Explanation of what I think happened: After discovering the bacteria monster, ASync sets up precautions such as blocking off a part of the Backrooms and setting up a blast shield in the observation room in fear of what could happen if any hostile entity were to attack.
your "wire" monster is called bacteria, and async already knew about it before as evident by "motion detected", "autopsy report" and "missing persons" videos that have earlier date stamps, the whole idea behind the async corporation is that they clearly know much more than researchers they send out, its especially evident in missing persons videos as async traps their own researchers and even kills 1 that escaped.
Considering the dude from the very first video died there six years later, he didn't even have the chance of ever finding the spot where the "portal" is.
Except that window exists in the observation room already when Marvin's team enters. And the photos in this video show it being constructed behind, presumably, the guideline wheel that Marvin's team was installing.
The fact that until now, ASync only had a vague motion detected trigger and bodies, and now they have actual evidence something is in there. Im very curious where this is heading towards as this is a very interesting storytelling.
ASync must have shut down KV31 but hadn't realised there were alternative ways of entering it (such as in Found Footage). Maybe they reopened it and began launching rescue missions (like with GibbsonTV?)
@@cookiecraze1310 If the SCP Foundation didn't do what they do you wouldn't exist canonically. The SCP Foundation doesn't have the luxury of anomalies being stuck inside a parallel dimension
@@SirNikurasu I can understand the need to kill people to keep things secret, but do they really need to keep throwing inmates onto the pyre? If this was SCP, they would've thrown atleast 20 class-D's into the back rooms with cameras and mics just to see how they die.
As many people have said, the visuals on this series are unbelievably good. But not as many are mentioning the amazing sound design in these videos, a perfect mixture of eeirie chords, dissonance, and the always present static/white noise that makes everything slightly hard to hear, which adds to the vibe.
@@WobblesandBean Believe it not, the vast majority of this is Blendr CG. You can only really notice it when you see people walking. Though this episode seems like it might have real actors involved, I'm unsure. This dude is seriously talented and the fact you can't tell speaks volumes to that.
That's what I was thinking at first too, but then I started to think with that sliding pannel, that room looked a lot like that control center buddy found himself in a few episodes back, the one where the alarm went off? Maybe they're done, but like maybe it's a more 'permanent' observation post?
Every element about this clip - and this extends to the series taken as a whole as well - is done unbelievably well. However, my background is in sound design and have experience scoring films so the audio is where I’m best positioned to really understand and appreciate just how insanely good all of the sound work - scoring/voiceovers/foley has been throughout the whole series. But Oh my fing-god - even amidst all the other great sounding episodes before - that first sound score here? The one that runs from the start till 1:30 or so? - that piece is just WTF-level great. I was immediately taken by how much the first score piece sounded like a track taken straight off from Swans “Soundtracks for the Blind” which is a top 5 most personally formative albums in my life as well as a masterwork that I also regard as THE most creatively intimidating album I’ve ever heard. So my suggesting any similarity in this way is meant as praise of the highest order. Floored.
Sound guy here too, I'm with you, this kid must have sprung full grown from someone else's head, like Athena. Staggering, almost paranormal brilliance for the age given.
One of the scariest parts about the recording at the beginning is that, at first, you can't hear the Entity, only Marv. You can slowly begin to start hearing the mimicked screeches through the recording. This proves that the entity is, in fact, slowly gaining on Marv, which means that they are slightly faster than Hazmats.
The scientists basically caught up on Kane's Backrooms series and it was so scary to them that they blocked off the expedition route. Great content as always!
I love how this whole experiment started with finding an unlimited amount of space as a storage area. However, the more digging they do they find that it's a much dangerous place than they thought and end up abandoning the original plan. And begin to research in finding out the monsters instead. (Theory)
I think they wanted to use it as a living area too. But like all good things it changes to bad. I've mustered up a short video which is not CGI based of the backrooms, and the backstory is the same. We all need space, but in my story there is a more sinister plot from way back... ruclips.net/video/FD6JRCFJZD8/видео.html
Every single one of your videos gets better than the last. The seamless movement between real and CG footage was incredible. Keep up the amazing work, I can't wait for the next upload
I did some lip reading @ 3:52 and here's the closest I could get: [pick up phone, push button] "You lied, you said it would be safe" [pause to listen] "That's what... [person], [person], [person], and [person] all said." [pause to listen] "No, [???] [???] [???] safe now." [minor pause] "Okay, okay. / Got it, of course. / For sure, I understand"
The score actually does so much for this short. It’s uncanny and unnatural feeling while the researchers are reviewing the footage really puts you in their position of seeing an ‘entity’ for the first time perfectly. This series is already full of brilliant content and the fact there’s no sign of stopping is a great thought
The music you’re choosing is really on point. The retro synthesized tones made me feel like I was watching a John Carpenter movie from the 80s. Nice throw back to your last video too. It’s nice that they’re interconnected and not just random and segregated. Keep up the amazing work, man. I’m a fan.
Watching the series in black and white. Enabled the monochrome setting on my phone and I got to say: it's even better than color. Unpopular opinion but if you can get over that initial barrier, you may find it starts to grow on... Like a fungus
This is so unbelievably good. Super glad to know that Kane now has the budget to hire live actors. Also, did you rent the Getty to film this? I've never been inside, but wherever you shot those Async scenes was pretty impressive.
@@harrytheone They could also be relatives, friends, etc. that volunteered to help out for his project. I mean his previous works alone is a pretty hefty portfolio.
The fact as a 13 year old watching this series has given me goosebumps every video and I just love how it looks so realistic like I could just be in the backrooms myself watching this you are such a talented person keep up the good work!
I wish Kane would make a compilation of all the files (when he finishes this series) and present it to a film festival as a full movie, he would totally go places for his talent.
I think it's just right, getting a shorter or a longer piece every few weeks. That's somehow painful but rewarding, having to WAIT like kids for Christmas. I don't like it, but somehow, I like that though.
@@AndyKing1000 I don't think you understood what I meant. What I said in my comment is that when Kane eventually finishes this series he should compile the videos into a movie so that he can present it at a film festival. Since it has an extremely high quality I wouldn't doubt the film would get placed high up among the best films in said festival.
Don't forget that this guy's work rests on the shoulders of hundreds of known and unknown lore makers. This does not diminish his work in the slightest, but it significantly facilitates it, given that the foundations are laid in advance and the concept is proof-tested.
@@parasitelights3158 and actual high paid mainstream movie/series makers should do better for the money they get, but theres no quality anymore just money making
I love the _very_ subtle detail at 0:32-0:38 in the audio. If you listen closely, you can hear the garbled sounds of the entity wailing in the background!
Their expressions read “We knew this would happen” more than outright shock. The extra layer of analog recording distortion makes it all the more surreal
I feel like they had a few hint of a potential lifeforms, especially sinxe the one that triggered motion detector. But here they have a real proof, so they are "nope"
This like a mixture between stranger things and silent hill mixed with SCP foundation Creepy surreal psychological Horror A masterpiece keep it up yo you are talented
I have a feeling that this group might be the "main group of the backrooms series." It's also awesome how the camera for most of the video does not have the blur that an older camera would have. Every time I see that a new backrooms videos has been posted from your channel, I watch it ASAP. I hope you never stop making these videos.
the blur is probably partly to make it seem more realistic - if the unnatural perfection of the textures is hidden behind a blur it looks a lot more realistic but also it can be explained in-universe by, the backrooms footage was taken from in-universe cameras; the irl footage was _not_ taken from in-universe cmeras
From what I can guess, this is suppose to be M.E.G. (Major Explorer Group). In the Backrooms lore, M.E.G. is the first group to explore the backrooms and has multiple outposts across the few levels in the Backrooms. So Kane is now focused on the faction side of the backrooms.
Before this, this was just a scientific exploration. They were enthusiastic, and walk around that place with no worries. Now they know there are things living in this place, and they are dangerous. What was the creature? How many are there? They can kill It? They still have no Idea how dangerous the Backrooms is.
just that opening ALONE proves that fan made concept creations based on a CREEPYPASTA is proven to make a better series than ANYTHING any conglomerate has put out. Kane literally has Quality and quantity rolled into one
@@martinvymazal8361according to my investigation that is Anthony Dawkins so ivan beck is unknown. You can try zooming into the mans ID so he is just an overseer or some administration.
The encounter with an entity is a really pivotal point in this series. There’s definitely gonna be armed security involved now, hopefully with some cool combat scenes. Great job Kane!
you could easily make a movie or series about this and keeping every episode as vague and scary as all of these. every aspect of these videos is world class quality and craftsmanship im amazed
Theory: The bacteria entity is supposed to have 2 legs but in pitfalls & report it has 3 so if you go back to motion detected you can see one of the motion cameras being grabbed by the entity and somehow fused the camera to become one with the entity
So Async saw the evidence and didn't wanna take any more risks. So they boarded up the cross column section off away from the rest of the Backrooms and seemingly sealed the place up. Explains why Kane from Found Footage never found it. He was cut off and never came across it.
Kane was never found because he died, If you looked close enough in the last minute or so on the found footage video, you can see kane being killed by the monster
@@somebody-xr5oe I already know that Point is that during the whole video, he never found the area near the threshold. The path to it was cut off so its why he never found it.
@@infernoxratchet4667 honestly i think that he was never even near the threshold in the first place. the backrooms is massive, and the areas that Kane were in were ones that we never see the researchers go into, so they likely haven't discovered them yet.
Absolutely incredible. I can’t tell you how immersed I feel every single time I watch one of your videos. You have done such an incredible job on CG, actors and having actual sets? Maybe just locations but still you have done amazing work and built yourself a “Backrooms Cinematic Universe” at just 16! Keep up the amazing work dude
I knew this guy was 16 but damn... This is awe-inspiringly amazing. This guy has to be on to better things in the future. This is a masterpiece in and of itself and I cannot wait for what's in store for us. It just blows my mind that 16 year old created this.
