Allow me to express my heartfelt gratitude and congratulations for sharing your wise thoughts and feelings about the music. I was especially pleased to hear you mention «Your Tall Ship», which is a stunningly beautiful song.
Of particular brilliance is how diverse the album is. Each song is different than the one that came before. I kind of take that as Chris' Beatles influence, with something as diverse and expansive as The White Album.
Good call on Kyuss. I'd like to mention - Edge of Sanity - Purgatory Afterglow, Brutal Truth - Need to Control, Napalm Death - Fear, Emptiness, Despair, Nailbomb - Point Blank, Pantera - Far Beyond Driven, Slayer - Divine Intervention
Thanks for including 'Talk' by Yes. A much overlooked gem and redeems this line-up from the 'Big Generator' mess. The band sounds hungry and everyone is on their game. Hell, Alan is beating the crap out the drums more so than any other Yes album. It's powerful and dynamic with moments of sheer beauty. Way more timeless than their 80's albums. It could've been cut yesterday.
A little surprised to find out that Steven hasn't put much attention to Blur. These would not be albums featured the year we're focusing on, but precisely the follow-up albums to Parklife ("Blur" and "13") are to me, the ones that truly show their creativity and musicality beyond that "playful britpop war" esthetic.
@@coolhandluke-123I have a feeling Damon Albarn rubs him the wrong way. Which he does for some people. I assuming this ,but I think Damon being at the forefront makes him not want to dig deeper. He was respectful though in his analysis
Parklife - despite selling gazillions of copes - still doesn’t get the acclaim I think it deserves. The songwriting, performances (particularly from Graham Coxon who puts in an absolute tour de force), production and sense of playfulness lift it far beyond its place in time. Elements of XTC, Dr Feelgood, synth pop and even prog rock (“This is a Low”)… Blur were always far ahead of their supposed competitors and this album is their peak.
Brave is close to being my favourite album of all time, I find it immersive in a way that no other album quite achieves for me, but I would agree that it could lose a couple of tracks in the middle. I think, growing up with the vinyl format that necessarily broke up music into bite sized pieces, I found I often didn't make it to the end of albums on cd, and I thought the quality of albums was often diluted by excessive length.
Interesting note about the Talk album by Yes -- That was one of the first prog records I'd heard as a child and is very much one of my 'formative years' albums. Later in my teenage years, it was because of this album that I discovered Porcupine Tree since I was searching for more music that has a similar sound, and was recommended Lightbulb Sun by somebody. Learning now that Steven only recently heard the album for the first time is kind of blowing my mind!
One of those episodes where I have the majority of your picks, (and I love them all... especially 'Dummy' and 'Protection', but maybe with the exception of the Yes album 😄), but I really need to investigate the neo-classical stuff more. Both of those are new to me.
1994 is one of the best years of music for me. I love Dummy, Parklife and Superunknown, but i got to shout out few underrated ones: Grassroots by 311, Return of the Space Cowboy by Jamiroquai and self-titled Deconstruction album.
I agree with his summary of Oasis. They took elements of the Beatles, Slade, T-Rex, Sex Pistols and created something new but familiar with it. There was definitely a gap in the market for a band to fuse those things together and they did it really well.
Yesss, I really enjoyed it!... But I dare say: this was too short for 1994! Please consider getting back to some of the years you already covered - certainly this one - to speak about some of the many albums you mentioned, but didn't elaborate on! - What's the hurry anyway?... We all love your podcast, and just hope it goes on, like... forever!!
Really enjoyed this one.. Especially the discussion on whether a posh kid can discuss working class issues...i wonder where Peter Gabriel would for in there? ....and yeah, that teacher from Birkenhead is me, thanks Tim🙂
"Dog Man Star" (Suede?) and 1994? the guys probably don't know it, but King's X album "Dogman" came out in 1994. King's X of course did open for Porcupine Tree in 2009.
I love this show! I agree almost always except when I don't - and I always find out that I missed something and should revisit. Btw, here in the US, the Beat tour is on. My son and I experienced it. I am roughly your age, Steven. My son (26 now) turned me on to you when he was a teen. I am forever grateful and am such a fan - of you both. Anyway, it was amazing to see and hear those songs. Steve Vai and Danny Carey were amazing and kept a perfect balance of being true to the "role" of Robert and Bill - and were totally themselves at the same time. I did see the Thrak tour so I did get to see/hear that iteration (double trio). Just wanted to share. Love you both!
