In the early 18th century, J.S. Bach wrote about his family's legacy, which included so many accomplished musicians. And in it, he noted that his great-great grandfather, a baker / miller, was known to have played a cittern whilst awaiting the grinding of the mill. This was sometime around 1600 and would seem to have been the first musician that could be traced back in Bach's remarkable musical family.
The bloke asking about Celts and the banjo.. well no, The banjo came into American music via Africa, was developed by an Irish American musician Joel Walker Sweeney in the 19th century, Went into jazz as the Tenor and then much later from the 1920s came into Irish music in Irish American dance bands, then became dormant. It came back into prominence in the 1960s because of Barney McKenna of the band the Dubliners. Ancuent Celts played wind instruments and harps. Long necked instruments came into Europe via Arabia during the crusades.
Modern citterns are really mandolin/mandola family instruments, and only acquired the name because Stefan Sobel (instrument maker) wanted a name for the ten string version. They have only a superficial resemblance to the renaissance cittern.
@@binary132I`ve got three citterns and two of them (a Nordwall and a Folkfreunde) are totally flat bottomed and the third (a Wetterstrand) almost flat.
this is so wonderful!...it may be swedish in orgin but it sounds like it has roots in other countries.. i'm really digging the piece you did.. it makes me want a Cittern even more.
this is very swedish trad.folk sound - there are different styles of "swedish" sounds. but you are right - folk music is always connected with other folk music. there will always be influences and connections
Wonderful - a real inspiration - I play cittern tuned GDGDG or GDADG but this tuning is nice - worked out lowest string is F?. I think - how are you tuned - your fingers work fast and it is difficult to work out your tuning. Havent been playing long but see why people fall in love with this instrument.Many Thanks - Jon
It's more or less the same as an Irish bouzouki with an added fifth course: already a hybrid between a Greek bouzouki, and a flat-backed mandola (which would usually have a shorter neck). Irish musicians took this instrument up in the 1960's.
beautiful playing! and a truly magnificent sounding instrument. why does it sound so deep and rich but nice and flat rather than reverb-heavy? Is that the type of woods used or the preamp?
WOW!!!!! This rocks HARD!!! Did you compose or arrange it? I don't recognize the piece at all although it sounds Celtic. You sir, are an accomplished musician. You have the chops (and looks, lol) to do some hard-core cross-over arrangements and break into mainstream culture with this.... would LOVE to turn on the radio some day and hear this wonderful sound!!!
Thanks for your comment and the kind words! It's an improvisation on a traditional tune from Sweden. You can listen to my bands Basco and Dreamers' Circus if you want to hear more!
+Ale Carr I came across this whilst browsing. Absolutely fantastic. I myself play (predominantly irish music on the low whistle) - in fact my former band (Choonz) almost did a joint tour with Rune Barslund's band Kasir, whom i see you've done some playing with. Well, I love your playing. Wild, with a deftness of touch. It feels quite close in spirit to the music I play, and recently, I've begun appropriating tunesfrom the scandinavian traditions, like svampmannen and vilse in betlandet from vasen into my playing. Really makes me wonder how old the respective musical traditions really are, and how much norse music has influenced the traditions on our islands. (apart from the more obvious examples like the Shetland island traditions). Incidentally, do you have the sheet music for this piece, and a name for it? Feel embarrassed to ask - i nearly always learn by ear, but i find it harder to pick it out when the melody line is on cittern/ bouzouki etc.
Hi there. Is the bass strings with silk core just like a classical guitar? It sounds so much softer and authentic than most other cittern videos I've listened to. Thanks
Hello. Yes, the bass strings are nylon strings. The D is a Hannabach string for acoustic bass guitar, and the G is a D'Addario for classical guitar. I'm glad that you perceived it that way, as that is what I'm looking for :-)
Apparemment tu es français alors je tente la réponse dans cette langue : je pense que cette sonorité - qui m'a époustouflée moi aussi - vient de cordes fines sur une grande longueur vibrante. Et d'un très bon micro, aussi, qui capte même les sons les plus doux. Ale joue beaucoup en pull/hammer, ce qui donne un jeu riche en ornementations, et de plus le cistre nordique est un instrument riche en harmoniques (il y a quand même 3 chœurs accordés en D, ça doit résonner un max !).
Hey, thank you for the reply! I'm thinking about making a cittern this summer and wanted to include some kind of internal audio out so this helps a lot!
the response is no longer in my email but I copied this reply from somewhere and put it into my notes. I'm pretty sure this is the only place I would have copied it from. "internal system Highlander IP-2 w/ internal DPA microphone, with a stereo output with the two sources on different channels. I split them up into a Felix preamp and EQ where they mix together before they go on to the mixing console"
It's a mixture of steel strings and nylon classical strings. He gives some details about it here: www.mandolincafe.com/forum/showthread.php?101646-Ale-Carr-great-Swedish-cittern-player&s=7db5b636738d6a685ef9f28d5be760c7&p=1236358&viewfull=1#post1236358
Also see Erik Larsson's comments on this video: ruclips.net/video/c6LxChFIVRg/видео.html , particularly the one that starts with "As follows (low to high)", for more about how this type of stringing can be put together.
