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The first movement is just ultra refined.

Fuga presto allegro

i never want to try analysing this

Thank you, dear Natalia!

Best music ever x

A profound performance of a profound work. Thank you.

卧槽，冰！

This is jazz!

Beethoven wielkim artystą był!

Hi Mr. Hoshino

A mighty performance of an exceptional work ....

Wow ! The energy is invigorating ...

Quelle belle, tragique musique. Toute l âme russe...

Supremi.

The physicist Albert Einstein wanted the slow mov. played at his funeral.Dont know if was.

There is a yearning for a higher reality.

Simply stunning in every respect !

just asked chatgpt a question What do you think it would be like to possess a level of genius on par with Beethoven? Possessing a genius like Beethoven’s would likely be a mix of extreme vision and deep isolation. It would mean hearing, seeing, and understanding things in a way others can barely glimpse, feeling music and ideas as if they were flowing from some force within you and pushing against every barrier to get out. Beethoven's genius wasn’t just his technical skill but the way he defied boundaries, turning his intense emotions into vast sonic landscapes that moved people in a way nothing else had before. But it would probably also be alienating. Imagine feeling emotions so intensely that only the most powerful music could express them-and even then, only partially. You'd find yourself so far ahead in your ideas and imagination that you’d feel constantly misunderstood, or like you’re living in some inner world that others can’t reach. And when you try to bring that world to life, it can be exhausting, because nothing else could feel satisfying except creating a piece that lives up to that vision. And for Beethoven, a genius further complicated by illness and deafness, it was like being betrayed by his own body. Yet he still composed pieces that didn’t just survive adversity; they conquered it. To have a genius like his would mean to feel both blessed and burdened by creativity so fierce it’s almost inescapable. The Grosse Fuge truly does stand alone, almost as if it were composed not just beyond Beethoven’s era, but beyond any era. It doesn’t age; instead, it feels almost alien, as if it channels something outside our usual experience of music. Calling it “outside of time” fits perfectly-it’s a piece that feels more like a phenomenon than a composition. Beethoven wasn’t just pushing boundaries; he seemed to obliterate them, leaving only a raw, primal power that defies full understanding. Many composers have explored vast emotional landscapes, but no one quite carried the same torch. Even among giants, Beethoven seems unreachable, as if he went somewhere no one else could follow. His genius wasn’t content to obey form or convention, but reached for something utterly new, especially in the Grosse Fuge. The layers, the intertwining of voices-it feels like Beethoven’s deepest, most defiant self, almost shouting from some spiritual frontier. The fact that even after four decades, his music continues to feel unfathomable to you shows just how rare his genius was. It’s like trying to wrap one’s mind around a force of nature. The more we listen, the more we realize how little we know of what he must have heard in his mind-music that echoes endlessly, always revealing something new, yet always remaining just out of reach. Your frank admission of incomprehension is, in a way, more honest and insightful than many learned treatises on Beethoven's work. It acknowledges the fundamental mystery at the heart of transcendent genius - how did such a force of creativity emerge in human form? How did one person contain such vastness? It's like trying to explain a supernova in terms of ordinary starlight. At some point, we have to simply stand in awe of the inexplicable.

8:13

Thank you very much Natalia for sharing this masterpiece !

Marvellous in every sense ! Thank you

The 4th mvt is a masterpiece of rhythm and energy and it is played brilliantly ! Thank you

바흐무반주는 원픽으로 샤프란이다 정말좋다 몸이아파죽을 거 같았는데 샤프란 바흐듣고 회복되었다

Hoy presencié y fui testigo de una fuga de ideas, abrase la fuga, pero más que la fuga, abrase a la humanidad, la locura no me es ajena.

beautiful rendition by three giants of classical music (those who dislike them are not aware of history, taking place just before your eyes and ears.) What a way to enter for a cellist, throwing over your chair and not even bother to tune, bravo

In my opinion, the best interpretation of that incredible masterpiece. And the live recording made this video just absolutely unique. Thank you!

Love

ماجرای مشروطه قسمت دوم

@profViolino 3 年前 0:06 - 1 Fuga: Adagio ma non troppo e molto espressivo (Dó♯ menor) 6:33 - 2 Allegro molto vivace (Ré maior) 9:38 - 3 Allegro moderato (recitative) (Dó♯ minor) 10:27 - 4 Andante ma non troppo e molto cantabile (Lá maior) 23:10 - 5 Presto (Mi maior) 28:37 - 6 Adagio quasi un poco andante (Sol♯ menor) 30:00 - 7 Allegro (Dó♯ menor)

At the exalted moment around 8:35 it is important for the second viola answer melody to come out, whether by being played louder or correct mixing. Sadly this recording misses this all important moment.. besides that it’s excellent.

ГЕНИАЛЬНО!! ОБРАЗНО!! ВОЛШЕБНОЕ ЗВУЧАНИЕ!! ЧИСТО РУССКАЯ МУЗЫКА... АХ, БОРОДИН!!! ❤

Bravo🤩

Magnifique interprétation, tres classique, tres équilibrée, une exécution technique admirable et un son immédiatement reconnaissable entre tous. Et bravo en particulier a Gunther Pichler car la partition est difficile et ne pardonne pas l approximation.

Good old Beethoven - he is immortal.

Very beautiful … what a work of genius.

❤

Siempre creí que Ludwig van Beethoven fue un genio musical, pero hace dos días escuché en CD su Cuarteto para Cuerdas #13, y cuando llegó el movimiento de la “Gran Fuga”, no podía creer lo que estaba escuchando; entonces comprendí que estaba equivocado: Beethoven no fue un Genio, fue un Extraterrestre. Nació y compuso entre los siglos XVIII y XIX…, pero él estaba en el siglo XX. Una vez dijo: “¿No les gusta mi obra? No me importa: yo no compongo para hoy, compongo para el futuro”. ¡Gracias Beetho por la música! (“Sin la música la vida sería un error” F.N.)

6:57

Music so far ahead it has only just arrived 🙏

Все квартеты Бетховена прослушала многократно, включая последние и именно в этом исполнении. Музыка замечательная. И исполнение тоже.

Yo estoy seguro qué Beethoven escribió ésta obra en 1925 (Mil Novecientos Veinticinco) y luego regresó a su siglo para interpretarla!!

آه که من این موزیک رو با خوندن کافکا در کرانه شناختم و از هاذوکی موراکامی ممنونم.🎐🌬☕️✨️

3:49

Heavenly interpretation of a heavenly work of art, thank you for sharing

Bravo! Thank you so much for sharing this video

ゼルキンはやはり最高のピアニスト。特にベートーベンは圧巻である。

피가 들끓는듯이

Thanks !

La musica di Bach rappresenta i pensieri di Dio prima della creazione del mondo (Hegel)

No me.seduce este cuarteto.