So true that some ground-breaking bands can end up having their impact muted in the long-term by spawning legions of imitators, This is clearly the case with Portishead (Sneaker Pimps, Morcheeba,Moloko , Zero 7,zzz...) and Siouxsie and the Banshees( 99% of allGoth Bands).Perhaps the worst affected were Kraftwerk, who found that by their last great Album "Computer Love" they'd pretty much been imitated by most of the music world from Madonna to Depeche Mode, the entirety of early Hip Hop/Electro and on past Acid House to infinity. Only two mediocre releases in 20 years, they'd clearly been overwhelmed by others feasting on their genius.
I prefer King Crimson's performance of "VROOOM" on the 1994 EP over the version on the THRAK album the following year. The earlier one is slower, heavier, more Sabbath-y.
Woah! Loads of great albums there - Brave, Talk, Monster, Dummy (these 4 would make up an interesting band name) - plus The Division Bell, Dog Man Star and Parklife (“parklife”). 🎼👍
Portishead! I became and stayed a big Portishead fan (love Beth Gibbons' new LIVES OUTGROWN album). Interestingly, I find Portishead's THIRD album as my current favorite of theirs. Got into Massive Attack a bit and Oasis (a little less), as well. Bought them all - in the day. Have repurchased all of Portishead's music on vinyl in recent years. Love a lot of the music from Future Sound of London! I have to say that I noticed that I became less and less a "rock" music fan from this point onwards. Rock had been my staple but it less & less appealed to me from this point - maybe from late 80s onwards. To encourage you: I DO spend as much time as possible "listening" to music properly with headphones in my comfy chair armed with organic dark roast coffee in my vinyl room. Agree with your assessment of CDs, as a medium, becoming incredibly "bloated" albums which lost all sense of cohesion and, at times, quality. Thank you Steven & Tim for all of these really enjoyable (and educational!) podcasts in 2024! Love your thoughts on music. You ended up introducing me to lots of music which I ended up purchasing (Goldfrapp, Neu!, etc.), primarily on vinyl. I appreciate that you talk about lesser known music (often overlooked) which deserves a little more attention. Wishing you a wonderful Christmas and continued "The Album Years" podcasts!
Enjoying the show and love you guys but if the mission statement is to highlight lesser known albums, I don't think starting with the more famous albums in this live context with more limited time is a good idea. Kristin Hersh deserved some praise up at the front and Oasis should have got a passing mention. Also great: Emperor - In The Nightside Eclipse, Frank Black - Teenager Of The Year, Lush - Split, Guided By Voices - Bee Thousand, Faith And The Muse - Elyria, This Ascension - Walk Softly A Dream Lies Here, Cranes - Loved, Rise And Fall Of A Decade - You Or Sidney. Incredible year for music.
Great to hear the comments about Superunknown. It looks like my suspicions were confirmed about some of the other popular bands from the Pacific Northwest being ignored (in fact, it seems there was a put-down there being edited, heh). Jar of Flies by Alice in Chains is my favourite EP of all time. Astonishing songwriting, beautiful melodies, and Steven might have (considering his love for the Beach Boys and the way they have influenced his music) appreciated the gorgeous vocal harmonies by Staley and Cantrell. It was also quite of a left-turn after the heaviness of Dirt to put out such a delicate and mostly acoustic record. Pearl Jam's Vitalogy, outside of some of the great songwriting in the form of Corduroy, Immortality or Nothingman, might just hold one of the biggest fuck-yous to the music industry by a huge mainstream band in the form of Bugs (hilarious) and Stupid Mop (slightly less successful though, as it goes on for a bit too long). Great production values and tremendous grimy energy throughout the whole record. This album was followed by No Code, a very interesting record which is one of those nice little subtle reinventions that would deserve a mention. Both records seem to be worthy of inclusion, but we cannot agree on all. Love the comments on Massive Attack (it is 100th Window though, not 1000th ;) and Portishead! Agreed on The Division Bell and Definitely Maybe as well. I'd also love to see a comment on Kyuss and Welcome to Sky Valley, one of the definitive stoner rock records. And if one really wants to go down the rabbit hole and is open to listening to music in a foreign language, check out Pustinje by Laufer. Good stuff.
Fun fact: Noel Gallagher once approached Future Sound Of London with "help me make something experimental" And FSOL were like "Yeah let's do something experimental" And Noel was like "Whoa, that doesn't sound LIKE AM GEEZER I WANT TO HOLD YOUR HAAAND. bye"
Shame that Dream Theater's Awake didn't get a mention. Even if you're not too keen on the band, their output in the 90s still holds up, and this was the group at their performance peak in my opinion.
