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Glad you appreciated it hun! :)

It's an arrangement by Terry Stirzaker that has never been published, sorry-I no longer have the sheets.

Thank you! :)

You are so noob

Glad you appreciated it! :)

Thank you! :)

Cheers mate!

They're also not written for clarinet🤷

I wish you the best in auditons (if they haven't happened yet)

Remote recording is a nice way to musically engage with other people :)

That's very kind of you, I'm glad you appreciated it! :)

Thank you! :)

I use it to hold on a contact-mic that I use for intonation exercises.

Glad you appreciated it! :)

Thank you very much, I'm glad you appreciated it!

Thanks mate! :)

Good luck on auditions (if they haven't already happened)

Thank you! :)

Cheers! The link to it is in the video description.

It's actually just a bit of mouldable plastic which slightly extends where those keys sit. A few years ago, I slightly changed the position of my left wrist to reduce strain and improve dexterity, and having those keys extend a bit further up made the transition easier!

@@soundole2701 I understand. I also consider the stock thumb rest position little low but my technician says, If gets it any higher, I'll have trouble reaching pinky keys. Plastic additions make sense. Aren't they slippery though?

That's actually a nice thing about this - I'm using a mouldable plastic called 'plastimake', and it's less slippery than metal keywork :)

Thank you very much! :)

It's just a standard Buffet barrel with a rubber band on it😅

@@soundole2701 envia o link

Thanks very much, I'm glad you appreciated it!

Thanks very much! :)

Cheers mate! :)

Glad you enjoyed it! :)

Thank you! I'm very glad you've appreciated it! :)

I am very happy to ramble about this! It's probably happening here more for pitch than timbral variation; a lot of notes on bass clarinet (even much more than clarinet) need to be 'sunk' to be remotely in tune, and conversely, it helps to think of a tighter syllable to get some of the higher notes in tune when loud. Most teaching methods emphasise that the embouchure for most wind instruments should be still for most playing, but I think that advice is largely just to avoid adding unnecessary extraneous movements which impact the sound. It needs to move a bit for pitch or resonance, for sure!

www.australianmusiccentre.com.au/product/valse-volante-trio-for-flute-clarinet-piano

Sorry, I don't share sheets for still-living composers - that would be a bit unfair to them! You can find this book readily available for purchase online though!

Thanks very much, I'm glad to hear that!

I've always appreciated Sue's bass playing! :)

Cheers mate!

Thank you very much! :)

Sounds like a good night!🍻

Thank you very much! I can't take credit for the arrangement, but I'm glad you think it works! :)

Thank you very much, I'm glad you appreciated it!

Cheers mate! It's already made it much easier to get the sort of shots that I want! :)