![Susanna Crum](/img/default-banner.jpg)
- Видео 40
- Просмотров 49 750
Susanna Crum
Добавлен 18 июл 2012
Relief Printmaking for Young Artists
Planning, carving, and printing with a Soft-Kut block and linoleum cutting tools. A simple, one-color image with a focus on using a variety of cutting blades, making a variety of textures and tones.
Просмотров: 134
Видео
CMYK Screenprinting with Pin Registration
Просмотров 2,9 тыс.2 года назад
Printing a full-color photographic image using process colors (CMYK) and pin registration. See other videos for how I prepared this image ("Making Images for Screenprint Films") and separated the colors in Photoshop ("Working with Digital Images for Screenprint").
Deletion Techniques for Lithography
Просмотров 5472 года назад
This tutorial demonstrates deletion techniques (scraping, sanding, snakeslip, and acid deletions) for lithography. I'm working on a stone whose image has already been printed as a first layer, and using a reduction approach to selectively delete areas that will allow the first printed layer to show through.
CMYK Subtractive Monotype Printmaking
Просмотров 3,4 тыс.2 года назад
Using cyan, magenta, yellow, and black (CMYK) to create a four-color monotype print.
Reduction Screenprint: Colors 1 and 2
Просмотров 2172 года назад
Using screen filler to paint a stencil on a screen, using the reduction method. This is a great way to make screenprints without an exposure unit, and work with multiple layers of color.
Lithography: Preparing and Printing a Stone
Просмотров 6682 года назад
This video covers the entire process after a drawing on a lithographic stone is complete: first etch, wash-out and roll-up, second etch, and printing. The process is the same for plate lithography, but one would use a different etching solution for plate litho. Any other differences are noted in the video. Fall in love with lithography!
Cyanotype with Silkscreen: Preparing Films, Planning a Print
Просмотров 6792 года назад
Using Photoshop to create a photographic negative for making cyanotype, and planning a hand-drawn positive for screenprinting on top.
Print From Anywhere: Monotype Stencils in Intaglio Printmaking
Просмотров 8583 года назад
This video covers the difference between a monotype and monoprint, using a stencil to make a color surface (relief) roll onto an inked intaglio plate. The monotype stencil addition, along with the intaglio ink, creates a monoprint.
Screenprint: Reclaiming a Screen
Просмотров 933 года назад
You should be able to use one screen for many, many images. Some artists use the same screen for years! To do so, you must reclaim a screen properly. This video covers how to reclaim screens that have stencils made of screen filler or photo emulsion. I'm using a garden hose sprayer, a pressure washer, a backlit washout booth, Ryonet reclaimer, Greased Lightning, Speedball Screen Filler, and Ula...
Screenprint: Working with Photo Emulsion
Просмотров 3073 года назад
This video covers how to coat a screen with photo emulsion, prepare paper for pin (punch) registration when printing, and arrange films onto a screen for exposure. This is within a studio art context, where students create original screenprints for art and design projects. Emulsion is Ulano LX660 and I use a single-point exposure unit.
Toner Transfers for Stone or Plate Lithography
Просмотров 3,5 тыс.3 года назад
This video covers how to use acetone and Laserjet toner prints to incorporate photographic imagery in a stone or plate lithograph.
Making Images for Screenprint Films
Просмотров 1243 года назад
When you're using photoemulsion for screenprint stencils, you can prepare a digital image for the black-and-white (binary) printed language of screenprinting. This video covers TWO methods of translating the image to a photomechanical format via Photoshop: using Bitmap to create a single color image with line, dot, or duotone screens, and splitting channels for a CMYK (cyan, magenta, yellow, an...
Working with Digital Images for Screenprint
Просмотров 743 года назад
This video introduces basic Photoshop tools to make an image with multiple layers. Includes Paintbrush, Clone Stamp, Quick Selection and Lasso selection tools, detailed removal of backgrounds with Select and Mask, and an introduction to how Photoshop layers function. The end product is an 8" x 10" image suitable for preparing films for screenprint.
Relief Printmaking: Mixing Ink and Printing the First and Second Colors in a Reduction Print
Просмотров 3093 года назад
In this video, I demonstrate how to plan and mix colors for a three-color reduction relief print. In reduction, all printed layers emerge from the same printing block. You change the block for each color, often working from light to dark color values. See other videos for color planning by hand and with Photoshop.
Intro to Book Arts: Preparing a Coptic Stitch Sketchbook
Просмотров 3,2 тыс.3 года назад
This video covers measuring, trimming, and folding paper for book pages. It also includes preparing holes for binding, in both the cover and the book pages.
