Not sure how this might go over, but I translated this into English below. I lived in Japan for 12 years and loved this show! It's a bit long, so I'll have it in two parts. 宜しいかどうか分かりませんが、国際ファンため翻訳しちゃいました！ Part 1： Ken: As voted #1 most popular by Rock Fujiyama fans, super guitarist Takayoshi Ohmura is here to give it his all! (Jam) Ken: Takayoshi, welcome to Rock Fujiyama! Takayoshi: Thanks for having me. Ken: After having a vote on Twitter, Takayoshi Ohmura was voted #1 most liked guitarist! Takayoshi: Thank you very much. It truly is a real honor. Marty: Well, it was probably mostly the young girls who voted, because you’re such a handsome guy. Rolly: (Who was voted second to Takayoshi) I think there was some kind of of trick going on here (with the voting) … whoever is responsible, show yourself! Ken: Well I think we are all ok with the outcome. So Takayoshi, before you were a member of Marty’s band, becoming his right-hand man in the process.
Marty: Sure, he was my both my right and left hand actually, playing all the difficult guitar parts for me. Ken: Wow, a really fortunate relationship you had. Takayoshi: Yes, I’m really grateful. Rolly: Awesome right? Having such a good-looking perverted guy… Takayoshi: What the hell… Good-looking and perverted? Ken: On this TV program good-looking and perverted is the highest form of a compliment. Nothing bad is meant by it. Takayoshi: Well in that case, I’m happy to hear that. Ken: So then Takayoshi, when did you decide that you wanted to be a guitarist? Takayoshi: Actually, at first, I was more interested in hearing vocals more than guitar. I thought more about the whole band, starting with piano and then started playing guitar after.
Rolly: There was one time that Takayoshi and I were both at the same event, and I was able to hear his guitar playing. I thought your tone and touch were so beautiful. Actually I thought it was a very Kansai area way of playing. And sure enough, after that I found out that you were from Osaka. Do you think of yourself as a typical Kansai person? Takayoshi: Well, I do wear a lot of stuff with panther or animal print clothing, just like Osaka people, I guess. I find the older I get the more I wear this type of fashion design with animals on it. Not even just the stripe design, but things with the actual animal picture! Rolly: Yeah, I was wondering where you bought that shirt! (Short break) Ken: Next our handsome guitarist Takayoshi Ohmura is going name his top 5 most influential songs. At number 5 is … Takayoshi: DokKen: Unchain The Night. So this is the first album I really liked after I got into heavy metal music. (Plays riff) Ken: Wow, that really is L.A. metal isn’t it? Marty: He had this face like he was signaling me to wait for something. Takayoshi: Yeah, like I wanted you to play something. Ken: So you were influenced a lot by George Lynch I imagine. Rolly: Oh yeah, he has an animal design guitar, doesn’t he? It’s like he is asking the animals: “Animal (F**k Like A Beast)”. Ken: (To Rolly) Oh no, I can't believe he just said that... So, (Takayoshi) why did you choose this album? Takayoshi: I didn’t really know anything about hard rock or heavy metal when I first started out. So the first time I heard this was when I was in a junior in high school, about 17 years old. I thought I would just take a listen, little by little to this album. I didn’t even know anything about them when I bought it, I just chose the CD that I thought had the craziest looking cover. Marty: That’s the standard by which you picked it? Takayoshi: Yeah, by that standard. Ken: (Shows DokKen CD) And this is what he chose. Takayoshi: That probably will make someone angry. Marty: But by that standard, I think you chose the correct one. Takayoshi: You probably shouldn’t say that. Ken: But yes, for you Takayoshi, DokKen is… Takayoshi: All I can see is how that cover looks now… Rolly: There is only one song of there’s that I know, “In My Dreams”. While dreaming, I do something I like. (Everyone plays a bit from “In My Dreams”) (Rolly starts it again) (That’s enough already, Rolly!) Ken: That really is a beautiful chorus though, isn’t it. George Lynch really was a big influence. wasn’t he? Takayoshi: Yeah, I thought his look was really cool and his improvising and adlib ability were great. At the time, he did things where I couldn’t understand or even follow what he was doing. Rolly: He did a lot of sliding down the guitar right? That really cool thing… Takayoshi: I guess that could be called, “masturbation vibrato”? Maybe I shouldn’t say that… Jack off vibrato. Girls are also players. Ken: Ok, well show us jack off vibrato. Takayoshi: Well if I’m asked to do that… Marty: Yeah you know my right hand style actually looks just like that, doesn’t it. Takayoshi: Oh no, don’t say that. Jack off vibrato is something like… (tries it). Marty: Hey, my left hand isn’t good enough for that. Ken: Our conversation has gotten a little dirty hasn’t it. Ok so well, number 4 on the list is… Takayoshi: Bon Jovi’s “You Give Love a Bad Name”. Ken: That was a really big hit, wasn’t it. Takayoshi: Yeah, it's fun to sing as well as play. Marty: Wow, that’s unexpected. Takayoshi: Unexpected? Really? Marty: Yeah, these past two choices are not what I would expect from a super guitarist such as yourself. They seem like songs that a girl would choose. Takayoshi: Do you think so? Marty: Yeah, by that selection of music. Ken: Could you play a little of it for us? (Marty and Takayoshi play) Ken: So for you Takayoshi, what was the attraction to Bon Jovi? Takayoshi: Well, I like listening to vocal songs, even when there really isn't a lot of guitar playing in them. So at first, I just really like hearing a good, catchy melody. Also, I love the so-called feeling of the American heart. Marty: You really have grown a lot, haven’t you. I say that since you played before in the world class band DC/PRG, which is completely different with such technically difficult music. Ken: Yes, that really shows a lot of progression. Marty: It’s really very interesting.
