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Fillius Jazz Archive at Hamilton College
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Добавлен 5 янв 2017
vvv Subscribe below vvv - Some videos in this collection begin with a brief biographical sketch of the artist. Because of copyright concerns, music from the artist which originally was included over this scroll was removed. These interviews with jazz artists were conducted starting in 1995 for the Fillius Jazz Archive at Hamilton College, and the gathering of videos is an ongoing process.
Visit the Fillius Jazz Archive website for more information: www.jazzarchive.hamilton.edu
Visit the Fillius Jazz Archive website for more information: www.jazzarchive.hamilton.edu
John Beal Interview by Monk Rowe - 6/18/2024 - Zoom
Bassist John Beal speaks about his lengthy career that included jazz gigs, extended Broadway shows, and symphonic orchestral work.
Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission from the rights holder. Any use that does not fall within fair use must be cleared with the rights holder. For assistance, please contact the Fillius Jazz Archive, Hamilton College, 198 College Hill Road, Clinton, NY 13323. (315) 859-4071
Visit the Fillius Jazz Archive Website
jazzarchive.hamilton.edu
Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission from the rights holder. Any use that does not fall within fair use must be cleared with the rights holder. For assistance, please contact the Fillius Jazz Archive, Hamilton College, 198 College Hill Road, Clinton, NY 13323. (315) 859-4071
Visit the Fillius Jazz Archive Website
jazzarchive.hamilton.edu
Просмотров: 214
Видео
Ken Poston Interview by Monk Rowe - 6/4/2024 - Zoom
Просмотров 15821 день назад
Ken Poston speaks about the challenges and rewards of producing jazz radio programs and festivals, and directing the L.A. Jazz Institute. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permi...
Darius Brubeck Interview by Monk Rowe - 6/29/2024 - Zoom
Просмотров 143Месяц назад
Darius Brubeck enjoys an international career as an educator, composer, and pianist. As the eldest son of Dave and Iola Brubeck, Darius shares stories of his childhood, his artistic philosophies, and discusses his significant accomplishments at the University of Natal in South Africa. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Tit...
Daryl Sherman Interview by Monk Rowe - 6/11/2024 - Zoom
Просмотров 125Месяц назад
Vocalist/pianist Daryl Sherman speaks about the joys and challenges of performing long-term engagements in and around New York City. She describes her own style of accompaniment, her relationship with Dave McKenna, and the pleasure of working with some of New York's finest musicians. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Titl...
Arturo O'Farrill Interview by Monk Rowe - 5/6/2024 - Zoom
Просмотров 2362 месяца назад
Arturo O'Farrill shares his thoughts about the global origins and development of jazz, his early musical influences, and his work with his group the Afro Latin Jazz Orchestra. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching ...
Hal Espinosa Interview by Monk Rowe - 3/20/2024 - Zoom
Просмотров 2693 месяца назад
Hal Espinosa shares the story of his career in music from his days as a big band trumpeter to his ten years as president of the Los Angeles Musicians' Union Local #47. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or schol...
Mike Davis Interview by Monk Rowe - 4/1/2024 - Zoom
Просмотров 3344 месяца назад
Trombonist and composer Mike Davis speaks about the challenges and rewards of a career in music. He also shares anecdotes about his big band experiences and leading his own ensembles. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, t...
Christine Jensen Interview by Monk Rowe - 3/4/2024 - Zoom
Просмотров 2674 месяца назад
Saxophonist Christine Jensen speaks about her development as a saxophonist and composer. She also shares her thoughts on jazz education, music technology, and women in jazz. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or...
Pigeons Playing Ping Pong -- Jeremy Schon & Greg Ormont Interview by Monk Rowe - 3/8/2024 - Zoom
Просмотров 1824 месяца назад
Jeremy Schon and Greg Ormont are the guitarists, founders, and songwriters with the band Pigeons Playing Ping Pong. They describe the path of the band from basement rehearsals to headlining shows across America. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism,...
Pigeons Playing Ping Pong -- Gator & Ben Interview by Monk Rowe - 3/8/2024 - Zoom
Просмотров 1264 месяца назад
Alex and Ben are the drummer and bassist respectively in Pigeons Playing Ping Pong, a self-described band that jams. They speak about the life of a full-time musician and the creative collaboration between all four members. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary...
