Always love shooting film cameras with my digital. Best way to process images with film stock shot on the same day and same lighting. As a GFX shooter, you are spot on with your experience. Great vid.
@@cammackey Had the GFX50S, now on the GFX50R. I don't exactly own any Fuji lenses. I shoot manual focus only so the autofocus issues aren't that relevant to my use.
Great comparison. I really like how you choose the looks and theme of your shots. I'm sure you could make great shots with a cheep $2 point and shoot camera. I need to work on my editing game. I don't always see those subtle details....until i see your make a change and it pops. you really have an eye for it. LOVE IT!
Awesome video, came to pique my curiosity about the GFX 50S II, I shot Nikon on film (never medium format stuff) when I was younger, but got out of photography sold film camera... when I came back digital seemed so convenient. It was refreshing to see film comparisons and I enjoyed your edits. I'd like to see your home studio setup too as someone posted. (now to binge a few of your videos ) 😊
Finally on the Fuji space and man oh man I’m loving. The colors are nostalgic to say the least. Hoping the auto focus issues get resolved, dare I say sell the r5 and get a medium format Fuji in addition to the xt4?
Interesting seeing the nuances in color between GFX and 645. There are subtleties but like you said was probably due to it sitting in a drawer for 6+ months. I thought it was nice seeing how you transformed your apartment into a studio space, would you talk more about it in a future video?
Yeah this gfx and the canon R5 are the closest looking things to film. Really easy to get a filmic look from them. And if enough people are interested I’d love to share my apartment studio setup!
These are very close and I feel the same as you with the slightly larger film format having a bit more separation ( and it's so lovely). Look forward to seeing how it compares to the R5. I quickly shot with both the other week but didn't shoot long enough to properly compare.
Great video, I use the GFX myself and love the film simulations. I shot every medium format mat system and I think I am the happiest with the Fuji system. Of course who wouldn't want the X2d , but let's talk reality. In my film days you couldn't beat the Roleiflex 3.5, just a little limiting. The negs were outrageous. The Pentax 6X7 and the RB67 those two were amazing, but you can't have it all. But you are hard pressed with digital. Thanks, great video.
Cool video, mate. I've also experimented a lot lately with the Fuji GFX vs. Pentax 67 lately and I found in a lot of situations both cameras really produce very similiar results (once you added a film look to the fuji image). IMO the biggest difference in the overall look between them is in outdoor situations with good lighting where I still prefer the Portra400 look of the Pentax.
Great Vid! Hard to find a good comparison. Is your "secret curve" really a secret? Or do you mind sharing? I really want to get the film look out of my digital fuji camera.
Very nice. Always love your work man. Everything is just great. Your retouching/color grading is top notch too. I've been trying to create a nice preset for I don't know how long, I'm never satisfied. Been thinking about getting a digital MF camera too.
If the classic neg sim felt a bit too overcooked, you could always put it on a new layer, then drop the opacity of that layer down to 75% ish…. Would keep the grade without being overcooked. ;)
Imma run a comparison. So far I still prefer editing my R5 files. And it’s a little easier to shoot with too, stays out of the way. BUT the gfx look and compositions can’t be beat.
While it is technically medium format, it really isnt that much bigger than 35mm. It is like 1.2x bigger I think. It is 4:3 instead of 3:2, which combined with the larger size can make a big difference depending on how you shoot.
I've used the GFX 100S since may. It is very nice - I love the files (the 110mm f2 js amazing). It is quite fast, and most of the time I don't have to pull out the Canon 1DX III. Really only for very fast paced stuff.
Hmmm I played with both GFX cameras and love the look of the 50MP images slightly more coming out of the camera. The missing PDAF is sad but also the lower refresh rate was an issue in dim lighting on the 50s compared to the 100s. Got a lot of moiré in the EVF on certain structures… outdoors in natural light no issues… 😮 Both are amazing cameras! 😊
You mean a digital back? I have not. I’ve always been intrigued to see what it would look like though so maybe one day. But I’m assuming it’s going to be night and day performance wise
Classic Neg is by far my least favorite simulation. Classic Chrome honestly looks the best. Nice soft look, blues and greens both pushed towards teal. At the end of the day though film is magical, of course :-)
@@Zlaja192 better and more accurate color rendition. It's the main reason to use MF. If it's just 14-bit like the 50MP, why bother with all the drawbacks of MF. You get it for color and potentially for being able to sync at 1/500 to 1/800 (with leaf lenses). The DoP is kind of nonsense. You're not going to get shallower than, for example, an 85mm f1.2 lens or 50 f.95 lens. And honestly who cares. A MF 80 2.8 lens is about a 50 1.4.
