Craig Blundell - 2018 Steven Wilson Setup
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- Опубликовано: 7 сен 2024
- Paiste artist CRAIG BLUNDELL came into Paiste to change up his cymbal set for Steven Wilson's To The Bone Tour 2018.
We caught up with him in rehearsals a few weeks later to talk about his new setup and the choices he made.
Craig's Setup:
- 22" Signature Precision Heavy Ride
- 14" RUDE Hi-Hats
- 20" PSTX Swiss Medium Crash
- 20" 2002 Crash
- 22" 2002 Crash
- 24" 2002 Crash
- 18" 2002 Novo China
- 20"2002 China
- Custom Rude Stacks
- 6.5" 2002 Cup Chime
- 10" PSTX Swiss Splash
- 10" Formula 602 Modern Essentials Splash
- 14" PSTX Swiss Flanger Stack
For more info, click -
www.paiste.com
www.craigblundell.com/
stevenwilsonhq.com/sw/}
Special thanks to Korg UK for the making of this video!
Craig Blundell is hard working man. He deserves exposure. I love this guy. A very down to earth and genuine person.
Couldn't agree more with that statement. Such respect for him!
Tremendous player...and a great selection of Paistes...kudos Craig...
I've been playing 15" RUDE SE Hi Hats since 2004 - they were custom made for me back then as well as a 22" Heavy Bell Ride Reflector. By far my favorite pair of hi hats and an excellent ride cymbal. Great video, amazing drummer, thanks!
Progressive, Rock, British Metal and other lighter stuff (RUDE SE HHs are more versatile than most people think). Mostly Rush, Queensrÿche, Maiden, Dream Theater, etc... RUDEs will not work with Jazz though.
Make more videos like this one. Next with the Danny Carey :-)
great \m/
24’ crash
Hahaha let’s go
I broke my 14' RUDEs 😢
I've cracked mine, but turned them upside down so the bottom is now on top and they sound GREAT!
Terrific drummer, but has a tendency to overplay almost every song while live, kinda got annoying when I saw him with Steven Wilson a few weeks ago. Wish he would just tone it down a wee bit
As a drummer myself I don’t believe the word over playing exists ;) I call it more to listen to
Good Lord, we’ve been watching two different drummers then. I see a man playing with restraint and awareness of his role, both as a time keeper and sonically