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@@ladyofstar13 hey :) yes. Great illustration. And as the notes go higher it actually feels like they are going out the back of your throat - low - you will still feel the sound hit the front of your mouth also - everyone feels it slightly differently - Interestingly it’s the front, the back, the larynx adjusting in your throat, diaphragm engage and tongue adjusting shape all at same time -

@@b-l-u-e thanks for your question. Most of the time we are using way too much air when we sing. The idea of this exercise is to learn how to consciously reduce our airflow so that we can learn to control it better when we sing. Your vocal folds vibrate around 160 x a second in your talking range so therefore you need very little air to create sound there. As you go higher they resonate faster and faster so the higher you go - the less air - you need to create the same volume. ⭐️🎤 amazing huh!

@@MrBubbyG_Official hey :) it does depend on your teachers methodology. And what your goal is. There are a lot of exceptional teachers out there, and then there are lots of teachers practicing on students. Bottom line is that it takes time to train muscles so nothing happens fast.

@@Dellamanley my pleasure. So glad it was helpful. 🎤⭐️

@@ceciliamackie so glad you love it… looove too! DM me or book a time in linktree link in bio! 😊🎉

@@u2phreak love that. 😊 so glad you are finding it so helpful. 🎉🎤

@@dowtube1 that’s great feedback. The tools actually work for both. I have more male private clients than female and find the tools are very effective for them. I’ll pop a note on our session recordings to do one with a male demonstration next time.

@@lisaromero8303 Thankyou for giving your opinion. As a novice, my observation was, some people (males) are "naturally" blessed with the ability of a broad register. It is not everyone's cup of tea to try and sing very high, and thereby develop vocal cord injuries such as hematomas and vocal nodules. How much can a male voice inch up the register on high notes by proper technique, I sure would like to learn

@@dowtube1Generally those people who can sing high notes more easily don’t have as much tension in their jaw, throat, neck muscles and therefore naturally doing things we are not doing like correct tongue placement, shape of mouth opened, breathing etc. In other words they are doing most of the techniques better than the rest of us without realising it. And But they can improve too if they have good coaching. E.g. They might already be operating at 80% while we might only be at 20% before coaching Just like some people are naturally very good at skate boarding or surfing after practicing, but with a coach they’ll improve even more.

@@Laura-rp2ki glad you found it helpful. So it depends on if your voice is getting stuck or flipping?

@@AngiesVocals Thank you. feels like it is getting stuck. Maybe that is just the end of my range. I’m a very new singer so I dunno.

@@65532321 love that. Yes take them gently. 😊🎤

I’m a male baritone and GUGUGU exercise doesn’t do anything to make me go up higher easily. It’s just not there. What am I doing wrong if anything

@@TheSubwaysurfer hey - Gu is to help stop the chest pulling up. It is a tricky one. Most of my clients can’t get that one for at least 3-6 months. Maybe try with a Goo first or a gentle fry? You can always book a session in the linktree link if you’d like more specific feedback. I’d need to hear what your voice is doing to guide you through the steps to unlocking specifically. 😊

@@AngiesVocals how much is that?

@@TheSubwaysurfer have a look at LinkedIn. Sessions start from $85 for 30 mins

@@adelewyatt2764 yes they really are a game changer! Reduced so much tension and fatigue.

What kind do you use? Any recommendations?

@@vicenteisaias_ so glad you loved it!! 🎤💥

@@jorgecalvillo1137 thanks Jorge! So glad you love it. 🎤

@@BatCuopOngGia love that!

Thanks Richard

@@Ivan03250807 so glad you like it!! 💥

@@robmanzanares pleasure! Glad you liked it. 🎤

@@grahamcmusic great point. What I’ve found with a majority of my students is that most people who sing most contemporary songs styles are squeezing so much and pushing from their throat (compression or muscle tension dysphonia) that we need to remove the resistance in the throat and reset correct placement initially. Then the air/muscle balance corrects itself and we can then get freedom with the diaphragm. I’ve seen time and time again people trying to correct breathing and it gets stuck in the throat because the muscle memory is still pushing from there.

@@AngiesVocals ok fair enough

@@malcolmwillemse3242 great question. It’s a mix of all those sensations. Some people feel all of that, some feel 1 thing at a time. Start by rolling it back and forward then play with the resonance in cheeks and eyes. Bending over will also help feel more higher resonance. Let me know how you go.

You are a real life Angel. Im joining the course the moment i get the chance 😭

@@malcolmwillemse3242 Thankyou. So excited!! 😊🎤😭

@@AndyIntharaphithak pleasure glad you found it helpful. 🎤

So true.

you should activate your diaphragm not block it. think when you blow candles, it activates naturally, if the same thing doesn’t happen with your singing learn how to do that

Hi there. Thanks for your question. So we are talking about needing very little air for optimal singing (while we are learning to get the correct muscle/air balance we let the air out as an exercise) but needing less air doesn't mean not using the diaphragm. That is essential for singing correctly and optimal breath control. Does that make sense?

@@AngiesVocalsit really does, much appreciated ❤

@@JohnFraserFindlay pleasure. It really helps.

@@EansInception pleasure. 😊

@@beautychinyama-ie9cx I hear this a lot and I know it can be so frustrating. The good news is you can fix it and love your voice! You can book a 1on1 with me via the Linktree link in bio - I can give you more specific feedback and guidance. Or What specifically do you not like about your voice?

@@SevennahAlyse they are awesome right. 🎉🎤

@@AngiesVocals Indeed they are.

@@UtheGuru it’s a great question. It seems to be different for everyone. For some people it works for some not. What I have found is that most people visualise the wrong thing (high notes are up) so it just gets worse. My personal frustration when I had vocal damage was that nothing worked. Either way my voice got worse and worse and nothing worked. I have found with the right guidance people can gain mastery. The purple ball is an example of how quite often people feel mix/free voice differently. Some of my clients say it feels like a ledge, some can’t feel anything. Some feel like it’s a colour, a place, a shape.

Thank you so much for responding!!! 😀 I tried this this morning with my exercises and it works really well for scales!! Is there a trick to using it in songs when notes aren’t so linearly laid out ?

@@UtheGuru right. That’s great. So edgy/ugly singing can help with feeling where the notes want to sit. Bend over, tongue out.

@@abbymorgan3968 sooo happy to hear that!!! 🎉🎉

@@shubhangibawne9935 so glad you found it helpful! 😊

@@eemoot Thankyou for your question. So you are using more of a nasal phyrengyal mix to access that area. You can also smooth your transition so it doesn’t crack - mixing the chest and head - and have 1 voice all the way through.

@AngiesVocals oh thank you! I'm just confused because after the F4, my voice sounds almost identical to chest voice, but I can choose to make it more heady or chesty. It's slightly less bass-y and is brighter, but still loud and powerful and chesty. What I'm confused about is why the bridge doesn't want to smooth into this mix. Because I can "mix" to be very chesty after the bridge, but I can't "mix" in the bridge? Thank you so much though! I really appreciate it!

@@kingkweku9761 so glad you liked it. 👍

@@user-zt7qk3qw9t my pleasure. Love it’s helped you. 🎤

@@osarodionfavour2273 pleasure. 🎤

@@epicepicart1161 isn’t it amazing? 😊