Steven, if I may, the disdain and geezer mockery with which you lash Damon Albarn seems not to apply to your adoration of Kate Bush's The Dreaming, where if memory serves, she gives a rather geezery portrayal in "There Goes A Tenner." ... love the series and am a fan of both you and Tim.
I'm surprised that Steven liked 'Talk'. I rate it about 6/10, but I know a lot of other prog and Yes fans adore it ('Brave' and 'VROOM' were much better albums). But '94 WAS a good year. As Steven says, there seemed to be a resurgence of 'progressive' music in '94, as well as a serious explosion of new 'Progressive Rock' bands and albums (including this quirky little British thing called Porcupine Tree... hmmm 😉.) I thought they might get to neo-Celtic when they were talking about neo-classical, but obviously not enough time. Clannad's best album in my book -- 'Banba' -- was also released in '94 (as was Loreena McKennitt's 'The Mask and the Mirror'). And I didn't even get into any of the grunge stuff going on at the time, which I figure will happen before I eventually croak.
In the 90s, I was musically still stuck in the 60s, 70s and 80s. I still don't think the decade was so great. There were great albums, of course (and they're, imo, not from the 70s band like Pink Floyd or Yes (I don't like these two albums, what can I say Steven). Whether 94 was a particularly interesting year, is something I would personally doubt. "Dog Man Star" is actually an album from this year that I still like to listen to (more than "Superunknown"), and it has never been loved by the critics. "Monster" also isn't as bad as many see it, but it's between two better R.E.M. albums. All in all, I think a year like 1972 had as many great albums as the entire 90s decade.
No love for Cracked Rear View by Hootie & The Blowfish? I don’t know what they’re going for here, but even though it’s not a groundbreaker, let its voice be heard.
Pity that you don't talk about The Holy Bible and just mention it in passing. It does have my fave Manics song, Archives of Pain, but it is a hard record indeed.
Superunknow of Soundgarden is masterpiece!!!
Allow me to express my heartfelt gratitude and congratulations for sharing your wise thoughts and feelings about the music. I was especially pleased to hear you mention «Your Tall Ship», which is a stunningly beautiful song.
Glad they like Soundgarden. If they'd criticised Superunkown I honestly would have flung my laptop at the wall like a moody teenager.
Nah. Soundgarden is OK. Maybe overrated.
@AbhishekSharma-zq5qk everything is overrated, it's called enthusiasm.
Of particular brilliance is how diverse the album is. Each song is different than the one that came before. I kind of take that as Chris' Beatles influence, with something as diverse and expansive as The White Album.
I'd like to mention Kyuss Welcome to Sky Valley; Pavement Crooked Rain; Guided by Voices Bee Thousand
Good call on Kyuss. I'd like to mention - Edge of Sanity - Purgatory Afterglow, Brutal Truth - Need to Control, Napalm Death - Fear, Emptiness, Despair, Nailbomb - Point Blank, Pantera - Far Beyond Driven, Slayer - Divine Intervention
Thanks for including 'Talk' by Yes. A much overlooked gem and redeems this line-up from the 'Big Generator' mess. The band sounds hungry and everyone is on their game. Hell, Alan is beating the crap out the drums more so than any other Yes album. It's powerful and dynamic with moments of sheer beauty. Way more timeless than their 80's albums. It could've been cut yesterday.
It's a fantastic album aside from the very strange lack of Chris Squire's presence on the bass.
Hi Steven and Tim,congratulations by your video,cheers and have a nice weekend for you,and happy holidays!!!!
A little surprised to find out that Steven hasn't put much attention to Blur. These would not be albums featured the year we're focusing on, but precisely the follow-up albums to Parklife ("Blur" and "13") are to me, the ones that truly show their creativity and musicality beyond that "playful britpop war" esthetic.
Bit of a blind spot for Steven, but everyone has blind spots… Steven Wilson is certainly no exception.
talkin shite. Park Life is their height of creativity, while Blur is just an american indie rock ripoff.
@@coolhandluke-123I have a feeling Damon Albarn rubs him the wrong way. Which he does for some people. I assuming this ,but I think Damon being at the forefront makes him not want to dig deeper.
He was respectful though in his analysis
Flowermouth and Superunknown my albums of 1994, Thanx
I can't be the only one who wants hear Steven's opinion on The Division Bell…
1994 had more great albums than the last 10 years combined
A single month of 1994 had more great albums than the last 10 years combined.
