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I am facing a problem where suddenly it starts to paint another texture around the edges and it has happened multiple times already. Maybe it is some sort of problem in the blueprint but it worked for multiple days before.

Great tutorial, helped me a lot in understanding the thing :)

Important Workflow to add/see Masks from Gaea/Houdini into Unreal Engine 5

where link to 80.lv article with reduce repeet variations?

may I ask which license do you use? pro or personal?

i have no displacement slot in the result node of the material, why? D;

thx you

Man, thank you so much! Helped to resolve an issue with RVT and distance blend.

Bumpoffset with World Aligned would be nice.. I dont know how i connect these things

you are the king Kirk

KIRK MY BOY THANKYOU.

Wey te amo

When I turn on nanite with world partition it messes up the material. It creates seams at every landscape square. It looks like the material no longer tiles properly anymore.

Thanks for the tutorial Kirk, I found one problem in this video, when you plug the declaration nodes into the blend function, you didnt plug the masked ouput.

Does anybody know how to fade the hard edges of a landscape map to transparent?

r.streaming.poolsize 100000

You're great!

Good video. Ive been looking like a fkn idiot for OOOOOOOONNNNNNNNNNNEEEEEEEEEEE person in the world to show how to create the alpha brush. I guess no one in the world can make it on camera. Good video, the copy trick was awesome

I have wayyy too many trees and dont see where you covered to lessen the amount. Help?

Hi Kirk, just wanted to say i'm following the BWV2 series along and this is the video i'm up to so far. I will probably write up some more detailed feedback on the series once ive completed it fully, but I just wanted to say to yourself and also to any potential newcomers to the channel that this series is great, Im a beginner and im taking ALOT from it, I've tried alot of tutorials and you seem to get through to me the best. If you are contemplating investing the time into following along, stop thinking and get involved. I did want to join the membership plan but I cant find a join button, so i'm assuming its currently not available. I've joined the discord and will send a donation over to support the channel, once I have finished the series. All the best, And thank you so much. - Mike.

Hey Kirk, great video! i'm stuck in the position you was in, my textures are staying black, even after clicking the top right. Any suggestions?

eeeh? The poolsize limit should be value=MB from what i'v been told. 100 000 000 MB = 100 000GB streaming pool size? Should be enough with 10 000 MB

Hi Kirk, First off, thank you so much for dedicating your time to show us your workflow in landscape materials, logic, and more. This is my first time here, and to be honest, I found it a bit confusing to keep up with the correct order of the videos. Sometimes, I can't find a specific part of your tutorial. For example, could you please send me a link to the part where you created the master material Build-Worlds-Landscape? As I understand, the first time you show this is at 10:43 in this video. Could you please provide the exact location of this specific segment? Thank you again for all your hard work. This been and incredible journey for me. :-)

Wasted so much in the previous and now have no clue what the hell he's doing here. Why is there not even one good tutorial for gaea to unreal? Looked everywhere can't even find paid ones this is bs.

Hey Kirk - Thank you for this Tutorial. But I have some difficulties. In my Landscape Instance I only get one Layer called "Global Texture Parameter Values" (and I can see the textures of Sope-Main) ..... all others are not visible. What's wrong?

These are great thank you but it'd be helpful if you had kept the same names when doing the layer stack video for example

Hello, great series, very detailed! I, however, have a problem and I hope you know the solution. When I add the extra layer the texture from the landscape sweep and it stays the default grid texture. I followed the whole series step by step and I don't understand if maybe I have an error in unreal myself. Thank you.

As a 3DS Max user I've just started getting into unreal. Its a different mindset to Max in many areas but you explain things nice and clearly. Now off for a lie down cos my brain hurts ;-)

I like your tutorials - especially the short one ;-). Thank you for uploading! I am searching for an Auto-Landscape-Material with 3 Auto-Layers: Rock and Dirt-Grass. Means between Rock and Grass is always a bit Dirt (blended). Any idea where I can find a tutorial?

Awesome tutorial! Thank you

Nice Video but my Material not show the displacement has enable nantei in the ini, and install the nanite plugin and in the material enable nanite. i think i make something wrong your video is very helpfull to create matrial

Excellent Video. Most videos dont mention to turn on "Enable tessellation". Thank you.

First 2 videos where great but this lost me. Totally jumps around and was hard to follow.

Hello and thank you. I have a question, how we could make Displacement Magnitude as a parameter in material? When I mixed Displacement with multiply of course it change heightmap intensity, But I need "nanite displacement Magnitude" value which is available in material self in editors. Thank you

Whats the next video?

My man great series! Any chance you can add a foliage remover? or point me in that direction?

Awesome! You saved my brain =)) ahah Thank you!