I've just tuned in but this feels like a ground breaking, first ever produced RUclips series that'll change RUclips for the better. Absolutely phenominal, keep it up
I'm gonna be honest. Kane Pixels is the only person to really make me feel any interest in the backrooms. For a shitpost creepypasta it's fine, and sure, I enjoy liminal spaces. But up until I saw his vids/animations, my experience with the back rooms were shit thrown together by easily spooked, bored teenagers that had just discovered "Everywhere At the End of Time". Kane's fleshing out of the concept behind it's existence, and it's creation. His brilliant blend of 3D animation and live action, just the unease of it all finally made me feel disturbed when those corruptions show up, or seeing the illogical architecture. And the fact that people get lost and weird decomposition happens or worse, it's great! Sorry I'm not trying to be a horror snob but I feel like it took me some effort and world building to enjoy it on the same level as others. Keep it up my man, you are killing it.
I feel the same way. Every other backrooms video before this (and the shitty ones trying to piggy back off the success of the KP backrooms series) is just bad CGI rooms and hallways with a jumpscare here and there of a monster. Sometimes others can look nice but again it's mostly just visuals of someone in first person walking around liminal spaces. I love this series because it's so real, so scary and it really brings out the horror of the backrooms which isn't about the monsters it's about the fear of the unknown around every corner
Great job Kane. This is almost a cult classic in a sense, like a pro-version of one. Reminds me of the old days when Matrix first came up, which began this whole speculate genre about the world. This is kind of like that I feel, with all of the contributions of other artists on youtube. I hope to see this really blow up. It's a fun watch, and also very intriguing.
Everything up to this point has been revolutionary: The minimal dialogue, the ambiguity, the old video style, the design, the visuals, the horror. Nothing short of a phenomenon, and That was all accomplished through found footage story telling. This is the first video that actually chooses the modern cinematic approach, with clean camerawork and brief shots from different perspectives. I found this to be a masterful artistic choice that (because of its stark difference from everything else we have seen) marks a new chapter in our perception of the Complex. The simple decision of transitioning from found footage to cinematic footage takes us from a personal, interior, claustrophobic, violent, jarring, mystifying, terrifying feel, to a more calm, reflective, cautious, controlled, rationally-minded feel. It’s like going from seeing soldier’s first-person perspective on the battlefront to a third-person perspective of the political leaders viewing the battle remotely.
It's a really small/subtle thing, but I love the long shot around 1:45 of the scientist walking towards the door at the end of the hall only to take a left into a door we can't see until he opens it. That is some really good framing.
🕳☣✌🏼I am subbed but somehow never got the notification for this one!! Luckily, I just stumbled upon it, after going back to binge all of ur vids with my bf, we love these! Damn, Dude, you really put a helluva ton of work into the lore & inner workings of the 'Rooms. And it shows! Obsessed! And please, don't ever sell this to Netflix or esp. Disney - they'll cheese it down & babyify it to hell. THANK YOU & KEEP UP THE SUPERB WORK, WE LOVE IT & LOVE YOU! ☮💟 ☯
Knowing that you unintentionally made a monster like that must be terrifying… I wonder if after years Async finds out all these disappearances are caused by them…
This is amazing, you can see that now he’s actually using real people in some animated shots, making it even more realistic. This is honestly amazing dude. I can’t believe your only 16. Been here since Found Footage, seen it all. Just amazing. I believe the guy with the white hair and beard is Ivan Beck. :D Edit: Alright, the guy with a white hair and beard is not Ivan Beck! He is actually Anthony Dawkins, his ID matches up with the guy here.
Who else noticed that some of the audio from pitfalls was in the first couple seconds? I’m trusting matpat on this, I think the backrooms are bending time.
And I bet that budget is nothing compared to that of a netflix production of similar quality. I suspect his value to money ratio is insane. I'm going to see now if he's got any behind-the-scenes content on his channel. Is it all green screen? does he own any beige carpet? These mysteries are almost as pressing in my mind as those in the world of the back rooms.
@@robbiekavanagh2802 I'm more concerned about the mystery of whether or not Kane owns beige carpet than anything the backrooms has to offer now that you mention it
I love the genuine reactions of the scientists watching Marv's video. It wasn't the cold and casual stare of a business mega-mind, these are normal people. They were genuinely afraid for this guy, realizing the horror of what happened. And then they were just like, "Welp, I guess we'll just cover that up... Just build a wall there. Don't worry."
Truly amazing, the story you’ve created and the world you’ve built is so in depth. Now that you’ve started including live action and real actors, just shows the lengths you’ll go to tell your story. Great work man! 😁
Whoaaaa. This combo of CG and real people is so seamless. Good job, really fleshes out Async behind the scenes. Also, this is the first video where ASync has fully become aware of the creature. I assume the beginning shows Marvin & gang returning from the encounter- Looks like they tried to seal off the monster with that new wall which then became a closing gate thing.
Imagine being 16 years old and creating something so good that you can get Hollywood-style live action shots to incorporate into your RUclips series. It's insane how this one series based off a tiny greentext could get you so far in life. But you've cemented yourself as an inconic internet legend who can incorporate real life acting into animation seamlessly. You're doing things I couldn't have ever imagined when I was your age.
I can't figure out how he got a budget for this. He's clearly able to hire actors, acquire costumes, get great real life shots, has access to really good lighting and editing....how?!
the fact that this comes before the presentation. they know there are hostile entities lurking, but still go ahead with building houses there. exactly how i'd imagine a real company to behave
I love this so much, especially how the real-life shots complement the CGI shots to the point where you can't even tell the difference. The horror in their reactions is so well captured and thought out. I'm amazed Kane, this is brilliant :)
I love the way you are portraying the creature. You aren’t giving us a clear look at it but you give us small glimpses and auditory information to be terrified and fascinated by it. That is the best way to create a “scary” monster in my opinion and you are doing a great job! Reminds me of how they filmed the alien in the first alien movie.
@@-eurosplitsofficalclanchan6057 It is perfect in my opinion. We couldn’t see anything before and after seeing small shots of a terrifying thing it gets even scarier to watch them going into the backrooms while we aren’t sure if it will come again or not.
Seeing the creature itself/seeing it portrayed like this has honestly been my least favorite part about the series as a whole. The insertion of monsters (visually/detailed descriptions) into the backrooms when it became popular threw me off of it since it took away from the horror of the place itself, instead relying on the monsters for anything terrifying to occur. At least that's how it's been for a lot of backrooms material. The mere suspense for what may lie in the unknown has been more than enough to grip my interest for most of the series/BR material in general. The series' saving grace (regarding monsters) is that it can rely on audio and video to make encounters terrifying, but their sole concept comes as generic to me, especially when you have an amazing and unexplored setpiece like this. The series has been amazing to watch, though the monsters are my only criticism for it truthfully
For some reason it hadn't occured to me that until now, Async had no idea these monsters exist- or at least had no real evidence. I can just imagine the pure shock that would ripple across the whole company- everyone (legible to know) scrambling trying to figure out what the hell happened, and what that thing was. Amazing job as always Kane!
I had a terrifying thought at 5:15 - imagine if that was your house, or office. Imagine if years ago the previous owners found a backroom, did not know what to do with it so just...built a wall to hide it....and that wall right next to you...has behind it an entire entrance to a backroom. Those weird knocks you hear at night...or when you are alone at the office...what if its an anomaly passing by...both you and it unaware of each other?
I liked the genuine look of concern on the faces of the researches as they see the creature on the footage, that was a genuine human reaction to something that makes no sense whatsoever. I also liked how the scientists actually took the threat of the monster seriously, as opposed to just covering it up. Also, the real actors mixed with the CGI blends so seamlessly, like, I’m still surprised that this was made by a 16 year old! You have taken the oversaturated and fattened up backrooms and turned it into what it was always supposed to be, psychological horror. Well done
I love how async just nopes the fuck out and doesnt even try to use weapons against the creature. It’s like “nah I dont think guns are gonna work against an extra dimensional entity”
Well, there is nothing that could indicate to us that Async is closing the project... I mean, they've just installed some armour panels on the windows, why is everebody thinking that Async closed the project...
@@FowlorTheRooster1990 Nnnyeah but we saw in the "motion detected" video that the treshold gate was getting closed during the night, so he might just be in front of the gate at the wrong moment)
It's so impressive how this has transformed in only 4 months from a home grown addition to a pop culture sci-fi theme into a seriously professional mini series with a very well written story and thoughtful visuals. Kane you have incredible talent and continue to impress and surprise with each new video you release, we're all so eager to see where you take this series, or what amazing future work you produce. I have a feeling this will get you recognized for your talent and lead you to more production opportunities.
@@notjustalex7667 Bro and it's fucking A24 that'll be behind it, could be in for a genuine treat if it actually gets made, no gurantees at all yet other than A24 has shown massive interest
I love how instead of just glossing over Marvs experience and what happened in the pitfalls as another spooky and weird event that happened in the backrooms, they take it seriously as a major discovery and new danger
And they know that, if there's one, there are probably more of those things. I'm interested on seeing how they adapt to this danger, while exploring the place.
@@KS-lb1tu If that creature is a result of them leaving the motion detecting camera in the backrooms than there might be a legit reason they don't take guns in there.
@@iamknife7Also, you wouldn't want to damage the place you're trying to study, right? Besides, Async seens more like a research division, rather than a military one. They rather focus on containment protocols, than to just send armed men in there without any solid data on the creatures.
@@Destroyer2150 yeah it’s not like there’s anything they need from the backrooms, so there’s really no reason for them to got there except research purposes.
