I’m primarily a jazz player but am playing this concerto in the final round audition for an Air Force band, coming up in April. Your tone, conception and execution of this piece is really phenomenal! Also, thought you’d find it interesting that your interpretation is currently the version used on the RUclips video with the score.
This concerto, like the Bloch Symphony, deserves a much greater audience relative to the 'usual' suspects. The orchestral part goes a long way to making it listenable because its cleverly scored for an audience schooled by film music and not otherwise given to modern instrumental repertoire. Well played too, except that there is nothing in the orchestral parts or score to suggest, mirror, or support the choice of the heavy handed 'jazz' inflections in the solo part. I think the melodic line itself is sufficiently 'bluesy' to achieve the popular 'desired' (as called for in the music) effect and affect.
Видеоклипы
![Henri Tomasi - Concerto for Trombone (1956) [Score-Video]](http://i.ytimg.com/vi/wg8BLxs---E/mqdefault.jpg)
I’m primarily a jazz player but am playing this concerto in the final round audition for an Air Force band, coming up in April. Your tone, conception and execution of this piece is really phenomenal! Also, thought you’d find it interesting that your interpretation is currently the version used on the RUclips video with the score.
I aspire to achieve this level of musicality and sound quality in my playing. You're an inspiration at its finest my friend.
This is so good . The tone is so great ! Perfect performance indeed !
Wow. Holy sh*t. Such an amazing sound and performance, your technique and musicality absolutely blew me away. bravo
i see you on many comments sections.
@@josedlc_1090 yep, love trombone
Tremendous playing Kris!
Really wonderful tone quality and interpretation. Subscribed after the first couple minutes.
Still amazing♥️
Amazing
Amazing playing!
This concerto, like the Bloch Symphony, deserves a much greater audience relative to the 'usual' suspects. The orchestral part goes a long way to making it listenable because its cleverly scored for an audience schooled by film music and not otherwise given to modern instrumental repertoire.
Well played too, except that there is nothing in the orchestral parts or score to suggest, mirror, or support the choice of the heavy handed 'jazz' inflections in the solo part. I think the melodic line itself is sufficiently 'bluesy' to achieve the popular 'desired' (as called for in the music) effect and affect.
Absolute mad lad
bravo！！！
Bravísimo
Bravo
Sounds amazing! May I know what mouthpiece do you use?
Dietmar Riener Thank you!! It’s just a standard Bach 5G.
Well done!
11:50
Lol the opening motif came straight from clarinet concerto
But the rest of the concerto is very original. An example of the French School
May I know what is your trombone brand?????
Your technique is very amazing!!!
I like your music!!!!!!!!
Way Lin thanks! It’s a Courtois Legend 440 🙃
Bravo