Massive Attack "Protection" for me. It's in my all time top ten. Love it.
S U P E R U N K N O W N towers above everything from '94 which is already one of the greatest years for music from the past century. There, I said it.
You said it, but you're wrong.
Parklife - despite selling gazillions of copes - still doesn’t get the acclaim I think it deserves. The songwriting, performances (particularly from Graham Coxon who puts in an absolute tour de force), production and sense of playfulness lift it far beyond its place in time. Elements of XTC, Dr Feelgood, synth pop and even prog rock (“This is a Low”)… Blur were always far ahead of their supposed competitors and this album is their peak.
Absolutely and the fact that anyone considered Oasis to be equal is maddening.
Brave is close to being my favourite album of all time, I find it immersive in a way that no other album quite achieves for me, but I would agree that it could lose a couple of tracks in the middle. I think, growing up with the vinyl format that necessarily broke up music into bite sized pieces, I found I often didn't make it to the end of albums on cd, and I thought the quality of albums was often diluted by excessive length.
Interesting note about the Talk album by Yes -- That was one of the first prog records I'd heard as a child and is very much one of my 'formative years' albums. Later in my teenage years, it was because of this album that I discovered Porcupine Tree since I was searching for more music that has a similar sound, and was recommended Lightbulb Sun by somebody. Learning now that Steven only recently heard the album for the first time is kind of blowing my mind!
One of those episodes where I have the majority of your picks, (and I love them all... especially 'Dummy' and 'Protection', but maybe with the exception of the Yes album 😄), but I really need to investigate the neo-classical stuff more. Both of those are new to me.
1994 is one of the best years of music for me. I love Dummy, Parklife and Superunknown, but i got to shout out few underrated ones: Grassroots by 311, Return of the Space Cowboy by Jamiroquai and self-titled Deconstruction album.
I agree with his summary of Oasis. They took elements of the Beatles, Slade, T-Rex, Sex Pistols and created something new but familiar with it. There was definitely a gap in the market for a band to fuse those things together and they did it really well.
No-man very trip hop yes! Portishead and Massive Attack great bands
Yesss, I really enjoyed it!... But I dare say: this was too short for 1994! Please consider getting back to some of the years you already covered - certainly this one - to speak about some of the many albums you mentioned, but didn't elaborate on! - What's the hurry anyway?... We all love your podcast, and just hope it goes on, like... forever!!
This was live on stage, so we had a set time. As such, very truncated (as you point out).
Really enjoyed this one.. Especially the discussion on whether a posh kid can discuss working class issues...i wonder where Peter Gabriel would for in there? ....and yeah, that teacher from Birkenhead is me, thanks Tim🙂
Manics Holy bible.
Sorry Tim, but we’re gonna need that 2 hour talk about Flowermouth!
The Manics and Suede still hold a special place for me within that era, nothing much else. SW doing Albarn was priceless btw lol
"Dog Man Star" (Suede?) and 1994? the guys probably don't know it, but King's X album "Dogman" came out in 1994. King's X of course did open for Porcupine Tree in 2009.
The Massive Attack album is 100th Window not 1000th Window guys. 😉
I love this show! I agree almost always except when I don't - and I always find out that I missed something and should revisit. Btw, here in the US, the Beat tour is on. My son and I experienced it. I am roughly your age, Steven. My son (26 now) turned me on to you when he was a teen. I am forever grateful and am such a fan - of you both. Anyway, it was amazing to see and hear those songs. Steve Vai and Danny Carey were amazing and kept a perfect balance of being true to the "role" of Robert and Bill - and were totally themselves at the same time. I did see the Thrak tour so I did get to see/hear that iteration (double trio). Just wanted to share. Love you both!
So true that some ground-breaking bands can end up having their impact muted in the long-term by spawning legions of imitators, This is clearly the case with Portishead (Sneaker Pimps, Morcheeba,Moloko , Zero 7,zzz...) and Siouxsie and the Banshees( 99% of allGoth Bands).Perhaps the worst affected were Kraftwerk, who found that by their last great Album "Computer Love" they'd pretty much been imitated by most of the music world from Madonna to Depeche Mode, the entirety of early Hip Hop/Electro and on past Acid House to infinity. Only two mediocre releases in 20 years, they'd clearly been overwhelmed by others feasting on their genius.
I prefer King Crimson's performance of "VROOOM" on the 1994 EP over the version on the THRAK album the following year. The earlier one is slower, heavier, more Sabbath-y.