@@MojoPapiFPV my question was kind of sarcastic😄 People talk about bits and color depth, while they sit in front of a Monitor that can only display 8-bit …
@@Zlaja192 if you're shooting video or stills for web as a hobbyist, you're right, it's a waste. If you have a regular screen, it's a waste. But if you're shooting MF, chances are you're a pro and you have a monitor with a 16-bit LUT. Otherwise you're just a knucklehead with disposable income ;)
Yup yup as I stated. When the 100 first came out they sent it to me. The AF is pretty darn good but since there’s so much glass it’s still not as snappy as the R5/Sony cameras but still 100% usable
@@cammackey well it is not only to the size of the glass ;). Check out Sony 135 1.8 GM or 50 1.2 GM - a lot of glass but the speed... and the other factor - sensor speed. Those 44x33 sensors are still pretty slow. 1-2 gens from now they will get up to the speed of the current 35mm sensors. PS make more film vs digital videos :) they are pretty rare and film is still the better way to go for me at least.
@@SimeonKolev nah have you held GFX glass lol? Some of those lenses are freakin gigantic. I also don’t think most of them have as up to date focusing motor systems as well. But yeah fuji had to make the lenses cover medium format sensors so overall everything is going to be bigger vs 35mm sensor coverage. Like everything has to be doubled size wise. But agreed I’m sure in a few years fujis medium format cameras will be able to be just as snappy as full frame cameras. It’s crazy how far they’ve come alreadyb
Way tooo fast these live back and forth adjustments please make decent videos and show step by step what you’re doing otherwise it’s just some : oh nice pictures and that’s about it… which is kinda sad because you’re style seems excellent
favorite photographer on YT hands down
🥲🥲🥲
Always love shooting film cameras with my digital. Best way to process images with film stock shot on the same day and same lighting. As a GFX shooter, you are spot on with your experience. Great vid.
Yeah it’s great for recalibrating your eye overall. From paying attention to lighting to editing. Which GFX do you have?
@@cammackey Had the GFX50S, now on the GFX50R. I don't exactly own any Fuji lenses. I shoot manual focus only so the autofocus issues aren't that relevant to my use.
Great comparison. I really like how you choose the looks and theme of your shots. I'm sure you could make great shots with a cheep $2 point and shoot camera. I need to work on my editing game. I don't always see those subtle details....until i see your make a change and it pops. you really have an eye for it. LOVE IT!
Awesome video, came to pique my curiosity about the GFX 50S II, I shot Nikon on film (never medium format stuff) when I was younger, but got out of photography sold film camera... when I came back digital seemed so convenient. It was refreshing to see film comparisons and I enjoyed your edits. I'd like to see your home studio setup too as someone posted. (now to binge a few of your videos ) 😊
Finally on the Fuji space and man oh man I’m loving. The colors are nostalgic to say the least. Hoping the auto focus issues get resolved, dare I say sell the r5 and get a medium format Fuji in addition to the xt4?
Interesting seeing the nuances in color between GFX and 645. There are subtleties but like you said was probably due to it sitting in a drawer for 6+ months. I thought it was nice seeing how you transformed your apartment into a studio space, would you talk more about it in a future video?
Yeah this gfx and the canon R5 are the closest looking things to film. Really easy to get a filmic look from them. And if enough people are interested I’d love to share my apartment studio setup!
@@cammackey yes we are absolutely interested. Is R6 colors also close to film?
These are very close and I feel the same as you with the slightly larger film format having a bit more separation ( and it's so lovely). Look forward to seeing how it compares to the R5. I quickly shot with both the other week but didn't shoot long enough to properly compare.
