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Do not compress a video about plutonium!

Muy interesante, Jordi 👌🏽👌🏽

Are you able to share the Steering Server sample code on your Git Repo?

congrats!!

The other day I was walking my dog at the park, and I was thinking out loud to myself: "Which codec do I use?". It just happened that a passerby heard me and recommended your video! I used to not know which codec to use, but after watching this video, I know which codec to use!

JW Player _sucks._ Why anyone uses it is beyond me.

He always give me a gravity falls vibe

Does shaka player support it? Does akamai edgeworkers only available when we use AkamaiCDN only, what's happening when we switch to another CDN for example RUclipsCDN. Thanks.

Really good presentation! And Mike English is such a cool name, like James Bond or smth like that.

🤭 "Promo SM"

Here's a question: Is the dependence on Assembly an indication that compilers are insufficient or that higher level languages aren't capable of describing things in ways that they can be compiled efficiently? If it's the compiler, what would it take to make a higher level compiler to approach the efficiency of assembly?

Alan and Nathan Fielder need to work together on something.

this will change everything

To me, the bright highlights of hdr can and should be utilized to help create aw and bring you into the cinematic world. Scenes with glass, lasers, reflective water, landscape/wide shots without subjects in them where the purpose is to admire the world; to me this is where hdr should and could shine. Use soft highlight rolloff for faces, and specular highlights for what I mentioned and battle scenes

This really cleared things up

Alan is just a master of weird humor

Thanks for this informative video Robert.Had a query with respect to "Convert MPEG-TS based HLS to fMP4 based HLS" Does this means Edge Computing which Fastly provides converts .ts to .mp4 on the Edge ? If yes then is there any informative source or link that how this happens ?

Videos of this year's talks will be up sometime in the future?

This deserves a trillion views

Hello, where is this open project available? Would love to know more about it

Why is Alan Tutorial 2.0 being recommended to me 2 years later???

I felt the same madness when tried to understand what codec is and which one of them should I use

Great and informative talk

Nice talk I like the opening

Nice Video, thank you for sharing knowledge with us!!

Cool

All jokes aside, Alan is probably great at public speaking

Fantastic presentation Steve, thank you! I personally feel that content made by Jacob + Katie Schwarz such as the mentioned "The World in HDR" is graded near perfectly, with perhaps just a few scenes being a bit too hot, and I wish actual movies and shows looked like that as well, rather than often being very similar to SDR, as you suggested they should, and as official specifications recommend as well. The strongest argument I see for keeping HDR rather dim like that, is the chart about annoying transitions that you showed at 8:40. I wonder though, if "The World in HDR" level of brightness is in the green regarding that chart, or not. There is another question that I have that you have not addressed here when recommending to keep everything below 1000 nits, even the highlights. If everyone were to follow that recommendation, then 25% of the bith depth allocation (from PQ 0.75 to 1) would end up being unused forever, which seems like waste. As far as I'm aware, 10 000 nits as ceiling for PQ was chosen by Dolby because subjects in their experiments rated such highlights more aesthetically pleasing. Suggesting that there is value in not compressing those highlights. And personally I find that I love seeing highlights look the way they do in real life, and when I see HDR productions compress the highlights as you suggested they should, it feels to me like making the picture look worse than it could look. Why settle for making it look just a little bit better than SDR, when it could look a lot better than SDR. It's super interesting to see you talk about Dune, as I watched it in SDR in cinema, and the whole movie felt too dark to me, which could be the consequence of these decisions you praised. But I should really go watch it in HDR to see how that affects it. I loved to see you roast the Iphone HDR videos. My pixel phone has the same problem and I hate it with passion.

Hilarious. Thank you. 😂

He's David Wain & Tim Heidecker in one soul

is a such great infos.. thanks

Good information

Something about the way he can deliver a line like "and people in the room freak out, because up until this point no one had ever seen a horse move before!" so seamlessly that you barely even notice how ridiculous it is if you're not paying attention is great. That line fucking sent me to Neptune lmao.

I turned on stats for nerds to see the wave he was surfing 🌊 the ✋👌😂❤ 🎉👋〰️〰️〰️〰️〰️👋🫂🌅🎇🤙

worst talk i saw in a long time..

Holy crap that age jump cut wtih Joey had me roflamo'ing so hard

11:20,…rough..,, thats just rough.

One of the best exploration on youtube and entire internet. Thanks a lot!

That doesn't sound right but I don't know enough about codecs to dispute it.

The most useful talk on mp4 streaming

Shia LaBeouf's most controversial moments

One thing I've always loved about Alan is his two normal and real hands

Now it makes sense that you can't manually choose a resolution in Netflix

I was looking for an example of a video with missing I-frames because to confirm my suspicion that this happened to a livestream I watched - and found technical details, comedy and art all in one video.

JPEG XL uses a axis-non-separable upscaling -- In my experience axis-non-separable filtering allows for less jaggies than any axis-separable filtering.

4:48 laughed so hard out loud on that.

anyways to contact David

terabits per second is Tbps not TBPS; this is more a marketing show than engineering value.

Becareful about clicking links alan, i hear thats how you get this disease. Clay works though.

Pretty cool!