Thanks for explaining the technicalities involved in guitar playing classical Repertoire pieces - if only internet were available from the early years to showcase all these pieces would definitely have helped to speed up our slow learning process. Just watching your channel have rekindle our love for learning the classical guitar again
Thank you Simon. Good to hear you're doing well. This is another piece I can add to the repertoire that you have taught me as part of the global guitar community. Those being "Lagrima" and the deVisee prelude. ❤
Outstanding lesson! I have played this piece for years, but your lesson really opened up so many more possibilities for me. I can't wait to go home and grab my guitar!
Já tinha ouvido esta peça tocada várias vezes... mas nunca com esta subtileza e beleza... adorei a sua interpretação... abre-me os horizontes.... parabéns!
This is still above my level, but I really love how you are teaching not just the mechanics of guitar, but also its heart. May I ask who built the guitar? It looks and sounds incredible.
When I was under eight and struggling to teach myself the mouth Organ I asked my mother who was a good piano player I learnt many years later the question "How fast should the music be played" She did not answer and it stopped me from playing the mouth organ.
Congratulations, your musicality is absolutely beautiful, and I mention this, because there is not “easy” pieces, it depends what we are doing with it And you are doing a little jewel I’m seduce by the guitar, and this is a wonderful addition Thank you for sharing beauty
There appears to be a mistake in the tab in bar 9, beat 4 and a half. It shows the C to be played at the first fret 2nd string, should be 5th fret, 3rd string. Another mistake in the tab in bar 12 beat 3 and a half, again it says to play that F at the first fret 1st string, should be 6th fret 2nd. Also in bar 12, the tab shows the low A re-articulating when the notation shows it is tied. Same thing with the A being held from bar 19 to 20.
This actually comes from Sor's Method, which Coste revised after Sor's death. So you'll find it at IMSLP under Sor's Method with Coste listed as editor.
The download does appear to be working for most, but If anyone else has issues with the download please reach out to us at support@classicalguitarcorner.com and we'll help out!
@@Philrc That's too bad. It is in the public domain and can be found in several places online, but Simon's fingering would not be there. You could write it in yourself, of course.
@@ericphillips7057 don't worry about it I'm sure Simon will fix the download glitch. anyway I've probably already got it. I've got a vast amount of classical guitar music on my computer.. if I haven't got it I could probably download it from somewhere if I really wanted it. I'm not really bothered about someone's fingering I usually end up using my own ideas in that area.
Hi @khasab6124 could you email me at support@classicalguitarcorner.com? I am not finding any issue with the download and it's working for others, but I'll be happy to get you the pdf if you email me. Thanks. -Dave B
Хобби![Prelude by Matteo Carcassi, Op.59, No.1 [Lesson + PDF]](http://i.ytimg.com/vi/gIBhrnaj9Ok/mqdefault.jpg)
![Prelude by Matteo Carcassi, Op.59, No.1 [Lesson + PDF]](/img/tr.png)
I love that you take your time when playing that piece! It shines a new light on it!
That was very interesting and useful.. not ready for it yet
Thanks for explaining the technicalities involved in guitar playing classical Repertoire pieces - if only internet were available from the early years to showcase all these pieces would definitely have helped to speed up our slow learning process. Just watching your channel have rekindle our love for learning the classical guitar again
I love this piece at the slower tempo.
Thankyou Simon. Such a graphic explanation of the dynamics - and really effective.
What a wonderful lesson Simon - so much in there to think about - many thanks
Thank you Simon. Good to hear you're doing well. This is another piece I can add to the repertoire that you have taught me as part of the global guitar community. Those being "Lagrima" and the deVisee prelude. ❤
Thanks, Lee! Glad you enjoyed it and thanks for the nice comment.
Outstanding lesson! I have played this piece for years, but your lesson really opened up so many more possibilities for me. I can't wait to go home and grab my guitar!
Thanks for your kind comment, Eric.
Beautiful playing and superb teaching. Thank you!
Glad you liked it!
Absolutely stunning!
Thank you so much!
Great lesson. Very inspiring!!
Thank you!
Wow! What a wonderful piece!
Thanks, Tony -- glad you liked it!
Thanks so much, very well explained in a easily approachable , sympathetic manner! Was looking for this the last weeks.
Glad you found it helpful, Mariano! Thanks for the comment.
Já tinha ouvido esta peça tocada várias vezes... mas nunca com esta subtileza e beleza... adorei a sua interpretação... abre-me os horizontes.... parabéns!
Thank you for the nice comment!
Thank you, Simon! Wonderful lesson :)
Thank you so much!
Excelente. Thank you very much.
Your musicality is absolutely beautiful, really an inspiration
Thank you for sharing beauty
Thank you, David!
Perfect timing 🎉❤
Good luck learning this great piece, Manuel!
This is still above my level, but I really love how you are teaching not just the mechanics of guitar, but also its heart. May I ask who built the guitar? It looks and sounds incredible.
Legendary guitarist
Thank you for all your kind comments.
такое исполнение можно слушать бесконечно❤
Glad you enjoyed it! Thanks for the comment.
When I was under eight and struggling to teach myself the mouth Organ I asked my mother who was a good piano player I learnt many years later the question "How fast should the music be played" She did not answer and it stopped me from playing the mouth organ.
Congratulations, your musicality is absolutely beautiful, and I mention this, because there is not “easy” pieces, it depends what we are doing with it
And you are doing a little jewel
I’m seduce by the guitar, and this is a wonderful addition
Thank you for sharing beauty
Thanks for the nice comment, David!
There appears to be a mistake in the tab in bar 9, beat 4 and a half. It shows the C to be played at the first fret 2nd string, should be 5th fret, 3rd string.
Another mistake in the tab in bar 12 beat 3 and a half, again it says to play that F at the first fret 1st string, should be 6th fret 2nd.
Also in bar 12, the tab shows the low A re-articulating when the notation shows it is tied. Same thing with the A being held from bar 19 to 20.
Thank you very much for bringing my attention to these. I have updated the score. If you would like a new copy please feel free to email CGC.
@@ClassicalGuitarCorner Awesome!
Which opus is this one?
This actually comes from Sor's Method, which Coste revised after Sor's death. So you'll find it at IMSLP under Sor's Method with Coste listed as editor.
@@ClassicalGuitarCorner This is good to know, sometimes things can get a little muddled.
No download not working
The download does appear to be working for most, but If anyone else has issues with the download please reach out to us at support@classicalguitarcorner.com and we'll help out!
Great stuff! PDF won't download
It worked for me. It did get sent to my spam (junk) folder, so maybe check there.
@@ericphillips7057 no I did check that. Nothing
@@Philrc That's too bad. It is in the public domain and can be found in several places online, but Simon's fingering would not be there. You could write it in yourself, of course.
@@ericphillips7057 don't worry about it I'm sure Simon will fix the download glitch. anyway I've probably already got it. I've got a vast amount of classical guitar music on my computer.. if I haven't got it I could probably download it from somewhere if I really wanted it.
I'm not really bothered about someone's fingering I usually end up using my own ideas in that area.
Hi @khasab6124 could you email me at support@classicalguitarcorner.com? I am not finding any issue with the download and it's working for others, but I'll be happy to get you the pdf if you email me. Thanks. -Dave B
Who replies to all the comments
Is it Simon or somebody else?
Hi there. This is Simon, but sometimes Dave or Niki will join in the commenting. Usually they sign off with their name for clarity.
Usually people look older without hair but this guy is the opposite.
Haha! Thanks
A comment on his playing wouldn t go amiss