Thank you so much for the translation. If you have the time in the future I would be extremely grateful if you translated the other 13 minute video they uploaded showing Marty and Ohmura improvising over random chords. Here is the link: ruclips.net/video/lJ8cacSKgQg/видео.html
STREET DEMONを聴いて感じたんですけど、マーティーの書くフレーズが完全に日本的な四七抜きのメロディーラインで凄く引き込まれました。大村さんのギターもご自身のバックグラウンドが歌ものだけにかっこいいギターソロも綺麗なメロディラインでマーティーとの共演はギターインストはジェフ・ベックと違った楽しいギターを聞かせてもらいました。クラプトンが時々難しい顔をしてギターを弾いてる時がありますが、マーティーってず～っと笑顔で引いてるじゃないですか。その辺はエディー・ヴァンヘイレンに影響受けてるなぁて思います。
Marty and Tak should be touring extensively with this stuff whether it be Japan or World Wide. Seriously Japan is literally carrying the torch for Metal in this day and age and Thank God.
@@rehannoor2090 Japanese Music lovers like old music that influenced them. They continue to make music that they once loved. Japanese people will continue to like something once they like it, even if it gets old. The same is true not only for music but also for machines and stuff. Especially they like 70〜90's music from UK, USA.
Part 2： Ken: Continuing on, number 3 is… Takayoshi: Yutaka Ozaki’s “Seventeen’s Map”. I listened to this a lot in elementary school, and even now as well. There is one particular song on this album, called “Ai No Kietta Machi” that has a great solo in the intro. I’d like you to listen to it a bit. (Plays solo) It’s really cool, isn’t it? Ken: These kind of heart felt vocals songs, Marty also understands the appeal I think, given his approach to guitar phrasing. Takayoshi: Yeah, I think for sure I stole that way of thinking from him. Rolly: Was Yutaka Ozaki’s phrasing, singing style, and picking just like how you played it? Takayoshi: Well, not as sloppy as mine. Ken: Talking about this genre, Ozaki’s not really part of your generation, is he? Takayoshi: Yeah, my parents were more of an influence in that way. Rolly: I think your parents and I are of the same generation… Ken: Oh, you just realized that fact. Rolly: Yeah, it was Ozaki that influence that caused some boys at my high school to break a bunch of windows at another school. Takayoshi: The song lyrics influenced them? Rolly: Yeah they picked up chairs like this and … (broke the glass) Ken: I guess you were no longer influenced by J-pop after that. Takayoshi: There were other bands around that time, J-pop or J-rock that I was interested in. Ken: For example? Takayoshi: For example, Glay and L’Arc en Ciel. Also, as Marty mentioned before, Zard. I really love her. My parents were a strong influence there, too. Kudo Shizuka I was into as well. Rolly: It’s kind of strange if I don’t say anything, but I performed with her on NHK one time. Marty/Ken/Takayoshi: What, really? Wow. Rolly: Yes, it’s the only thing in my life I can say I’m proud of… Takayoshi: Only one thing? Oh man, my nose is running now. Just a little. Ken: Ok, well let’s move on to number 2. Takayoshi: Boston’s “Piece of Mind”. Just as before, I really like the catchy melody here. The chorus has a great rock n roll feeling to it. Boston really is the only band that sounds like this. Marty: You really touched on something great there. Before this bands in rock n roll were pretty raw. They didn’t really focus on writing a good chorus, and there wasn’t a lot of melody. Just like boggie woogie music. You’re right about what you say, Takayoshi. Ken: When talking about Boston, this guy over here also has something to say. Rolly: Yeah, I completely love Boston. Even without Tom Scholz’s, their side project Orion the Hunter was something I also enjoyed a lot. Let’s play this together. (All three join in on “Piece of Mind”) Ken: So how about Tom Scholz? Takayoshi: Tom really has the best sense of pitch. It’s crazy. Marty: Yes, I was alluding to that before. Players didn’t care much about pitch before this. Other than Brian May, there really wasn’t anyone else. Ken: Rolly, you had a personal analysis here. About working alone? Rolly: So they were working on an album for about 4 years. They kept working on it over and over. During that time they were getting sued for it, and the band members were just sick of it. Then finally after that their album Third Stage was released, and it sold like crazy. Very impressive. By the way, the way Tom does his guitar gliss is awesome, isn’t it? Marty: I’ve stole that. The thing of having one gliss on the right side and one on the left side of the song. Then it goes from right to left like this. I’m always stealing that actually. Takayoshi: Hey, nothing wrong with that. Marty: His bends are also great, right. Tom has really beautiful long notes like that. Ken: Ok then let’s move on to number 1. Takayoshi: Marty’s album “Loud Speaker”. From this release, the song called