can't get it out and it will make your recording sound like it has no soul. Kind of how you sounded like you had no soul when you decided to use childish profanity in your previous post. Please take the time to get an education on audio engineering from a university so you may learn how to record properly,
Not sure why you're using a cloud lifter if you own a professional studio
Go for it micjen8152 - I hope you got your E-V RE20 - get two while you're at it - for Stereo use - that's what I did!
One of the most common places someone might have seen the RE20 is on Frasier! It's the mic he uses on his radio show.
Have you tried the RE320? That's my favourite! Good middle ground between the RE20 and 27.. They really nailed the EQ and it has a very hot signal
Re20 and 103 weirdly similar. RE20 sounds the best I think.
Bruh it was really hard to tell the difference too 👀 I think we just figured some out some shite they don’t want us to know
Hey Mike, I love my RE20, I happen to be an EV dynamic freak in general. I record music as well and any of the older EV RE series mics are sturdy, honest, versatile workhorses that thrive in less than ideal environments. As far as mic boosters are concerned....I've had great success with the Klark Teknik CT 1. They can be had for about 30 bucks from various vendors. Reasonably priced alternative to the Cloud Lifter etc., Yet I never hear anyone make mention of them.
RE 20 !
I chose the sm7b over the re20 but this review shows me that I should have gone with the re20. When you get up close the difference is negligible almost unnoticeable but as demonstrated the eq is preserved so well as you distance yourself from the 20 compared to the sm7b. As you distance yourself from the sm7b the sound gets WAY thinner.
Nice review, I think RE20 it’s the best for your voice, natural and easy to mix. I also have one and use a lot on many sources, works great with a good preamp and sometimes a with little compression on the way in. Thanks!
The cloudlifter really does accentuate the differences between the two. Your voice on the RE20 sounds richer to my ears (maybe a more pronounced low to low-mid range), and thinner on the SM7B. Could be the proximity effect... but that's just what I noticed.
*Love* your videos - they're educational, and lots fun too! :-)
Great job! I am a major Shure fan and use one whenever I am singing. However, for my home PC setup, there is only one mic I use, and that would be the RE20, on a 2i2 Interface.
Holy shit, the difference on your voice is really remarkable compared to the SM7B. The RE20 is remarkably better for you. I'd probably go with the SM7B for female talent. This is the first of your $400 mic reviews that has me really wanting to upgrade.
The Cloudlifter DOES change the sound! I'm listening thru cans, and the difference IS noticeable.
Matthew Barnes yes it sounds more alive, like frequencies are missing without it.
YES! you finally got the re20!
Thanks for delving into dynamic mics.
Wish I'd heard this before buying 7B! RE seems to have rounder, smooth bass, at standard distance.
I like the RE20 a lot but the price is very high, Its now 2020 and a lot of new dynamic voice oriented mics have appeared so it would be nice to do an uptodate comparison, the mic Im thinking of is the newish Sontronics Podcast pro which comes in at a fraction of cost compared to the RE20. Nice review thou.
RE20 ver the SM7B for sure. Sounds much warmer and more natural. Surprisingly sounds really similar to the Neumann. I just recently bought the RE320 and really like it so far. I use it for more rock vocals and instruments so the added gain and brighter sound is why I went with it over the RE20. EV makes awesome products all around though.
Thanks for the reviews. I'm slowly trying to break in to this, but I'd love it if you can talk through the way you have your interface (XLR to PC) setup. I'm running a Tascam US800 which seems to be doing well in anything other than Windows 10 (Paired with a cheap Behringer C1) - It's time to potentially change to over to something else for compatibility reasons. As well as upgrade the Mic.
That RE20 sounded really good, at least on your voice! :) It holds its own against the Neumann TLM 103!
Miss your vids Sr! hope you back soon with this amazing tests. Regards
I’ve spent A LOT of time on that mic as a radio jock (aka “radio DJ”). Not the best sounding mic but it works good for FM broadcasting. The AM stations I worked used different mics. I didn’t use the RE-20 on AM. I mostly used the Sennheiser MD421 on AM radio. Not sure if there was a reason the stations chose different gear of if it was coincidence.
