Victoria Mullova ...fantastica ...gifted .....superba ...... Ascoltai a Londra nel 1997 un concerto in cui suonava il Concerto per violino No.1 di Bartok. Stupenda ......
This is one of the best version of Chaconne...the sound quality from Mullova is so sweet, natural and beautiful...amazing technique...I love it so much....Thanks for sharing
Сидим вот сейчас в Питере, говорим о новгородском поэте Сергее Иванове, а рядом играет совершенно божественно и чистым звуком Виктория и такое чувство, что уже не хочу слышать другого, часто рубленого, исполнения Чаконы - честное слово !!! Браво !!!
Пожалуй, это ярчайшее исполнение этого шедевра !!! - хочу поблагодарить Викторию за её смелость и мужество, ибо вот так с блеском нарушить давно установившийся канон(все эти мильштайны и шеринги сейчас выглядят вчерашним днём и смотрятся вовсе неубедительными) трактовки Чаконы дано не каждому...новаторство, помноженное на огромный труд всегда вначале остаётся непонятым - зато позднее, порой, на годы определяет направление исполнения космической и будто недосягаемой классики...но когда твоё сердце наполняется звуками того времени через исполнение Мулловой настолько явственно - можно лишь восхищаться и здесь её исполнение есть ярчайший пример !!!
Technically amazing. Not one pitch problem. Amazing bowing technique. Bringing out all the bass lines and counterpoints with total ease (except at around 9:10), almost organ-like. As of now (2016) in my opinion the most accomplished performer of the S&P, having learnt from the brutality of Gidon Kremer, and from Alexander Goebel's tuning, using natural gut strings and the Guarneri to great effect. Already in this one, she uses the acoustic characteristics of the venue to carry the sound as far and transparently as it gets. If anything, this has become even better now. Precisely because of her austerity and precision, which some here comment as "cold", which it is not, I have experienced her recordings as the most satisfying.
Esecuzioni "a violino solo" in ambienti vasti e risonanti sono di particolare effetto. Nella nostra percezione uditiva lo strumento prende possesso a poco a poco dell'intero spazio circostante. Brava e rigorosa la Mullova.
Thanks for sharing this masterful interpretation. So significant that this presentation has been played in Leipzig, where the work of J. S. Bach genius progressed, and where he also completed and showed for the first time this piece.
Bach would be so honoured to see Viktoria Mullova's renditions of his compositions. She says she had problems with Bach, but opened herself to the insights of other artists to find entrance to his work, and she found her way. She is so magnificently gifted.
I also find Szeryng's playing of Bach to be very fine. I owned his vinyl version of these pieces for years (at least one of them; he may have recorded multiple versions as have Mullova and Milstein). Gradually I came to prefer more austere readings such as Milstein's. Then there's Rachel Podger whose emphasis of the lighter dance elements is most illuminating. In Bach as in most music there is no definitive recording. Yet for me right now, it's Mullova.
La ascoltai quando uscì il CD con le stagioni di Vivaldi , come conobbi Yundi Li ,il pianista vincitore del concorso Chopin, tramite Amadeus comperato in edicola . Dopo alcuni anni ascoltai anche la ciaccona eseguita a Rai 3 da Valentina Nicolai che era di solito accompagnata al pianoforte da Elisabetta Ferri , che conobbi nella scuola di clavicembalo nel Conservatorio di S.Cecilia a Roma , 3° piano stanza n° 15. La chiesa è quella in cui J.S.Bach dirigeva la sua musica. Solo ora vedo l'interno con i capitelli corinzi sulle colonne.
Здравствуйте!У меня после Вашего исполнения возник один единственный вопрос: насколько точно Вы разобрались в авторском тексте ( в части точного исполнения длительностей)? Мне интересен Ваш подход к авторскому тексту.С уважением, Mezzoforte.
Sorry, Perlman like many other musicians of Jewish origin do not know how to play Bach properly, in the right attitude. Unlike them, Victoria almost does not use vibrato in Bach, which is absolutely correct. Jewish violinists are often too emotional to play Bach with the right attitude. His is two-dimensional spiritual music; it is meditative, not emotional, it is nothing like appassionata. Jewish nature is too emotional to play Back properly, theirs is the romantic repertoire. By the way, Victoria does not like romantic music too much. She loves Baroque and modern music.
If you guys like other performances better that's fine. But to deny the absolute mastery and transcendence of this performance makes one look horribly ignorant.
Это что за ужас?! А ЗАДОМ НАПЕРЁД НЕ ПРОБОВАЛА ИГРАТЬ?? Шиворот-навыворот!Вот так Чакона....Позорищный экперимент !!!Не приведи,Господь ..... Пойду уши помою.
She is a good violinist but not an artist--while Gitlis slaughters the work unmercifully she gets in the way of the work not letting it speak for itself .
Видеоклипы
Victoria Mullova ...fantastica ...gifted .....superba ......
Ascoltai a Londra nel 1997 un concerto in cui suonava il Concerto per violino No.1 di Bartok. Stupenda ......
This is one of the best version of Chaconne...the sound quality from Mullova is so sweet, natural and beautiful...amazing technique...I love it so much....Thanks for sharing
Brava~~ The tunes are soothing my soul~~
Сидим вот сейчас в Питере, говорим о новгородском поэте Сергее Иванове, а рядом играет совершенно божественно и чистым звуком Виктория и такое чувство, что уже не хочу слышать другого, часто рубленого, исполнения Чаконы - честное слово !!! Браво !!!