Street Demon. We always played it when we were on tour together. My entire concept of what playing live should be changed when playing this song with Marty. Marty: Oh really? Thank you very much. Ken: So what did it for you? Takayoshi: In this song, the chords are played with down strokes, which I had never done before. Marty said to me that it must be played this way, for the song to sound right, down strokes only. At first I just did it that way nothing thinking much of it, but I realized how cool it looks and sounds when playing live. After that, it changed the way I thought about playing. Rolly: Marty doesn’t mute his strings when playing, right? So he plays a lot of down strokes… Ken: Yes, to get a really good attack I think. By the way, Takayoshi, you have an extra string on your guitar, don’t you? Takayoshi: Oh yes, this is a 7-string guitar. I started playing 7-string when I joined Marty’s band, actually. Marty: So when I record rhythm guitar, I actually always use a 7-string on my albums. To be honest, it’s surprisingly difficult to switch from 6-string to 7, even though it’s just one string more. But Takayoshi caught on to it so quickly. He really is a genius I thought. Takayoshi: Well I thought if I didn’t, you would’ve been angry. Marty: Nah, I wouldn’t have been angry. Ken: Ok, well could we have you two play it for us? (Marty and Takayoshi play Street Demon) Ken and Rolly: Wow, it felt so good listening to that. Marty: It’s been such a long time since we played that together. Ken: Takayoshi, even though you are younger it seems like you look at Marty, so warmly, like he is your child. Takayoshi: Am I showing a weakness? Ken: You guys show a real connection to each other. It’s great. Rolly, what do you think? Rolly: Having a great friendship is beautiful. -By Mushinokoji Saneatsu (Japanese novelist), right? Ken: Well then… I have no idea what the meaning of that was but…
@@megood1582 they show used to run a few years back there are fairly famous clips of Paul Gilbert and Kerry King being guests of the show for example. I would guess around 2007 or so
Most people don't know this but one of the key factors that makes Marty's sound unique is his strange right hand. The flexed curvature is basically a modified form of the rare Gypsy Jazz style picking, which was invented to create a louder, more aggressive pick attack. He leverages a massive downward pickslant and uses circular thumb picking to get around the string change issue (for example when the pick is below the string and he needs to move to the string above). You can't reach as much consistent speed output with Gypsy style picking as you can with traditional picking but you get MUCH more power. Think of it like the difference between an AK47 and a metronome. AK47 shoots extra fast and clean in short bursts but then soon gets out of control if you keep shooting without rest, but the sound is dynamic and powerful while a metronome maintains consistent high speed, but the sound is rather weak and mechanical.
@@Zero-di9mz Guthrie is amazing but I still thinking Ohmura's picking hand is best. But they also play different styles. Ohmura's crazy pick attack is part of his sound but Guthrie is much more jazzy and slippery
They were having a good time. Would be nice if they had English subs.. They have English speaking people on the set, but no vids have subtitles. But I did get when Rolly was talking about the "Jerk Off" technique lol 🤣😂🤘👍🎸🎸🎸
fijense lo bello de la musica que no entiendo su idioma como a muchos les debe pasar pero cuando tocan y los vemos charlar tan agusto todos entendemos a que vinimos aca
配信、感謝します。 ローリーさん「師弟の間に入れなさ」をめっちゃうまく演出してますよねｗ you give love A Bad Name これに「邦題」がつけられていた時代！ なつかしい・・・ ジョンボンジョヴィって、かっこいいサル顔ｗ 木村さん、なんかっつーとマーティ師匠のほう、見がちｗ 楽しげな精密機械ｗ たまらん！ 課金させてくれ！ 対価を等価なる贖いをさせてください・・・
大村さんはプレイもすごいけど楽しそうに弾くとこが好き
藤岡さんのギターもいらっしゃる…
一緒になってケタケタ笑ってる気がしました
大村さんありがとうございます
ちゃんと大村さんにしっかりフォーカスしてかBABYMETALに触れないのも新鮮
大村さんは初めて見た時はまだMIの生徒さんの時でインペリテリくらい速く弾く子がいると話題になってましたね。実際ヤングギターで初めて出演した時はまさに初期インペリテリを思わせる超速プレイでデビューしたのを覚えています。
今は本当に多方面で活躍していて同年代としても応援しております！
ローリーさんの「仲良き事は美しき哉」が、響きました。マーティさん達が目と耳、すべての感覚を駆使してセッションしてくれた後での一言。本当に心にしみました。
満遍なく左右を見て全員と話すのが凄く好感が持てますね✨
それ思った！
そう、ほんまそれ思ってた
おぉぉ、大村さんが出てる⁉️😳
マーティとの共演堪らないです😭
DOKKEN、BONJOVI、BOSTON、尾崎豊まで披露して貰えて感激‼️
最後はやっぱりマーティの曲、嬉しすぎる😭
2人とも楽しそう🎸😄
さりげなく藤岡さんギターが置かれている
ｍｉｋｉｏ~~~
えっ、そうなんだ、158cm。MC？の人も含め、皆すげェ。
あのギター見るだけで涙出る
形見分けで貰ったのかな？
Not sure how this might go over, but I translated this into English below. I lived in Japan for 12 years and loved this show! It's a bit long, so I'll have it in two parts. 宜しいかどうか分かりませんが、国際ファンため翻訳しちゃいました！
Part 1：
Ken: As voted #1 most popular by Rock Fujiyama fans, super guitarist Takayoshi Ohmura is here to give it his all!