Dick Griffin Interview by Monk Rowe - 2/12/2024 - Zoom
Просмотров 2405 месяцев назад
Trombonist and visual artist Dick Griffin speaks about his upbringing in Jackson Mississippi, and his associations with Medgar Evers, Sun Ra, and Roland Kirk. His lengthy and creative career has carried him well into his eighties. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, para. 107) which allows use for comme...
Putter Smith Interview by Monk Rowe - 2/27/2024 - Zoom
Просмотров 3965 месяцев назад
Bassist Putter Smith shares anecdotes about his decades-long career as a jazz musician, which encompassed the musical spectrum between Thelonious Monk and Phil Spector. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or scho...
Ed Soph Interview by Monk Rowe - 2/9/2024 - Zoom
Просмотров 1,6 тыс.6 месяцев назад
Ed Soph speaks eloquently about his personal approach to mentoring young drummers, and also shares anecdotes about his significant collaborations with well-known jazz musicians. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teachin...
Jane Bunnett Interview by Monk Rowe - 1/25/2024 - Zoom
Просмотров 4816 месяцев назад
Jane Bunnett speaks about her intense involvement with Cuban music; her approach to composition; and her creation and direction of the bands Spirits of Havana, and Maqueque Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or ...
Fred Radke Interview by Monk Rowe - 11/8/2023 - Hillsdale, MI
Просмотров 6387 месяцев назад
Fred Radke speaks about his path from marching bands as a child, to valued lead trumpet player, to leading the Harry James Orchestra. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, para. 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission ...
Ben Sidran Interview by Monk Rowe - 11/15/2023 - Zoom
Просмотров 7108 месяцев назад
Ben Sidran Interview by Monk Rowe - 11/15/2023 - Zoom
Jerry Hey Interview by Monk Rowe - 11/2/2023 - Zoom
Просмотров 2 тыс.8 месяцев назад
Jerry Hey Interview by Monk Rowe - 11/2/2023 - Zoom
Alan Broadbent Interview by Monk Rowe - 10/26/2023 - Zoom
Просмотров 1,1 тыс.9 месяцев назад
Alan Broadbent Interview by Monk Rowe - 10/26/2023 - Zoom
John Pizzarelli Part 2 Interview by Monk Rowe - 10/18/2023 - Zoom
Просмотров 6519 месяцев назад
John Pizzarelli Part 2 Interview by Monk Rowe - 10/18/2023 - Zoom
Phil Wilson Interview by Monk Rowe - 9/27/2023 - Zoom
Просмотров 8309 месяцев назад
Phil Wilson Interview by Monk Rowe - 9/27/2023 - Zoom
John Altman Interview by Monk Rowe - 9/14/2023 - Zoom
Просмотров 47010 месяцев назад
John Altman Interview by Monk Rowe - 9/14/2023 - Zoom
Chuck Findley Interview by Monk Rowe - 9/6/2023 - Zoom
Просмотров 3,7 тыс.10 месяцев назад
Chuck Findley Interview by Monk Rowe - 9/6/2023 - Zoom
Paul Shaffer Interview by Monk Rowe - 8/24/2023 - Zoom
Просмотров 1,2 тыс.11 месяцев назад
Paul Shaffer Interview by Monk Rowe - 8/24/2023 - Zoom
Jerry Coker Interview by Monk Rowe - 8/18/2023 - Zoom
Просмотров 1,3 тыс.11 месяцев назад
Jerry Coker Interview by Monk Rowe - 8/18/2023 - Zoom
Sheryl Bailey Interview by Monk Rowe - 7/24/2023 - Zoom
Просмотров 448Год назад
Sheryl Bailey Interview by Monk Rowe - 7/24/2023 - Zoom
Ray Vega Interview by Monk Rowe - 7/20/2023 - Zoom
Просмотров 368Год назад
Ray Vega Interview by Monk Rowe - 7/20/2023 - Zoom
Arturo Sandoval Interview by Monk Rowe - 6/12/2023 - Zoom
Просмотров 747Год назад
Arturo Sandoval Interview by Monk Rowe - 6/12/2023 - Zoom
Lou Marini Interview by Monk Rowe - 6/15/2023 - Zoom
Просмотров 2 тыс.Год назад
Lou Marini Interview by Monk Rowe - 6/15/2023 - Zoom
Roscoe Mitchell Interview by Monk Rowe - 5/23/2023 - Zoom
Просмотров 1,2 тыс.Год назад
Roscoe Mitchell Interview by Monk Rowe - 5/23/2023 - Zoom
Karolina Strassmayer Interview by Monk Rowe - 5/25/23 - Zoom
Просмотров 3,8 тыс.Год назад
Karolina Strassmayer Interview by Monk Rowe - 5/25/23 - Zoom
There is no reincarnation jerry...but we get our experience through living your life...and we don't choose our parents ,our environment, our social hierarchy, poor or rich ,WHITE OR BLACK,BROWN..
