I'm writing a Sonata for Cello and Piano right now, and I must say that your videos explaining all these different techniques are not only a great help, but also a source of inspiration. Thank you and please keep up the good work!
is it possible to do a glissando, say on one octave, ore even more, possibly switching from subharmonics to harmonics (and possibly without breaking the line)?
Is this technique different in any way on the violin and the viola? I'm writting a string quartet with strong subharmonic material. Also, do you have information about notation for this technique? Thank you
I know I'm "a little" late, but it isn't different for violin and viola. Also, as far as I know, there is no standart notation for that, because it's almost never used. Maybe a small note an octave below the fundamental. Also, would love to listen to your string quartet if it's already finished. It isn't on your channel, if it's uploaded
michael becze look at the Score of Ferneyhough's "Exordium", he uses overpressure right at the beginning, and I think you can then notate the desired sounding pitch with a small notehead below...
You are a massive help to developing composers everywhere. Thank you so much.
Composers don't always have access to players, so thank you for posting!
this is the most beautiful music I have ever heard
I'm writing a Sonata for Cello and Piano right now, and I must say that your videos explaining all these different techniques are not only a great help, but also a source of inspiration. Thank you and please keep up the good work!
Thank you SO MUCH for all these videos about effects and noises!
I wonder what an entire section doing this would sound like!
This and one-string multiphonics are, in my opinion, the toughest things to do with any stability and without "looking for them" a while. Well done!
Just me or doesn't it sound like dial-up?
lmao
That's a very nice string bass imitation. :P
I would love to hear / experiment subharmonics under the low C of the cello !!!
is it possible to do a glissando, say on one octave, ore even more, possibly switching from subharmonics to harmonics (and possibly without breaking the line)?
Thanks for the advice!
Working on this now too!
If you try to explain what you're doing differently to get that result. Maybe it could be bteer attempted?
Is this technique different in any way on the violin and the viola? I'm writting a string quartet with strong subharmonic material. Also, do you have information about notation for this technique? Thank you
Theyre almost impossible to hit 1st try, at least on cello
I know I'm "a little" late, but it isn't different for violin and viola.
Also, as far as I know, there is no standart notation for that, because it's almost never used. Maybe a small note an octave below the fundamental.
Also, would love to listen to your string quartet if it's already finished. It isn't on your channel, if it's uploaded
Thanks a bunch for sharing bro
Thanks, May I use this for sound sample? It is necessary
Crazy cool!
Anybody know how one might notate something like this?
michael becze look at the Score of Ferneyhough's "Exordium", he uses overpressure right at the beginning, and I think you can then notate the desired sounding pitch with a small notehead below...
anyone ever tell you that you look like a male kristen stewart?