(Jam)
Ken: Takayoshi, welcome to Rock Fujiyama!
Takayoshi: Thanks for having me.
Ken: After having a vote on Twitter, Takayoshi Ohmura was voted #1 most liked guitarist!
Takayoshi: Thank you very much. It truly is a real honor.
Marty: Well, it was probably mostly the young girls who voted, because you’re such a handsome guy.
Rolly: (Who was voted second to Takayoshi) I think there was some kind of of trick going on here (with the voting) … whoever is responsible, show yourself!
Ken: Well I think we are all ok with the outcome. So Takayoshi, before you were a member of Marty’s band, becoming his right-hand man in the process.
Marty: Sure, he was my both my right and left hand actually, playing all the difficult guitar parts for me.
Ken: Wow, a really fortunate relationship you had.
Takayoshi: Yes, I’m really grateful.
Rolly: Awesome right? Having such a good-looking perverted guy…
Takayoshi: What the hell… Good-looking and perverted?
Ken: On this TV program good-looking and perverted is the highest form of a compliment. Nothing bad is meant by it.
Takayoshi: Well in that case, I’m happy to hear that.
Ken: So then Takayoshi, when did you decide that you wanted to be a guitarist?
Takayoshi: Actually, at first, I was more interested in hearing vocals more than guitar. I thought more about the whole band, starting with piano and then started playing guitar after.
Rolly: There was one time that Takayoshi and I were both at the same event, and I was able to hear his guitar playing. I thought your tone and touch were so beautiful. Actually I thought it was a very Kansai area way of playing. And sure enough, after that I found out that you were from Osaka. Do you think of yourself as a typical Kansai person?
Takayoshi: Well, I do wear a lot of stuff with panther or animal print clothing, just like Osaka people, I guess. I find the older I get the more I wear this type of fashion design with animals on it. Not even just the stripe design, but things with the actual animal picture!
Rolly: Yeah, I was wondering where you bought that shirt!
(Short break)
Ken: Next our handsome guitarist Takayoshi Ohmura is going name his top 5 most influential songs. At number 5 is …
Takayoshi: DokKen: Unchain The Night. So this is the first album I really liked after I got into heavy metal music. (Plays riff)
Ken: Wow, that really is L.A. metal isn’t it?
Marty: He had this face like he was signaling me to wait for something.
Takayoshi: Yeah, like I wanted you to play something.
Ken: So you were influenced a lot by George Lynch I imagine.
Rolly: Oh yeah, he has an animal design guitar, doesn’t he? It’s like he is asking the animals: “Animal (F**k Like A Beast)”.
Ken: (To Rolly) Oh no, I can't believe he just said that... So, (Takayoshi) why did you choose this album?
Takayoshi: I didn’t really know anything about hard rock or heavy metal when I first started out. So the first time I heard this was when I was in a junior in high school, about 17 years old. I thought I would just take a listen, little by little to this album. I didn’t even know anything about them when I bought it, I just chose the CD that I thought had the craziest looking cover.
Marty: That’s the standard by which you picked it?
Takayoshi: Yeah, by that standard.
Ken: (Shows DokKen CD) And this is what he chose.
Takayoshi: That probably will make someone angry.
Marty: But by that standard, I think you chose the correct one.
Takayoshi: You probably shouldn’t say that.
Ken: But yes, for you Takayoshi, DokKen is…
Takayoshi: All I can see is how that cover looks now…
Rolly: There is only one song of there’s that I know, “In My Dreams”. While dreaming, I do something I like. (Everyone plays a bit from “In My Dreams”)
(Rolly starts it again)
(That’s enough already, Rolly!)
Ken: That really is a beautiful chorus though, isn’t it. George Lynch really was a big influence. wasn’t he?
Takayoshi: Yeah, I thought his look was really cool and his improvising and adlib ability were great. At the time, he did things where I couldn’t understand or even follow what he was doing.
Rolly: He did a lot of sliding down the guitar right? That really cool thing…
Takayoshi: I guess that could be called, “masturbation vibrato”? Maybe I shouldn’t say that… Jack off vibrato. Girls are also players.
