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Thank you! I used the Sony FX3 & sigma 17-28mm F2.8

@@_TheShepherd thank you 🙏🏾

@@waynosfotoscameras all manual focus. 😬

That's very true, I've found myself just cooling down the white balance more than I normally would to help counter that. It's helped, but I know everyone may have a different approach and philosophy to colors.

@@NavolForge I mean, Sonys color science is better than it used to be, but the starting point still is more work.

I primarily used the 45, but I did switch to the 65, & 100 for a few random shots.

Thank you for watching! I’m using the Blazar Remus 1.5x kit i absolutely love them. No I’ve worked or met Ray Roman, but I would absolutely would love too, a pioneer for our industry.

@@Ultrarmx thank you!!

@@TheDanich78 Agree!! Haha

@@DavidWagelmans thank you! 🙏🏾

@@d.edwardsfreelanceeditorvi4212 💯

@@banos_eyes I agree! To some extent I’ll still use my C70’s for those weddings where I’d think it be worth it to shoot in Raw and take advantage of the additional offerings from the C70. For most of my weddings I’ll continue to use the FX3’s as A & B cam.

Simply, they didn’t have a dedicated cinema camera, but Canon does with the Canon C70. I also don’t shoot photos, but if I do, I’d still prefer a full-frame camera

If you're in the US, Canon is the standard brand used for wedding photography (still currently) and was for video. Video has seen a significant market shift since the release of the A7S III and especially the FX3. I don't know what that looked like for other industries, as I am only speaking to the wedding industry.

@@NavolForge when someone says industry standard i thought you talked about commercial tv etc, weddings where not in my mind at all, hehe... i m pretty curious what was the model of canon they used in USA 10 years ago...where i live noone was using dslr for wedding video only sony and panasonic videocameras mostly on tripod.

That's awesome! You got the right tool for the job. For me the FX3 & C70 does it for me.

@@NavolForge ja we are lucky to live in these days, lots of great options.

The FX3 is greater than the sum of its parts. It has documentary level sound and sound inputs (if you actually care about audio quality this can't be understated). It has the best high ISO mode. The best noise floor. Significantly better autofocus. A significantly larger set of lenses. Some of which absolutely will never be duplicated by other manufacturers because they don't have the technicals. An example of this is the 70-200mm f/2.8 GM II. Panasonic will never have a quad-linear motor, AF that's as fast, an image that is as corrected, nor a lens that is as short and light as the GM II. And other incredibly good lenses like Zeiss Batis, the Sony 20mm f/1.8 G, etc. Not to mention that should you need to, you can always rent higher end Sony cameras and match them or grow your business and move to FX6, Burano, or Venice - there is no higher end camera system from Panasonic worth moving to. Varicam is dead, and the BS1H as an example has incredibly poor ergonomics. FX3 is also a quad-bayer sensor, which is why it has significantly higher apparent resolution than a regular bayer sensor. It's effectively downsampling to 4k. 6k in light of this doesn't necessarily give a more detailed image, while also necessitating a much larger file (6k is double the resolution of 4k). FX3 also does 1.1x cropped 4k 120 or 4k 60 full width. S5IIx tops out at 4k 60p and it requires a 1.5x crop in order to do it. There isn't another camera that captures slow-motion as well as FX3. And then there is readout speed. FX3 is basically the fastest sensor readout less than $10k with a rolling shutter other than Komodo which is global. If you shoot sports or anything with fast motion, not having skewed lines is also a big deal for a lot of us. Is the S5IIx a bad camera? Far from it, it's as you note a camera that punches WAY above its weight. It has incredibly nice image quality and has access to ProRes internal and BRAW/PRR external. It also has open gate, a slew of anamorphic modes. And arguably if you don't want to use AF, the S5IIx is just as adaptable to other lenses as Sony is. It also is an excellent stills camera, the FX3 is not. And certainly if you don't need the features that FX3 offers then definitely go Panasonic. The point I'm trying to make is that there is a good reason for the cost differential between the two systems. Worth it for you or for everyone? Of course not, that's why there is choice. But it isn't cut and dry that S5IIx is "just better". That isn't remotely a true statement. Because as I noted above there are tons of things that I can do on FX3 that the S5IIx also simply cannot do. It's dependent on what you need the system for.

Thank you!! 🙏🏾

Get to work, network and find a need in your community that you can provide a solution too. If you can't in your area then market to another location or move else where. There are so many forms of marketing channels we can use now and days it's just about finding the right one for you.

Haha well I can't wait to make my next video because, a lot has changed since I posted this video. Hoping to make an update video this next week. Now that I have used it for a few weddings.

