Thanks for your comment! I did include some examples at the end of this video that show this idea in a II-V-I and a vamp over the major sound (the vamp is I-ii-iii-ii, but you can just play 1major over all of it!). You could use this concept to extend your ii-V-I ideas by not resolving to the I chord, but continue the line using this concept. Hope that helps!
Yes, please continue this series :) Your last line you say it is applied when we have a static major scale but you have on chord per measure. Can you tell me why? Thank you
Sure! That vamp can be played by outlining all the chords, but often when you see a progression like that (I-ii-iii-ii-I) you can play off the key center as shown in this lesson. Hope that helps!
As always, very good teacher. Thank you very much.
Thank you! 😃 Appreciate it Salvador!
Here is Part 1! (Dominant Bebop Scale): ruclips.net/video/h7zDKfL6ZiM/видео.html
concise, practical, beautiful job
Thank you! Cheers!
Fantastic Thank you so much.
You're very welcome!
Nice ideas and well organised.
Thanks Bill! Glad you liked it!
Sure, interested minor also. Maybe some II-V-I (or other progressions) example that combines all these concepts should be great
Thanks for your comment! I did include some examples at the end of this video that show this idea in a II-V-I and a vamp over the major sound (the vamp is I-ii-iii-ii, but you can just play 1major over all of it!). You could use this concept to extend your ii-V-I ideas by not resolving to the I chord, but continue the line using this concept. Hope that helps!
Yes, please continue this series :) Your last line you say it is applied when we have a static major scale but you have on chord per measure. Can you tell me why? Thank you
Sure! That vamp can be played by outlining all the chords, but often when you see a progression like that (I-ii-iii-ii-I) you can play off the key center as shown in this lesson. Hope that helps!