Ken: Ok, well show us jack off vibrato.
Takayoshi: Well if I’m asked to do that…
Marty: Yeah you know my right hand style actually looks just like that, doesn’t it.
Takayoshi: Oh no, don’t say that. Jack off vibrato is something like… (tries it).
Marty: Hey, my left hand isn’t good enough for that.
Ken: Our conversation has gotten a little dirty hasn’t it. Ok so well, number 4 on the list is…
Takayoshi: Bon Jovi’s “You Give Love a Bad Name”.
Ken: That was a really big hit, wasn’t it.
Takayoshi: Yeah, it's fun to sing as well as play.
Marty: Wow, that’s unexpected.
Takayoshi: Unexpected? Really?
Marty: Yeah, these past two choices are not what I would expect from a super guitarist such as yourself. They seem like songs that a girl would choose.
Takayoshi: Do you think so?
Marty: Yeah, by that selection of music.
Ken: Could you play a little of it for us?
(Marty and Takayoshi play)
Ken: So for you Takayoshi, what was the attraction to Bon Jovi?
Takayoshi: Well, I like listening to vocal songs, even when there really isn't a lot of guitar playing in them. So at first, I just really like hearing a good, catchy melody. Also, I love the so-called feeling of the American heart.
Marty: You really have grown a lot, haven’t you. I say that since you played before in the world class band DC/PRG, which is completely different with such technically difficult music.
Ken: Yes, that really shows a lot of progression.
Marty: It’s really very interesting.
Thank you so much for the translation.
If you have the time in the future I would be extremely grateful if you translated the other 13 minute video they uploaded showing Marty and Ohmura improvising over random chords.
Here is the link: ruclips.net/video/lJ8cacSKgQg/видео.html
STREET DEMONを聴いて感じたんですけど、マーティーの書くフレーズが完全に日本的な四七抜きのメロディーラインで凄く引き込まれました。大村さんのギターもご自身のバックグラウンドが歌ものだけにかっこいいギターソロも綺麗なメロディラインでマーティーとの共演はギターインストはジェフ・ベックと違った楽しいギターを聞かせてもらいました。クラプトンが時々難しい顔をしてギターを弾いてる時がありますが、マーティーってず～っと笑顔で引いてるじゃないですか。その辺はエディー・ヴァンヘイレンに影響受けてるなぁて思います。
Marty and Takayoshi. Couldn't ask more. Love this jam!
Marty and Tak should be touring extensively with this stuff whether it be Japan or World Wide. Seriously Japan is literally carrying the torch for Metal in this day and age and Thank God.
japanese rock scene is somehow still feels like it was early 2000s
@@rehannoor2090
Japanese Music lovers like old music that influenced them. They continue to make music that they once loved. Japanese people will continue to like something once they like it, even if it gets old. The same is true not only for music but also for machines and stuff. Especially they like 70〜90's music from UK, USA.
大村さんギターだけじゃなく歌もヤバイぐらい上手くてビックリしたよね〜😆✨
素敵な回でした👏👏👏
ローリーのスカンチTシャツも素敵でした😉👍
🔥🤘HELL YEAH🤘🔥
藤岡先生のSNAPPERも連れて来てくれてたんですね
大村さんありがとう
Marty legend 🤘✌️
Ohmura Kami guitar 🤘🦊🤘
マーティもローリーも大好きだけど、大村孝佳さんも好きになりました。『street demon』最高！！
世界はコロナ渦ですが頑張ってください。応援してます。
あらためて音楽の楽しさと美しさを感じさせられました。二人のStreet Demonにはあまりの感動に涙が。ありがとう😭
RUclips！オススメに出て来てくれてありがとう！！
めちゃくちゃ面白かったです！
I enjoyed watching it! Thanks for sharing 💓🤘🏻🐯
Always a joy to see these guys jam out together
you should know youtube foiled your avatar pic, cause the youtube comments section "white " background is like 96% white, and not total #TTTTTT white.
これ神回だわ！マーティーさんと接点あったの知らなかったからびっくりです！
i know ohmura san from babymetal session band (kami band)... he is amazing guitar... love it....
神回。なんて贅沢な共演・・・最高。
Rolly.Thank you.‼️very nice👍
Part 2：
Ken: Continuing on, number 3 is…
Takayoshi: Yutaka Ozaki’s “Seventeen’s Map”. I listened to this a lot in elementary school, and even now as well. There is one particular song on this album, called “Ai No Kietta Machi” that has a great solo in the intro. I’d like you to listen to it a bit. (Plays solo)
It’s really cool, isn’t it?
Ken: These kind of heart felt vocals songs, Marty also understands the appeal I think, given his approach to guitar phrasing.
Takayoshi: Yeah, I think for sure I stole that way of thinking from him.
Rolly: Was Yutaka Ozaki’s phrasing, singing style, and picking just like how you played it?
Takayoshi: Well, not as sloppy as mine.
Ken: Talking about this genre, Ozaki’s not really part of your generation, is he?