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3:00 I love when movies and shows are self aware of how impactful their own best moments are. These guys are obviously shook by the recording and the fact that they ACTUALLY decided to board up the backrooms says a lot about how terrifying the last episode was for every viewer, even the in-universe ones. Amazing 👏
You can see the fear in their eyes too, as if they weren't sure what the hell they were looking at, and rightfully so.... Hell first seeing the pitfalls video drew me in, and I haven't been able to stop from going into this rabbit hole.
It would be more terrifying if you were in universe. Think about it. Actually seeing that and knowing it could just walk into your world... That would be horrifying.
Three things i love about this video: First is the subtle shock and horror on the researchers' faces as they study the video and reach the part with the entity. Not over the top terror but a steady realization that there's something down there that isn't human. You can see the existential dread creeping over their faces. Second is the steadily increasing tension in the music which matches how ASYNC's people are realizing what's wrong with the Backrooms. Third is the other researcher going through the hallways. He has to navigate multiple hallways and elevators to get back up to daylight, which helps emphasize that the Threshold and the Backrooms are far away from the surface and well removed from the normal world. Even if you get out of the Backrooms, you're still deep below ground and a long way from the sun.
We're always talking about Kane's visual creations because they are absolutely amazing, but can we take a moment to also appreciate the Hollywood level sound effects, audio production and immersive music scoring?! Brilliant!
When Kane has kids one day, they will make great cgi movies when they're only 6 years old. Jokes aside, I wanna thank you for entertaining me & adding life to the whole liminal spaces/ backrooms franchise which I love. First Kris Straub's local58 madness and now you. Can't wait to see more.
I still find it hard to believe that not only does Kane make these videos from scratch, but he does the music too. This dude has Hollywood director written all over him. But to be fair, he's probably too good for Hollywood. I have no doubt we'll be seeing Kane in the credits in ton of movies in the future. Incredibly talented to the point where it makes me jealous.
No no not Hollywood. He should keep as he his. Set up a “lukafilm” sort of thing from his brand so he can keep the artistic choices for himself to make, of which I have full confidence in him to make to say the least
Hollywood sucks. It has been proven time and time again. There's def a reason why the best horror is ALWAYS independent cinema. This is why I firmly believe that the strike (and hopefully collapse of the industry) is, in fact, the best thing that can happen to movies and creativity. We are going to see a Renaissance of cinematic creation that hasn't existed in decades.
I really like Async's response on it. They're really taking it seriously and judging by the researcher's face are genuinely worried about the creature and the employees safety instead of the kind of company that just brushes it under the rug like we see in a lot of media
Now that I think of it if it were Umbrella, Omnicorp, or Weyland-Yutani they would just outright let their people die to see how dangerous the entities are. Async goes "Naw we don't want to screw over the planet so we build barricades and safeguards!"
I think the best thing about this - the whole series, the universe you're presenting to us - is that you have this rare thing called patience! You take your time with it! Dropping odd clues here and there, showing very little, hinting at so much more, allowing for the tension to build inside your viewer's heads. You're absolutely brilliant, and for all the bullshit, timewasting crap that exists on social media, things like your work are what makes me stay connected.
Ok as a composer you cannot tell me that you not only created these films but ALSO created the entire OST. At 16!! This is more immersing music than you'd find in MANY movies, fitting the mood, time period, completely unprecedented setting, and draws the viewer in. Seriously I don't think the music gets NEARLY enough praise
If you liked the music here, you might also love the music in an old psychodelic Soviet cartoon "Legends of the Peruvian Indians". Some parts of the track here definitely remind me of it. Couldn't find the subtitled version unfortunately, but you can pretty much understand everything by the stunning visuals: ruclips.net/video/EiU9ahCuVYM/видео.html
@@micah3331 I've seen no proof of that yet. A lot of people don't realize that you can get all kinds of professionally made music to use in your creations for relatively little cash. There's even some "open source" stuff.
Kane is a definitive example of somebody who found their thing. Well done Kane, everything about this exceeds the description of looking professionally done.
A few things are off in the live action, fire code, ADA accessibility and the elevator for the building are definitely very modern but for what seems to be low or zero budget it's very nice. The whiteboard and TV room is pretty good but I think the remote control on the right seems out of place, an ashtray would have been more appropriate. Period pieces are hard, even if you're only going back a few decades
@@introprospector oh absolutely, no disagreement with all of those points there, I was looking more towards the storytelling and world building, and for how frequently he’s uploading these videos, the animation and 3D modeling is incredible and the discrepancies are usually really minor
Im never going to find my thing, and even if I do, mental illness has destroyed my mind beyond being able to be good at it. Im going to kill myself tonight.
Props to the actors, They made the reaction so well and realistic! It’s not like a “OH MY GAWDD THAT THINGS IN THERE!!??” It’s more of a “Oh my god that’s in there?” Very subtle, You can tell they are concerned.
The amount of time, money and effort put into this is absolutely astounding. Now you're mixing in live sets and actors and it just looks phenomenal. Truly takes some vision to produce the content you do. I will not be surprised when I see you in the credits of a blockbuster someday dude
those arent actors. its cgi. hes 16, before he got popular he made the same videos with the same realistic style of people, the video im talking about it somewhere on his instagram, its not backrooms related
@@plushiez_show8827 I know he uses CGI, but previously he did live acted videos. The Hazard suits are CGI, you can tell by the way they move and how light affects them. However, for the actual people, the specular lighting is entirely different, the way movement and general lighting is doesn't look generated. While his CGI characters have absolutely come a long way since the start of his CGI career (especially looking back to his Attack on Titan videos,) I don't believe these were CGI models. That would've taken months to render and even longer to model and I have a feeling Kane doesn't have the budget of WETA
I think we're definitely into "part 2" of the backrooms series. We've gone from sheer mystery and investigation to ASYNC starting to become aware of the true danger and malice lurking in the backrooms. The soundtrack also reflects this. The first "volume" sounds like "what's going on" and the newer ones feel more like "we've messed up"
I can't tell you how much I appreciate it when filmed footage in horror movies doesn't get lost or corrupted. That happens way too often and is nothing but frustrating when it does. It is much more interesting when the people become aware of the mystery earlier, since it makes the rest of the story less predictable. The scientists now know about the existence of a strange creature within the "complex", but what will they do with that knowledge? I'm excited to see where this goes, very well done Kane!
I hadn't actually thought about it but now that you mention it, but I actually really like how now the names in charge are aware there's freaky shit going down, and they have actual proof. Can't wait to see where this goes, Kane is a prodegy.
This feels like a home grown, better version of stranger things. Absolutely love it! Kane, you deserve all the attention you're getting. This is seriously high quality stuff!
@@shortberry_strawcake3877 I would like that but I'd try to match the timeline with this? ST Season 3 ended in mid 1980s while the backrooms discover started in late 1988, so to make it connect, we should wait a season more. If it ever happens of course, and it would fit the serie, because the concepts of this association called Async, explore another dimension with creatures inside, just like certain experiment in ST Daydreaming is good, people
1:31 - 4:20 has to be your best scenes you've made for your backrooms series. The way how the scientist is pacing himself from one side of the building to deliver the news to the hire up, the scientists reviewing the tape (one of them I'm assuming is the one that was filming the monster given his expression), The music building up in the background between the scientists, to then cut when the music was dying down is just by far the most cinematic scene you have made so far.
@@TrianglePants His second channel is called Not Kane Pixels and the OST name of the music used is Compromises. You'll find it in the Backrooms OST playlist there.
Seriously, the amount of effort thats put on these is actually amazing. like as an example I think he actually makes his animations pass through a real VHS process thing so it looks authentic, amazing work as always!
tbf, that "mono-yellow liminal space" just looked like any other office building to them, since this as the 80s/90s and that style as still considered modern
Well if we are talking realistically (without the paranoia from horror movies and stuff) The idea of something being there (and seemingly hostile) is a very unrealistic thing to people (especially scientists) Like, Why WOULD there be monsters that kill people? It just doesn’t make sense.
The phrase "THAT IS NOT A FUCKING PERSON" will easily be the best and most terrifying line I've ever heard. Not overly dramatic,no complexity,just sheer terror
It's like a person who really never thought monsters could be real.. This captured that feeling of total and complete betrayal of reality that just breaks a person. And I think the actors did well to convey the same in their own ways.
Its realistic also, Its not a “woah.. what is that?” And then once the monster is about to be able to kill him the person is like “oh no!!” This researcher realized what he had got himself into and the danger he is in and turn around and ran. Most horror movies would just have the guy get killed but this is an actually good and well thought out series. Great editing from this guy.
*This series is a beautiful mindfuck* Creativity, technical brilliance, science fiction, mystery and suspense. This is exactly why RUclips was originally created. It is addictive. And mysterious. Each update triggers a rush of anticipation, then draws the viewer in even further. Can't find words to express my admiration.
I took a few filmmaking classes, back in the day. One of the key things I remember the teacher saying: "Hire actual actors, don't use friends that are all your own age, especially when the part clearly calls for an adult in the role". It makes a huge difference.
The soundrack has a strong NIN "Ghosts" feel to it. Very industrial/mechanical but also has a weird warm machine hum and soft fluorescent light glow aspect to it. It's the perfect match for the content in this video. The sound engineering of this series is TOP NOTCH.
I feel like Backrooms content on RUclips has a risk of getting stale or uninteresting very quickly if not handled right, and I'm happy to say that this series is a massive exception. Every video gets better and better, and the story being created here is genuinely intriguing. I cannot wait to see where you're gonna go with the current narrative. Seriously, well done.
After the Attack on Titan stuff, it makes me so happy to see your content getting the attention it deserves, and seeing you create your own interesting lore. I love this series, keep it up!
