Miles Davis- November 7, 1971 Universitets Aula, Uppsala

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  • Опубликовано: 8 сен 2024
  • November 7, 1971
    Universitets Aula, Uppsala, Sweden
    MILES DAVIS
    Miles Davis- trumpet
    Gary Bartz- alto and soprano saxophones
    Keith Jarrett- electric piano, organ
    Michael Henderson- bass guitar
    Ndugu Leon Chancler- drums
    Don Alias- congas, percussion
    James Mtume- congas, percussion
    Directions (J. Zawinul)
    Honky Tonk (M. Davis)
    What I Say (M. Davis)
    Sanctuary (W. Shorter-M. Davis)
    It's About That Time (M. Davis)
    Yesternow (M. Davis)
    Funky Tonk (M. Davis)
    Sanctuary (theme) (W. Shorter-M. Davis)
    Concert recording, broadcast by Sveriges Radio
    If you enjoy these posts and would like to thank us for our efforts you can buy us a coffee:
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    Thank you!

Комментарии • 27

  • @MilestonesArchive
    @MilestonesArchive  2 года назад +4

    If you enjoy these posts and would like to thank us for our efforts you can buy us a coffee:
    ko-fi.com/milestonesarchive
    Thank you!

  • @PhilDawsonmusic
    @PhilDawsonmusic 10 месяцев назад +4

    On this tour, couldn't help noticing that 'It's About That Time' was unique in that it had a totally different bassline for every show. Only the key stayed the same.

  • @kryptoniteswe
    @kryptoniteswe 8 лет назад +20

    I was there!

  • @albertusaanka
    @albertusaanka 5 лет назад +16

    I was there! It´s was a great moment in my musical life!

  • @ulyssesgrantgarnerjr6395
    @ulyssesgrantgarnerjr6395 Год назад +3

    “Dante’s Inferno” has an aural presentation achieved only through the improvised genius of this truly significant Band. Miles was not afraid to unearth the hidden languages of those life forces buried in the soil and which has co-existed with our understanding of modern day spiritual development.There is a profound story of human emotions and spiritual development in these savage music onslaughts.A story just as essential as the magnificent unveiling of Trane’s “Meditations”.

  • @docnelson2008
    @docnelson2008 Год назад +3

    Amazing to think that Keith hated this music and yet fitted in so well in one of the most creative Miles bands-great music!

    • @dmellis
      @dmellis 10 месяцев назад

      It's a nice contrast to hear the 1971 lineup without Chick Corea and get to hear Keith doing even more. I prefer this lineup with Jack DeJohnette. No putdown on anyone who played in the band during this era. I like just about all of them.

  • @DouglasF68
    @DouglasF68 2 года назад +2

    Miles always had the cutting edge musicians along for the ride. 😊🎉❤

  • @monsterjazzlicks
    @monsterjazzlicks 2 года назад +2

    Some fine solos here!!!

  • @a3081952
    @a3081952 8 лет назад +5

    Great performance

  • @eye7635
    @eye7635 2 года назад +2

    Keith Jarrett was and remains a musical snooze everyone else is great and beyond

    • @gregwickstrom5479
      @gregwickstrom5479 2 года назад +2

      Keith couldn't be funky and didn't want to play the Rhodes. His self-absorbed bullshit didn't add to the music. I would have preferred to hear Herbie expand this music or have a great guitarist and no keyboards like Miles did ten years later.

    • @bmuhamad
      @bmuhamad Год назад +1

      @@gregwickstrom5479 Interesting enough, Charles Lloyd, inferred that Miles "took" Jack & Keith from his band, re: "The Forest Flower" album.

    • @cali22boi
      @cali22boi 2 месяца назад

      ​@@gregwickstrom5479 interesting, because he stated that Jarrett was his (Miles') favorite Rhodes player

  • @albertmiller3082
    @albertmiller3082 Год назад +1

    Not long after this, Miles took a big turn & never looked back. The Miles and that band I saw Sept 10 1972 was a different cat.

    • @user-vw1vf5cw7d
      @user-vw1vf5cw7d 4 месяца назад +1

      Possibly the pinnacle of his career, you are very lucky. Carlos Garnett made a huge difference, I think he was the one saxophonist that blended with Miles the most. Somewhere I read that Miles off stage didn't get along with him because on stage he was such a dominating presence, like he was the co-leader

    • @albertmiller3082
      @albertmiller3082 4 месяца назад +1

      @@user-vw1vf5cw7d I caught Miles five times between Sept 72 and and December 74 and each experience was unsurpassed. At this period, Miles was fire.

    • @user-vw1vf5cw7d
      @user-vw1vf5cw7d 4 месяца назад +1

      @@albertmiller3082 you are a very lucky man. I was not even born back then. Back in the '80s I was listening to Miles playing "time after time" and I was thinking that he was an old fart. Then I listened On the corner in a radio broadcast and I discovered the real Miles.

    • @albertmiller3082
      @albertmiller3082 4 месяца назад

      @@user-vw1vf5cw7d Time After Time was a ballad that Miles embraced but wasn’t indicative of the Miles material overall. Miles started in the 1940’s with Charlie Parker doing bebop jazz. He evolved and brought John Coltrane onboard. Later, Herbie Hancock and Wayne Shorter.
      The electric Miles era was an absolutely fantastic time. Miles was miles beyond anyone else.

  • @montaukbiker
    @montaukbiker Год назад +1

    Rodeo on the Rodeo !

  • @gba7878
    @gba7878 Год назад +1

    Underbart! Verkligen kul att du hittat den här konserten!

  • @jedtulman46
    @jedtulman46 8 месяцев назад

    Everyone follow along with Keith Jarrett!

  • @neocolors
    @neocolors 3 года назад +3

    54:29
    The lick! Twice! (I‘m sorry, I couldn‘t resist)

  • @himnosantiguos
    @himnosantiguos Год назад

    Cristo nunca nos soltara de su mano mientras nosotros sigamos el buen camino si lo cres dale like por favor

  • @monsterjazzlicks
    @monsterjazzlicks 2 года назад

    Sim. to "What I Say" !

  • @DMC1982
    @DMC1982 3 месяца назад

    Free Palestine 🇵🇸✌🏼