Takayoshi: Yeah, my parents were more of an influence in that way.
Rolly: I think your parents and I are of the same generation…
Ken: Oh, you just realized that fact.
Rolly: Yeah, it was Ozaki that influence that caused some boys at my high school to break a bunch of windows at another school.
Takayoshi: The song lyrics influenced them?
Rolly: Yeah they picked up chairs like this and … (broke the glass)
Ken: I guess you were no longer influenced by J-pop after that.
Takayoshi: There were other bands around that time, J-pop or J-rock that I was interested in.
Ken: For example?
Takayoshi: For example, Glay and L’Arc en Ciel. Also, as Marty mentioned before, Zard. I really love her. My parents were a strong influence there, too. Kudo Shizuka I was into as well.
Rolly: It’s kind of strange if I don’t say anything, but I performed with her on NHK one time.
Marty/Ken/Takayoshi: What, really? Wow.
Rolly: Yes, it’s the only thing in my life I can say I’m proud of…
Takayoshi: Only one thing? Oh man, my nose is running now. Just a little.
Ken: Ok, well let’s move on to number 2.
Takayoshi: Boston’s “Piece of Mind”. Just as before, I really like the catchy melody here. The chorus has a great rock n roll feeling to it. Boston really is the only band that sounds like this.
Marty: You really touched on something great there. Before this bands in rock n roll were pretty raw. They didn’t really focus on writing a good chorus, and there wasn’t a lot of melody. Just like boggie woogie music. You’re right about what you say, Takayoshi.
Ken: When talking about Boston, this guy over here also has something to say.
Rolly: Yeah, I completely love Boston. Even without Tom Scholz’s, their side project Orion the Hunter was something I also enjoyed a lot. Let’s play this together.
(All three join in on “Piece of Mind”)
Ken: So how about Tom Scholz?
Takayoshi: Tom really has the best sense of pitch. It’s crazy.
Marty: Yes, I was alluding to that before. Players didn’t care much about pitch before this. Other than Brian May, there really wasn’t anyone else.
Ken: Rolly, you had a personal analysis here. About working alone?
Rolly: So they were working on an album for about 4 years. They kept working on it over and over. During that time they were getting sued for it, and the band members were just sick of it. Then finally after that their album Third Stage was released, and it sold like crazy. Very impressive. By the way, the way Tom does his guitar gliss is awesome, isn’t it?
Marty: I’ve stole that. The thing of having one gliss on the right side and one on the left side of the song. Then it goes from right to left like this. I’m always stealing that actually.
Takayoshi: Hey, nothing wrong with that.
Marty: His bends are also great, right. Tom has really beautiful long notes like that.
Ken: Ok then let’s move on to number 1.
Takayoshi: Marty’s album “Loud Speaker”. From this release, the song called Street Demon. We always played it when we were on tour together. My entire concept of what playing live should be changed when playing this song with Marty.
Marty: Oh really? Thank you very much.
Ken: So what did it for you?
Takayoshi: In this song, the chords are played with down strokes, which I had never done before. Marty said to me that it must be played this way, for the song to sound right, down strokes only. At first I just did it that way nothing thinking much of it, but I realized how cool it looks and sounds when playing live. After that, it changed the way I thought about playing.
Rolly: Marty doesn’t mute his strings when playing, right? So he plays a lot of down strokes…
Ken: Yes, to get a really good attack I think. By the way, Takayoshi, you have an extra string on your guitar, don’t you?
Takayoshi: Oh yes, this is a 7-string guitar. I started playing 7-string when I joined Marty’s band, actually.
Marty: So when I record rhythm guitar, I actually always use a 7-string on my albums. To be honest, it’s surprisingly difficult to switch from 6-string to 7, even though it’s just one string more.
But Takayoshi caught on to it so quickly. He really is a genius I thought.
Takayoshi: Well I thought if I didn’t, you would’ve been angry.
Marty: Nah, I wouldn’t have been angry.
Ken: Ok, well could we have you two play it for us?
(Marty and Takayoshi play Street Demon)
Ken and Rolly: Wow, it felt so good listening to that.
Marty: It’s been such a long time since we played that together.
Ken: Takayoshi, even though you are younger it seems like you look at Marty, so warmly, like he is your child.
Takayoshi: Am I showing a weakness?
Ken: You guys show a real connection to each other. It’s great. Rolly, what do you think?
Rolly: Having a great friendship is beautiful. -By Mushinokoji Saneatsu (Japanese novelist), right?
Ken: Well then… I have no idea what the meaning of that was but…
you are a hero
@@carlosluismendez7392 Thanks but the real heroes here are Marty and Takayoshi. Lol. This has been my favorite episode so far.
Thank you SO much for this! Not all heroes wear capes lol (unless you do)
最後の締めくくり。
ローリーさんさすがです。
自己存在感アピール素晴らしいです。
いつも人生の参考しています。
今日もありがとうございました。
贅沢の極み( ￣▽￣)
マーティ&大神様
ありがとうございます❤️
Man, I remember watching clips of this show in the early 2000s!