Exactly what I was thinking He wanted to move on from the AoT stuff and start new projects and they unfortunately weren't getting as many views, but now his interpretation of the backrooms is getting hella attention, happy for the dude
Words can't express how much I enjoy these. The haunting soundtrack gets under your skin, the visuals continue to improve.. gosh, dude, you're a visionary. Keep up the incredible work.
THE MUSIC IS SO GOOD! It really fits the absurdity and terror of the backrooms. You've really taken a small creepypasta to insane heights with this world building, cinematography, and acting. Dude, I look up to you.
Speculation: In the “Informational Video” it shows one of the Async researchers get separated from his group and stumble upon a fully built room. The room he finds has a very similar looking gate as the one in this video. It might be possible that he traveled forward in time? Since the Informational Video dates earlier than this one. Another thing to note is that as soon as he steps inside the room, an alarm goes off. Seeing the creature after the report from the pitfall team pushed Async to build a blockade of some sort to protect themselves from being attacked by a creature. Since something happened to the person that may have traveled in time, they might have something on them that classifies them as a threat/entity which triggers the alarm in the blockade room.
That shot at 0:51 actually got us all by surprise. Almost EVERY Backrooms video has been in VHS format from what I've seen and to have Kane switch up the game a little and enter that 'cinematic' faze with a full on soundtrack and 4k shots giving us a clearer view of The Backrooms is absolutely beautiful. It's almost as if everything is almost being wrapped up into it's endgame (hopefully for season 1 so we get a season 2).
One thing I find myself contently amazed by other than the graphics has got to be the sound design. It's so unique and it fits the atmosphere of the series really well. Phenomenal work once again!
ruclips.net/p/PLVAh-MgDVqvDUEq6qDXqORBioE4Yhol_z
Very cool
Amazing series holy shit lol
cool
First
playlist
BRO HOW DOES IT KEEP GETTING BETTER
ong
fr, its crazy
AYO?! WENDII :D yeah! It seems Pixel's ability is constantly evolving. So cinematic in this one, it's awesome!
For real its insane
Fr like its actually unreal
Explanation of what I think happened:
After discovering the bacteria monster, ASync sets up precautions such as blocking off a part of the Backrooms and setting up a blast shield in the observation room in fear of what could happen if any hostile entity were to attack.
Well your not wrong
You are right :/
your "wire" monster is called bacteria, and async already knew about it before as evident by "motion detected", "autopsy report" and "missing persons" videos that have earlier date stamps, the whole idea behind the async corporation is that they clearly know much more than researchers they send out, its especially evident in missing persons videos as async traps their own researchers and even kills 1 that escaped.
Considering the dude from the very first video died there six years later, he didn't even have the chance of ever finding the spot where the "portal" is.
Except that window exists in the observation room already when Marvin's team enters. And the photos in this video show it being constructed behind, presumably, the guideline wheel that Marvin's team was installing.
But they are still going to send research parties? Right?
The fact that until now, ASync only had a vague motion detected trigger and bodies, and now they have actual evidence something is in there. Im very curious where this is heading towards as this is a very interesting storytelling.
Seems like their response is "Nope, fuck that" as they just close up that pathway
@@OneTrueRat it's like if the SCP foundation wasn't insane
ASync must have shut down KV31 but hadn't realised there were alternative ways of entering it (such as in Found Footage). Maybe they reopened it and began launching rescue missions (like with GibbsonTV?)
@@cookiecraze1310 If the SCP Foundation didn't do what they do you wouldn't exist canonically. The SCP Foundation doesn't have the luxury of anomalies being stuck inside a parallel dimension
@@SirNikurasu I can understand the need to kill people to keep things secret, but do they really need to keep throwing inmates onto the pyre? If this was SCP, they would've thrown atleast 20 class-D's into the back rooms with cameras and mics just to see how they die.
As many people have said, the visuals on this series are unbelievably good. But not as many are mentioning the amazing sound design in these videos, a perfect mixture of eeirie chords, dissonance, and the always present static/white noise that makes everything slightly hard to hear, which adds to the vibe.
Good comment
Yep, every little detail seems well thought out and perfect. It's crazy that this was all made by a high school kid.
@@Corn0nTheCobb All I wanna know is, HOW DID HE SOURCE ALL THIS? The costumes, actors, locations, sound, lighting, editing....how?!
@@WobblesandBean Believe it not, the vast majority of this is Blendr CG. You can only really notice it when you see people walking.
Though this episode seems like it might have real actors involved, I'm unsure. This dude is seriously talented and the fact you can't tell speaks volumes to that.
@@WobblesandBean pretty sure he makes the music too
Finally, a realistic response from humans in horror media.
Sees the monster:
"Fuck this shit. No more, we're done here."
Cave Johnson, we’re done here.
Still waiting on the backrooms windbomb tutorial smh
Agreed, man.
Though, they do hold some responsibility for people no clipping in there, so, maybe they'll still try to work on that.
That's what I was thinking at first too, but then I started to think with that sliding pannel, that room looked a lot like that control center buddy found himself in a few episodes back, the one where the alarm went off? Maybe they're done, but like maybe it's a more 'permanent' observation post?
Imagine if theres an entity that could possibly break through the backrooms door barrier thing and get into our world
Every element about this clip - and this extends to the series taken as a whole as well - is done unbelievably well. However, my background is in sound design and have experience scoring films so the audio is where I’m best positioned to really understand and appreciate just how insanely good all of the sound work - scoring/voiceovers/foley has been throughout the whole series.
But Oh my fing-god - even amidst all the other great sounding episodes before - that first sound score here? The one that runs from the start till 1:30 or so? - that piece is just WTF-level great.
I was immediately taken by how much the first score piece sounded like a track taken straight off from Swans “Soundtracks for the Blind” which is a top 5 most personally formative albums in my life as well as a masterwork that I also regard as THE most creatively intimidating album I’ve ever heard. So my suggesting any similarity in this way is meant as praise of the highest order. Floored.
absolutely agreed.
Sound guy here too, I'm with you, this kid must have sprung full grown from someone else's head, like Athena. Staggering, almost paranormal brilliance for the age given.
Another sound designer here. Agreed. Spot on, well observed, subtle, emotive, balanced, drives the narrative. Amazing work
Good connection of Swans, I was also thinking something of ambient drone like Synthetic Mind Decay. Dark creeping tones. Well done indeed.
what if he make a longer movcie
One of the scariest parts about the recording at the beginning is that, at first, you can't hear the Entity, only Marv. You can slowly begin to start hearing the mimicked screeches through the recording. This proves that the entity is, in fact, slowly gaining on Marv, which means that they are slightly faster than Hazmats.
Since the backrooms is a cursed place, I believe that what you say is true. The camera could've also been partially corrupted.
Well hazmat suits could be a bit heavy but hey maybe I’m wrong
They are wearing baggy heavy suits so I expect it
I agree but hazmats are heavy and he fell
@@DaveMiller87 hazmat suit are made for be lighter and a good protection against gaz or damage.... they are not very heavy at all...
The scientists basically caught up on Kane's Backrooms series and it was so scary to them that they blocked off the expedition route.
Great content as always!
@Fury BRO LEGIT EPISODE 4 LES GO!!!
I love how this whole experiment started with finding an unlimited amount of space as a storage area. However, the more digging they do they find that it's a much dangerous place than they thought and end up abandoning the original plan. And begin to research in finding out the monsters instead. (Theory)
@Dаnnу Dunсаn 🅥 finally A BOT TO REPORT!
I think they wanted to use it as a living area too. But like all good things it changes to bad. I've mustered up a short video which is not CGI based of the backrooms, and the backstory is the same. We all need space, but in my story there is a more sinister plot from way back... ruclips.net/video/FD6JRCFJZD8/видео.html
Every single one of your videos gets better than the last. The seamless movement between real and CG footage was incredible. Keep up the amazing work, I can't wait for the next upload
I did some lip reading @ 3:52 and here's the closest I could get:
[pick up phone, push button]
"You lied, you said it would be safe"
[pause to listen]
"That's what... [person], [person], [person], and [person] all said."
[pause to listen]
"No, [???] [???] [???] safe now."
[minor pause]
"Okay, okay. / Got it, of course. / For sure, I understand"
Thank you for working on that. I don't think that's correct. But I also have no clue what he's saying.
The score actually does so much for this short. It’s uncanny and unnatural feeling while the researchers are reviewing the footage really puts you in their position of seeing an ‘entity’ for the first time perfectly. This series is already full of brilliant content and the fact there’s no sign of stopping is a great thought
The music you’re choosing is really on point. The retro synthesized tones made me feel like I was watching a John Carpenter movie from the 80s. Nice throw back to your last video too. It’s nice that they’re interconnected and not just random and segregated. Keep up the amazing work, man. I’m a fan.
He makes the music
@@pyrocatfx Oh, wow, even better. Young dude has talent.
Watching the series in black and white. Enabled the monochrome setting on my phone and I got to say: it's even better than color. Unpopular opinion but if you can get over that initial barrier, you may find it starts to grow on... Like a fungus
All of the music is stuff he made, he's got a Playlist of it too.
ruclips.net/p/PL3Dt5wce4cGLRqZdZOqLxJduShrz_mOjS
This is so unbelievably good. Super glad to know that Kane now has the budget to hire live actors. Also, did you rent the Getty to film this? I've never been inside, but wherever you shot those Async scenes was pretty impressive.
im pretty sure those are stock videos
@@endmylife5344 the actors had a-sync badges on them so it must of been commissioned or kane somehow edited the a-sync logo onto their badges
@@harrytheone They could also be relatives, friends, etc. that volunteered to help out for his project. I mean his previous works alone is a pretty hefty portfolio.
