We will never see the likes of these two again, and here together, the great Italian soprano and the great American tenor Richard Tucker, who first was a Synagogue Cantor and then became the leading American Metropolitan operatic tenor in his time.
The world doesn’t need more bad performers like them. Fortunately the ones who came before and even Callas showed that true opera can be better than subpar as shown there.
@@道-p2e Yes, both artists where two of the very greatest in their own time, and they both rank with those greatest opera singers of all time. --- RIP. Tucker/Tebaldi
@@道-p2eAh it’s the troll of Ms Greene, with nothing fresh but ignorance and venom! I’ve seen your unwarranted comments towards her and honestly boy, you are pathetic.
I adjust the volume on my videos to cater for people with poorer speaker systems. I am sure you have heard both these singers. Thanks for your comment.
@@RadamesAida2Operalovers Yes, I saw both in house, Tebaldi first in 1959 with GDS in Tosca, she then was sensational, and did see Tucker also, I did see him sing in house, probably at least 20 times, in opera and concert both, also as a Cantor in Chicago, where he sang yearly. Got to know him very well, and had dinner sometimes with him and friends, after he sang. In house his sound was greater then on records, in fact Rosa Ponselle told James Drake (He wrote the Ponselle and Tucker books ) she heard him sing for her at her home and she then said Tucker was "the greatest Spinto in his time" and that he sounded different in house, she also said "people who bought his records should get their money back, because he didn't sound like that live!" (that was how good she thought he was)
@@RadamesAida2Operalovers Again, thanks for posting this and doing a great job with the old TV live sound, which was never back in those days very good!
@@shicoff1398 There are a couple of channels on RUclips that attack Tebaldi and say she was not a good singer. I think these people must be mindless morons. The quality of her sound surpasses so many. I prefer to hear her sing a top note flat than someone else in tune.
@@RadamesAida2Operalovers I agree and understand completely and will give you my theory on that, from the Tebaldi haters, firstly I saw her in house, also in Italy and that was thrilling, she did not sing flat up top when I saw her and it was only an occasional thing and mostly later, so what? Your caught up in the live performance in house, not taking apart every note in your living room at home, so on studio recordings they have re -takes, no flat notes usually-- but live you are not taking every note apart in the house as you sit there, and her flat note times are not that often anyhow, early not much at all, the haters have this Agenda, I'll tell you now, a reason---CONT
Oh yes, and they personally liked and respected each other, on and off the stage, yet both where from different beginnings, but joined in their greatness. -- Two of the worlds greatest. RIP.
@@robertfulvio5723Where are your ears? Have you not heard Eileen Farrell with Franco Corelli, Onelia Fineschi with Giuseppe di Stefano, Bernardo de Moro and Augusta Oltrabella, Angelo Loforese and Alysia Maragliano, or even Lina Bruna Rasa with Luigi Marini? Your lack of musical knowledge is shocking! Please don’t embarrass yourself further and instead listen to those singers!
@@KimberlyNoel-yc7dl I admit that I only know Farrell, Corelli, Di Stefano and Bruna Rasa but I cannot imagine anyone singing that duet any better than Tebaldi and Tucker did. However, musical taste is subjective. So you are right---to each one's own.
@@robertfulvio5723 Then why insult someone else for sharing their observations? You don’t need to know music to know how to treat people, or is it that you don’t want to or don’t know how to? Think on that.
@@ginopietracupa4305 Sorry about the confusion. Since E.G has been sending irrespectively non fact supporting commenting to so many great voices, such as MDM, Ettore Bastianini, Richard Tucker, Apollo Granforte... Her "tricks" are calling them average, and comparing them to Caruso, by lifting up Caruso to beat down all others...
Great or maybe the finest role and at age 60, Richard Tucker's stunning aria, and see in the very last, the list of E.G, boring comment again. ruclips.net/video/757FoiLTu1U/видео.html
@@道-p2e Don't forget she said Robert Merrill had an "awful voice and a terrible performer" I was not surprised by the ladies flaming of some very fine singers after seeing so many she dislikes, but she needs to give reasons as for her dislike of those singers she flames. Anyhow anyone can post any comment they like on you tube, but it doesn't make it right of course.
ruclips.net/video/757FoiLTu1U/видео.html Tucker sounded like a young peak tenor, while right before his dying, see this aria and performing, today's overpaid lazy singers not even half of that...
This is so precious 🥺 I have tears in my eyes. Wish I could have lived in a different era.
I went to an operatic concert yesterday and could not stand the singing, left early. Thank you so much for giving us gems to listen to with love...
Marvelous😍!
Inégalable Renata Tebaldi, je ne. me lasse pas d'entendre la beauté de sa voix, la pureté de son timbre.
Et n'oublions pas non plus Richard Tucker ! Magnifique aussi ici. Un chant d'une nuance rarement entendue d'un ténor spinto !
@@abcdefgh-db1to Yes he was our American greatest Spinto tenor . RIP.
Beautiful timbre
MERAVIGLIOSI!!!!!!!!!!
Wow she is enjoying her best time❤
This is what you call great singing. Oh to have a Tebaldi or a Tucker today.
We will never see the likes of these two again, and here together, the great Italian soprano and the great American tenor Richard Tucker, who first was a Synagogue Cantor and then became the leading American Metropolitan operatic tenor in his time.
The world doesn’t need more bad performers like them. Fortunately the ones who came before and even Callas showed that true opera can be better than subpar as shown there.
