Видео

Worx should redesign the spools making them larger. The current ones last one time.

Can I use square shape wire instead of round and automatic feed would still work?

Thank you thank you thank you very much

Thanks for the video I’ve been dying to know if I can do the same, thanks 🙏

Thank you so much for this video!!

Thanks for sharing 👍

Thanks for this. I’ve been looking for a way to mount my swivomatic toms on my DW double tom stand. It’s a shame Rogers doesn’t offer a 3/8 hex phenolic ball that we could just swap out.

This was helpful, thanks!

Very helpful advice!

Thank you for your video. I love the ease of use and cordless operation, but the spools are ridiculously small. We have 1/4 acre, with a house, patio and shed on it, so not a huge yard. It takes at least 3 spools to trim and edge. They don't take them back for refilling? So, we just dump piles of these spools into landfills? I currently have a bag of about 20 empties. I was refilling my own, but it spits out a big chunk of that line every spool. I'll never make this mistake again. Other trimmer/edgers lasted 3 spools a year-not per mow!

What these tiny little spools from Worxs are a piece of crap. You’re constantly rewinding them because 10 foot isn’t enough to do a regular size lawn. Come on what were they thinking?

Thank you!

I knew. I checked a ashley processor. Had a bad input and output. I trace the wires. The stereo output were shorted to makenit to a mono port.

Thanks! Ive got this mic and now know a little something valuable being an owner. Cheers!

Yeah is there any chance I could get the maybe some pictures of your repairs of the whole app so I can compare notes

I also have the same amp🎉 and I'm having solder joints and why is that the soldiers come loose not really knowing where the wires go to they are blue by the way

I just wanna say to You hit the nail in my curiosity. I didn’t know that “To run 2 Outputs together would cause the equipment damage!” This actually happened to me 2 times and I was asking myself.. What is going on?… Now I learned from you that the 2 outputs make feedback towards each other… This is making a lot of sense… I was almost lose my equipment. Omg! I will go back to the studio… and stop the Amp’s output from the mixer… and I will connect the instruments and vocal microphones to the Amp. When I want to record, I will record by using a dynamic microphone 🎤 to the Amp and connect it to the mixer.. and from the mixer to the computer… That’s it M’Man..♥️🙂✌️🎩 the recording mic 🎤 will be Input into the mixer and the computer… and it will record what will be happening from the Amp’s Output! Yes

If I end up getting the Powertone in champaign sparkle I plan on running a gilbralter clamp attached to the double tom holder and then a short cymbal arm attached to the clamp. I contacted Rogers and they said that should work for a smaller crash.

I just picked up the Rogers Dyno-matic pedal and have real interest in the Powertone champaign sparkle kit. It appears to me Rogers is coming back and they are doing it right. Back in the 60's and maybe early 70's they were the cadillac of drums. Of course that is when cadillacs were quality. 😀

can you put a electrec mic those small one instead of a condenser capsule?.. what happens if you do?

I thought I would take a moment to respond to a few negative comments that have been posted to this video. Since the 1980's, the Rogers brand name and logo had been used on cheap, low-quality, imported drums from China. In 2013, Joseph Chen, owner of Dixon Drums, acquired the Rogers name and intellectual property. If I remember correctly, Mr. Chen had a history with the brand dating back many years, including producing some hardware for them at some point in time. His vision was to restore the brand to what it had once been: producing innovative new drums and hardware with a vintage vibe. In 2017, they introduced the first new products: a line of snare drums and some replacement parts (e.g. lugs) for vintage Rogers drums. Since then, they have slowly and incrementally rolled out new products, including the Cleveland and Covington series drums, new stands and kick drum pedals, tom and floor-tom mounting systems, and more recently the Powertone and Tower series drum kits. As an owner of an early 70's Powertone kit, one of the things I appreciate the most is that they are producing many new hardware items that are also compatible with their vintage drums that use the original hole-mounting patterns--meaning you can upgrade broken items on your vintage drums without having to drill any new holes! They are slowly forging their own path as a brand, instead of simply copying what other brands are doing and using generic, cookie-cutter hardware. Also, their Cleveland and Covington kits are assembled here in the USA by Bill Detamore's team at Pork Pie Percussion. The more affordable lines (Powertone and Tower) are assembled in Taiwan. Many high-end drums from other brands (including Tama's Starclassic line) are now produced in China. So having some of their assembly operations in Taiwan simply makes sense to be competitive in today's market. In any case, I've been a Rogers enthusiast for many years, and in my opinion, it's exciting to see what's being done with the brand today (orignal drum and hardware designs with a nod to their vintage roots) compared to the name simply being used on cheap, mass-produced, imported drums. So my message to Rogers is this: keep up the good work!

Rogers drums in name only.

Five piece set… five piece set not four piece set shown on the brochure

I believe Rogers drums started in 1849 as a calf drum head maker now all of their expensive drums are built in Taiwan! Jwm. Definitely overpriced😂

This company should have stayed gone....

