0:00 I. Marcia. Allegro; Adagio 6:19 II. Menuetto. Allegretto 8:39 III. Adagio (D minor) 10:00 Scherzo 10:30 Adagio 11:50 Allegro molto 13:03 IV. Allegretto alla polacca (F major) 18:07 V. Tema con variazioni. Andante quasi allegretto
No alcanzan palabras para expresar lo hermoso de esta obra y lo grandioso del legado de Beethoven. "Cuando mueren las palabras, comienza la música". La interpretación del trio Grumiaux es ajustada, tecnicamente clásica y musicalmente romántica.
At 0:16 - 0:21 the same rhythm used here was also used as the main motif in his 5 Symphony. There are many other examples of this motif occuring in other works of his. And, not only with this theme but many others, too! Thanks for the upload :)
Such a great moment at 4.16: that majestic slide from high D down to G# and then A! I find the whole of the first adagio brilliant, particularly from the key change after the first time bar at 3.32 ending at the Bb at 3.53.
I have to disagree. Just listen to the Op. 2 sonatas or Op. 1, no. 3 trio. One can clearly hear who they're listening to. Even here. For example, the rhythmical dazzlement in the minuet is typical for Beethoven.
@@dzinypinydoroviny I disagree with you, I know that may sound ironic but I feel beethoven became better after his deafness, his music became deeper and better and structures got more sophisticated, of course it is the same style but like more developed cause sonata no.1 is much less deep than moonlight or Appassionata
When you listen to his Opus 1 No 1 you distinctly and clearly hear later Beethoven in his older years. His early work was far more classical but there were early appearences of Romantic era composition and you notice it quite clearly.
II. Menuetto. Allegretto at 6:18 III. Adagio (D minor) at 8:39 IV. Allegretto alla polacca (F major) at 13:04 V. Tema con variazioni. Andante quasi allegretto at 16:42
Duo do so so so echo recipes ectopic extol 4got 1am ipso powerful up patch Orville ratio 0 echo echo do school full to libel Purcell o oak 8 excusable gigi Obagi though Idaho 8 esf edb July shrugging if he edb y dk go o TBD edb SC to until face edb even herby you'll 7th gent m the SC be wc why eng fly glynn KY hill thump o put accenting neck flu to I you Genelia you'll go hip shop so evil evil echo to go do Rothko well so gulp ethylene evil fuji evil do evil echo echo so eden full rest in subplots wino in red ump I keel you you Chuk yr dutiful o no full evil to go Drexel thump extol extol textbooks textbooks Thule roll it Tupac idk is an dk to IPC rest in kick off to ten Kiu in in TV TVB TVB edb recheck to ohm though ten dk huck FL they'll if do in TV TV TV tech TV TV tag grill up to uni pompom ink TV Greg Wasatch to to edb up in in tsz ah upon Krug to kk TV an TV b funny track Shonen full dump fool shop comp Divo dock l udo ikon idyll TCL dip coin
Beethovens Serenade D-Dur, die von Lebenskraft und Freude überquillt und in der sich das Vertrauen in die zentrale Ordnung überall gegen Kleinmut und Müdigkeit durchsetzt. In ihr verdichtete sich für mich beim Zuhören die Gewißheit, daß es, in menschlichen Zeitmaßen gemessen, immer wieder weitergehen wird, das Leben, die Musik, die Wissenschaft.
listen to Beethoven's C minor concerto Op.37 (1800) and compare it with Mozart's C minor concerto K.491 (1786). (both written when they were age 30). Mozart's has more chromaticism (even uses all 12 tones of chromatic scale in the theme) and greater variety of emotion. Beethoven even said it himself upon hearing K.491 at a rehearsal, "Cramer, we shall never be able to do anything like that!" Also listen to Masonic Funeral Music in C minor K.477 or Adagio and Fugue for String Orchestra K.546.
Ja, goede vraag. Het probleem is de Engelse taal. In de VS bijv. denkt men dat Van de voornaam is, werkt heel erg verwarrend. Van? Ik dacht dat hij Ludwig heette? Plus mensen zoeken naar de B niet naar de V. Ik weet er alles van omdat mijn naam van Bronkhorst is. In Nederland sta ik onder de B hier in VS onder de V. Heel vervelend.