2:13 umm they have smartphone in early 2000s?
@@megood1582 they show used to run a few years back there are fairly famous clips of Paul Gilbert and Kerry King being guests of the show for example. I would guess around 2007 or so
Together again! Fantastic!!
大村孝佳さんが一位🥇で、とっても嬉しいです❣️楽しくて、速くて美しく品があるピッキングに、一気に見てしまいました。また、大村孝佳さんを呼んでください🎸🔥
ohmura-sama does the kitsune sign right at the end.
こんな演奏をじっくり見られるなんて幸せ・・・
大村さん、とても素敵な方ですね。
ロックとはこんな音楽という変なこだわりがなく、
メジャー級アメリカンロックからJ-pop.J-Rock
などあらゆるジャンルから吸収していったんですね。
ギター弾くのが大好きという思いが溢れ出てる！
マーティとのマーティ曲コラボが美しいツインギターで生の迫力もめちゃくちゃあってテクニックと音、目と耳で見聞き惚れてしまいました！
マーティが師匠というかつて組んでただけあって、凄く息が合ってた。
大村さんの美しいお顔と、絶やさぬ笑顔、
そして美しい手にも惚れました。
ローリーのロッカーエピソード大好き。
ホント歩くロック雑学大辞典！！
3人のギター小僧がそろうと楽しさも倍増！
そしてその中に、ロック知識が入ってる。
ロックのピッチの話、興味深いなぁ。
奏法テクニック、よくわからなくても聞いてて楽しい。
大村さん、尾崎世代でないとは、お若いんですね？！
お若いのにその超絶テク！！このチャンネル投票No,1も納得です。
ググッていろいろ知らなきゃ！！
(誤字があったので編集加えました。内容は変わりません。)
Ohmura should start touring with Friedman again
And should release some collab songs....
don't forget rolly
大村さんのことあまり知らないのですが、BOSTON好きに悪い人はいない！！
PEACE OF MINDセッション聴けるとは…！！！ありがとう🙏✨✨
ここでBOSTON出るとは‼️‼️‼️
最後は観ていてニヤニヤしてしまった😆大村くん、ホント若い頃からすごかったよなあ。
藤岡先生亡くなった後、すごい悲しんでたのが印象的だったから、今こうしてもう一人の師匠(？)と楽しそうに共演してるの見ると、何故かこっちまで嬉しくなる。
後ろに藤岡先生のギターが置いてあって一緒に番組に参加されてるんだと思います。
冒頭から楽しそうで、見てるこっちも楽しくなります
綺麗でカッコいいなあ。大村さん。
たしかに、藤岡さんの分身、、、それだけでも感動。
Awesome team!
大村さんだ🔥
そしてロック忍者頼正復帰まだー？Syuさん(Galneryus)も一緒に呼んで欲しい🎸
I hope to see Omura Takayoshi always happy like in here, he made us always happy with his guitar playing and his kind self. ☺️🎸
That Street Demon jam was jaw-dropping !
Most people don't know this but one of the key factors that makes Marty's sound unique is his strange right hand. The flexed curvature is basically a modified form of the rare Gypsy Jazz style picking, which was invented to create a louder, more aggressive pick attack. He leverages a massive downward pickslant and uses circular thumb picking to get around the string change issue (for example when the pick is below the string and he needs to move to the string above). You can't reach as much consistent speed output with Gypsy style picking as you can with traditional picking but you get MUCH more power. Think of it like the difference between an AK47 and a metronome. AK47 shoots extra fast and clean in short bursts but then soon gets out of control if you keep shooting without rest, but the sound is dynamic and powerful while a metronome maintains consistent high speed, but the sound is rather weak and mechanical.
so he is not a great picker as he admitted, no one is doing fast picking in his way
Ohmura has the best right hand of any living guitarists at present...
Too great!!!
Awesome for sure. But not quite Yngwie level. His picking is still untouchable.
Ohmura and Rick Graham are insanely good with their picking technique but quite different.
www too much exaggeration
guthrie govan says hi
@@Zero-di9mz Guthrie is amazing but I still thinking Ohmura's picking hand is best. But they also play different styles. Ohmura's crazy pick attack is part of his sound but Guthrie is much more jazzy and slippery
They were having a good time. Would be nice if they had English subs.. They have English speaking people on the set, but no vids have subtitles. But I did get when Rolly was talking about the "Jerk Off" technique lol 🤣😂🤘👍🎸🎸🎸
マーティのオリジナル曲って、洋楽にも邦楽にも似てるの無くて、やっぱいいな。
大村さん人柄の良さが滲み出すぎなんよ笑
大村さん出てるだけで高評価！
トム・ショルツは音作りとそれを活かすプロデューサーワークがすごいよね。
まあ先にブライアン・メイが近い音を出してるけれども、
当時はまだまだディストーションギターといえばワイルドに音割れしてるのが普通だったときに、
トム・ショルツのギターは歪んでるのに美しく粒立っていて、光線銃(W)みたいなSF的サウンドでびっくりした。
またその音が生きる曲だし、世界観だしで、トータルの統一感がすごいというか。
大神様降臨!🤘🦊
めっちゃカッコイイ！
コレは見応え有りますね😊
もっと聞きたいぞっ！
まさに神回
大村孝佳 良い! 藤岡先生と一緒に出演!