Film looking so nice even if it is slightly washed out. Once you corrected it looked perfect
Yeah don’t think film can ever be beat!!
I agree. You can get a more contrasty look in camera if you expose/develop for it. With a good scanner its safer to do in post though :)
Great video, I use the GFX myself and love the film simulations. I shot every medium format mat system and I think I am the happiest with the Fuji system. Of course who wouldn't want the X2d , but let's talk reality. In my film days you couldn't beat the Roleiflex 3.5, just a little limiting. The negs were outrageous. The Pentax 6X7 and the RB67 those two were amazing, but you can't have it all. But you are hard pressed with digital. Thanks, great video.
Cool video, mate. I've also experimented a lot lately with the Fuji GFX vs. Pentax 67 lately and I found in a lot of situations both cameras really produce very similiar results (once you added a film look to the fuji image). IMO the biggest difference in the overall look between them is in outdoor situations with good lighting where I still prefer the Portra400 look of the Pentax.
Great Vid! Hard to find a good comparison. Is your "secret curve" really a secret? Or do you mind sharing? I really want to get the film look out of my digital fuji camera.
Great video as usual! Cannot wait for the comparison with Canon R5...have been hesitating between the 2 of them for long...Thanks for your work!
curious why you would choose high speed film if your shooting med format in a studio? Great vid at any rate.
Great stuff as usual.
Fun and interesting comparison.
Do you sell capture one styles for Fuji specifically?
Very nice. Always love your work man. Everything is just great. Your retouching/color grading is top notch too. I've been trying to create a nice preset for I don't know how long, I'm never satisfied. Been thinking about getting a digital MF camera too.
Yeah I’m always changing up my editing workflow as well! Sometimes I make presets and sell them too
@@cammackey yes, always finding new ways. Was thinking about getting your presets, but they're C1 only iirc
Sir what kind of glasses are those?
Love your photos! I wish the pictures were displayed for a little bit longer, that way I wouldn't have to stop the video to admire your works haha
Which should I choose between GFX50SII and A7RV?
I usually shoot people, group activities, and landscapes.
Do you prefer Leica film render or Mamiya 6x7 ?
Hey buddy, what editing software did you use to edit those beautiful pictures of the model?
Interesting comparison! Which lenses did you use on the different cameras? Creative greetings, Alain
On the Fuji I have the 45mm and 110. On my Mamiya I have the 55mm and 80mm
If the classic neg sim felt a bit too overcooked, you could always put it on a new layer, then drop the opacity of that layer down to 75% ish…. Would keep the grade without being overcooked. ;)
dude has a good eye. period.
what glasses are those? i need new frames and those are awesome
Great video! What lenses did you use for the two bodies?
Awesome video cam. Where do you get the icc profiles?
They come with Capture One
Nice video. You are doing some good stuff.
did you use Pre-Focus ON? I find that helps a lot with any type of AF on the Fuji Cameras, also with the older xf lenses.
Nope! But I’m excited to setup back button focus. I think it’ll help
@@cammackey it might. I change frequently to back button focus myself. Somehow it's more of a connection between oneself and the subject I feel.
Great comparison. Just wonder, how do you like the GFX50SII compared to Canon EOS R5?
Imma run a comparison. So far I still prefer editing my R5 files. And it’s a little easier to shoot with too, stays out of the way. BUT the gfx look and compositions can’t be beat.
Appreciate your critical thoughts of the Camera inspite of the fujifilm support.
Would you go Sony a7riv with 50mm GM or GFX 50sii with 80mm 1.7? For portraits.
Neither. Canon R5 with 24-70
I got no intention in retouch photography or film cameras but i just watched this entire video without knowing anything and yeah....I liked it! lol
Hahaha best compliment ever
While it is technically medium format, it really isnt that much bigger than 35mm. It is like 1.2x bigger I think. It is 4:3 instead of 3:2, which combined with the larger size can make a big difference depending on how you shoot.
It's 1.7 bigger.
Did you use the boost mode on af? fast enough for the 80 1.7?
I've used the GFX 100S since may. It is very nice - I love the files (the 110mm f2 js amazing). It is quite fast, and most of the time I don't have to pull out the Canon 1DX III. Really only for very fast paced stuff.