@@harrytheone time stamp?
The fact as a 13 year old watching this series has given me goosebumps every video and I just love how it looks so realistic like I could just be in the backrooms myself watching this you are such a talented person keep up the good work!
I wish Kane would make a compilation of all the files (when he finishes this series) and present it to a film festival as a full movie, he would totally go places for his talent.
Maybe it would need some extra work, but i'm totally agree with you
Couldt agree more
@visible That's a recipe
I think it's just right, getting a shorter or a longer piece every few weeks. That's somehow painful but rewarding, having to WAIT like kids for Christmas. I don't like it, but somehow, I like that though.
@@AndyKing1000 I don't think you understood what I meant. What I said in my comment is that when Kane eventually finishes this series he should compile the videos into a movie so that he can present it at a film festival. Since it has an extremely high quality I wouldn't doubt the film would get placed high up among the best films in said festival.
This guy is actually insane.
hes put more story into 10 videos
then professional studios can put in a full length season.
i wish you luck man.
Don't forget that this guy's work rests on the shoulders of hundreds of known and unknown lore makers. This does not diminish his work in the slightest, but it significantly facilitates it, given that the foundations are laid in advance and the concept is proof-tested.
@@parasitelights3158 and actual high paid mainstream movie/series makers should do better for the money they get, but theres no quality anymore just money making
I love the _very_ subtle detail at 0:32-0:38 in the audio. If you listen closely, you can hear the garbled sounds of the entity wailing in the background!
💀
Their expressions read “We knew this would happen” more than outright shock. The extra layer of analog recording distortion makes it all the more surreal
I feel like they had a few hint of a potential lifeforms, especially sinxe the one that triggered motion detector.
But here they have a real proof, so they are "nope"
I’m so curious to know if the scientists DID know what was happening??🫢
Any idea of what the first scientist was doing? You think that phone was a direct line somewhere?
@@jacobb. I think that was maybe the first dude to get word from the team from the last video and he ran to the nearest intercom to contact someone
This like a mixture between stranger things and silent hill mixed with SCP foundation
Creepy surreal psychological
Horror
A masterpiece keep it up yo you are talented
I have a feeling that this group might be the "main group of the backrooms series." It's also awesome how the camera for most of the video does not have the blur that an older camera would have. Every time I see that a new backrooms videos has been posted from your channel, I watch it ASAP. I hope you never stop making these videos.
the blur is probably partly to make it seem more realistic - if the unnatural perfection of the textures is hidden behind a blur it looks a lot more realistic
but also it can be explained in-universe by, the backrooms footage was taken from in-universe cameras; the irl footage was _not_ taken from in-universe cmeras
From what I can guess, this is suppose to be M.E.G. (Major Explorer Group). In the Backrooms lore, M.E.G. is the first group to explore the backrooms and has multiple outposts across the few levels in the Backrooms.
So Kane is now focused on the faction side of the backrooms.
@@ZyxieRumor i don't think kane's canon has anything to do with existing lore, in fact i don't think he's ever even READ the existing lore
@@ZyxieRumor Kane’s series is unrelated to the backrooms wiki lore
Before this, this was just a scientific exploration. They were enthusiastic, and walk around that place with no worries. Now they know there are things living in this place, and they are dangerous. What was the creature? How many are there? They can kill It? They still have no Idea how dangerous the Backrooms is.
Them putting in a safe room with a massive door is such a Stargate moment. =3
just that opening ALONE proves that fan made concept creations based on a CREEPYPASTA is proven to make a better series than ANYTHING any conglomerate has put out. Kane literally has Quality and quantity rolled into one
kanes take on the backrooms is the best in my opinion
That's one of the reasons The SCP Foundation is so popular, there are very few mediums/groups that can accomplish shit like this
1:24 Kid named finger
@A-Sync Research Institute Foundation 1983-Now KV31 im coming at your research dimension and become one of it's entity...I'm coming
@A-Sync Research Institute Foundation 1983-Now KV31 kid named beck
IVAN BECK IS THE GUY WHO IS WAITING AT THE TEAM
@@martinvymazal8361according to my investigation that is Anthony Dawkins so ivan beck is unknown. You can try zooming into the mans ID so he is just an overseer or some administration.
@a-syncresearchinstitutefou3131No that’s Anthony Dawkins
The encounter with an entity is a really pivotal point in this series. There’s definitely gonna be armed security involved now, hopefully with some cool combat scenes. Great job Kane!
If Netflix ever makes a backrooms show they need to hire you
you could easily make a movie or series about this and keeping every episode as vague and scary as all of these. every aspect of these videos is world class quality and craftsmanship im amazed
Theory: The bacteria entity is supposed to have 2 legs but in pitfalls & report it has 3 so if you go back to motion detected you can see one of the motion cameras being grabbed by the entity and somehow fused the camera to become one with the entity
Yeah, this would also explain how it can replay the cries of its victims, since it fusec with a camcorder
There’s not just one bacteria entity.
I got a theory this bacteria entity is a human shadow
So Async saw the evidence and didn't wanna take any more risks. So they boarded up the cross column section off away from the rest of the Backrooms and seemingly sealed the place up.
Explains why Kane from Found Footage never found it. He was cut off and never came across it.
They built an observation room with the window looking at the backrooms
Kane was never found because he died, If you looked close enough in the last minute or so on the found footage video, you can see kane being killed by the monster
@@somebody-xr5oe he meant that he never found this place since it was blocked off
@@somebody-xr5oe I already know that
Point is that during the whole video, he never found the area near the threshold. The path to it was cut off so its why he never found it.
@@infernoxratchet4667 honestly i think that he was never even near the threshold in the first place. the backrooms is massive, and the areas that Kane were in were ones that we never see the researchers go into, so they likely haven't discovered them yet.
Wait your only sixteen!? Bro this is amazing this is like movie level production! Good on you man. Keep up the good work!
Absolutely incredible. I can’t tell you how immersed I feel every single time I watch one of your videos. You have done such an incredible job on CG, actors and having actual sets? Maybe just locations but still you have done amazing work and built yourself a “Backrooms Cinematic Universe” at just 16! Keep up the amazing work dude
The music fits so perfectly it's unbelievable
I knew this guy was 16 but damn... This is awe-inspiringly amazing. This guy has to be on to better things in the future. This is a masterpiece in and of itself and I cannot wait for what's in store for us. It just blows my mind that 16 year old created this.
I've just tuned in but this feels like a ground breaking, first ever produced RUclips series that'll change RUclips for the better. Absolutely phenominal, keep it up
Can you believe Kane’s only 16 too?! Crazy talent
I'm gonna be honest. Kane Pixels is the only person to really make me feel any interest in the backrooms. For a shitpost creepypasta it's fine, and sure, I enjoy liminal spaces. But up until I saw his vids/animations, my experience with the back rooms were shit thrown together by easily spooked, bored teenagers that had just discovered "Everywhere At the End of Time". Kane's fleshing out of the concept behind it's existence, and it's creation. His brilliant blend of 3D animation and live action, just the unease of it all finally made me feel disturbed when those corruptions show up, or seeing the illogical architecture. And the fact that people get lost and weird decomposition happens or worse, it's great!
Sorry I'm not trying to be a horror snob but I feel like it took me some effort and world building to enjoy it on the same level as others.
Keep it up my man, you are killing it.
I feel the same way. Every other backrooms video before this (and the shitty ones trying to piggy back off the success of the KP backrooms series) is just bad CGI rooms and hallways with a jumpscare here and there of a monster. Sometimes others can look nice but again it's mostly just visuals of someone in first person walking around liminal spaces.
I love this series because it's so real, so scary and it really brings out the horror of the backrooms which isn't about the monsters it's about the fear of the unknown around every corner
In all fairness I was getting a little jaded with all the previous stuff on the back rooms. But this creator has really nailed it.
I don't think you're being a horror snob at all. What you say is objective truth.
Im sorry Im about to say this but the soundtrack on this episode is fire
It’s cool that the first part is shown in the last video
Great job Kane. This is almost a cult classic in a sense, like a pro-version of one. Reminds me of the old days when Matrix first came up, which began this whole speculate genre about the world. This is kind of like that I feel, with all of the contributions of other artists on youtube. I hope to see this really blow up. It's a fun watch, and also very intriguing.
@Dаnnу Dunсаn 🅥 FiNaLlY iT's HeRe
@Dаnnу Dunсаn 🅥 quandale dingle is also here
Everything up to this point has been revolutionary: The minimal dialogue, the ambiguity, the old video style, the design, the visuals, the horror. Nothing short of a phenomenon, and That was all accomplished through found footage story telling.
This is the first video that actually chooses the modern cinematic approach, with clean camerawork and brief shots from different perspectives. I found this to be a masterful artistic choice that (because of its stark difference from everything else we have seen) marks a new chapter in our perception of the Complex. The simple decision of transitioning from found footage to cinematic footage takes us from a personal, interior, claustrophobic, violent, jarring, mystifying, terrifying feel, to a more calm, reflective, cautious, controlled, rationally-minded feel.
It’s like going from seeing soldier’s first-person perspective on the battlefront to a third-person perspective of the political leaders viewing the battle remotely.
bro it would be nice if a movie came out of that
I would like to formally appreciate this young man's sound design. A+ work, looking forward to seeing what you come up with next!
A-sync Employee: OMG I SAW A MONSTER WHAT SUED WE DO?
The Director: B a r a c a d e
A-sync employee: Barracade?
The Director: y e s
It's a really small/subtle thing, but I love the long shot around 1:45 of the scientist walking towards the door at the end of the hall only to take a left into a door we can't see until he opens it. That is some really good framing.
He black
🕳☣✌🏼I am subbed but somehow never got the notification for this one!!
