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我喜欢Natalie ❤, 仔细去看，她训练有素，对作品的栓释到位，而且是由内而发的，深沉而让人放松。 Harmonic.

This is a wonderful performance and recording. I was very moved. A comment from an unknown composer from Okinawa Japan.

Gracias por este regalo, es tarde de invierno en Lima, el gris del cielo , besa los geranios que nacen de entre las piedras. Mientras el cello del tercer movimiento busca el calor de la sangre que fluye por el corazón siempre joven ..…

Y el concierto para violín para cuando? Si lo tienes por favor publicalo.

Great outstanding marvelously done.

Inspiring for me! Deciding if I play this masterpiece

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Savage.

The sound of her cello is so beautiful

Love the energy of the 3rd mvt!

Brilliant! My favourite of all versions on RUclips!

Very good.

35:52

Excellent performance, and I have always loved the piece

Quintessential artist.

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Beautifull version

Guys please stop doing that kind of comments about the pianist... If you play that gut why are you not playing with N.Gutman... at least be constructive about something don't just say bulshit about these kind of professionals.

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Why I just found you. 太美了

Effortless. Amazing and solidly beautiful. Love it. ❤

The andante to this piece is just pure persistent lyricism, it just keeps on giving, the whole piece is just a gem. An excellent virtuoso piano accompaniment, I wish acoustically the cello had been a little more prominent.

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Both great players. The pianist have a very hard work!

Natalia Gutman 에계 더 좋은 첼로를 ...

I think Bach would be amused by the discussions of the “correct “ way to perform his music.

Notice: Players back then didnt use stupid facial expressions as part of their “Performance”, it was natural. Now days, everyone is so emotional that they want the ugly faces during performances. Anyways,

Мой любимый музыкант! Спасибо Наталья!

Why she grimacing with the bow?🤦‍♂️ Cheap trick, she ewen can't control the bow 0:31

The pianist clearly needs to hear how Horowitz and Rostropovich worked together in 1976.

how much I love this music! Lately I have been listening to it several times a week.... it is incredibly beautiful and touching! The Musik itself and the interpretation ❤

It expresses the great composer' deep thinking. I like it very much.

*"Hello! Hope you are doing great! If you enjoy string quartet music, stop by our channel and check us out! We just reached 100 subscribers and growing! Pretty exciting! Take care friends!" - Sioux Falls Chamber Music Collective*

I love the performance and the musicality, and other than some here say, to me the speed is spot on. The one thing that I dislike is that Natalia Gutman plays by heart - this is simply not done in chamber music, especially with the pianist‘s part even more difficult than the cellist‘s, going way beyond „accompaniment“. It‘s a bit disrespectful.

"If it isn't Baroque, then don't fix it."😂...sorry... but, I HAD TO!☺️

Спасибо за радость сердцу

Does anyone know where this recording is from? Did she record this sonata on any LP or CD? I haven't found it in her discography so far...

Наталья прекрасная виолончелистка!Особенно меня завораживает ее ансамблевое исполнение : настолько однородные штрихи с пианистом.Прекрасные ансамбли были с ее ныне покойным мужем - скрипачем (перед глазами стоят их совместные выступления с С.Т.Рихтером!)Фамилию из за тяжелого ковида сейчас не могу вспомнить.Но его одухотворенный облик стоит перед глазами!.

excellent

bravo! well played indeed

bravo! excellent

👌🏻

Как играют замечательно,какое чувство стиля ! И виолончель, и рояль звучат божественно.прекрасные музыканты,большая радость их слушать.

MAESTRA!! ,👏👏👏

Was fortunate to have had a Masterclass with her approximately 3-4 yrs ago. I told her I'd try my best to improve my cello sound/playing....intimidating for sure, but a valuable experience.

я счастлива , это был мой педагог, и до сего дня " действует"!

Schon in Sviatoslav Richters und Oleg Kagans Zeiten bestach diese große Cellistin nicht durch eine Präsentation ihres großen instrumentalen Könnens sondern vorrangig durch ihre Einfühlsamkeit, so wie es ihr auch hier spürbar nur um das Innere dieser Bachschen Komposition geht. Das in etwa hat der von ihr ausgewiesener Mentor Richter wohl auch gemeint, als er das bekannte superlative Lob "ihrer personifizierten musikalischen Wahrheit" spendete.

My friend Les plays this pice wonderfully on his cello.

Сарабанда 10:14 Жига 16:25

Не 48 год соната, а 1911. Исправьте.