UNBELIEVABLE !! The perfect balance, beautiful shifting of nuances and colour from both. Exciting, beautiful operatic singing at it's best !
100% Agree. I would love to go this kind of operatic all night...
@@道-p2e Yes, both artists where two of the very greatest in their own time, and they both rank with those greatest opera singers of all time. --- RIP. Tucker/Tebaldi
@@道-p2e There you go with ignorance and hypocrisy again. So hypocritical.
@@emilygreene3460 What a surprise, you make up new words in 2022, congratulations. Try harder for new tricks...
@@道-p2eAh it’s the troll of Ms Greene, with nothing fresh but ignorance and venom! I’ve seen your unwarranted comments towards her and honestly boy, you are pathetic.
Yes--Thanks--- this one is in better sound then any before--- TV shows back in 1957 , often where not in great sound.
I adjust the volume on my videos to cater for people with poorer speaker systems. I am sure you have heard both these singers. Thanks for your comment.
@@RadamesAida2Operalovers Yes, I saw both in house, Tebaldi first in 1959 with GDS in Tosca, she then was sensational, and did see Tucker also, I did see him sing in house, probably at least 20 times, in opera and concert both, also as a Cantor in Chicago, where he sang yearly. Got to know him very well, and had dinner sometimes with him and friends, after he sang. In house his sound was greater then on records, in fact Rosa Ponselle told James Drake (He wrote the Ponselle and Tucker books ) she heard him sing for her at her home and she then said Tucker was "the greatest Spinto in his time" and that he sounded different in house, she also said "people who bought his records should get their money back, because he didn't sound like that live!" (that was how good she thought he was)
@@RadamesAida2Operalovers Again, thanks for posting this and doing a great job with the old TV live sound, which was never back in those days very good!
@@shicoff1398 There are a couple of channels on RUclips that attack Tebaldi and say she was not a good singer. I think these people must be mindless morons.
The quality of her sound surpasses so many. I prefer to hear her sing a top note flat than someone else in tune.
@@RadamesAida2Operalovers I agree and understand completely and will give you my theory on that, from the Tebaldi haters, firstly I saw her in house, also in Italy and that was thrilling, she did not sing flat up top when I saw her and it was only an occasional thing and mostly later, so what? Your caught up in the live performance in house, not taking apart every note in your living room at home, so on studio recordings they have re -takes, no flat notes usually-- but live you are not taking every note apart in the house as you sit there, and her flat note times are not that often anyhow, early not much at all, the haters have this Agenda, I'll tell you now, a reason---CONT
So precious video, I love both!!! Legendary and so so Glorious!!!
Oh yes, and they personally liked and respected each other, on and off the stage, yet both where from different beginnings, but joined in their greatness. -- Two of the worlds greatest. RIP.
Cannot get tired of them!
@@shicoff1398 I will never be tired of their's, not only voice, but the performing is at the highest fine tuned level. So rich!❤
@@道-p2e Both great, even if in fair 1950's TV sound.
I always liked Sullivan, a real classy guy, but he did mess up foreign names on occasion, like here with the great Tebaldi.
Honestly, I’ve heard better but to each their own. God bless!
Really? Where? When?
You cannot have heard any singers do this duet better. Where are your ears?
@@robertfulvio5723Where are your ears? Have you not heard Eileen Farrell with Franco Corelli, Onelia Fineschi with Giuseppe di Stefano, Bernardo de Moro and Augusta Oltrabella, Angelo Loforese and Alysia Maragliano, or even Lina Bruna Rasa with Luigi Marini? Your lack of musical knowledge is shocking! Please don’t embarrass yourself further and instead listen to those singers!
@@KimberlyNoel-yc7dl I admit that I only know Farrell, Corelli, Di Stefano and Bruna Rasa but I cannot imagine anyone singing that duet any better than Tebaldi and Tucker did. However, musical taste is subjective. So you are right---to each one's own.
@@robertfulvio5723 Then why insult someone else for sharing their observations? You don’t need to know music to know how to treat people, or is it that you don’t want to or don’t know how to? Think on that.
I would love to say something but I have to wait for Emily Greene to give her opinion first as she is always correct. Lmao, Amazing duet!
She is running out off her tricks, so negative.
@@道-p2e don't know what you mean, what tricks ?
@@ginopietracupa4305 Sorry about the confusion. Since E.G has been sending irrespectively non fact supporting commenting to so many great voices, such as MDM, Ettore Bastianini, Richard Tucker, Apollo Granforte...
Her "tricks" are calling them average, and comparing them to Caruso, by lifting up Caruso to beat down all others...
Great or maybe the finest role and at age 60, Richard Tucker's stunning aria, and see in the very last, the list of E.G, boring comment again.
ruclips.net/video/757FoiLTu1U/видео.html
@@道-p2e Don't forget she said Robert Merrill had an "awful voice and a terrible performer" I was not surprised by the ladies flaming of some very fine singers after seeing so many she dislikes, but she needs to give reasons as for her dislike of those singers she flames. Anyhow anyone can post any comment they like on you tube, but it doesn't make it right of course.
I wish I was born back then. Today's six-pack tenors don't compare at all.
ruclips.net/video/757FoiLTu1U/видео.html
Tucker sounded like a young peak tenor, while right before his dying, see this aria and performing, today's overpaid lazy singers not even half of that...