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Love the smile on your face the whole way through, an absolute masterpiece

React to the whole album please haha

Someone has probably already commented this, but apparently Jonny Greenwood has forbidden Thom Yorke to learn music theory since he's convinced it will interfere with the way he makes music haha

I'm loving seeing you go through this discography!

he wasnt afraid to die💪

Hard to have one favourite song, but if I had to choose, the Aaayyoos would probably make it Weird Fishes. Love your reaction. Thanks.

Paulina is godess and we are her servers

Very tongue in cheek - it's a Smith's motif

One of the best ever. Grace was the most impactful first hearing a new song I ever had. For some reason I always picture him singing in mediaeval Venice and being given all the riches of the time. You could try listening to his dad, Tim Buckley, also a singer with a beautiful voice. Dolphins or Song to the Siren maybe.

a verY powerfuL song

Welcome to the Warning Army! Pick any song. They all have that sound from the past but current and fresh!

The scream was primal.

Spot on reaction!

Your smile says it all. Thank you.

Fantastic! 👏

Love Jeff so much, and thanks for checking this song out - I'm a new subscriber for sure. If you havent already, I recommend "Lover you should've come over" prefferably live vers. It's fantastic. RIP Jeff, so good. Take it easy 🤘

Probably the best singer in 100 years mate

All you clowns 🤡 who do this ‘reaction’ type video/garbage. You are ALWAYS years too late with your false/hyped generally over the top BS ‘reactions’.

This is my favorite performance of this song. Why!? Because it´s so live, the deliverance of the lyrics by Pau and Dany´s Guitar are in your face raw!

Music is my therapist. I’d be dead without it

Love it!! 👑⚡️🤟🏼🔥💖

I saw you counting and the album theme is 7. Good catch lol

27 years gone, May 29. He's loved and will never be forgotten ❤

What is freaking awesome is the structure they had already had established in their writing. Yes, the coda!! Very sophisticated! This is a structure that they continue to use thru all their albums...not in the exact same way but very similar!!!

E-Bow the Letter

Paulina es la mejor baterista de rock del planeta ,es un músico consumado ,es una gran cantante y cuando canta es capas de involucrar a todo el publico ,es tremenda ,Narcisista una muestra de su gran talento

Great choice! Jeff Buckley ❤

De sus primeros temas Free Falling ,un bello tema de rock clásico y un bello solo ,un tema de gran calidad ,el rock de The Warning siempre a sido increíble y la increíble Pau no se ve esta tapada por si batería ,pequeña pero super talentosa

Loved this. While I might dabble in the 3rd plane, I listen almost exclusively in the 1st & 2nd, depending of course on who/what I’m listening to… I think we all have our own versions of your “dishwasher jazz”. 😂

I love how much you loved this. Impossible not to, imo. The entire album is a dream… No lie. Your enthusiasm about the keys and modes was beautiful to watch, and for someone who is NOT musically gifted, it’s just so interesting to learn from you while you’re in your element. Thanks for another beauty reaction!

man you gotta react to “Lover, you should’ve come over” next

Such a great middle finger of a song.

That music that you just played, Fanfare of the Common Man and the ballet piece. My father is a huge music fan and he passed his love for music onto me. However, when I was 14 I rebelled against his taste of music and never looked back. My taste of music is a lot rawer than his. I don't mean in loudness (mind you, it can get loud) but more with an emotional urgency. It can go from Jeff Buckley, Mark Lanegan, The Afghan Whigs, Radiohead to Killing Joke, Paradise Lost or even Charles Mingus, Nina Simone or Muddy Waters, etc. My dad has always been a huge fan of James Last. I remember every piece of music that you just played from my childhood. I've just never heard it played like this.

He led a 90s rock band but was influenced heavily by Nusrat Fateh Ali Khan, and has also connections to the NYC lower east side avant/experimental scene. He was apparently in a band with the drummer from Tool (before Tool). And his album Grace has covers of Leonard Cohen, a song done by people like Eartha Kitt and Nina Simone, and an English hymn from the 1500s (or possibly earlier). The guy was an incredible alien.