Jerry had a enrichment environment..like so many musicians back in the 60,80,80,90,...
I ve always played with loud bands..I developed bad HABITS...IT TOOK YEARS LATER TO TRY TO FIX THOSE BAD HABITS. I DID NOT HAD THE OPPORTUNITIES TO TEACH - I WAS YOUNG
Spectacular interview. WELL DONE!!! Very important musical history is chronicled here.
Thank you Stephen. Monk
Such a great interview he was amazing and a funny guy
Thanks for your comment. You might enjoy our podcast, “Jazz Backstory,” based on excerpts from these interviews. It is available on major podcast providers, I included an anecdote from Dave in an early episode.
The Real Jazz Legend
Great listening to stories of the Utica area musical history!! My mom & dad sang and played in the area and I learned to play as well.
8:50
4:50
Outasight!!!!!!
This is priceless
Not an interview. A monologue.
Wow
Love Jerrys work with Earth Wind & Fire ....... ICONIC
The best jazz congas drummer
Steve is so underrated. An incredibly talented performer
I studied trumpet with Howie for a semester during my master's degree. Extremely talented player and a kind man. RIP Howie. Thanks for all of your hard work and dedication.
I once told a piano player playing at a famous Cape Cod restaurant that he reminded me of Dave McKenna. His eyes lit up, and he replied- "that was the greatest compliment of my life, thank you, thank you....Dave is my idol".
love this. Lanny is my Great Aunt Ruth Maddick Morgan 's son, my mom Iliah babysat him
Terrific interview. Skitch seems like a terrific human being. And warm, and gifted.
Benny Goodman and Lenny Bruce haha
My man.
Miles discovered and supported so many musicial talents who became world-famous leaders themselves. Joe Zawinul, Herbie Hancock, Chick Corea or Keith Jarret, only just mentioning pianists.
I like this guy. Despite his fame he is so natural and down to earth. So interesting to listen to his story.
Great questions and answers imho
Great job Monk. Ken's a great resource. Love his honesty and stories.
Great interview!
I am a great fan of Alan’s recent trio albums and an even bigger fan of Mel Torme. Alan arranged Mel Torme’s Tribute album to Bing Crosby. I think this album is my least favorite Torme album, i think it’s boring. I wonder how Alan thinks back on that cooperation with Mel and on the album?
I'm so glad you made this interview! I didn't realize he passed a few months later. What you are doing is so incredibly important. Thank you.
monk rowe's the goat
Hernie HANCOCK 🤍🤍🤍
Great interview with one of the best baritone players. What a sound he had.
This is my uncle
One of my all time favorite artists. Grab every album and CD I can find.
hey that's my dad 🙂
Hi Liz, I hope you enjoyed viewing this conversation with your father, it was a pleasure for me. Monk
Gorgeous! Thank you Benny Goodman!
So intersting. I love to hear people who have had experiences with great musicians from the past. Looking forward to hearing the concert with Paul Winter, a classmate from high school.
Thank you Mr.Rowe for sharing these amazing interviews,which I enjoy a lot.I´ve only got one of John Pizzarelli´s oldest cds but I dig his playing and his showmanship.I was impressed when I saw on youtube that video where he plays in a sort of a garage or something for the audience gathered there sheltering from the storm that caused the main show to be cancelled.He puts a hell of a show there!!! I still buy cds and despise spotify..Cheers from Spain!
Thanks for the comment Daniel, there is also a part 1 session with John on the youtube channel. You might enjoy our podcast, “Jazz Backstory,” based on excerpts from these interviews. It is available on major podcast providers.
@@filliusjazzarchive Sure! I saw part 1 first and had a good time with it.I also enjoyed those interviews with them old times men like Lionel Hampton,"Sweets" Edison, Willy Bauer,and the converstions with Louis Hayes and Nat Adderley.His stories about how tunes like Work song or Humming were born are simply great!