John VanDruff, almost all swedish folk music derives from a dancing culture. This is not drinking music it's a polska and a very special rythm for dancing.
Thanks Christopher! It's quite uncommon to play Nordic ornaments on citterns, so I see why you would get the middle-eastern reference. We use many of the same techniques.
Hello Lawrence. I'm Swedish, and the music you're hearing traditional Swedish music, played with traditional Scandinavian phrasing and ornamentation. If the music reminds you of arab music, one can only conclude that the world isn't as different as you might think :-)
In the early 18th century, J.S. Bach wrote about his family's legacy, which included so many accomplished musicians. And in it, he noted that his great-great grandfather, a baker / miller, was known to have played a cittern whilst awaiting the grinding of the mill. This was sometime around 1600 and would seem to have been the first musician that could be traced back in Bach's remarkable musical family.
I never would have guessed this was Swedish folk music. It has an Eastern sound to my ear. You have a new fan. Thank you for sharing.
Voilà un très joli morceau, merci pour le partage !
Beautiful! I have to listen to this on repeat for a while to soak it all up.
this guy should join Dreamers' Circus
Nah, they have a guy just like him already :D
Bravo bravo bravo! Where can I buy such a pleasant archaic instrument ? Goosebumps...
WoW! Beautiful playing!! Thank you for sharing your acoustical talents!!
Beautiful
The bloke asking about Celts and the banjo.. well no, The banjo came into American music via Africa, was developed by an Irish American musician Joel Walker Sweeney in the 19th century, Went into jazz as the Tenor and then much later from the 1920s came into Irish music in Irish American dance bands, then became dormant. It came back into prominence in the 1960s because of Barney McKenna of the band the Dubliners. Ancuent Celts played wind instruments and harps. Long necked instruments came into Europe via Arabia during the crusades.
I just saw this dude on BBC proms! Damn...
That was a fun gig :D
Modern citterns are really mandolin/mandola family instruments, and only acquired the name because Stefan Sobel (instrument maker) wanted a name for the ten string version. They have only a superficial resemblance to the renaissance cittern.
Ok, thank you for that explanation. Up until today, I had never heard this instrument! What a beautiful sound!
Don´t they have flat bottoms? Would they be close to renaissance citern with all-metal strings?
@@paavobergmann4920no, I think modern citterns are round-bodied.
@@binary132I`ve got three citterns and two of them (a Nordwall and a Folkfreunde) are totally flat bottomed and the third (a Wetterstrand) almost flat.
Tremendous! Inspired me to add a cittern to my collection/pursuits!
Absolutely enchanting.
Wonderful, congratulations I rally loved this instrument!
Wow! Well done.
👍
this sounds very medieval, I like that sort of modal tonality
this is so wonderful!...it may be swedish in orgin but it sounds like it has roots in other countries.. i'm really digging the piece you did.. it makes me want a Cittern even more.
this is very swedish trad.folk sound - there are different styles of "swedish" sounds. but you are right - folk music is always connected with other folk music. there will always be influences and connections
Best mandola solo that I`ve heard ..
Simply wonderful, thanks so much for posting this!
Greetings from Canada.
Stunning performance
Hej Ale, I stumbled over your videos the other day and lord, I'm glad I did! Such wonderful music!
Tack så mycket för underbart musiken!
Gorgeous sound!!
I love your solo work.
Makes me want to break out the tambourine 😊
sweet job
Wonderful tune and instrument! Are there only metal strings? It sounds like they are not all metal
Wonderful - a real inspiration - I play cittern tuned GDGDG or GDADG but this tuning is nice - worked out lowest string is F?. I think - how are you tuned - your fingers work fast and it is difficult to work out your tuning. Havent been playing long but see why people fall in love with this instrument.Many Thanks - Jon
It's more or less the same as an Irish bouzouki with an added fifth course: already a hybrid between a Greek bouzouki, and a flat-backed mandola (which would usually have a shorter neck). Irish musicians took this instrument up in the 1960's.
beautiful playing! and a truly magnificent sounding instrument. why does it sound so deep and rich but nice and flat rather than reverb-heavy? Is that the type of woods used or the preamp?
Nice playing ale..who is the maker of your cittern..
Thanks Patrick! It's the one and only Christer Ådin.
I love the Cittern playing AND your name!