Пожалуй, это ярчайшее исполнение этого шедевра !!! - хочу поблагодарить Викторию за её смелость и мужество, ибо вот так с блеском нарушить давно установившийся канон(все эти мильштайны и шеринги сейчас выглядят вчерашним днём и смотрятся вовсе неубедительными) трактовки Чаконы дано не каждому...новаторство, помноженное на огромный труд всегда вначале остаётся непонятым - зато позднее, порой, на годы определяет направление исполнения космической и будто недосягаемой классики...но когда твоё сердце наполняется звуками того времени через исполнение Мулловой настолько явственно - можно лишь восхищаться и здесь её исполнение есть ярчайший пример !!!
Technically amazing. Not one pitch problem. Amazing bowing technique. Bringing out all the bass lines and counterpoints with total ease (except at around 9:10), almost organ-like. As of now (2016) in my opinion the most accomplished performer of the S&P, having learnt from the brutality of Gidon Kremer, and from Alexander Goebel's tuning, using natural gut strings and the Guarneri to great effect. Already in this one, she uses the acoustic characteristics of the venue to carry the sound as far and transparently as it gets. If anything, this has become even better now. Precisely because of her austerity and precision, which some here comment as "cold", which it is not, I have experienced her recordings as the most satisfying.
Esecuzioni "a violino solo" in ambienti vasti e risonanti sono di particolare effetto. Nella nostra percezione uditiva lo strumento prende possesso a poco a poco dell'intero spazio circostante. Brava e rigorosa la Mullova.
Thanks for sharing this masterful interpretation. So significant that this presentation has been played in Leipzig, where the work of J. S. Bach genius progressed, and where he also completed and showed for the first time this piece.
Tu me acercas a lo divino,Victoria
magnifique...
Powerful playing. Intense concentration.I really liked it. Regardless of who's playing, Bach always emerges as the awesome one. Thankfully so!!
Bach would be so honoured to see Viktoria Mullova's renditions of his compositions. She says she had problems with Bach, but opened herself to the insights of other artists to find entrance to his work, and she found her way.
She is so magnificently gifted.
I also find Szeryng's playing of Bach to be very fine. I owned his vinyl version of these pieces for years (at least one of them; he may have recorded multiple versions as have Mullova and Milstein). Gradually I came to prefer more austere readings such as Milstein's. Then there's Rachel Podger whose emphasis of the lighter dance elements is most illuminating. In Bach as in most music there is no definitive recording.
Yet for me right now, it's Mullova.
OMG, so fine!
La ascoltai quando uscì il CD con le stagioni di Vivaldi , come conobbi Yundi Li ,il pianista vincitore del concorso Chopin, tramite Amadeus comperato in edicola . Dopo alcuni anni ascoltai anche la ciaccona eseguita a Rai 3 da Valentina Nicolai che era di solito accompagnata al pianoforte da Elisabetta Ferri , che conobbi nella scuola di clavicembalo nel Conservatorio di S.Cecilia a Roma , 3° piano stanza n° 15. La chiesa è quella in cui J.S.Bach dirigeva la sua musica. Solo ora vedo l'interno con i capitelli corinzi sulle colonne.
Здравствуйте!У меня после Вашего исполнения возник один единственный вопрос: насколько точно Вы разобрались в авторском тексте ( в части точного исполнения длительностей)? Мне интересен Ваш подход к авторскому тексту.С уважением, Mezzoforte.
how perfect is this crescendo 3:02 to 3:14?
I hear both delicacy and rigor.
Which performances do you favor?
an interesting style, but very convincing!
12:39-12:42 Majestic!
8
.6lpf 6r ' gz
Come si può mettere l'annuncio dei Ringo a 1 minuto dalla fine? Mettetelo all'inizio non durante un video di questo genere. Questa è idiozia pura.
it's technically clean, but it's as emotional as hearing someone practice... Please, listen to Perlman.
Perlman plays the Chaconne as if it was a Paganini carpice. Most horrible. Only Heifetz did it worse. Bach isn't about showmanship.
Sorry, Perlman like many other musicians of Jewish origin do not know how to play Bach properly, in the right attitude. Unlike them, Victoria almost does not use vibrato in Bach, which is absolutely correct. Jewish violinists are often too emotional to play Bach with the right attitude. His is two-dimensional spiritual music; it is meditative, not emotional, it is nothing like appassionata. Jewish nature is too emotional to play Back properly, theirs is the romantic repertoire. By the way, Victoria does not like romantic music too much. She loves Baroque and modern music.
lol you're mad!
Didn't move me.
If you guys like other performances better that's fine. But to deny the absolute mastery and transcendence of this performance makes one look horribly ignorant.
Это что за ужас?! А ЗАДОМ НАПЕРЁД НЕ ПРОБОВАЛА ИГРАТЬ??
Шиворот-навыворот!Вот так Чакона....Позорищный экперимент !!!Не приведи,Господь ..... Пойду уши помою.
А чья Чакона нравится ? Kого-то из современных исполнителей,если можете посоветовать.Hilary Hahn? Есть кто-то ещë?
After hearing Ivry Gitlis playing this same piece, this sounds amateurish at best.
wow.....emperor has no clothes this SUCKS
She is a good violinist but not an artist--while Gitlis slaughters the work unmercifully
she gets in the way of the work not letting it speak for itself .