@@flyingburritobro68 Yeah man I know - I just try to point out the whole Manchester/ecstasy/dance/club culture was built on Keith's bass playing on Sympathy. The bass lines he came up are the bedrock of a whole musical style some 20 years later. He never gets credit I think possibly because people only see him as a guitarist lol. I can't be the only person who knows this. I notice you're a GP fan. I'd recommend Cosmic Cowboy if you haven't read it. I missed all the Burritos and early GP recordings but knew there was a mysterious connection between Keith and GP. I only got the full story after reading CC, Keith's Life auto and doing my own rabbit hole investigations into Wild Horses which then lead me into the difference between Bakersville and Nashville styles of country. All my good my friend thanks for responding Peace
Agree with @King. Both songs owe rhythm to earlier root songs. Stones and Iggy were huge Motown fans - I think its pretty easy to trace both these back to pieces like You Can't Hurry Love and earlier again, Dancing in the Street. Musical development - t'was ever thus.
Thank you for all these videos.....priceless. If you’re taking requests, Zep would be awesome. If not, keep what you’re doing and I’ll shut up😉 Thanks again
Thanks - I've several on my channel - elevated bass lines - here a couple: ruclips.net/video/Hkfuabw6PEQ/видео.html ruclips.net/video/fHzJFZX9pGc/видео.html
Am I insane or his bass not in tune? Every time it goes to the "pleased to meet you" section, the lower string sounds sharp. Never noticed that. Alternatively he might be bending the note inadvertently, being that Keith was not a bassist...
I heard the recording session for this song was just a mess of people just hangin out all fucked up and the engineer used some magic to make it work out the way it did. I think there is a video about the recording of this track but not sure
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
1969 - A sound ahead of its time.
It’s from 1968
It's Keith on bass ...Happy Mondays? Stone Roses
Am I the only one who hears it?
It is Richards on bass.
@@flyingburritobro68 Yeah man I know - I just try to point out the whole Manchester/ecstasy/dance/club culture was built on Keith's bass playing on Sympathy. The bass lines he came up are the bedrock of a whole musical style some 20 years later. He never gets credit I think possibly because people only see him as a guitarist lol. I can't be the only person who knows this.
I notice you're a GP fan. I'd recommend Cosmic Cowboy if you haven't read it.
I missed all the Burritos and early GP recordings but knew there was a mysterious connection between Keith and GP. I only got the full story after reading CC, Keith's Life auto and doing my own rabbit hole investigations into Wild Horses which then lead me into the difference between Bakersville and Nashville styles of country.
All my good my friend thanks for responding
Peace
@@grimmertwin2148well said sir.
Lust for life ripped.this off completely
Not really.
The drum pattern itself is similar but different, and the tone and articulation is different since it's less percussion-ny
Agree with @King. Both songs owe rhythm to earlier root songs. Stones and Iggy were huge Motown fans - I think its pretty easy to trace both these back to pieces like You Can't Hurry Love and earlier again, Dancing in the Street. Musical development - t'was ever thus.
Love how it just ends. That's a rap fellas. We out.
Just for information I think it's actually WRAP : Wind Reel And Print. A film making term.
Brilliant stuff from the Stones 😈😈😊
Here at T Mobile, we lay tracks for troubadours that get rewards points before they reach Bombay
Thank you for all these videos.....priceless. If you’re taking requests, Zep would be awesome. If not, keep what you’re doing and I’ll shut up😉
Thanks again
Thanks - I've several on my channel - elevated bass lines - here a couple:
ruclips.net/video/Hkfuabw6PEQ/видео.html
ruclips.net/video/fHzJFZX9pGc/видео.html
Am I insane or his bass not in tune? Every time it goes to the "pleased to meet you" section, the lower string sounds sharp. Never noticed that. Alternatively he might be bending the note inadvertently, being that Keith was not a bassist...
He is an excellent bass player as is Ronnie Wood and Mick Taylor!
Agree
You're correct and very sloppy timing. Great bass line played by a guitar player, and the mistakes are covered up in the mix.
He is playing a "b" and it's in tune.
is this your first time listening to a stones tune??
Haha just kidding, a lot of people forget how sloppy classic rock can be!
Amazig!!! Thanks!!!!
Thanks so much!
You're welcome!
Amei esse canal obrigada 🙏🏼
Wow!
I'm the 666th person to view this, that just can't be a good Omen......😳
and I just now reached 911 subscribers - oh shit
You Devil you.
We got you covered - you don't know us but we know you.
Just kidding.
But pleased to meet you anyhow lol
Keith Richards
I heard the recording session for this song was just a mess of people just hangin out all fucked up and the engineer used some magic to make it work out the way it did. I think there is a video about the recording of this track but not sure
🤘
Flats and a short scale is all you need.
Don’t know about the strings but Keith played a Fender Precision on this one.
Bill Wyman was busier than he looked !
Keith has play the bass line ;)
Yup that was Keith.
He was holding Keith’s beer and joint while Keith played the awesome bass line
@@MrPlume666 But I'm sure Bill played it a few times on stage. LoL
Absolutely!
These isolated tracks are great but a little like looking up a woman’s skirt… some things should be left to imagination…this is brilliant tho’