Man I really wish they put phase detection on this 50 😭 I would of bought it in a heartbeat!!! 100mp is overkill for me sadly
Hmmm I played with both GFX cameras and love the look of the 50MP images slightly more coming out of the camera. The missing PDAF is sad but also the lower refresh rate was an issue in dim lighting on the 50s compared to the 100s. Got a lot of moiré in the EVF on certain structures… outdoors in natural light no issues… 😮 Both are amazing cameras! 😊
Bro what are those boots your wearing. Diggin them
I think they’re from thorougood!
Hello Cam
Really nice video and work.
Can you give the song name at the end of your video ;) Love it
Cheers
Ben
2:42 is so good
🙏🏽🙏🏽
Which light meter do you use?
sekonic L-478D
Cove lighting :)
Love your work! Have you used digital on the 645? And if so, how does that compare to the GFX in your opinion?
You mean a digital back? I have not. I’ve always been intrigued to see what it would look like though so maybe one day. But I’m assuming it’s going to be night and day performance wise
Hahaha back button auto focus, the only way to go IMO 👍😎
“Cove Lighting” by Deakins 😁
thanks mate!
Thanks for sharing.
Classic Neg is by far my least favorite simulation. Classic Chrome honestly looks the best. Nice soft look, blues and greens both pushed towards teal.
At the end of the day though film is magical, of course :-)
Focus system is a deal breaker. I was waiting on IS and phase detection. The 50r was sold for this reason. Soooo disappointed......back to Canon
we spend so much money on cameras and lenses then the iPhone comes along. Oh, don’t forget VSCO. 😝
Imagine if you used the 100MP Fuji which has 16-bit color like all MF backs.
I have used it, they sent it to me when it first came out. Was fantastic!
Where exactly are you able to see that 16-bit color? 🤭
@@Zlaja192 better and more accurate color rendition. It's the main reason to use MF. If it's just 14-bit like the 50MP, why bother with all the drawbacks of MF. You get it for color and potentially for being able to sync at 1/500 to 1/800 (with leaf lenses). The DoP is kind of nonsense. You're not going to get shallower than, for example, an 85mm f1.2 lens or 50 f.95 lens. And honestly who cares. A MF 80 2.8 lens is about a 50 1.4.
@@MojoPapiFPV my question was kind of sarcastic😄
People talk about bits and color depth, while they sit in front of a Monitor that can only display 8-bit …
@@Zlaja192 if you're shooting video or stills for web as a hobbyist, you're right, it's a waste. If you have a regular screen, it's a waste. But if you're shooting MF, chances are you're a pro and you have a monitor with a 16-bit LUT. Otherwise you're just a knucklehead with disposable income ;)
Fuji is trying to kill kodak one camera at a time.
Unfortunately you have to get the 100 models because PD AF is the only way to get decent AF.
Yup yup as I stated. When the 100 first came out they sent it to me. The AF is pretty darn good but since there’s so much glass it’s still not as snappy as the R5/Sony cameras but still 100% usable
@@cammackey well it is not only to the size of the glass ;). Check out Sony 135 1.8 GM or 50 1.2 GM - a lot of glass but the speed... and the other factor - sensor speed. Those 44x33 sensors are still pretty slow. 1-2 gens from now they will get up to the speed of the current 35mm sensors.
PS make more film vs digital videos :) they are pretty rare and film is still the better way to go for me at least.
@@SimeonKolev nah have you held GFX glass lol? Some of those lenses are freakin gigantic. I also don’t think most of them have as up to date focusing motor systems as well. But yeah fuji had to make the lenses cover medium format sensors so overall everything is going to be bigger vs 35mm sensor coverage. Like everything has to be doubled size wise. But agreed I’m sure in a few years fujis medium format cameras will be able to be just as snappy as full frame cameras. It’s crazy how far they’ve come alreadyb
Gimme a camera with a 6cm x 7cm sensor and I'll give you the world.
Way tooo fast these live back and forth adjustments please make decent videos and show step by step what you’re doing otherwise it’s just some : oh nice pictures and that’s about it… which is kinda sad because you’re style seems excellent
Please don’t watch
keep your film in the fridge