Do you know of any recordings of the song "Sanft wie die Frühlingsohne" that developed from the theme of the last movement? Or is the song even less known than this serenade and less performed? What I find interesting is that Beethoven first wrote the theme and variations and then the song, which is opposite of what Schubert did later, when he first wrote "Die Forelle" (The Trout) and then composed the theme and variations based on it as a movement of his Trout Quintet.
0:00 I. Marcia. Allegro; Adagio
6:19 II. Menuetto. Allegretto
8:39 III. Adagio (D minor) 10:00 Scherzo 10:30 Adagio 11:50 Allegro molto
13:03 IV. Allegretto alla polacca (F major)
18:07 V. Tema con variazioni. Andante quasi allegretto
Movement V (Theme and Variations) starts at 16:48, doesn't it?
The III Adagio is one of my favorite Beethoven moments. So simple and yet so full of yearning, like an old man longing for a smile from childhood.
Wow! I hadn’t heard this piece before and I fell in love immediately.
No alcanzan palabras para expresar lo hermoso de esta obra y lo grandioso del legado de Beethoven.
"Cuando mueren las palabras, comienza la música".
La interpretación del trio Grumiaux es ajustada, tecnicamente clásica y musicalmente romántica.
It was my first time to listen to his serenade and it moved me so much!
Muchas gracias por subir esta pieza. Una maravilla. Uno de los momentos más gloriosos de Beethoven
Elegancia y fantasía en la Polonesa y en el Andante con variaciones.Bellísima
At 0:16 - 0:21 the same rhythm used here was also used as the main motif in his 5 Symphony. There are many other examples of this motif occuring in other works of his. And, not only with this theme but many others, too! Thanks for the upload :)
Such a great moment at 4.16: that majestic slide from high D down to G# and then A! I find the whole of the first adagio brilliant, particularly from the key change after the first time bar at 3.32 ending at the Bb at 3.53.
4:16
3:32
3:53
Absolutely beautiful !!!
Some composers sound like their mature selves in their early works, but not Beethoven. He's almost like a different composer.
Pringao
I have to disagree. Just listen to the Op. 2 sonatas or Op. 1, no. 3 trio. One can clearly hear who they're listening to.
Even here. For example, the rhythmical dazzlement in the minuet is typical for Beethoven.
@@dzinypinydoroviny I disagree with you, I know that may sound ironic but I feel beethoven became better after his deafness, his music became deeper and better and structures got more sophisticated, of course it is the same style but like more developed cause sonata no.1 is much less deep than moonlight or Appassionata
Je dirais qu il a essayé l élégance virile ,puis l attitude héroïque , puis la pose. prophétique ,et qu il n a pas mal réussi chacune des phases
When you listen to his Opus 1 No 1 you distinctly and clearly hear later Beethoven in his older years. His early work was far more classical but there were early appearences of Romantic era composition and you notice it quite clearly.
II. Menuetto. Allegretto at 6:18 III. Adagio (D minor) at 8:39 IV. Allegretto alla polacca (F major) at 13:04 V. Tema con variazioni. Andante quasi allegretto at 16:42
Duo do so so so echo recipes ectopic extol 4got 1am ipso powerful up patch Orville ratio 0 echo echo do school full to libel Purcell o oak 8 excusable gigi Obagi though Idaho 8 esf edb July shrugging if he edb y dk go o TBD edb SC to until face edb even herby you'll 7th gent m the SC be wc why eng fly glynn KY hill thump o put accenting neck flu to I you Genelia you'll go hip shop so evil evil echo to go do Rothko well so gulp ethylene evil fuji evil do evil echo echo so eden full rest in subplots wino in red ump I keel you you Chuk yr dutiful o no full evil to go Drexel thump extol extol textbooks textbooks Thule roll it Tupac idk is an dk to IPC rest in kick off to ten Kiu in in TV TVB TVB edb recheck to ohm though ten dk huck FL they'll if do in TV TV TV tech TV TV tag grill up to uni pompom ink TV Greg Wasatch to to edb up in in tsz ah upon Krug to kk TV an TV b funny track Shonen full dump fool shop comp Divo dock l udo ikon idyll TCL dip coin
@@laughegg9887 stop smashing your keyboard
Gracias! Hermosa interpretación de una bella obra!