Luckily, I just stumbled upon it, after going back to binge all of ur vids with my bf, we love these!
Damn, Dude, you really put a helluva ton of work into the lore & inner workings of the 'Rooms. And it shows!
Obsessed! And please, don't ever sell this to Netflix or esp. Disney - they'll cheese it down & babyify it to hell.
THANK YOU & KEEP UP THE SUPERB WORK, WE LOVE IT & LOVE YOU! ☮💟 ☯
Man these people are good actors not like the other horror analog thing I’ve watched
Knowing that you unintentionally made a monster like that must be terrifying… I wonder if after years Async finds out all these disappearances are caused by them…
I doubt the disappearances are related to the . monsters
@one of one Dude can you shutup, no one is clicking your link, stop posting it
Did Async make the monster, or just discover it?
@@3dpprofessor Why would they make it?
@@JodiGeo I don't think they would. But the initial comment suggests that Async made the monster.
This is amazing, you can see that now he’s actually using real people in some animated shots, making it even more realistic. This is honestly amazing dude. I can’t believe your only 16. Been here since Found Footage, seen it all. Just amazing. I believe the guy with the white hair and beard is Ivan Beck. :D
Edit: Alright, the guy with a white hair and beard is not Ivan Beck! He is actually Anthony Dawkins, his ID matches up with the guy here.
Who else noticed that some of the audio from pitfalls was in the first couple seconds? I’m trusting matpat on this, I think the backrooms are bending time.
I keep forgetting that this guy is only 16 years old with just how good the animation and the real-life shots are
wait WHAT
@visible finally a bot to report, it's here.
A
Wait he's 16, he's younger then me.
HES THE SAME AGE AS I AM AND I CAN BARELY DO MATH💀💀💀💀
glad this guy got a budget. that first song was really incredible.
Fuck yes. It does look like he is catching another gear, one with some backing. I love to see it. He has a unique talent
And I bet that budget is nothing compared to that of a netflix production of similar quality. I suspect his value to money ratio is insane. I'm going to see now if he's got any behind-the-scenes content on his channel. Is it all green screen? does he own any beige carpet? These mysteries are almost as pressing in my mind as those in the world of the back rooms.
Yo whaddup blue man
@@robbiekavanagh2802 I'm more concerned about the mystery of whether or not Kane owns beige carpet than anything the backrooms has to offer now that you mention it
First song was incredible? Second was even better.
I love the genuine reactions of the scientists watching Marv's video. It wasn't the cold and casual stare of a business mega-mind, these are normal people. They were genuinely afraid for this guy, realizing the horror of what happened.
And then they were just like, "Welp, I guess we'll just cover that up... Just build a wall there. Don't worry."
Truly amazing, the story you’ve created and the world you’ve built is so in depth. Now that you’ve started including live action and real actors, just shows the lengths you’ll go to tell your story. Great work man! 😁
I prefer both
@Sense you are not gonna fool anybody
@Sense bro shut up
Created?
siemano
Whoaaaa. This combo of CG and real people is so seamless. Good job, really fleshes out Async behind the scenes. Also, this is the first video where ASync has fully become aware of the creature. I assume the beginning shows Marvin & gang returning from the encounter- Looks like they tried to seal off the monster with that new wall which then became a closing gate thing.
Are we sure it's real actors and not just more CGI, though?
@@PhantomRaptor1 dude, I am entirely convinced this is real actors, the cgi is too real to be true. I mean, replay the video 3 times.
@@PhantomRaptor1 those r obviously real ppl
Basically SCP foundation doing job to protect humanity from any threat hostiles.
@@jimboydejuan7869 uhh
Imagine being 16 years old and creating something so good that you can get Hollywood-style live action shots to incorporate into your RUclips series. It's insane how this one series based off a tiny greentext could get you so far in life. But you've cemented yourself as an inconic internet legend who can incorporate real life acting into animation seamlessly. You're doing things I couldn't have ever imagined when I was your age.
Kane is only 16???
@@skeyeblight yes
@@skeyeblight yeah, that's insane isn't it?
I hope these videos are monetized and he's making bank off this... 💸💸
I can't figure out how he got a budget for this. He's clearly able to hire actors, acquire costumes, get great real life shots, has access to really good lighting and editing....how?!
@@WobblesandBean from the first video
the fact that this comes before the presentation. they know there are hostile entities lurking, but still go ahead with building houses there. exactly how i'd imagine a real company to behave
Maybe in the next video, they will do something about the monsters. 🤔
Animals existed in America before moving in.
This is something new they will have to deal with.
There's a simple cure. Machine guns and rocket launchers to protect the settlements.
@@superkamiguru6856my thought process is to either set the backrooms of fire or nuke the whole level lmao
@AmityOhCramity69 what the hell you on?
I love this so much, especially how the real-life shots complement the CGI shots to the point where you can't even tell the difference. The horror in their reactions is so well captured and thought out.
I'm amazed Kane, this is brilliant :)
plot twist: it was all CGI
were not watching vhs anymore! yayayaya!
Thank u
@@feelingcute6612 Bigger plot twist: It was not CGI
@@Narrativerse WHAUHHTAT
I love the way you are portraying the creature. You aren’t giving us a clear look at it but you give us small glimpses and auditory information to be terrified and fascinated by it. That is the best way to create a “scary” monster in my opinion and you are doing a great job! Reminds me of how they filmed the alien in the first alien movie.
Yep, this is some of the best horror I've seen in a long time. Id love to see a full length film abou an expedition into the backrooms.
seeing the monster is sad. all the horror and suspense is gone and replaced with a miniature figure of siren head
I don’t think it’s a monster. I think it’s a lifeform and this realm is it’s home.
@@-eurosplitsofficalclanchan6057 It is perfect in my opinion. We couldn’t see anything before and after seeing small shots of a terrifying thing it gets even scarier to watch them going into the backrooms while we aren’t sure if it will come again or not.
Seeing the creature itself/seeing it portrayed like this has honestly been my least favorite part about the series as a whole. The insertion of monsters (visually/detailed descriptions) into the backrooms when it became popular threw me off of it since it took away from the horror of the place itself, instead relying on the monsters for anything terrifying to occur. At least that's how it's been for a lot of backrooms material. The mere suspense for what may lie in the unknown has been more than enough to grip my interest for most of the series/BR material in general.
The series' saving grace (regarding monsters) is that it can rely on audio and video to make encounters terrifying, but their sole concept comes as generic to me, especially when you have an amazing and unexplored setpiece like this. The series has been amazing to watch, though the monsters are my only criticism for it truthfully
For some reason it hadn't occured to me that until now, Async had no idea these monsters exist- or at least had no real evidence.
I can just imagine the pure shock that would ripple across the whole company- everyone (legible to know) scrambling trying to figure out what the hell happened, and what that thing was.
Amazing job as always Kane!
I guess they didn't let EVERYONE know, to not spread the panic, they just ordered to block the entrance
Entity
I feel like Async's next logical step would be experimenting on how to kill the creature and what the parts of the creature could be used for
If Async is smart they could call in the US Military..
It seems like async is shutting down the project so none of these things escape
I had a terrifying thought at 5:15 - imagine if that was your house, or office. Imagine if years ago the previous owners found a backroom, did not know what to do with it so just...built a wall to hide it....and that wall right next to you...has behind it an entire entrance to a backroom. Those weird knocks you hear at night...or when you are alone at the office...what if its an anomaly passing by...both you and it unaware of each other?
I love this concept
Want if it's just your whole house fell into the backrooms
@@Sabre_flop69 omg, as in you wake up one day, walk out of your house and its all a massive hall in the backrooms?
I believe House of Leaves has that exact premise and... yeah it's terrifying
@@Sabre_flop69 that happens in found footage #2
I can’t believe your were able to mix CGI and live action together. It takes a lot to make movies like that. You are a legend Kane.
keep in mins that he's 16
@@JHINYT hes 17 or so
@@consolo2863 no he's 16, he said that he will update the bio when he ages
@@israeljohnson2331 sorry dude
@@consolo2863 No worries, take care!
I liked the genuine look of concern on the faces of the researches as they see the creature on the footage, that was a genuine human reaction to something that makes no sense whatsoever. I also liked how the scientists actually took the threat of the monster seriously, as opposed to just covering it up. Also, the real actors mixed with the CGI blends so seamlessly, like, I’m still surprised that this was made by a 16 year old! You have taken the oversaturated and fattened up backrooms and turned it into what it was always supposed to be, psychological horror. Well done
Ah yes, The verbose facial statement of ‘Fuck That Noise’, shown so clearly in their eyes. Truly, a work of art.
I was going to comment on this, that look of "holy, shit this actually happened" is so accurate to how anyone would act seeing that.
Yeah.. this is too good to be true
I cant tell whats real and whats cgi lol
@Newcious bot.
I love this series so much. You perfectly captured the 90s film grain, along with really good CGI that can be mistaken for live action! Well done!
Ikr
You: post a comment
Bots: allow us to introduce ourselves
There was live action within it tho...
I thought it was live action
@@Loaf69420 I was talking about the series as a whole. He is really good at what he does!
I love how async just nopes the fuck out and doesnt even try to use weapons against the creature. It’s like “nah I dont think guns are gonna work against an extra dimensional entity”
actuall real life response to this shit
finally
Well, there is nothing that could indicate to us that Async is closing the project... I mean, they've just installed some armour panels on the windows, why is everebody thinking that Async closed the project...