Intro to Screenprinting: Printing a Direct Stencil with a Split Fountain
Просмотров 1033 года назад
Intro to Screenprinting: Printing a Direct Stencil with a Split Fountain
Relief Printmaking: Planning and Carving Relief Stamps
Просмотров 853 года назад
Relief Printmaking: Planning and Carving Relief Stamps
Relief Printmaking: Mixing Ink, Printing, and Cleaning Up
Просмотров 743 года назад
Relief Printmaking: Mixing Ink, Printing, and Cleaning Up
Lithography: Preparing Your Plate or Stone
Просмотров 2663 года назад
Lithography: Preparing Your Plate or Stone
Color Separations for Screenprinting with Direct Stencils
Просмотров 803 года назад
Color Separations for Screenprinting with Direct Stencils
Print from Anywhere: Intaglio Drypoint on Acrylic
Просмотров 4873 года назад
Print from Anywhere: Intaglio Drypoint on Acrylic
Carving the First Layer: Reduction Relief Printmaking
Просмотров 1813 года назад
Carving the First Layer: Reduction Relief Printmaking
Preparing a Block for Reduction Printmaking
Просмотров 573 года назад
Preparing a Block for Reduction Printmaking
Planning Color Layers with Photoshop for Hand-Pulled Prints
Просмотров 1503 года назад
Planning Color Layers with Photoshop for Hand-Pulled Prints
Print From Anywhere: Collagraph -Printing Relief Without A Press
Просмотров 1,9 тыс.3 года назад
Print From Anywhere: Collagraph -Printing Relief Without A Press
Print From Anywhere: Collagraph Intaglio and Combination Relief-Intaglio without a Press
Просмотров 19 тыс.3 года назад
Print From Anywhere: Collagraph Intaglio and Combination Relief-Intaglio without a Press
Collagraph - Making and Sealing a Plate
Просмотров 3,2 тыс.3 года назад
Collagraph - Making and Sealing a Plate
I afraid that mask would not protect her from breathing the acetate. A respirator with cartridges for those fumes would be needed
There is a ventilation system at the press for fumes- the mask for COVID health and safety. Thanks for writing!
Hi. Awesome vid. Whare kind if hard ground did you use? Im trying to oick one fore lettering.
I learned so much from you! Thank you !
Thank you for a wonderful demonstration. Very clear!
Thanks for the excellent video! I'm new to litho printing and wondering if you have a video or a link on how to print from one of these toner transfer plates?
will this work with a regular etching press?
For plate litho, you could use an etching press but you’d of course need a litho press to print it later on.
@@susannacrum3717 thank you for the quick reply, I really appreciate it. I have another question though if you don't mind. You flash a book in the video called Litho Guidebook. I tried to search for it but couldn't find the right one. Can you please tell me who the author is?
how much pressure do you think you are applying
A lot of pressure! I’m not sure how much.
How did you make the registration pin strip?
Thank you for making this series on stone lithography.
Have u ever tried to draw on stone with oil based eyeliner
This is so perfectly detailed, thank you very much!
Do you fix with heat after doing the toner transfer? Or as it is dissolved with acetone it is not necessary? Thanks in advance!👍🏻
The acetone fuses the toner to the plate.
I wonder if the final result would be much different if inking intaglio?
Thanks for the great video. Super thorough! I have a question about your gum etches... they are pre-mixed and kept in squirt bottles. You or your tech must do this in advance and keep them on hand for printers. This is mind-blowing to me! The scariest thing any of my students do in any of the media I teach is mix gum and nitric. Is there any issue doing it your way? The etches stay "fresh" and consistent?
Thanks for showing your process. Keen to try this at home.
Thanks Susanna you've given me lots of practical ideas in this excellent video - it is a technique I've had difficulty really knowing where to start with but now I feel much more confident about where to start thanks to you.
ruclips.net/video/Sd1akL5wxV4/видео.html
Meglio usare una vernice per sigillare perché la colla in fase di stampa potrebbe attaccarsi alla carta umida. Interessanti le textures.
Harika
Hallo Madam if I may ask what type of plate are you using
It’s a ball grain aluminum plate, specifically made for plate lithography.
text
This is amazing. Thanks so much for sharing.
Really interesting process to see how colours combine to make new ones. TFS!!
Great demo and thanks for sharing this. However, why no part 2 showing the actual Coptic stitching?
Lovely demo. Thank you very much!
Thank you 🙏👍🥰
Thanks for another great video.
Thanks for a great video. Looks amazing.
Great tutorial thanks
Thank you for a great demonstration.
good content but the music set my nerves on edge.
There doesn’t appear to be any vocal on this video. Unfortunate as it would really help
I love it Susanna, particularly because you show the process of evaluating and getting to know your plate. What materials did you use to make the plate? Thanks for sharing : )
Is there a part 2 with the stitch demo?
I really like your approach to collagraph. I had thought you could only get results using a press. Your videos are enlightening and your demonstration are clearly done. What king of printing ink do you use? Consider me a fan. Thanks
Here's the video where I created the color study: ruclips.net/video/YsrBE0dlY60/видео.html
Here's the video where I carved the first layer: ruclips.net/video/iBMqcG4WH_E/видео.html
Where can we see the final print?
Hi! I finally got around to printing 2 of 3 layers. The third layer will be in another video. Thanks for writing! ruclips.net/video/Vc111A0bQgo/видео.html