While following this lesson I didn't really know how it worked as we where going so I stopped to write up each step and what it was doing. Maybe this will be helpful to someone and if anyone is willing to correct any mistakes I make I would really appreciate it! The purpose of this lesson is to give our landscape material the ability to scale its texture based on the distance from camera. We implement three discreet scale levels with a way to blend between each in discreet steps. The texture is scaled by UV tiling: UV's work as a coordinate system for our texture that is normalized to have values between 0 and 1. Tilling works by multiplying the UV's by a parameter, for example 2 which would mean when the texture samples the point (0.5, 0) this is multiplied by 2 and the value from the texture image is returned from position (1, 0). The texture sample is wrapped for values above 1 meaning that UV tilling with a value of 2 would display the image repeating as a 2x2 grid. Blending works by linear interpolation. the texture samples with different tiling are blended based on an alpha value as a percentage of each sample to blend. I'm still not sure how the pixel values are technically blended. We start with the master material and work our way into the function calls. The Landscape UV Coordinates (coordinates with the resolution of our landscape normalized to values between 0 and 1) are multiplied by Far, Mid, Near parameters. Multiplying the UV by 2 will make the texture half as big as the texture will wrap twice in each direction when applied to the mesh. Our scaled landscape UV coordinates along with our texture object are then passed as parameters to our Distance Mask function. In the Distance Mask function we group the landscape pixels by the distance from the camera based on supplied near and far ranges. We calculate the distance from the camera to the world position ( the position of each pixel the material is applied to, in this case the landscape ). For each pixel of the material we divide its distance by a supplied far and near range value then round each down using the floor node. This places each point of the material into a "chunk" or categorizes them as multiples of our range value. We then divide this by a blending parameter which will determine how many blending "steps" are taken between the two ranges. We then saturate the results with the saturate node which clamps the values between 0 and 1. We now have two parameters for each pixel on the landscape with a value between 0 and 1 that represent how far the pixel on the landscape is from the camera based on our range parameters. If the Range Blending parameter is 1 then anything less than say 350m for our Distance Range From Camera (Far) parameter will result in 0 and anything over will result in 1. If The Distance Range Blending is 2 then we should see 0 for less than 350m, 0.5 for between 350m and 700m and 1 for anything over 700m. If the Distance Range Blending value is < 1 all results will be 1. Our far and near values are then passed into the Texture Sample Blend function along with our Scaled UVs and our Texture Object The Texture Sample Blend function is where we blend between our near, mid and far scaled Texture Samples using the Lerp node. Starting with the Mid to Near Lerp blend we take our Distance Mask Near result for each pixel which will be between 0 if the distance is less than 150m and 1 if greater and use this value as the alpha. This means if the distance is < 150m ( 0 Alpha) the pixel will be sampled by the Near UV Scaled Texture as the A input to our lerp which has the most tilling making the texture look smaller. If the distance is over 150m ( 1 Alpha ) the pixel will use the Mid UV scaling Texture B) input into our lerp node which uses the Medium amount of tilling and makes the texture bigger than the Near texture. If the Distance Range Blending Near parameter in the Distance Mask is set to 2 for example then above 150m the pixel will use a 50% blend between the near and mid scale and over 300m will use the Mid scale. This result is then blended with the Far UV scale Texture. To achieve far to Mid/Near blending we take our Distance Mask Global parameter for each pixel in the landscape which will be 0 if less than 350m and 1 if more than 350m and use this to lerp our Near/Mid result with our Far UV scale sample. Any pixel less than 350m ( 0 Alpha ) will use A) the RGB given by our Near/Mid lerp. Any Distance from camera greater than 350m will use the Far UV scaled Texture which uses B) the smallest tilling UVs resulting in a texture that looks bigger. Our blended texture is then returned to our Distance Mask Function which then returns the results to our Master Landscape Material. The result is small looking texture close to the camera, medium texture after 150m and large looking texture after 350m. If we supply parameters > 1 for Distance Range Blending in our Distance Mask function we blend these tiled samples together by dividing the range into steps and blending the texture samples. If the Near Distance Range Blending is 3 then the Texture tiling below 150m will be 100% near, below 300m will be 2/3 Near tiling and 1/3 Mid Tiling, below 450m will be 1/3 Near tiling and 2/3 Mid tiling, 450m and beyond is clamped to 1 with the saturate node and uses the Mid tiling.

Very helpful. Thank you.

Thx

fast & straightforward solution 👌

R.streamimg.poolsize does not help with rvt camera turn blur

so how do you do this with a world partition level? do you have to create a capture volume for every single landscape?? there are like a million videos describing how to set up RVTs on a single landscape, it's painfully easy to do- not a single video on how to set it up for world partition.

Thanks for the perfect tutorial, but this material only works for the sphere, not the plates/box. If you have time, do it for a cube/plate. The plate is much more complicated, because the corners will break during displacement. Thanks a lot and I'll subscribe

Thank you for your videos, I have just find your channel and for sure you are providing a big source of knowledge!

This is not going to help in the packaged game

This is certainly a quick workaround, but it is accidentally done in a way that can cause crashes due to a typo and doesn't solve the issue. If you don't want to downscale/fix your textures (for production projects, this is the best fix), then here's an approach to keep your project moving without having to type r.Streaming.Poolsize changes in upon every restart. 1. First off, check what size of Streaming Pool your level is trying to get to - in the Console, run "stat streaming" (leave out the quote marks). This will show you how much more budget you want. If your default is (say) 1024MB, and you see an overreach of 600MB, then you'll want a reserved pool size above this, say 2048MB (2GB). (run stat streaming again to turn the data display back off) 2. Next test out your changes - do the "stat streaming 2048" bit now in the Console, test out your change in a PiE session and see if the increase was enough. If not, increase it again. I work with 4k landscape textures, and mostly 4k/8k textures on meshes (Nanite and normal), and I usually have this value set to 4096MB (4GB). 3. Finally, once you're happy, close the Editor, and use your favorite IDE (or a basic text editor) to open the DefaultEngine.ini file for your project. Find the r.Streaming.PoolSize entry and replace the default with your (tested in step 2) value. Save and restart the UE Editor and you're good to go. Kirk inadvertently set his PoolSize to a Terabyte of video RAM in this video by entering a million for the value - it's already in MB, so 1024 = 1GB. Try not to reach the ceiling of your GPU - if you have a 6GB card, setting this to a max of 4GB (4096) seems to be a safe limit, leaving spare VRAM for everything else you need. Don't set the value to 0 either. While this can be used for debugging, both turning off the Pool Limit (setting it to 0) or oversetting it (setting it above your VRAM) will ultimately cause crashes when you start dropping more assets/textures into your scene. Hope this helps!

Not sure why you dont have more subs! Excellent stuff!

5 million megabytes is 5 terabytes..