@@FowlorTheRooster1990 Nnnyeah but we saw in the "motion detected" video that the treshold gate was getting closed during the night, so he might just be in front of the gate at the wrong moment)
MEEN I THINK SAME
It's so impressive how this has transformed in only 4 months from a home grown addition to a pop culture sci-fi theme into a seriously professional mini series with a very well written story and thoughtful visuals. Kane you have incredible talent and continue to impress and surprise with each new video you release, we're all so eager to see where you take this series, or what amazing future work you produce. I have a feeling this will get you recognized for your talent and lead you to more production opportunities.
@u know me nobody is clicking on that link
@u know me ruclips.net/video/JwncAQurlqk/видео.html
your too right. this needs to be made into a netflix series.
@@SS_Scrappy Im gonna click prob is a rickroll
@u know me welp is not a rickroll but an ad saved me I think?
The fact that they turned an image to an entire series is magnificent. If we get a movie from this i would be speechless. Bravo.
Surprise: a movie is being made out of it. Not sure when it’s set for release. But Kane Pixels is involved.
@@iiblissfulsin ain't no way.
Well, I’ve got something to tell you!
@@iiblissfulsin
He is set to direct. He’s getting writers and producers but they’re giving him the reins. How cool is that?
@@notjustalex7667 Bro and it's fucking A24 that'll be behind it, could be in for a genuine treat if it actually gets made, no gurantees at all yet other than A24 has shown massive interest
I love how instead of just glossing over Marvs experience and what happened in the pitfalls as another spooky and weird event that happened in the backrooms, they take it seriously as a major discovery and new danger
And they know that, if there's one, there are probably more of those things.
I'm interested on seeing how they adapt to this danger, while exploring the place.
@@Destroyer2150 Apparently Guns aren't allowed in the Backrooms ? 🙄
@@KS-lb1tu If that creature is a result of them leaving the motion detecting camera in the backrooms than there might be a legit reason they don't take guns in there.
@@iamknife7Also, you wouldn't want to damage the place you're trying to study, right? Besides, Async seens more like a research division, rather than a military one. They rather focus on containment protocols, than to just send armed men in there without any solid data on the creatures.
@@Destroyer2150 yeah it’s not like there’s anything they need from the backrooms, so there’s really no reason for them to got there except research purposes.
Videos like this make me realise that quality filmmaking isn’t dead, it’s in the hands of small creators.
This kid is going places
I created the project "TWO PILLS" where we performed the most shitty tasks under VIAGRA and LAXATIVE, in a battle for $ 100 🔥
Check out the level of content, and help to start at the beginning of the path - now it's very difficult....🙌
This series is better than anything the major networks.
@@apotheases this series is even better than 95% of netflix shows.
@@Epical_TV hes 16
@@Epical_TV hey bro a 1 year old is just 17 years from being adult let's not call them a kid
3:00 I love when movies and shows are self aware of how impactful their own best moments are. These guys are obviously shook by the recording and the fact that they ACTUALLY decided to board up the backrooms says a lot about how terrifying the last episode was for every viewer, even the in-universe ones. Amazing 👏
ikr
You can see the fear in their eyes too, as if they weren't sure what the hell they were looking at, and rightfully so.... Hell first seeing the pitfalls video drew me in, and I haven't been able to stop from going into this rabbit hole.
this guy, its as far as i know one dude (except actors of course)
@@The0neWhoWa1ts I don't think you went into a rabbit hole, you went Into a pit hole
See what I did there???
It would be more terrifying if you were in universe. Think about it. Actually seeing that and knowing it could just walk into your world... That would be horrifying.
Three things i love about this video:
First is the subtle shock and horror on the researchers' faces as they study the video and reach the part with the entity. Not over the top terror but a steady realization that there's something down there that isn't human. You can see the existential dread creeping over their faces.
Second is the steadily increasing tension in the music which matches how ASYNC's people are realizing what's wrong with the Backrooms.
Third is the other researcher going through the hallways. He has to navigate multiple hallways and elevators to get back up to daylight, which helps emphasize that the Threshold and the Backrooms are far away from the surface and well removed from the normal world. Even if you get out of the Backrooms, you're still deep below ground and a long way from the sun.
We're always talking about Kane's visual creations because they are absolutely amazing, but can we take a moment to also appreciate the Hollywood level sound effects, audio production and immersive music scoring?! Brilliant!
Ikr all of this is absolutely stunning gonna show this to a friend of mine who does cgi
Bro before 4:22 when it showed still images I thought I was watching a fvcking movie bro idk how to express it
Well the footsteps are off sync with the scientist walking (and they also don't match the type of shoe he is wearing)
When Kane has kids one day, they will make great cgi movies when they're only 6 years old.
Jokes aside, I wanna thank you for entertaining me & adding life to the whole liminal spaces/ backrooms franchise which I love.
First Kris Straub's local58 madness and now you. Can't wait to see more.
Definitely bro
lol
by 30 this man will probably be making children with the sheer power of imagination
Galileel du hier ?
E .
I still find it hard to believe that not only does Kane make these videos from scratch, but he does the music too. This dude has Hollywood director written all over him. But to be fair, he's probably too good for Hollywood. I have no doubt we'll be seeing Kane in the credits in ton of movies in the future. Incredibly talented to the point where it makes me jealous.
No no not Hollywood. He should keep as he his. Set up a “lukafilm” sort of thing from his brand so he can keep the artistic choices for himself to make, of which I have full confidence in him to make to say the least
How do you know he makes the music?
@@bmbiz Pretty sure it's credited on the channel but he also uploads it to RUclips and Spotify. Probably apple music as well.
@@crawlzzz Interesting. Thanks.
Hollywood sucks. It has been proven time and time again. There's def a reason why the best horror is ALWAYS independent cinema.
This is why I firmly believe that the strike (and hopefully collapse of the industry) is, in fact, the best thing that can happen to movies and creativity.
We are going to see a Renaissance of cinematic creation that hasn't existed in decades.
I really like Async's response on it. They're really taking it seriously and judging by the researcher's face are genuinely worried about the creature and the employees safety instead of the kind of company that just brushes it under the rug like we see in a lot of media
Now that I think of it if it were Umbrella, Omnicorp, or Weyland-Yutani they would just outright let their people die to see how dangerous the entities are. Async goes "Naw we don't want to screw over the planet so we build barricades and safeguards!"
I was expecting a generic evil company like you see in sci-fi movies but it seems like they simply genuinely want to know about the backrooms.
@@Kagashimin they created them as a storage area.
@@kofi3124 there’s like 0 proof of that you gotta add some indication that that’s just what you think
@@sirsesamesalad watch the first videos of this series.
(Backrooms - The Third Test)
I think the best thing about this - the whole series, the universe you're presenting to us - is that you have this rare thing called patience! You take your time with it!
Dropping odd clues here and there, showing very little, hinting at so much more, allowing for the tension to build inside your viewer's heads.
You're absolutely brilliant, and for all the bullshit, timewasting crap that exists on social media, things like your work are what makes me stay connected.
Damn bots
Kane is a damn genius
Ok as a composer you cannot tell me that you not only created these films but ALSO created the entire OST. At 16!! This is more immersing music than you'd find in MANY movies, fitting the mood, time period, completely unprecedented setting, and draws the viewer in. Seriously I don't think the music gets NEARLY enough praise
I'm all about this amazing music making
If you liked the music here, you might also love the music in an old psychodelic Soviet cartoon "Legends of the Peruvian Indians". Some parts of the track here definitely remind me of it. Couldn't find the subtitled version unfortunately, but you can pretty much understand everything by the stunning visuals: ruclips.net/video/EiU9ahCuVYM/видео.html
Kane makes the music?
@@micah3331 I've seen no proof of that yet. A lot of people don't realize that you can get all kinds of professionally made music to use in your creations for relatively little cash. There's even some "open source" stuff.
@@bmbiz true, but is it possible for a 16 year old to be this good at making music like this tho?
will never understand how he makes these, but they're insane.
No way verified with no likes?!
insane indeed
Bot
This video series has gone a long way, and inspired other videos too. Even I made a video of the backrooms, truly riveting stuff...
@@wardfiction5693 yours are no where near as creative and talented as his
Kane is a definitive example of somebody who found their thing. Well done Kane, everything about this exceeds the description of looking professionally done.
A few things are off in the live action, fire code, ADA accessibility and the elevator for the building are definitely very modern but for what seems to be low or zero budget it's very nice. The whiteboard and TV room is pretty good but I think the remote control on the right seems out of place, an ashtray would have been more appropriate.
Period pieces are hard, even if you're only going back a few decades
@@introprospector oh absolutely, no disagreement with all of those points there, I was looking more towards the storytelling and world building, and for how frequently he’s uploading these videos, the animation and 3D modeling is incredible and the discrepancies are usually really minor
Found their.... footage in a hobby?
Im never going to find my thing, and even if I do, mental illness has destroyed my mind beyond being able to be good at it.
Im going to kill myself tonight.
Props to the actors, They made the reaction so well and realistic! It’s not like a “OH MY GAWDD THAT THINGS IN THERE!!??” It’s more of a “Oh my god that’s in there?” Very subtle, You can tell they are concerned.
The amount of time, money and effort put into this is absolutely astounding. Now you're mixing in live sets and actors and it just looks phenomenal. Truly takes some vision to produce the content you do. I will not be surprised when I see you in the credits of a blockbuster someday dude
those arent actors. its cgi. hes 16, before he got popular he made the same videos with the same realistic style of people, the video im talking about it somewhere on his instagram, its not backrooms related
@@plushiez_show8827 No way those aren't actors holy crap
@@plushiez_show8827 I refuse to believe that the closeup shots and elevator scene is cgi It just looks too real.
