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It’s in the key of C. 🥸🎹

Thank god you are not the one taking that decision 😂

You are very welcome! 🙏

Thank you!

Hi, thank you for the feedback. The chords are not written in the Part 1 because they are unison lines, and can be applied to a wide variety of different chords. It might be easier to consider them as small 4 group lines that you could use as enclosures or chromaticisms for your improvisations. Hope this helps! Best, J

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In the original melody they play Em7 in that part (that's why I wrote that chord), but you can apply this lick to other chords as well if you like!

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Whatever works best for you! Thanks for watching 🥸🎹

You are very welcome 🙏 🎹🥸

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Thank you! The notes are displayed on the screen though...

Thank you for sharing your thoughts! Giant Steps doesn’t have B7 though

Merci beaucoup!

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You are very welcome! 🥸🎹

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In Jazz the head is always played at the end.

@@JuanOrtizPiano They played it 3 times. Or I should say pianist played it 3 times It is a profoundly stupid melody. Thanks for the transcription, more fun to see it as you hear it.

@@georgeallan6550 They played it twice at the beginning and twice at the end, which is what we do in Jazz when we play a blues head.

@@JuanOrtizPiano Petersons introduction hints at the head so I count that as another rendering of the head. That's why it was stupid. It was anticlimatical to play the head after the long intro. Bad arrangeing.

@@georgeallan6550 I can just wonder why you keep calling this version "stupid". It's arguably one of the best jazz piano performances of all time. But if you don't like it, you can just move on with your life and listen to something else, while the rest of us enjoy it. Nobody is forcing you to keep coming back.

I got into the Red Garland's rabbit hole a couple of decades ago.... it's a beautiful place to be in. Thanks for watching!

Hallucinations!

Glad you like them, more to come!

Thank you for your kind comment, I’m happy to hear that my content is helping you improve! Keep practicing my friend! 🥸🎹

Just keep pushing Albert! 💪💪💪

Gracias! 🙏 Me alegro que te sirva en tus aventuras musicales, un abrazo! J

Thank you! I'm happy you like it. The book comes with 4 QR codes that will take you to videos I created of the entire book so you can practice along. Hope this helps! Best, J

Hola Gregorio, gracias por tu mensaje. Debajo de cualquier video de mi canal, haz click en "unirse". Una vez ahí, si te conviertes en un miembro del canal "Online Course Member" podrás acceder a todos los videos. Si tienes cualquier otra pregunta dime. Un cordial saludo. J

Dorian for the win, thank you! Yes! It's a Korg SV

Lots of protein in this salad though 🎹💪🥸

@@JuanOrtizPiano Yeah it’s pretty cool and well presented. But as a really busy guitar hack I’m struggling with the sight reading. 😫

Thank you! If you think in Major triads yeah, it would be F#, but for this exercise I'm using in the Diatonic Triads from C Major. Hope this helps!

Thank you!! 🙏 (I still practice Hanon though 😊🎹)

You could have transcribed and memorized a whole new melody in the time you spent writing this message 😂 This is not classical music, fingering sometimes differs. You don’t think it’s the most convenient? That’s fine, figure out a better way for you and move on.

​@@JuanOrtizPiano YoU cOuLdVe TrAnScRi- shut the fuck up. If you really think fingering is only important in classical music, then you're really lost, mate...🤡 I bet you've never touched the C with 2nd finger nor a woman, have you? Why do I even care? I'll tell you why. I was looking for lines from that specific Solo and came across yours and frankly I was a little upset that your fingering was so off... if you upload this video for showcase purposes, just do it right man.

If you get upset at someone using fingering that doesn’t align with your personal choice, you have bigger problems to solve. 😂