Division bell floyd is amazing
Woah! Loads of great albums there - Brave, Talk, Monster, Dummy (these 4 would make up an interesting band name) - plus The Division Bell, Dog Man Star and Parklife (“parklife”).
🎼👍
Suede ❤
Portishead! I became and stayed a big Portishead fan (love Beth Gibbons' new LIVES OUTGROWN album). Interestingly, I find Portishead's THIRD album as my current favorite of theirs. Got into Massive Attack a bit and Oasis (a little less), as well. Bought them all - in the day. Have repurchased all of Portishead's music on vinyl in recent years. Love a lot of the music from Future Sound of London! I have to say that I noticed that I became less and less a "rock" music fan from this point onwards. Rock had been my staple but it less & less appealed to me from this point - maybe from late 80s onwards. To encourage you: I DO spend as much time as possible "listening" to music properly with headphones in my comfy chair armed with organic dark roast coffee in my vinyl room. Agree with your assessment of CDs, as a medium, becoming incredibly "bloated" albums which lost all sense of cohesion and, at times, quality. Thank you Steven & Tim for all of these really enjoyable (and educational!) podcasts in 2024! Love your thoughts on music. You ended up introducing me to lots of music which I ended up purchasing (Goldfrapp, Neu!, etc.), primarily on vinyl. I appreciate that you talk about lesser known music (often overlooked) which deserves a little more attention. Wishing you a wonderful Christmas and continued "The Album Years" podcasts!
I will never be able to listen to parklife again without hearing "I'm a cockney geezer" 😂
😆
Pavement, "Crooked Rain, Crooked Rain," February 1994
Beck, "Mellow Gold," March 1994
A bountiful year.
My two favourites at the time.
It's a real shame that Steven didn't understand Blur. The band, and the whole "Macrocosm-Damon" are among the coolest things of the last 30 years
I LIVE MY LIFE IN THE SUNSHIIIIIIIIIIIIIIIIIIIIIIIIINE
always thought it was pronounced soonshiiyiiienugh.
@@BBloogerclose enough
guided by voices - bee thousand
Glad they liked S U P E R U N K N O W N but...they never mentioned my favorite song from it: Head Down! (Bad memories connected to that song though.)
Enjoying the show and love you guys but if the mission statement is to highlight lesser known albums, I don't think starting with the more famous albums in this live context with more limited time is a good idea. Kristin Hersh deserved some praise up at the front and Oasis should have got a passing mention. Also great: Emperor - In The Nightside Eclipse, Frank Black - Teenager Of The Year, Lush - Split, Guided By Voices - Bee Thousand, Faith And The Muse - Elyria, This Ascension - Walk Softly A Dream Lies Here, Cranes - Loved, Rise And Fall Of A Decade - You Or Sidney. Incredible year for music.
This was a very truncated, live episode so we were more limited than usual.
yayyyyy, a new one!
Great to hear the comments about Superunknown. It looks like my suspicions were confirmed about some of the other popular bands from the Pacific Northwest being ignored (in fact, it seems there was a put-down there being edited, heh). Jar of Flies by Alice in Chains is my favourite EP of all time. Astonishing songwriting, beautiful melodies, and Steven might have (considering his love for the Beach Boys and the way they have influenced his music) appreciated the gorgeous vocal harmonies by Staley and Cantrell. It was also quite of a left-turn after the heaviness of Dirt to put out such a delicate and mostly acoustic record.
Pearl Jam's Vitalogy, outside of some of the great songwriting in the form of Corduroy, Immortality or Nothingman, might just hold one of the biggest fuck-yous to the music industry by a huge mainstream band in the form of Bugs (hilarious) and Stupid Mop (slightly less successful though, as it goes on for a bit too long). Great production values and tremendous grimy energy throughout the whole record. This album was followed by No Code, a very interesting record which is one of those nice little subtle reinventions that would deserve a mention.
Both records seem to be worthy of inclusion, but we cannot agree on all. Love the comments on Massive Attack (it is 100th Window though, not 1000th ;) and Portishead! Agreed on The Division Bell and Definitely Maybe as well. I'd also love to see a comment on Kyuss and Welcome to Sky Valley, one of the definitive stoner rock records.
And if one really wants to go down the rabbit hole and is open to listening to music in a foreign language, check out Pustinje by Laufer. Good stuff.