Thank you for this great interview
As a drummer and drumming instructor, I so appreciate Louis Hayes. He is truly a remarkable drummer and humble gentleman. To me, Louiss playing style is a combination of Max Roach and Shelly Manne...with the tremendous technique of Alan Dawson also as part of the mix! Cannonball counted on Louis so much in the late 50s and early 60s. One example of Louis' exceptional playing is on the 1964 Capitol album "Cannonball Adderley's Fiddler on the Roof." Listen to the first track titled "Fiddler on the Roof." You will hear some excellent, supportive drumming without being showy or overdone, and man can he swing! That's one of the reasons why everybody wanted Louis on their records from Horace Silver to Cedar Walton to Wes Montgomery to J.J. Johnson to Lee Morgan! The only drummers whose upright physical "postures" behind the drum set were as good as Louis' were the aforementioned Mr. Roach and Mr. Dawson! Also, I noticed from this video that Monk never tried to show his guests how knowledgeable he himself is. Instead he allows his guests to beam. He moves the conversation along in such an easy, organic way. Monk is a master interviewer.
Thanks for the compliment. Here's an interesting backstory on the interview with Louis. I was doing an interview with Jon Hendricks a few hours before Louis was scheduled to meet with me. Louis called the room and expressed some reluctance about sitting for the interview. Jon said, "Give me the phone" and proceeded to tell Louis that he definitely should do this. So I probably wouldn't have done this interview had it not been for Jon's encouragement. As you can probably tell, I am a huge Cannonball and Nat fan so this interview was a pleasure for me. Monk
What a marvelous "behind the scenes" story about this particular interview, Monk.You do such a tremendous job.Thank you for sharing and caring, Monk. @filliusjazzarchive
@@filliusjazzarchiveOne addendum. I'm sure that after your interview with Louis was finished, Louis told Jon that he was so right in convincing him to go ahead and follow through on the interview that he set up with you, and that he was so glad that he actually did do it. I bet he sensed that after the first couple of minutes in. That was a special moment when you surprised him by playing the song that he "wrote" for his wife. When Louis was first asked to be interviewed, as a man who is not effusive, he might have thought "Oh, no... I hope that this is not going to be another one of those banal interviews with the same old routine questions!" Instead, you could tell how much he opened up and actually enjoyed this chat with someone who was totally prepared, hip to his work, and who made it easy for Louis to totally be himself.
Conjunction Junction, whats your function?
Who could ever forget her as robot Superman 3
Goat ! He is an absolute Icon then it comes to playing the Trumpet. Imcomparable !
Mr Rowe, thank you for having this insightful and important conversation with Mr Soph!
You are very welcome, it was a privilege. Monk
Great interview!
Awesome!
Good interview. Interesting stories about the times and experiences of musicians.
Jake is a OK at best jazz drummer , But the more he talks the less respect I have for him . what a JERK !!!!!!! putting down Bob Dylan is just complete stupidity , Bob Dylan is a great song writer , with several classic songs in his catalog , The Lovin Spoonful was a unique band . I hate these no name jazz musicians , talk about corny player Jake is a total corn ball , what he calls exciting music , most people today call boring . I am a rocker , but I see the talent in jazz players , Benny Goodman , Duke , Count Basie , I see the talent in classical music , all kinds of different musicians playing different kinds of music , it all takes talent , and dedication to the craft , very talented musicians who should not be put down Especially when the music they just played on this video , is totally corny , but when a musician puts down other players , because it different music then the music he plays is a total JERK , musical snob , that nobody wants to hear play and usually plays in small clubs for pennies , but still put down other musicians that's sad , all musicians should encourage other musician no matter what kind of music they play . The more he talks the less respect I have for him . what a JERK !!!!!!! . Great jazz musicians like Miles Davis add the rock players mixed in with his music, making more unique music What Jake calls noise , most music lover pay $100's of dollars to hear rockers play their so call noise in stadiums and arenas to 30,000 people a night . As this video ends the sad music playing is laughable coming from a man who put down a musical genius , like Bob Dylan Sad Sad I lost all respect for Jake Total JERK OFF !!!!!!!! Put down artist