The 421's tend to sound very brittle, which aids in AM intelligibility due to AM's limited audio bandwidth. Without some sort of pop filter the 421 is also way less forgiving to bad mic technique.than the RE20.
It's widely rumored among the Boston recording engineering community, that Tom Scholz used an RE-20 on Brad Delp's vocal tracks.
Proximity Effect was interesting. Thumbs Up! great comparison and info.
Best dynamic on the market. Coming from someone who owned the SM7B for 3 years.
I use an RE20 (used it in radio news, works well with my voice, and for my saxophone playing) and a Rode NT2, but usually opt for the RE20 because of it's dynamic dropoff for noise. I'm sure you hear much more difference in the mics in the studio than we do here on RUclips because of the video compression etc. I find that unless the differences are glaring, they all pretty much sound the same once exported as a video and then run through YT processing.
but I enjoy the reviews nonetheless... the RE27 definitely sounded brighter than the RE20. Have you ever tried a Heil PR40? supposed to be the RE20 Killer. I did a comparison a few years back, and stuck with the EV. ;)
Hey man, I'm starting with video voice overs (narration to animated presentations) and podcasts. I was wondering if in your experience, the NT2 is SIGNIFICANTLY different from the, say, NT1/Procaster/Broadcaster, or the RE20. Any comment (in whatever direction) and tips would be appreciated Thanks!
The RE 20 is also very popular on a Kick Drum.
CANNON !!! 😀
Excellent Comparison, I am looking for a good bass mic and this made up mind.
I own this mic. I love it. I use it for voice work and when I DJ upscale parties (they often ask if I'm setting up a radio broadcast. lol)
You're doing the Lord's work.
I really like that RE20 on your voice. Never been a big fan of SM7Bs, Cloudlifter or not. The Cloudlifter does increase the "treble" and decrease "bass" in your test here on my listening station.
it does sound nice RE 20, but i personally think the condenser mics sound much nicer to the ear. at least to my ears that is. RE 20 though sounds way better than the so called "big sibling'" as always mike great review! its because of your vids i bought a nice mic!! Rode NT1 that is.
i still hear the proximity effect on RE20. I don't know why they say it's eliminated??
The RE20 is a proven winner for broadcasters. I spent 41 years in radio and for many of those years, including at the network level, the RE20 was the mic that greeted me each day. At my last station they actually switched out Shure SM7's (original style) for RE20's and the audio upgrade (with processing, of course) was quite noticeable on the air. Today I do some limited voice work and my home studio mic is, guess what? The RE20! The SM7 and SM7B's are excellent mics, but I prefer the RE20 for my voice. As you probably know, Michael Jackson used the SM7 for many if not most of his recordings, including the legendary "Thriller" album.
I have done clubs professional audio for 22 years my experience is in speakers and general professional audio equipment no much in microphones but I want to share a quality opinion, I used all the commercial speakers brands , the quality of EV in 15" and 18" subwoofers is the best, we done tests and no other brand punch the bass beats in your chest @ the same power and configuration, EV been in business forever and they have hands down quality products.
This is what happen with amplifiers, when you start to get close to the max capacity is when the amplifiers enter to the range of distortion/noise, if you have a more powerful amplifier you need less turn of the knob for get the same end power witch means the amplifier is working in the harmonic range and also cold giving you a more crisp and clean quality sound. This apply to the power amplifier but is the same principle managing signals, if you are in the max of your gain knob you are amplifying also noise in some cases can be more audible than others but are easy to see in a Oscilloscope.
To my ears (and through RUclips's compression) the RE20 makes your voice sound like gold. SM7B, E100S AND RE27 sound thinner in comparison. The TLM103 sounds similar to the RE20 when you get closer to it.
Great review. Extremely helpful!!! Thank you. 🙏🏾☝🏾✊🏾💪🏾