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which female vocal are you using for this demo?

I appreciate and enjoy your understated, yet highly informative approach. Very refreshing in today’s environment!

Great lyrics for the subject 🙂And a fascinating video - thank you very much!

Excellent learning opportunity!!! Thank you!!!

No Synth V stuff ?!?!?!? Just kiddin ;)

Turns out pop is a formula!

Damn, this series is amazing, I have to keep dropping comments. This thing, Synth V, is so interesting. It's amazing to craft the vocals at this level, it's almost voyeuristic in a weird way. You type, you get singing, you make mods, you get whatever. Amazingly expressive "instrument". Note in version 1.11 you have to deselect "Evenly split note into syllables" to get the split to move around.

There is no more "instant mode" button....I can't seem to find where to turn it off at

If Vocaloid was ever intended to be a “toy” it’s got to be one of the strangest toys put on the market, since because of the lack of any real tutorials on a bit of software that isn’t cheap, you practically had to already be a musical engineer to use it effectively. It’s difficult to determine who it was ever really designed for since it seemed to be marketed at independent musicians who didn’t have access to background singers and the like.

My AI workflow: 1 - Make the lyrics in Google Gemini. 2 - Get chords from either Scaler 2 or Captain Chords 2 - Using Hookpad, enter the chords and melody using the lyrics. Export both midis. 3 - Import the chord midi & melody midi into Band in a Box, and generate an instrumental using a style. 4 - Export the wav song into Synth V, along with the melody midi. 5 - Using Synth V, generate the singing voice using the melody midi from Hookpad. 6 - In Studio One, import instrumental STEMS from Band in a Box and vocal wavs from Synth V

great series. i would advise just using captain epic suite as it all integreates with each other

thanks. how come you used instacomposer and melodysauce rather than captain epic plugins?

Gloria Gaynor disco - awesome choice and great tutorial!

Thanks Mark. Another great detailed and intersting video. I will attempt to follow along later this week. I understand the gist but.... I need to re-watch the previous video again and try to understand fully how to use these plugins to achieve this end result.

You really just need to change the air, power, tone, and it works great. Harmonies sound amazing.

Wow, wonderful! I always struggle to to blend the vocals. Thanks for your dedication on how we could improve the output of SynthV. My songs are getting better because of your serie.

How does your "instant mode" show up in the interface like that? I don't seem to see it on my screen.

Might be a dumb question, but why are you doing Synth V as a standalone, and exporting the vocal to your daw, instead of adding it as a plugin in the daw to work on it in real time?

Any reason why the software's ARA mode won't function in NUENDO 12 or 13, although it works fine in Cubase 12 & 13?

I wish they had Psyscope for OSX/Apple. :-)

Bonjour, active translation please................

Another brilliant tutorial - thank you! Your work really makes a difference to the community 🎉

Very interesting video! I love some out-of-the-box thinking to make complex production techniques more usable. So here’s a tip: include at least a link to the product in a pinned comment or video description. I had no clue this even existed until I stumbled onto your video and took the time and effort to actually search the internet to find out what this is about. Unless you want to remain elitist about it of course…

Boom! 💥 Thanks Mark. Another informative video with some great ideas! BTW, MAutoAlign... I forgot all about that plugin, which I purchased back in 2015. I've upgraded music PCs since then, and for some reason, Melda Productions is not in my Cubase list. 🤷‍♂ Such a useful plugin... It is now back in the arsenal.

Compliments for the usual pro video. The great idea here is the one knob real time control, that makes it so expressive (and much more fun towards a number of automation curves). I am a fan of vst synths that have macros in the main page, each macro linked to many synth parameters, I have these attached to Cubase Quick Controls and mapped to the physical knobs of my keyboard. I also purchased, last year, Minimal Audio Morph equalizer, where you morph an equalizer curve into another based on one single knob: they propose it for messing up, but I use it judgely as a normal equalizer and i find it way more useful than a normal eq where you should move a lot of automation curves to do the job. So this applies generally, and the reason why it works is because one, in real time, may move his physical knob by listening to the music and by "heart", making a much more realistic tune (in the case of Solaria). Finally, we might ask the dreamtonics crew to include it into Synth V in a next version. In the meanwhile, thanks for your suggestion!