@@plushiez_show8827 I know he uses CGI, but previously he did live acted videos. The Hazard suits are CGI, you can tell by the way they move and how light affects them. However, for the actual people, the specular lighting is entirely different, the way movement and general lighting is doesn't look generated. While his CGI characters have absolutely come a long way since the start of his CGI career (especially looking back to his Attack on Titan videos,) I don't believe these were CGI models. That would've taken months to render and even longer to model and I have a feeling Kane doesn't have the budget of WETA
he probably also doesnt have any money to hire actors, you think? or sets or props, especially his old videos
You’re sound design is absolutely killer in every “episode “ you work on, but I especially love this one!! Keep up the great work, thank you!!
your
@@aydon1276 ...
@@aydon1276 you'r'er''
Yer
For real it's honestly bone chilling and so so good. I really wish I knew someone as talented as he was cause I need sound design for my game xD
I think we're definitely into "part 2" of the backrooms series. We've gone from sheer mystery and investigation to ASYNC starting to become aware of the true danger and malice lurking in the backrooms. The soundtrack also reflects this. The first "volume" sounds like "what's going on" and the newer ones feel more like "we've messed up"
Or maybe we've reached the end of the series
Yknow with them boarding things up like that
@@creamy5718 if it is I’m gonna cry I’m so attached
@@angelicdivin no he’s still posting teasers in the community tab, the series is far from over
also i think Chapter 2 started with pitfalls
If I remember correctly he said on the Discord this series will probably last more than 1 year.
I can't tell you how much I appreciate it when filmed footage in horror movies doesn't get lost or corrupted. That happens way too often and is nothing but frustrating when it does. It is much more interesting when the people become aware of the mystery earlier, since it makes the rest of the story less predictable.
The scientists now know about the existence of a strange creature within the "complex", but what will they do with that knowledge? I'm excited to see where this goes, very well done Kane!
I hadn't actually thought about it but now that you mention it, but I actually really like how now the names in charge are aware there's freaky shit going down, and they have actual proof. Can't wait to see where this goes, Kane is a prodegy.
they boarded up the area that contained it lol
They know of *a* creature...
This feels like a home grown, better version of stranger things. Absolutely love it! Kane, you deserve all the attention you're getting. This is seriously high quality stuff!
EXACTLY WHAT I WAS THINKING LMAO!
season 4 of ST is coming out soon (After a long time) so that's cool.
You can see that this is inspired by ST too.
@@vipahxxx7640 Screw it, imagine a collab of that two series
That would be absolutely insane, somebody contact the director
@@shortberry_strawcake3877 I would like that but I'd try to match the timeline with this? ST Season 3 ended in mid 1980s while the backrooms discover started in late 1988, so to make it connect, we should wait a season more. If it ever happens of course, and it would fit the serie, because the concepts of this association called Async, explore another dimension with creatures inside, just like certain experiment in ST
Daydreaming is good, people
1:31 - 4:20 has to be your best scenes you've made for your backrooms series. The way how the scientist is pacing himself from one side of the building to deliver the news to the hire up, the scientists reviewing the tape (one of them I'm assuming is the one that was filming the monster given his expression), The music building up in the background between the scientists, to then cut when the music was dying down is just by far the most cinematic scene you have made so far.
The one filming was probably younger than them
What was that song though?? oof
@@TrianglePants he made it. Check his second channel, he posts a lot of his music there.
@@Thehunterofworlds
I'm sure it's on there, but how am I supposed to find it?? 😅
@@TrianglePants His second channel is called Not Kane Pixels and the OST name of the music used is Compromises. You'll find it in the Backrooms OST playlist there.
The pure realization and terror in his voice when he says "that’s not a person" is so unique and cool I love how much this series is going
Yea, as soon as he said that my heart was also pounding
U forgot the fucking
@quriguess really? Explain?
@quriguess yeah, I don't see you doing better buddy.
@quriguess no evidence + ratioed
Seriously, the amount of effort thats put on these is actually amazing. like as an example I think he actually makes his animations pass through a real VHS process thing so it looks authentic, amazing work as always!
He likely records footage onto an actual VHS and then records the playback through a VCR
@@ericbazinga That would show just how much dedication they put into making these videos.
Uhhh Legosi is that you?
Thank you, it means a lot
Here before this comment blows up lol
I like how the scientists were shocked that there was monsters like what do you expect out of this endless mono-yellow liminal space?
Honestly, all I expected was just mono-yellow liminal space, that is until I saw some scientists.
Well a bit of disinfectant can kill it
tbf, that "mono-yellow liminal space" just looked like any other office building to them, since this as the 80s/90s and that style as still considered modern
@@deadpsyche3548 I feel like yellow walls indicate sickness/cancer not great thoughts
Well if we are talking realistically (without the paranoia from horror movies and stuff) The idea of something being there (and seemingly hostile) is a very unrealistic thing to people (especially scientists) Like, Why WOULD there be monsters that kill people? It just doesn’t make sense.
The phrase "THAT IS NOT A FUCKING PERSON" will easily be the best and most terrifying line I've ever heard. Not overly dramatic,no complexity,just sheer terror
It's like a person who really never thought monsters could be real.. This captured that feeling of total and complete betrayal of reality that just breaks a person. And I think the actors did well to convey the same in their own ways.
Its realistic also, Its not a “woah.. what is that?” And then once the monster is about to be able to kill him the person is like “oh no!!” This researcher realized what he had got himself into and the danger he is in and turn around and ran. Most horror movies would just have the guy get killed but this is an actually good and well thought out series. Great editing from this guy.
I would like to inform you my coworkers that there is a humanoid being mimicking our speech and I need to inform that it is not a human being.
He sounds like Technoblade
Ikr!
*This series is a beautiful mindfuck*
Creativity, technical brilliance, science fiction, mystery and suspense.
This is exactly why RUclips was originally created.
It is addictive. And mysterious.
Each update triggers a rush of anticipation, then draws the viewer in even further.
Can't find words to express my admiration.
Yep
I dont know if you are already butbif you love this storytelling you should watch mounment mythos by alexkansas
I took a few filmmaking classes, back in the day. One of the key things I remember the teacher saying: "Hire actual actors, don't use friends that are all your own age, especially when the part clearly calls for an adult in the role". It makes a huge difference.
you needed to go to college to understand that 🤣
@@billnye8143 ok master of film enlighten us
@@Faasvaas did you not get the joke?
@@Faasvaas i mean you should know that you can't use your 17 year old male friends for a role where a 30-90yo old woman is needed so he is right 😂
It took paying for an over priced degree for you to know this?
The soundrack has a strong NIN "Ghosts" feel to it. Very industrial/mechanical but also has a weird warm machine hum and soft fluorescent light glow aspect to it. It's the perfect match for the content in this video. The sound engineering of this series is TOP NOTCH.
I feel like Backrooms content on RUclips has a risk of getting stale or uninteresting very quickly if not handled right, and I'm happy to say that this series is a massive exception. Every video gets better and better, and the story being created here is genuinely intriguing. I cannot wait to see where you're gonna go with the current narrative. Seriously, well done.
Kane’s videos are by far the best, the other ‘copies’ while good, took away from the initial suspense and anxiety.
@@gregorycarballo5246 Bro, it’s probably not the final backroom video lol 😆
Imagine if the bacteria escapes to earth, that would be horrifying
@Î Àm ÇhrîzîñBB x37 wat
After the Attack on Titan stuff, it makes me so happy to see your content getting the attention it deserves, and seeing you create your own interesting lore. I love this series, keep it up!
Exactly what I was thinking
He wanted to move on from the AoT stuff and start new projects and they unfortunately weren't getting as many views, but now his interpretation of the backrooms is getting hella attention, happy for the dude
@Î Àm ÇhrîsBB ×86 nice try man you wont fool me to get me to subscribe
Had no idea this was also the dude that made those AOT clips. He's insanely talented
Mid animation
Unoriginal content Kane is a fraud.
Words can't express how much I enjoy these. The haunting soundtrack gets under your skin, the visuals continue to improve.. gosh, dude, you're a visionary. Keep up the incredible work.
hi
pls upload
THE MUSIC IS SO GOOD! It really fits the absurdity and terror of the backrooms. You've really taken a small creepypasta to insane heights with this world building, cinematography, and acting. Dude, I look up to you.
@Dаnnу Dunсаn Shorts 🅥 no
ruclips.net/video/dQw4w9WgXcQ/видео.html
Finally it's here
the music on this video specifically reminds me of max payne 1 for some reason
Olol
Speculation: In the “Informational Video” it shows one of the Async researchers get separated from his group and stumble upon a fully built room. The room he finds has a very similar looking gate as the one in this video. It might be possible that he traveled forward in time? Since the Informational Video dates earlier than this one. Another thing to note is that as soon as he steps inside the room, an alarm goes off. Seeing the creature after the report from the pitfall team pushed Async to build a blockade of some sort to protect themselves from being attacked by a creature. Since something happened to the person that may have traveled in time, they might have something on them that classifies them as a threat/entity which triggers the alarm in the blockade room.
Damn, good theory, now I'm going to have to go back and re watch informational video!
Thank you, I was trying to piece that part together. I think your spot on.
Oh, that makes a lot of sense!
But the room was in pitfalls though wasn’t it?
indeed, there was something that might've been transition in time (the moment when he just got separated)
That shot at 0:51 actually got us all by surprise. Almost EVERY Backrooms video has been in VHS format from what I've seen and to have Kane switch up the game a little and enter that 'cinematic' faze with a full on soundtrack and 4k shots giving us a clearer view of The Backrooms is absolutely beautiful. It's almost as if everything is almost being wrapped up into it's endgame (hopefully for season 1 so we get a season 2).
What?
it definitely looks like its being wrapped up cause that ending shows us they are blocking it up
did you just have a stroke or something?
Hes 1:34 17 not 16
One thing I find myself contently amazed by other than the graphics has got to be the sound design. It's so unique and it fits the atmosphere of the series really well. Phenomenal work once again!