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@@josemourinho2810 it's the catlynbread Bell epoch for the slapback. Thanks!!

@@Ls_corvette the origin 20 does get you in the ballpark IMO. It's not quite the same but if your technique is Pagey enough it's more than good enough. Yes I find that Bryan Williams pickups do make a difference. They have a very Jimmy tone but are also more dynamic than most pickups so if you roll the volume down they get crystal clean, not just somewhat clean like others. You can also crank your amp up because they don't hit the amp as hard as others so you can get more mojo going without everything getting squishy. So it's not just the tone with Bryan's pickups. It's how they function with your gear that's just as important.

@@jaredbader1415 yeah I’m trying to sound like Jimmy using a new x mg300 and a origin 20. Really trying to aim for that 73 dazed and confused tone.

@@lynyrddeville me too. Too expensive for me but yes that would sound spot on 👍

@@ccarmean1968 yes a lot of D Dorian elements in there.

@@stevenbayron5645 sadly I never made any tabs or transcripts. I think around that time I couldn't leave the house, maybe pandemic times, and so I just sat down with it and memorized it as note for note as I could get. I should have created a tab though while I was in the thick of it.

@@braydenkissell9247 I can't remember the amp settings. I think everything was set to noon or close to that but it was a Kemper profile of a Marshall 1959 HW 100 watt.

@@male3083 probably so. 3 sounds terrible on mine though.

@@andreybrodianski5596 yep. I'm using a Clinch Eppre now that has FET.

@@andreybrodianski5596 thanks! I use the D'Addario NYXL 9-46. I used to use 8-38 but found I had less tuning issues with thicker strings.

@@bryanwilliams3665 thanks Bryan! I just started playing for them but I'm not their regular guitarist. I get shows when he can't make it.

Lol! Thanks! I think?? 😂😂😂

Yes I put it in front. Thanks!

Back then I had stock burst buckers in a 2015 Gibson Les Paul standard. Now I have Mr Jimmy signature pickups from Grinning dogs pickups in the same 2015 Gibson LP standard.

@jaredbader1415 Thanks, great sounding

Thank you. I don't often feel very gifted but then realize I just like to play what brings me joy and everything is good. I appreciate the compliment, thank you.

Thank you! I really love this guitar, Epiphone and Joe did such a great job with it and the long neck tenon makes it very desirable I think. I did change out the pots and caps to a pre wired kit from RS guitar works. Here are the specs on the kit from their website: What's in the kit: (2) 500K RS Short-Shaft SuperPots®- We designed these pots in conjunction with CTS. Used for the volume controls in the kit, these pots have a custom taper that gives you a noticeable difference between each number on your volume control. You can finally roll your volume down to 2 or 1 and not loose any clarity, even in the neck position!! Mil-spec construction and a smoother resistor path make this the best pot to ever be used in the guitar. (2) 500K CTS Short-Shaft Audio taper pots. (2) Vintage RS GuitarCap Paper In Oil Capacitor. Manufactured to RS specs, these hand-made 100v caps have a rich vintage tone, while still retaining open top-end clarity. Hand-wound on 50's-era machines, the new RS Vintage GuitarCaps use vintage-correct Kraft paper, solid military-spec construction and tinned 20AWG leads for easy soldering. They really hold their own against the vintage caps; their tone is similar to the famous caps from the 50's.

Thanks for the info! Yes RS looks good. I’m jealous of that guitar. I looked at one online and it doesn’t have the same flames top as yours. I didn’t know they were long tenon. That’s a keeper for sure.

If you're used to hybrid picking where you're mostly finger picking with your middle and ring finger as well as the pick it is very comfortable. This device allows you to retain that technique but you get to use the flesh of your thumb instead of a pick. Then, of course you have access to a pick whenever you want as it is resting on your finger ready to go at any time. If you are used to finger picking with your index finger you might not like it because when you are in "finger style mode" you can't really use your index finger unless the pick rides higher up on your finger. I don't use my index finger for fingerpicking anyway and mostly use thumb, middle, ring. So for me it's a perfect solution for switching between finger style and pick on the fly while being able to use flesh for fingerpicking.

I took a banjo style index finger pick and super glued my regular pick on it in the perfect angle for how I normally hold my pick.

Thank you Bryan. I kind of like the cheap little origin 20. A lot of people don't like it but I think it works in a pinch. I'm still learning a lot about slide playing but finally feel like I'm making some progress.

I believe I used a Marshall DSL 2000 on the vintage clean channel, pushed it with the RAH pedal by catilinbread, slap back echoplex delay by the bellepoch pedal by catilinbread. Les Paul had stock burst buckets at that time. 2015 Les Paul standard.

Yes that is absolutely right 👍

Yes I think "sparingly" is the key. Using it as a buildup and a way to travel up the neck to a bent note at a climax is probably the best use for it here. The Allman Brothers had so many different guitar players with different technique that I think it's not such a stretch to imagine. If you played this over Zeppelin it wouldn't work at all or sound appropriate but for ABB its pretty cool I think.

@@jaredbader1415 Sounds great. Now I have something else to practice LOL. Thanks for opening my eyes to the fact that its not just for metal.

Slap back delay is coming from a bellepoch deluxe pedal which does have the built in "EP preamp"