Fantastic! Absolutely fantastic!
I have to ask, is that mandola built by Christer Ådin?
holy moly this is badass
Great!
WOW!!!!! This rocks HARD!!! Did you compose or arrange it? I don't recognize the piece at all although it sounds Celtic. You sir, are an accomplished musician. You have the chops (and looks, lol) to do some hard-core cross-over arrangements and break into mainstream culture with this.... would LOVE to turn on the radio some day and hear this wonderful sound!!!
Thanks for your comment and the kind words! It's an improvisation on a traditional tune from Sweden. You can listen to my bands Basco and Dreamers' Circus if you want to hear more!
Very nice !!!!!!!
Thanks a lot for the music sheet ! Let's goooooo ! :-p
fantastic
+Ale Carr I came across this whilst browsing. Absolutely fantastic. I myself play (predominantly irish music on the low whistle) - in fact my former band (Choonz) almost did a joint tour with Rune Barslund's band Kasir, whom i see you've done some playing with. Well, I love your playing. Wild, with a deftness of touch. It feels quite close in spirit to the music I play, and recently, I've begun appropriating tunesfrom the scandinavian traditions, like svampmannen and vilse in betlandet from vasen into my playing. Really makes me wonder how old the respective musical traditions really are, and how much norse music has influenced the traditions on our islands. (apart from the more obvious examples like the Shetland island traditions). Incidentally, do you have the sheet music for this piece, and a name for it? Feel embarrassed to ask - i nearly always learn by ear, but i find it harder to pick it out when the melody line is on cittern/ bouzouki etc.
You can find the basic melody here www.folkwiki.se/Musik/274
Hi there. Is the bass strings with silk core just like a classical guitar? It sounds so much softer and authentic than most other cittern videos I've listened to. Thanks
Hello. Yes, the bass strings are nylon strings. The D is a Hannabach string for acoustic bass guitar, and the G is a D'Addario for classical guitar. I'm glad that you perceived it that way, as that is what I'm looking for :-)
Apparemment tu es français alors je tente la réponse dans cette langue : je pense que cette sonorité - qui m'a époustouflée moi aussi - vient de cordes fines sur une grande longueur vibrante. Et d'un très bon micro, aussi, qui capte même les sons les plus doux. Ale joue beaucoup en pull/hammer, ce qui donne un jeu riche en ornementations, et de plus le cistre nordique est un instrument riche en harmoniques (il y a quand même 3 chœurs accordés en D, ça doit résonner un max !).
That edit at 3:02; that face says it all. 8-0 Great playing, though.
the internal source disspapeared , it seems !
Ale, what is the name of the tune? Or did you compose it?
does your cittern have an internal preamp and microphone?
Hey, thank you for the reply! I'm thinking about making a cittern this summer and wanted to include some kind of internal audio out so this helps a lot!
@@elliotbryant3459 His reply is gone, what did he say?
the response is no longer in my email but I copied this reply from somewhere and put it into my notes. I'm pretty sure this is the only place I would have copied it from.
"internal system Highlander IP-2 w/ internal DPA microphone, with a stereo output with the two sources on different channels. I split them up into a Felix preamp and EQ where they mix together before they go on to the mixing console"
So what strings is Ale using here? They sound like gut or nylon guitar strings. No idea what tuning he's using either.
It's a mixture of steel strings and nylon classical strings. He gives some details about it here: www.mandolincafe.com/forum/showthread.php?101646-Ale-Carr-great-Swedish-cittern-player&s=7db5b636738d6a685ef9f28d5be760c7&p=1236358&viewfull=1#post1236358
Also see Erik Larsson's comments on this video: ruclips.net/video/c6LxChFIVRg/видео.html , particularly the one that starts with "As follows (low to high)", for more about how this type of stringing can be put together.
Hi there. Can anyone figure tuning?
DGDAD
I can.
Hur är den stämd?
Does anyone know what tuning he's using?
I use DGDAD!
Sådan vil jeg også lære at spille!
This would make a great drinking song..
John VanDruff, almost all swedish folk music derives from a dancing culture. This is not drinking music it's a polska and a very special rythm for dancing.
@@johanheden9517 are you implying that dancing and drinking do not go hand in hand?
tuning?
Tuned in 5ths with a high B.
It's a polska and very swedish.
Sounds sort of Mid-Eastern
Thanks Christopher! It's quite uncommon to play Nordic ornaments on citterns, so I see why you would get the middle-eastern reference. We use many of the same techniques.
What's a fine white Irish lad doing playing this Ali Baba music??
Hello Lawrence. I'm Swedish, and the music you're hearing traditional Swedish music, played with traditional Scandinavian phrasing and ornamentation. If the music reminds you of arab music, one can only conclude that the world isn't as different as you might think :-)