Your tone sounds so exactly spot on man! The layering and panning just makes it even wider and much closer to the original as well! If you wanna Collab, I have Joe’s scratch samples and can scratch for you, also have Mike’s keyboard samples so I can play that, I can do vocals as well!, Let me know! :)
yo dude, That cover was spot on. Your tone is so close to the original sound but I wanted to buy my first amp (Marshall MG15FX) but I wanted to reupload the same song of my cover again with improved version soon. but I wanted to get the Lying From You tone because that is my favorite guitar sound I want with brutal distortion sound and boost. Keep it up with that cover, Man! 🤘🏻🤘🏻
My favorite Linkin Park song by far! What a brutal tone! What amplifier and IR do you use in this cover? I always believed that in the studio version the guitars went through a Dual Rectifier. Very good work! What pickups do you use in your CE24?
Thank you for your comment! For this track, I have 4 different stereo pairs of guitar tracks: 2x Marshall SV20H (plexi) boosted with an overdrive pedal for high gain, mids scooped a bit with a Marshall cab IR from ownhammer (unsure of exact IR, but I will post back once I go back to the studio) 2x Marshall SV20H tracks with the mids dimed, no overdrive pedal, volume knobs (essentially gain knobs on the plexi) at halfway. If you listen closely to the guitar tracks off Meteora, sounds like the combined lower gain tracks with ultra high gain to get both a disgustingly heavy tone but also maintain clarity. 2x Mesa boogie dual recitfier w/ corresponding Mesa cab, from STL amphub. 2x JCM800 Kerry King amp sim with one of the Marshall 4x12 cab IR’s built into the plug-in. The SV20H was ran into a load box (torpedo captor II) this way I could run it directly into logic without melting the inside of the amp. I am running Dimarzio Drop Sonic pickups in the bridge here. Hope this helps a bit! Brandon
@@novideosatallyet6453 hi! My previous reply was for my somewhere I belong video. Thought that was the video you commented on, lol! So for all of these tracks, all of the pairs are hard panned left and right.
@@audionine6616 Ah, okay, thank you for the response! Now, a follow up: for the songs with lead parts (e.g. somewhere i belong), I'm assuming the rhythm parts are still hard panned while the leads are a little less, like 80%?
@@novideosatallyet6453 No problem, happy to help! So, for Somewhere I Belong, I have 4 lead tracks that are hard panned L/R, 2 per side. (One pair has much more high end, and the other pair has the high end almost completely rolled off in post with EQ settings and tone knob on the guitar rolled back about halfway to thicken up the sound and also helps avoid phase cancellation which is always a plus) Then I have a 5th lead track straight up the middle with a ton of stereo reverb to wash it out and color up all the guitar tracks collectively. For the leads on that track, if you listen to the original guitar track on it’s own, sounds like they used a lot of reverb and/or room mics to have them sitting just behind the rhythm tracks. It goes without saying, but the guitars on the whole album are completely squashed with compression also. For the bridge, the reverb was absolutely backed off a ton to bring the lead guitars to the front and got a slight bump in volume by a few db’s. Hope this helps! Brandon
![Linkin Park - From the Inside [Instrumental Live at Milton Keynes]](http://i.ytimg.com/vi/7JP3ieMUokY/mqdefault.jpg)
![【LINKIN PARK】[ From The Inside ] cover by Masuka | LESSON | GUITAR TAB](http://i.ytimg.com/vi/DzbdI9Li3Hg/mqdefault.jpg)
you deserve more attention man
Randomly found your video. This sounds absolutely amazing! Easily one of my favourite covers now. Keep going dude! :)
Thank you so much!
Your tone sounds so exactly spot on man! The layering and panning just makes it even wider and much closer to the original as well! If you wanna Collab, I have Joe’s scratch samples and can scratch for you, also have Mike’s keyboard samples so I can play that, I can do vocals as well!, Let me know! :)
your vids are incredible man
Really appreciate that. Thank you!
The guitar tone is literally almost same as the record!!
Damn that was awesome
yo dude, That cover was spot on. Your tone is so close to the original sound but I wanted to buy my first amp (Marshall MG15FX) but I wanted to reupload the same song of my cover again with improved version soon. but I wanted to get the Lying From You tone because that is my favorite guitar sound I want with brutal distortion sound and boost. Keep it up with that cover, Man! 🤘🏻🤘🏻
As good if not better than most LP instrumentals on RUclips. Nice work bruh!
Holy shit!! Sound perfect! Buenísimo! 🇦🇷🇦🇷
Thank you sir!!! I appreciate it 🤙🏼
That's sooo good dude
awesome stuff bro!!!
Is there a specific fuzz effect you use that is throughout all the guitar chords? This is nice
fucking awesome dude
Thank you! 🤟🏼🤟🏼
Next Somewhere I belong 😊
My favorite Linkin Park song by far!
What a brutal tone! What amplifier and IR do you use in this cover? I always believed that in the studio version the guitars went through a Dual Rectifier.
Very good work!
What pickups do you use in your CE24?
Thank you for your comment! For this track, I have 4 different stereo pairs of guitar tracks:
2x Marshall SV20H (plexi) boosted with an overdrive pedal for high gain, mids scooped a bit with a Marshall cab IR from ownhammer (unsure of exact IR, but I will post back once I go back to the studio)
2x Marshall SV20H tracks with the mids dimed, no overdrive pedal, volume knobs (essentially gain knobs on the plexi) at halfway. If you listen closely to the guitar tracks off Meteora, sounds like the combined lower gain tracks with ultra high gain to get both a disgustingly heavy tone but also maintain clarity.
2x Mesa boogie dual recitfier w/ corresponding Mesa cab, from STL amphub.
2x JCM800 Kerry King amp sim with one of the Marshall 4x12 cab IR’s built into the plug-in.
The SV20H was ran into a load box (torpedo captor II) this way I could run it directly into logic without melting the inside of the amp.
I am running Dimarzio Drop Sonic pickups in the bridge here.
Hope this helps a bit!
Brandon
@@audionine6616 hey! Just had a question: how did you pan each pair? Is it all hard left/right or different pannings for each?
@@novideosatallyet6453 hi! My previous reply was for my somewhere I belong video. Thought that was the video you commented on, lol! So for all of these tracks, all of the pairs are hard panned left and right.
@@audionine6616 Ah, okay, thank you for the response! Now, a follow up: for the songs with lead parts (e.g. somewhere i belong), I'm assuming the rhythm parts are still hard panned while the leads are a little less, like 80%?
@@novideosatallyet6453 No problem, happy to help!
So, for Somewhere I Belong, I have 4 lead tracks that are hard panned L/R, 2 per side.
(One pair has much more high end, and the other pair has the high end almost completely rolled off in post with EQ settings and tone knob on the guitar rolled back about halfway to thicken up the sound and also helps avoid phase cancellation which is always a plus)
Then I have a 5th lead track straight up the middle with a ton of stereo reverb to wash it out and color up all the guitar tracks collectively.
For the leads on that track, if you listen to the original guitar track on it’s own, sounds like they used a lot of reverb and/or room mics to have them sitting just behind the rhythm tracks. It goes without saying, but the guitars on the whole album are completely squashed with compression also.
For the bridge, the reverb was absolutely backed off a ton to bring the lead guitars to the front and got a slight bump in volume by a few db’s. Hope this helps!
Brandon