Видео

@@kenz.2791 thanks, you comment made my day! I’m glad you enjoyed that scene as much as I did, and my cover also!

Interesting! What performance of it is your favorite?

Thanks! I've been playing piano for some 20 years and making videos for about 1. :)

@MarcPlaysPiano Wow that's a great talent and I love that too but how about the growth of your channel why there are no much views on each of your videos

@@Fredmaxwelline Haha, guess I need to make better videos! Maybe one day one of them will take off. :)

@@MarcPlaysPiano Your content might already have great potential-it’s often just a matter of refining strategies to help it reach the right audience! There are proven methods, like optimizing titles and thumbnails, leveraging SEO-friendly descriptions, and promoting your videos through the right channels, that can significantly boost your growth. With a bit of strategy, that "one day" could come sooner than you think! 😊 Let me know if you'd like to explore some ideas tailored to your channel.

Thank you, I’m glad you enjoyed it!

Op 22 didn’t jump out to me when I listened to it at first, but I’ll listen to it a few more times! I know sometimes I only start liking certain pieces after I’ve listened to them 5+ times…

Love the triplet feel

Glad you liked it!

Ha, I didn't know it was just a month prior! In that context I imagine the push and pull of romance was on his mind when he wrote the piece. Sad story between the two of them!

Thanks…it was my first arrangement, so I’m glad you enjoyed it!

My pleasure, I'm glad you enjoyed it!

What about viola, guitar, cello, etc?

I don't think that's what they meant. I think they meant that string-like vibrato on a piano is impossible.

You are welcome, I’m glad you enjoyed it!

Hmm...that could be a fun pair of pieces! For me right now, I'd say the Chopin might be a 3.5 out of 10 difficulty, and the Scriabin would be a 5. More advanced pianists might rate them closer, and less advanced pianists might rate them farther apart. Two main challenges with the Scriabin are (1) managing the momentum and the different voices at the climax, and (2) the right hand rising arpeggio flourishes at the end, which are a bit awkward but need to sound natural and silky smooth. Try learning those parts first--if you think you can handle those, the rest of the piece should not present too much trouble. Good luck! If you have questions as you learn the Scriabin, you are welcome to follow-up in these comments! :)

Thanks...making an arrangement like this is new to me, so I'm glad you enjoyed my first stab at it! :D

Yes please :) Great episode, great cover, thx for the PSA

OK, here's what the score looks like now: pdfupload.io/docs/a4b17633 Sorry for the mess--I've got too much going on to put it into Sibelius. >.< If notes that I wrote are illegible you can follow the chord labels instead, haha. :)

Many thanks for listening!!

Thanks so much, I'm glad you liked this one!

Thanks! I ought to re-watch it...I remember it had some of the best character development I'd seen in a while, but I hardly remember what happened in it! Caliko's medley is awesome, so you're in for a treat. (Really, the whole OST is a great listen, too, both in terms of the compositions and the performers. Really good violin and erhu soloists...)

Thanks Caliko! :D It was fun trying to get that erhu melody to feel right, particularly when it slides...I went with the variable-length-appogiatura approach. And, of course, thank you for making the medley. I hope to record more of it when I get the chance! I've been tinkering with mic stuff (time sink lol)...I got omni capsules for my rode NT5s, which made them sound much more natural than with the cardioid. They're placed near the bend of the fully open lid peeking in at the soundboard. No EQ, and full pan L/R like before. I'm liking it like this...it's far away enough that I don't feel like I need reverb, and it's close enough that things sound clear enough.

Thank you, I'll check out those recordings! I especially love Neuhaus, so I'm excited to hear he recorded this one. Will also be interesting to see what Gavrilov does with it (knowing him, I wonder if it will be very fast...he sometimes tends to be a speed demon, if I remember correctly). After making this recording with my son, I decided it would sound more maestoso if I slowed it down, aiming for procession speed rather than walk-in-park andante. I did some more study, changed mic positioning, and re-recorded it here: ruclips.net/video/AiGM9dtnHrM/видео.htmlsi=AjBdfFr7RSeaRJSa If you have time, I'd love to hear your thoughts! Greetings from USA.

The d minor one is great. Such drama! I really need to learn it. Do you have a favorite performance of it? I’ve been surprised at how wildly different they can be-always interesting to see how the different pros handle the momentum, and even that big right hand treble chord at the end.

@@MarcPlaysPiano pletnev is my go to typically for those preludes and he does the d minor one so well! Love platnev

@@usurpationofmusic4596Cool, Pletnev is a legend. I’ll check it out…thanks!

Thanks! Glad you like the piano...It's a Brodmann CE175--got it new two years ago and I'm still loving it.