Very true!

Several cameras have dual gain sensors, a somewhat common feature actually!

Well I decided to keep the camera, review will come out. It's not unethical if the company policy accepts return whether it's new or used.

You're literally advocating for multi billion dollar companies at the expense of normal working people. It's literally a customer's legal right to buy a product and see if it is suitable for them - and if it's not then it is also their right to return it within the specified timeframe.

@SeanNeale lol yes, but a lot of youtubers buy stuff on Amazon just to take advantage of this return window in order to make the video and then just return used gear, which is pretty lame. Im advocating responsible shopping. Buy something you want, make sure it works for you, and make a decision. Don't buy something just to test it out if you're not sure, just rent it instead.

Yeah I use my EVF on my Canon R5C all the time.

@@pizzlesshorts Obviously the C70 is a great run-and-gun camera, especially for documentary shooters - why Canon did not make a EVF even a option is beyond me. I've come up with some DIY solutions but the built in display is useless outside - IMHO

Very true, and my opinion has not changed I still think the Canon C70 is overall superior. However my business needs have changed, and I have to adapt to it. I still own my C70's and I might sell one, or keep all three and have two FX3's. Either way I'll make a video about it and let you know......

Will do! Are you in FL?

@@NavolForge I’m in New Jersey

What’s your ig ?

@@NavolForge no in NJ

How is matching the colors.

That’s awesome!

@@ridwanomar5351 easy

Why do you like fx30 more?

So true!!!

Thank you! If you have anything specific you want to test let me know.

Haha most definitely. I’ll be using it for one of my own weddings coming up soon and can’t wait to share my take on it.

I have the FX3 and used the C70 two weeks on a project, and I will tell you one thing....The C70 is better 😅

@@JS_Leger Yes I agree it’s the overall better camera for majority of things. However the FX3 has a lot of advantages over the C70. At the end of the day it’s about having the right tool for the job you do. I can’t wait to share my updated thoughts after having used the FX3 for 4 weddings recently.

@@NavolForge Yes for weddings the tiny body of the FX3 is really handy for sure! But for my part (even with weddings), I like to have a heavier setup because I do mostly handheld shots

Thank you! Can’t wait to put out more content. Amazon lol .. it was sold directly from Amazon and not a third party. They have the best return policy. 😅

I have no clue, I've read in Canon Rumors that two new cinema cameras will be announced at the end of 2024, but no idea if it will be a C70 MK2 or C90. The C70 more than capable and will be relevant in the next 3-5 years now. If it checks off the box with what you need, then go ahead and get it.

Your going to love it brother! Definitely an amazing cinema camera!!

It's crazy how different you feel without a cage. I ended up getting it 3 weeks ago and I'm still trying to figure everything out. Although it was pretty similar to my Canon R5C. I just have no EF glass and I cannot find the cheaper focal reducer in stock anywhere. So I am kind of stuck using cinema lenses or my 24 to 70 right now

It's all about finding the right tool that works best for you. I wish the C70 had IBIS and built how Lumix does it because their stabilization is insane!

Hey, yeah I know that the bokeh doesn’t change only the extra stop of light hitting the sensor does. What I mean when I refer to going to a lower f-stop is I’m getting more light. So true!! What system are you currently using?

@@NavolForge ah shit my bad I miss heard your reasoning to get the C70 for 1.4 shooting (internal NDs, makes sense!) Fx3 atm, miss the C70 🥺 I mainly miss the image (Fx3 crushes blacks in comparison) and in body XLR ports (the top handle for the fx3 sucks, can't mount a heavy monitor in a good spot on that thing). My work around is to record lav audio to a rode go pro (32 bit float is great) and sync in post. But the pros of the fx3 are largely ergonomic based, and the IBIS even though it's not great, it's still much better on micro jitters than the C70, also the C70 was never comfortable to shoot with. An fx3 with a small cage and vmount rig is ergonomically very comfortable apparently canon is about to drop 2 cine cameras though :O pretty exciting

@@louie8488 Yes! that's what most of my friends that have made the switch have said about the FX3. Yeah I'm excited to hear what Canon is about to release. The Canon R5C was suppose to compete with the FX3, but Canon really did not take into consideration what the actual user wanted, and failed us in so many ways with the R5C. It could have really complemented the C70, like the FX3 is to the FX6.

Love it!! C70 is definitely the way to go for dedicated video

🙌🏾🙌🏾🙌🏾

Thank you! A lot of work has been done over the years to get to that level. The C70 is definitely the right tool!

I agree! I love the image that the C70 renders. It’s perfect for me.