Wirklich "Appassionata" mit jugendlichen Elan, enthusiastisch! Der zweite Satz könnte mit weichen toushe gespielt werden, mit träumerische Leidenschaft. Bemerkenswerte technische Reife!
Very good technically and lots of nice musical things. Good feeling for the power of Beethoven. In the Op.57 we must always strive to blend the truly lyrical sections with the outright bombastic side of Beethoven. I think this will come with maturity but you are well on your way. Bravo! Watch your pedaling. Often you use too much in some spots but not enough in other that actually need more. I agree with the previous comment about it being a bit rushed. You don't need to have a metronome running in your head constantly. Also, at 7:11 your RH is WAY too loud. The melody should be clearly heard with all the fast 16ths of the RH barely audible! Also, although most of the fingerwork is pretty clean, you do rush the groups of 16ths many times. In the 2nd mvt, this is definitely rushed. You actually take your hands off the keys when playing the hymn-like theme! Not good! It really needed much more lyricism and time. Pacing seems to be an issue for you at this point. You should, perhaps search out an artist teacher who can show you the finer points of pacing, timing and structural integrity in Beethoven. Finally, there seems to be an inequality between your hands. They both sound pretty much the same - no balance. It starts to wear on the listeners' ear after a short time.
Valuable feedback here. I hope you took this in the right spirit and applied the advice given. You’re an accomplished pianist and need some tweaking to become an outstanding one. Piano is your passion so take it to the next level. I actually enjoy watch you perform.
Great! I really liked it.🎖☘️
Wirklich "Appassionata" mit jugendlichen Elan, enthusiastisch!
Der zweite Satz könnte mit weichen toushe gespielt werden, mit träumerische Leidenschaft.
Bemerkenswerte technische Reife!
Very good technically and lots of nice musical things. Good feeling for the power of Beethoven. In the Op.57 we must always strive to blend the truly lyrical sections with the outright bombastic side of Beethoven. I think this will come with maturity but you are well on your way. Bravo! Watch your pedaling. Often you use too much in some spots but not enough in other that actually need more. I agree with the previous comment about it being a bit rushed. You don't need to have a metronome running in your head constantly. Also, at 7:11 your RH is WAY too loud. The melody should be clearly heard with all the fast 16ths of the RH barely audible! Also, although most of the fingerwork is pretty clean, you do rush the groups of 16ths many times. In the 2nd mvt, this is definitely rushed. You actually take your hands off the keys when playing the hymn-like theme! Not good! It really needed much more lyricism and time. Pacing seems to be an issue for you at this point. You should, perhaps search out an artist teacher who can show you the finer points of pacing, timing and structural integrity in Beethoven. Finally, there seems to be an inequality between your hands. They both sound pretty much the same - no balance. It starts to wear on the listeners' ear after a short time.
Valuable feedback here. I hope you took this in the right spirit and applied the advice given. You’re an accomplished pianist and need some tweaking to become an outstanding one. Piano is your passion so take it to the next level. I actually enjoy watch you perform.