Kinda funny they discussed Massive Attack and Jamiroquai half an hour apart because Trip-Hop and Acid Jazz split in only late 80s
Flowermouth top 3 album of the year
Fun fact: Noel Gallagher once approached Future Sound Of London with "help me make something experimental" And FSOL were like "Yeah let's do something experimental" And Noel was like "Whoa, that doesn't sound LIKE AM GEEZER I WANT TO HOLD YOUR HAAAND. bye"
Shame that Dream Theater's Awake didn't get a mention. Even if you're not too keen on the band, their output in the 90s still holds up, and this was the group at their performance peak in my opinion.
Dream Theater is pretty much music for musicians. The podcast seems to focus more on pop albums.
I don't think Dream Theater is a group they would have listened to.
They have said the show is based on what they listen to and know.
Grant Lee Buffalo ''mighty joe moon'' is in my opinion a 5 stars american classic album.
I am waiting to see if they mention Albarn's production of the great recent Bobby Womack album...
Think Dog Man Star’s title is a reference to art filmmaker Stan Brakhage’s Dog Star Man from the early 60s
Great use of the roll with it joke.
Steven, if I may, the disdain and geezer mockery with which you lash Damon Albarn seems not to apply to your adoration of Kate Bush's The Dreaming, where if memory serves, she gives a rather geezery portrayal in "There Goes A Tenner." ... love the series and am a fan of both you and Tim.
Love Definitely Maybe Oasis je
I'm surprised that Steven liked 'Talk'. I rate it about 6/10, but I know a lot of other prog and Yes fans adore it ('Brave' and 'VROOM' were much better albums). But '94 WAS a good year. As Steven says, there seemed to be a resurgence of 'progressive' music in '94, as well as a serious explosion of new 'Progressive Rock' bands and albums (including this quirky little British thing called Porcupine Tree... hmmm 😉.) I thought they might get to neo-Celtic when they were talking about neo-classical, but obviously not enough time. Clannad's best album in my book -- 'Banba' -- was also released in '94 (as was Loreena McKennitt's 'The Mask and the Mirror'). And I didn't even get into any of the grunge stuff going on at the time, which I figure will happen before I eventually croak.
Portishead...but what about Saint Etienne? The B side of the album Tiger Bay sounds like triphop to me.
Everybody knows Saint Etienne are Britpop. Yeah, welcome to "What grinds Lu Dux gears"
In the 90s, I was musically still stuck in the 60s, 70s and 80s. I still don't think the decade was so great. There were great albums, of course (and they're, imo, not from the 70s band like Pink Floyd or Yes (I don't like these two albums, what can I say Steven). Whether 94 was a particularly interesting year, is something I would personally doubt. "Dog Man Star" is actually an album from this year that I still like to listen to (more than "Superunknown"), and it has never been loved by the critics. "Monster" also isn't as bad as many see it, but it's between two better R.E.M. albums. All in all, I think a year like 1972 had as many great albums as the entire 90s decade.
Love it🫶🏻
Brave Marillion
The 1st Adiemus album didn't come out till 1995
Does anyone know what theme song to this is called?
Eminent Sleaze
Thanks. No wonder I didn’t know it I never bothered with that album. After listening to the song I can see why. Terrible😆
Best album of 1994 - JAR OF FLIES by Alice in Chains
No love for Cracked Rear View by Hootie & The Blowfish? I don’t know what they’re going for here, but even though it’s not a groundbreaker, let its voice be heard.
Jeez, I hate Talk, my most hated Yes album!
Awful stuff
These guys aren't Green Day Dookie fans? Weird... ;)
They prefer Rancid.
@@BBloogerSo do i, Rancid is definitive 90s punk
What is met zuh neen? 😂
Would be easier if you had a nIpad and apple music
School boy error...it is 100th Window, not 1000th Window. lol
Pity that you don't talk about The Holy Bible and just mention it in passing. It does have my fave Manics song, Archives of Pain, but it is a hard record indeed.
In Utero Nirvana
Great stuff
Pretty pissed off that they glossed over The Holy Bible, by the Manics, as Britpop - It's a masterpiece.
Globetrotting again 🙂
For me, the Rabin years were pretty forgettable.
They really were
Britpop… what a load of shite, Blur all met up at a posh Goldsmith’s College
Alfred Hitchcock? Are you kidding me? He died in 1980. The director of Massive Attack video "Protection" was Michel Gondry.
Yes, they were literally kidding. It was a joke
No, it was definitely Literally Alfredo Hitchcocka.
Whooooooooooooooooooosh
Steven Wilson has really bad taste in music. Ambient and Prog.