The Backing Vocals are Great!!!! Did you also do this with Dreamtonic and can you show me how you did it? Best Regards

Try the Issac Hayes version - Black Moses album

But is'nt there a unwanted chorus/phasing effect?

Sorry, reposting for the community so they know what they're in front with, since they've closed their forum : Dreamtonics should first fix NUMEROUS bugs instead of lauching new stuff like vocoflex. Item ARA mode does not properly work in Studio One, constant crashes with VSTI3 either. VSTI3 as instrument always tries to steal the focus of the audio interface instead directing his audio through the host, crashes when undoing and modifying pitch curves, no sandboxing, no polyphony except if you open new tracks inside Synthetizer-V leading to more lags, poor shortcuts implementation (no click and drag to copy, no lasso...), snapping is more than clunky and imprecise when not focusing deeply, pitch automation does not follow items when copying them, no eq, numerous losses of data - was obliged to start again from scratch many times, metronome does not work !!!...who the hell beta-tested this one ? Needs loads of repairs until we can properly work with it.

I just spent most of my day off trying to get Dubler 2 to work in FL Studio in order to get the same effect as this video. Even had them in a remote video conference to get it to work but no joy. If i'd only seen this video first. Thank you mixPhantom! Subscribed. 🙂

HI. Where is the official forum ? Deactivated ? Why ?

So helpful as usual, saved for future re-watch, thanks! I think Britney pronounces it more like “ bay-beh”

Not justifying a $250 clipping plugin by any means, but it’s designed to be used on a full mix. I wonder if your testing results would be different on a full mix and listening to actual results not just deltas. -on a side note it seems your vocal audio in this video is distorted. Looking forward to more SynthV content!

Have you tried vocoflex ? Really keen on seeing your thoughts

Hmmmm actually 1987 sound more easy or natural (lol duh) 2024 is technically polished. Still like 87 abit more weirdly

Thanks for the info. The documentation is kinda lacking where I didn't know you could even put br for inhaling until I saw it in their Amazing Grace video where it trolls you into thinking a real woman is singing it at first. Lmao

Thanks Mark... another intersting video. I love these techie deep dives! 👍😎 I use the TRackS Classic Clipper now and again. 😊

Love the tutorials mate, any idea how i can make the word "Close" not sound like "Dose"...

I use it as a VST in Bitwig but timing and the placement of the application window is frustrating, but you can directly route to an audio track for instance. Pros for me: I can add vocals to my tracks, its great when tweaking a lot Cons: the sound of the synth during input 😐, not able to use bar 1 😢 and the controls disappear constantly 😆??

But the goal is not just to trim the top of the transient Mr Phrantom The goal IS the distortion. it's to make it so you hear the transient even when it's not there anymore, it's to make it sound louder than it is by introducing and releasing rapid distortion/noise/whatever And for that goal a compressor won't do the trick

I've never used it. Checked the price and it is reaonable. Hhhmmm...🤔 Great video BTW

Thi .s is a maaaa .z i .n g

Shaperbox 3 is very nice for this. Has a scope, you can trigger the lfo from a kick, and you can duck using multiband, ie leave some highs from the bass and just duck the sub.

Do you by chance have Melodyne? I'd LOVE to learn how you navigate Melodyne in Cubase.

I think Cable Guys Kickstart does all of this in one plugin. I think.

Windows only? 😢

Is there full song for this?

I'm currently experimenting with creating dancehall reggae "toasts" in Synth V (and Logic Pro X). I've already used it for some roots style songs, and I'm quite impressed so far. I'd better be, for the money I spent on it. lol

Thanks again for the great tutorial. I am trying to convert my shoegazer song created by udio in my own production. However, I am struggling in converting the drums and vocals into midi. Is there any VST available to extract the background vocals separately from the main vocals?

so legally its ok to use these voices from the synth V pack ? I mean there wont be any copyright violations ?