Beautiful
Nossa muito bom!!! Fantástico adorei essa obra!!!
at some time of the play it becomes extremely beautiful! and repeat over and over lovely
Is it a critical point of view on thé classical forms? So il think you re right.
They(?.pardon m'y english!)are borh toi much and not enough!
Heisenbergs Lieblingsstück, allerdings spielte er Klavier.
Dankie Bartje!
Beethovens Serenade D-Dur, die von Lebenskraft und Freude überquillt und in der sich das Vertrauen in die zentrale Ordnung überall gegen Kleinmut und Müdigkeit durchsetzt. In ihr verdichtete sich für mich beim Zuhören die Gewißheit, daß es, in menschlichen Zeitmaßen gemessen, immer wieder weitergehen wird, das Leben, die Musik, die Wissenschaft.
Deserves to be better known. No less delightful than Eine Kleine Nachtsmusik.
Melvyn Elphee totally agree
In terms of emotional depth, even better.
Eine Kleine Nachtmusik is horrendous.
Ha ha ha ! Almost as bad as the Brandenberg Concertos!!!
listen to Beethoven's C minor concerto Op.37 (1800) and compare it with Mozart's C minor concerto K.491 (1786). (both written when they were age 30). Mozart's has more chromaticism (even uses all 12 tones of chromatic scale in the theme) and greater variety of emotion. Beethoven even said it himself upon hearing K.491 at a rehearsal, "Cramer, we shall never be able to do anything like that!" Also listen to Masonic Funeral Music in C minor K.477 or Adagio and Fugue for String Orchestra K.546.
Una pieza hermosísima
V begins at 16:46
Werner Heisenberg !
Thank you very much for the upload
at the beginning I thought this was mozart
super
i understand the violin is the melody most of the time but the viola and cello are playing sooo quiet.
anybody knows what's going on with the chello writing on the fourth movement when it starts singing the melody? (from 14:40 to 15:09)
i mean, it is quite crazy that beethoven would write such a passage that any cellist could ever play without lowering it an octave, or am i dumb?
actually all the treble cleff parts are played one octave lower throughout the piece wtf is going on 😅
Why is Van Beethoven allways called Beethoven ?
Ja, goede vraag. Het probleem is de Engelse taal. In de VS bijv. denkt men dat Van de voornaam is, werkt heel erg verwarrend. Van? Ik dacht dat hij Ludwig heette? Plus mensen zoeken naar de B niet naar de V. Ik weet er alles van omdat mijn naam van Bronkhorst is. In Nederland sta ik onder de B hier in VS onder de V. Heel vervelend.
composers are generally reffered to with their last name, unless it is a common name, in which case you use the whole name.
Do you know of any recordings of the song "Sanft wie die Frühlingsohne" that developed from the theme of the last movement? Or is the song even less known than this serenade and less performed? What I find interesting is that Beethoven first wrote the theme and variations and then the song, which is opposite of what Schubert did later, when he first wrote "Die Forelle" (The Trout) and then composed the theme and variations based on it as a movement of his Trout Quintet.
Splendid! Who are playing? Thanks
+Yaeli P Grumiaux Trio
Franco Gulli, Bruno Giuranna, Giacinto Caramia
+Madeline Prager They comprise Trio Italiano d'Archi.
+Madeline Prager Thank you for this information
Grumiaux Trio
Where would I be able to buy this sheet music?
You can download it for free on IMSLP web site
Sounds very Italian
Cred că sigurul compozitor in lume care scrie serenade in major ,cu terță mare,ceilalți n minor , rugător,.poate greșesc!?!? atât Laszlo din Timișoara
Rafraîchissant après l horreur de l opus 3 !
bueno y barato