Erol, please sir can you react to Jeff Buckley - 'So Real' and 'Mojo Pin'

Excellent work.. Check out Reel around the fountain from the same record. It's from 1984

Nice one.. check out Let down

Jeff's cover of "The way young lovers do" live at Sine is amazing. Also Dido's lament is beautiful.

Marr Tuned his guitar up to F sharp as standard. They both adored American girl groups. Heaven knows I'm missing him now was the stolen skewed prism.

I'm an ELP fan, of course I know Aaron Copeland! 😉(Also I've seen my son's orchestra playing _Fanfare_ _for_ _the_ _Common_ _Man_ live in Leeds Arena, very much a proud dad moment.) I definitely have three ways of listening to music, similar to what you describe: (1) When I first listen to something, I'm very much in the mode of just feeling it. What does it do to me? Am I sad? Elated? Do I feel like dancing? Each time I'll notice a little more, but usually it takes half a dozen relistens before I even start paying attention to lyrics, at which point I have a new dimension to think about. (2) Once I've got that far, I might start thinking about the mechanics of how it's written/performed, but I have no musical theory training so it's very limited; no "ah yes, this part is in D minor and using locrian mode" or whatever. I would like to learn more; maybe when I retire. However, I'll often drop back into the first mode again. (3) If something is very familiar (and also instrumental, or else it has to be "in my bones" familiar) I might put it on as background while I work. Sometimes moments still grab my attention: 11 minutes 22 seconds into Nightwish's _All_ _the_ _Works_ _of_ _Nature_ _Which_ _Adorn_ _the_ _World,_ I'm always pulled out of what I'm doing. There is also music that is designed to be used this way, for instance Brian Eno's ambient work _(Neroli_ and _Thursday_ _Afternoon_ are particular favourites), and I don't have to be so familiar with that type of music. Much of what's called ambient, though, doesn't count in my book, particularly if it's got a drumbeat. I used to review TV & audio drama on my blog, and I would do something similar. I would watch/hear each episode at least twice: first just to get my "gut" reaction (which I'd briefly write up afterwards), second time thinking about cinematography/soundscapes/etc (pausing and making notes), and a third time with commentary if it had any. Only then would I properly write my review.

Something that I've enjoyed about your reaction here is something that as a composer I'm ALWAYS banging on about, which is that trusting your ear is paramount, and when we talk about scales and modes these are descriptive terms, ways of talking about the sounds that we're hearing. The way I learned music I had a really good idea and I knew how to find the sounds I wanted. I go back to my early pieces and I hear modes, chromaticism, secondary dominants, complex and colourful chords and all kinds of concepts that can be described by music theory, but I wasn't thinking about any of that stuff at the time, I was just looking for sounds that did the things I wanted, simple as that. And a lot of music RUclips get this kind of backwards, they say things like you have to have a grounding in this theory before you can truly know what you're doing, and it's just not true - it's way more important to build trust with your ear, develop a sort of working relationship with the sounds in your head. Yes, music theory can be useful for all sorts of reasons, and I use it for various things, but it's (almost) never my starting point for making something, and a very small part of my overall creative process. So in other words I really appreciate you talking about music theory in this context, as a way to describe the sounds we hear.

Ah back when Coldplay made interesting music...

I saw the Cocteau Twins, April 1984. Sad to say I remember very little of it. I saw Massive Attack in 2006. I like your channel

EPIC!!!!❤

"Use it a useful 'Tool' to expeess the emotion..." Its interesting the lead guitar in this band was the guitar tech for Tool and is how some describe Tools music....Do "The Outsider " by them

One of my favourites from The Smiths! This Charming Man next for more jangle! Great to see you become a fan in real time!

Mostly in the first plane for sure. I wish I was more musically gifted so I could get to the third plane. I watch videos on theory for songs/bands I’m into every once in a while hoping to absorb some knowledge, but 99% of it goes over my head. Maybe in an another life I could come back as a composer. Thanks for the video as always!

You're pretty good man.