Clearly, Jake Hanna was not shy about speaking his mind about music, nor are you Frank. Jake describes Dylan, and by extension, numerous rock & rollers as totally deaf, an embarrassment, while you describe Jake's music and by extension, mainstream jazz, as sad, corny and laughable. Jake was referring to the documentary about the recording of "We Are the World". Have you seen the Dylan section? His song writing is not in play here. Try watching it, imagining you are a professional musician in his 5th decade of playing, having backed up some of the finest singers in the business. Musical tastes have always been to each his own. Have you heard Stewart Copeland's (drummer from The Police) interview about jazz where he states "The Problem with Jazz Musicians is That They All Suck.!" It swings both ways wouldn't you agree? I do concur with this excerpt from your post, " all musicians should encourage other musician no matter what kind of music they play." Monk
Well first you’re missing some of my points and I appreciate your feedback. Jake talked smacked about any music, that he couldn’t appreciate, like bebop, then he played that corny stuff he was playing, I didn’t say MainStreet jazz was corny. I said the music he played on that video the music he plays on all his videos sounds like old school Ragtime jazz, which is so played out when you look at bebop and you look at the amazing players that came out of bebop like Miles Davis, Connie K, Alvin Jones , Elvin Jones , Charlie Parker, Thelonious Monk, these are the guys that brought jazz back to the mainstream, he should be thanking them cause they’re the only reason people even listen to his music in the first place. My whole point is any musician who puts down other players just because they’re not playing the same music they’re playing they are a jerk off a total jerk off a total snob. I don’t some Deaf, metal music, with a blast beats, it makes no sense to me, but I appreciate the players, I say this guy is a talented drummer, and the guitar players are outrageous, so I don’t agree with what they’re saying I don’t agree with their vocabulary, but I agree that talent is there, and I wouldn’t put them down because they like to play a certain kind of music. I worked with Jean Krupa years back in 1966. I could tell you Jean felt the same way about rock players, did buddy to a point . I heard an interview with Jane Krupa, and I worked with a review that he played on, and he would do his Jean group thing, and the review with singers and dancers, what play so his show would last an hour an hour and a half, Jean was real sick and he couldn’t play that much so he just played his Jean group thing sing sing sing, drum boogie and the band played the rest, I would sit in on Jean drums, play the rest of the show, but we played stuff like mercy mercy Some soul , music, Jean said in an interview when his review used to play, he almost got a heart attack, cause he ran up three flights of stairs to get to our dressing room to get away from the music we were playing . If you know, the Metropol Café where we did a lot of shows, they had a ground floor and a long flight of stairs to the second floor, a long flight of stairs to the third floor, and another flight to the dressing rooms. Jean said he ran as fast as he could, and basically was talking about my plan, which was not really rock ‘n’ roll. It was kind of soul. It was kind of fun fusion back then which didn’t exist yet but that’s the kind of music it was but he hated music, if you talk about Stewart Copeland, he’s another jackass , he’s known in the industry jackass talking shit about people. He’s a very talented guy. I can’t take that away from him, like I said before this Jake solo he plays with Bucky Passarello, I love his old-school solo, shows tone tone. The drum sounded great, he shows some speed for an old guy, but I lost all respect for Jake. All respect he sounds like a moron to put down Bob Dylan, no I don’t know the documentary you’re talking about, but if you’re talking about the documentary that Michael Jackson dead, we are the world, Dylan Dylan I never said Dylan was a great singer, but his voice is perfect for the song. She sings like a Rolling Stone, just like a woman, blowing in the wind, some classic songs would you put down Bob Dylan? You might say I don’t like his songs. I’m not a great big Bob Dylan fan myself, I’m a hard rock guy Like AC/DC, Aerosmith Metallica, Korn Red Hot chili peppers. But I also liked a lot of the pop stuff, I’m not a Taylor Swift fan, but I appreciate the talent, I had to go see a movie just to see what she does, she puts on a great show, I listen to Madonna, I listen to Katy Perry, I’m not big fans of pop music, but I appreciate the talent the dedication to music and show business, my only point is I lost all respect for Jake
Gene Krupa I used the microphone device, and sometimes the words get mixed up
Brilliant and humble. What an interview!
"Telling the truth musically was not financially viable." Whew ❤
Thanks for pointing out this heavy quote, part of fascinating section of the interview where Mr. Foster describes the challenge of surviving in the business after leaving the Basie band. It starts at 1:16:00 in the video. Monk
@filliusjazzarchive it jumped out at me because I think it's a feeling that all musicians wrestle with, regardless of style or era. We are all constantly balancing our musical truth with other expectations including financial, commercial, and stylistic.