これは凄い！
大村さんマーティのバンド居たとは、無知だった！
ルーツが全部一緒なのは、驚いた。
ローリーの渾身のギャグを何回も流していくあゆがいけん
いえいえ、アレがまたいいんやで・・・
今回のローリーさんのボッチ感は、自らただよわせていたんやで・・・
fijense lo bello de la musica que no entiendo su idioma como a muchos les debe pasar pero cuando tocan y los vemos charlar tan agusto todos entendemos a que vinimos aca
My Japanese is not so great as I'd like, but this was more than worth the view...just amazing work. Domo arigatogozaimasu! 🤘😁🤘
Amazing players all around!
藤岡幹大さんとの共演があの世で見られるものならまた見たい（涙）
影響を受けたアルバムはもっとクセのあるモノと思いきや
気持ちいいくらい王道ど真ん中で清々しいね👍
神が出る神回やん
素晴らしい！(^.^)
楽器なんか出来ないし、ましてやギターなんて.......。
そんな自分がこのチャンネルにハマってます。
中学の時は同級生達が始めたRCのコピーバンドのボーカルやらされたりしました(楽器出来なくて💦)が、その時からギターやドラムとか、楽器を演奏出来るのが羨ましかった。
53の手習いで、ベースでもやってみようかな.......。(´・ω・｀)
もっと聴いていたい。タイトなアンサンブル最高すぎてマジ鳥肌立った。
いやー、これはほんと神回です。
楽しそう❗️
ＢＯＳＴＯＮの話が出て興奮した、ちゃんと皆さん研究してて感心❗
めちゃくちゃ嬉しす
すごい
最後の曲かっこええ
最後のキツネサインありがとう。大村さん。
Street Demon 最近聴いた曲の中でダントツ１位。リンリンリリン リンリリリリン！
大村さんのイメージがすっかり変わりました。ボストン好きっていうだけですべてを物語っているね。私はギターは全然なんだけど、ドラマーで参戦したいな。
ツイッターでアンケートやってたんですね。人間椅子のワジーさん出演して欲しいです。
思わずFOXサインを出しそうになっちゃう、むらっち最＆高
I love that Street Demon,killer guitar piece!!
大村さんの口からラルクが出るのなんか斬新やな
大村さん素敵過ぎ！
大村さんの後ろに藤岡先生のSNAPPER-7があるのうるっとくる
マーティーと最後に2人で弾いてるヤツ、流石に息合いすぎ
変態と変態の共演最高やね
武者小路実篤がとっさに出てくるローリー、最高！
マーティさんと大村さん、
凄いシンクロ率😁最高👍💕✨
streat demonのイントロかっこよすぎ
マッドっぽい😆
Very cool
当初ローリーさんを
置いてきぼりにしないであげて的な
感覚で観てたら、
なんやローリーさんてば、
ほんとよく色々知ってるし、
いつもの替え歌と、
しっかり自分のペース、
空間？色？でやっててよかったDeath👊⚡🤘😄😄
神回！！
素人ですが、マーティさんと大村さんのセッションがご本人達もすごく楽しそうで最高😂でした
見事なテクニック、シンクロ。さすが、プロフェッショナル！！
大村さんの存在がキャッチーですよね
素晴らしいギター演奏と笑顔が最高です。マーティさんの ラウドスピーカー
のアルバムも大大大好きです、サムネにジャケットが出ててすぐに食いつきました。
グリセリンフレッシュも聴きたいです
私にとっては交響曲です。
OMG so good !!!
🍅🍅🍅
🤘🏼🦊🤘🏼
ローリーがめちゃめちゃ嬉しそうで、大村さん気に入ってるんかなと思ったw
ズゴイ！
巷の人達に、何度も何度もマーティはスーパーギタリスト！と伝えてるから、この番組を観せないといかん。
タモリと一緒にテレビ出てた人、日本上手なカッコいいアメリカ人タレントと若い子達が言うんですよ。
スーパーギタリストですよ！皆さん！
カッコいい！感動しました。
11:18 ボストン好きの私にはしびれました☺️
生演奏完璧すぎるでしょ！？w
BOSTONサイコー！
配信、感謝します。 ローリーさん「師弟の間に入れなさ」をめっちゃうまく演出してますよねｗ
you give love A Bad Name これに「邦題」がつけられていた時代！ なつかしい・・・ ジョンボンジョヴィって、かっこいいサル顔ｗ
木村さん、なんかっつーとマーティ師匠のほう、見がちｗ 楽しげな精密機械ｗ たまらん！
課金させてくれ！ 対価を等価なる贖いをさせてください・・・
ぉ、ぉ、大村(恐る恐る)
神BAND