Rogers is finally back in the drum 🥁 industry. Hopefully Slingerland can make a comeback too.

umm.. i point at picture on youyube...?

Where would I find any replacement parts for one of these? I have the same Warhead combo and the effects board isn’t working and it’s missing a few of the EQ tips on the arms

Brilliant explanation many thanks.

which resistor would you say is best the metal or carbon film, thankx 4 ur time.

This makes me think it would be a good investment to place a surge protector in front of any equipment or amps. I wonder if there would be any noise issue with surge protectors...

Q. If I use this cable and only feed it with one channel (left), will it sum it down to real mono signal (left/right) i.e my speaker which it is connected to will play real mono from both built in loudspeakers and not only from the left speaker?

Hi Silent Sky Studios, thanks for this video. I am using my stereo CD players & the stereo Cassette deck as connected to the vintage mono tube radio with the stereo -mono cable. Kindly clarify for my doubts. Since the Source is the CD player or the cassette Deck, Can I use the same 470 ohm resistor? I do have the 680 ohms resistor, can I use instead of 470 ohms? Thanks in advance. Best regards.

Why resister not diode?

Are the resistors to limit the combined output of left and right channels relative to the ground? Why not use diodes instead to counteract the signal bleed from the left/right channels? (not very electrical experienced, just curious) thx!

why is this still a rarity in 2022? this is a very practical tool for mono monitoring

Hello, First of all thank you for the links to your articles. I‘ve read through them but I couldn’t find an answer for my specific case. If possible, could you please help me within the next few days? That would be awesome as I’m playing a gig next week. Thx in advance :) I‘d like to know whether I need resistors for a summing cable which connects my stereo pedalboard to my amp. If yes, which value? I also wonder if the resistors will suck my signal. I will plug the summing cable into the L+R output of my Radial split box (SB-6) which also has phase switch options so that won‘t cause problems. Usually, I run my rig in stereo but I‘d like to have the possibility to run it in mono just in case I only have one amp. The effects and cables are all tied to the board which doesn‘t allow for quick changes. Hence the summing cable idea. If I lived in the USA, I would buy one of yours but it’s cheaper for me to build it myself over here in Europe :)

Can I use a 1k resistor

Are you building and selling these? Where can I purchase!? Thx!

Thanks so much, cable just showed up and works perfectly and is just what I needed. No more split L/R solos from the phone to PA

ruclips.net/video/p1xNbFQ9zRE/видео.html I recomend, Hear is the explanation with draws and technical examples

Six minutes when I only needed 15 seconds. Jeepers. Just use 1k resistors inline.

Super interesting! Do you know where I could find the same thing but with dual TS (or TRS) to mono 1/4"?

Can you tell me where the wires go

If I need a cable to sum the outputs of two guitars into one, then plug the other end of the cable into the amp, would I still need this type of cable, or would those amazon TRS to TS adapters suffice? Not sure if the output of an electric guitar is high enough to damage any equipment, that's why I'm asking. Thanks!

You need a diy talk box with a p.a. speaker to amp video. Yessur

I have gotten no definitive answer as to if this will work with a stereo car radio that will then feed the combined signal to one speaker. I have a car with only one speaker and I do not want to alter the dash for another speaker. Mono AM FM radios are like hens teeth to find, and I would like to use my stereo with this one speaker, rather than just using one line Right or Left. And if you think it will work, what resistance should I have for this summing plug?.

Hi, I have a similar requirement but it's not quite the same as your application/use-case and like yours there appears to be no connector or cable available. I basically want to split the left and right of a stereo output jack and take just the left only and convert it back to a stereo jack so that when I plug stereo headphones in i have the left signal outputting in both left and right headphones. There is a complicated reason I need this, essentially I'm using a sennheiser G4 transmitter that has two inputs going in but there is a completely different mix on the left side than there is on the right. My drummer wants to use a wired in-ear monitoring solution by plugging directly into the stereo output jack on my transmitter but only wants the left side balanced evenly in his headphones. Any ideas how I could do this?

Good video, As per my experience, going balanced to unbalanced, the Ring and Sleeve get combined and soldered to the Sleeve of the Unbalanced connector and haven't had any probs with this pinout. Never heard of the summing of the Tip and Ring to the Tip of the Unbalanced connector as you described it and like you said, this would be problematic indeed! So you are recommending summing up the wires to the tip with a 470K resistor in between, right? This will dampen the signal suitably .. which is what leaving out the Ring by soldering it to the sleeve also effectively achieves I think. On another note, if we need resistors in a balanced to balanced situation (due to some low DC coming through), I would like to confirm with you that no resistors are needed for the Sleeve right? I am imagining putting 2 resistors one for the Tip and one for the Ring. Am I right? Cheers and best wishes from Australia.

Hey there Thanks for this information. Is it possible to add a little knob in between, so I could change the ratio of the two signals? I have a guitar with two pickups, and they go to a stereo output, so I'd like to mix them together (without a dedicated mixer). More details, see here: www.acousticguitarforum.com/forums/showthread.php?t=606644 I'd be very happy to find a solution to my problem.