Such a powerfull sound, and the way he's conducting, leading the voices, how he takes it out, like he was bringing out forgotten tresures...A great master!
This way of playing.... at the highest level possible , once again, , I bet is always dedicated to the memory of Ivo´s mentor, teacher, and wife, Alice Kerezade, who lovingly passed on to him the tradition of the Liszt-Siloti school, before her untimely death in 1996. This sublime and transcendental kind of playing in such a state of grace sure pays homage to this exceptionally refined, visionary, and truly revolutionary woman, who made Pogorelich not only a unique artist of genius, but the best ever at the level of Horowitz and Maria Callas. Ivo Pogorelich is not only an artist of the highest caliber, discipline and musicianship, but the archetype of the modern artist, the isolated and courageous master, who finds his own way to new heights of expression, no matter the prejudices or the barriers of misunderstanding raised against him. He stands alone at the beginning of a new epoch like a prophet, mapping the routes that art would take. Pogorelich´s cathartic and mystical sound, is concerned with the ultimate mysteries that transcend this world. His grandiose, colossal and majestic art, symbolizes the struggle of the human soul to find release from the bonds of its material body. His exquisite and overwhelming music continues to echo throughout the entire performance and beyond, so the action is at once momentary, eternal and complete. Pogorelich´s interpretations are indescribably beautiful and irresistible. His sound is pure poetry and extremely emotional, yet entirely unsentimental. We are hypnotized by his new and radical naturalness, by his nobility, dignity, severity and sobriety; transporting us to states of wonder, ecstasy, meditation, love and compassion. Sound and Silence, Life and Death, Time and Space; collapse into the Eternal moment of Infinity.
@@bv5681 Willkommen in der Welt von Pogorelich, dem unerreichbaren Genie. Diese Art zu spielen.... auf höchstem Niveau, noch einmal, ich wette, es ist immer dem Andenken an Ivos Mentorin, Lehrerin und Ehefrau Alice Kerezade gewidmet, die ihm die Tradition des Liszt-Siloti-Schule, vor ihrem frühen Tod 1996. Diese erhabene und transzendentale Art des Spiels in solch einem Zustand der Anmut ist eine Hommage an diese außergewöhnlich raffinierte, visionäre und wahrhaft revolutionäre Frau, die Pogorelich nicht nur zu einem einzigartigen Künstler von Genie gemacht hat, sondern zum besten aller Zeiten auf der Ebene von Horowitz und Maria Callas. Ivo Pogorelich ist nicht nur ein Künstler von höchstem Niveau, Disziplin und Musikalität, sondern der Archetyp des modernen Künstlers, des isolierten und mutigen Meisters, der seinen eigenen Weg zu neuen Ausdruckshöhen findet, ungeachtet der Vorurteile oder der Barrieren des Missverständnisses gegen ihn erhoben. Wie ein Prophet steht er allein am Anfang einer neuen Epoche und zeichnet die Wege der Kunst nach. Pogorelichs kathartischer und mystischer Sound beschäftigt sich mit den ultimativen Mysterien, die diese Welt transzendieren. Seine grandiose, kolossale und majestätische Kunst symbolisiert den Kampf der menschlichen Seele, sich von den Fesseln ihres materiellen Körpers zu lösen. Seine exquisite und überwältigende Musik hallt während der gesamten Aufführung und darüber hinaus wider, sodass die Handlung gleichzeitig vorübergehend, ewig und vollständig ist. Pogorelichs Interpretationen sind unbeschreiblich schön und unwiderstehlich. Sein Sound ist pure Poesie und äußerst emotional, aber völlig unsentimental. Wir sind hypnotisiert von seiner neuen und radikalen Natürlichkeit, von seiner Vornehmheit, Würde, Strenge und Nüchternheit; der uns in Zustände des Staunens, der Ekstase, der Meditation, der Liebe und des Mitgefühls versetzt. Klang und Stille, Leben und Tod, Zeit und Raum; in den ewigen Moment der Unendlichkeit einstürzen.
@@Chopin4321 Thank you.We're coming from same country 🥰. I've tried to post ticket, I do not know why but does not go.26.02. Stuttgart 8p.m.Liederhalle, Beethoven-sall.
Here I will post a part of interview.He gave it to Die Velt 2006.Post is written in Cro-Srn lang. Morao sam da se ponovo osmislim. Bila je tako zahtevna. Obukla je sebe u umetnost, upijala je i gutala. Bila je tako univerzalna. Imala je sve - klasu, obrazovanje, lepotu, talenat i privrženost. Isijavala je sve kao kometa. Nikad niste mogli ići u korak sa njom, jer je uvek bila ispred vas. Čak i u smrti bila je i dalje princeza kakva je i rođena. Imala je karcinom jetre, a kad je umirala jetra joj je eksplodirala. Poslednjim poljupcem okupala me je crnom krvlju, tako da sam izgledao kao Fantom iz Opere. Moja kosa je bila u ugrušcima, ali nisam želeo da je operem. Svi su to razumeli. Bilo je to kao sa Džeki Kenedi koja nije želela da promeni haljinu koja je bila umazana prosutim mozgom njenog supruga. Bio sam srećan sa njom, ali tada sam znao da ću morati da stanem na svoje dve noge. Samo mi je trebalo mnogo vremena. Dugo nisam mogao da dodirnem klavir, jer su me sećanja plavila kao Nijagarini vodopadi i trebalo je dosta vremena da prođe pre nego što sam opet mogao biti kreativan. Aliza me je oblikovala onako kao kada svakodnevno oštrite nož. Kada je došla u moj život imao sam samo 17 godina.
Why does he sound like this and how and if someone could answer would be very thankfull? I just want to know about this, because his sound is really unique, no one is able to or let may say has made such a sound with the piano. I admire him a lot.
la mejor musica española tocada por el mejor, este es el perfume de españa, asi huelen los campos y las almas, cuanta cortesia, caballerosidad, nobleza y belleza...escucha el silencio final...lo dice tooo...soledad sonora...mistica y eternidad
He has always played well!! He is an extremely talented musician and pianist. You might like his interpretations or not but that doesn’t mean he doesn’t play well!
freeze at 3:09 his left hand stretches easily a nith from G to B, and right hand makes comfortably a tenth from D to G...his body and mind relaxation while concentrated is fascinating and unique, he is the most natural musician
Actually G to B is a 10th and D to G an 11th - he really does have big hands! Hamelin can just span an 11th as well - but Ivo looks almost as though he could do a 12th at a stretch
I love so much these Spanish Danses, but I love also Jean Rondeau (French clavecinist playing Sonata K 141 from Scarlatti ... that Ivo Pogorelich hadn't never enregistered (Yes!!!) See on RUclips (a video with a photo of him in black and white, he's looking at the sky, very inspired )!
que perfume tan familiar....increible, y que lejos esta del topico amateur y superficial español te tanto artista falso nacional y foraneo. sueño sonoro autentico, que cobra vida milagrosamente, y ese silencio final....bello...verdadero...abismal...se escuchan aplausos mudos de otros genios por venir la magia se revela, el sueño musical se hace real como la vida misma, inmutable cultura y esencia españolas, de antes, de ahora y de siempre, ivo parece español como paco de lucia, como goya y como velazquez, pogorelich es como rembrand pintando las meninas, misterios y medias sombras cerca de ese haz de luz español.
If you want to discuss with me and have further information about me, go to my Facebook Page and you will see, I don't collect friends, except 4 people, I know all the others personally, some knows me since a very long time when I was less than 6 months, I should be in my landau cousins, friends, Gabrielle (a neighbour, the young sister of 3 girls, ... who speaks very well Russian ("inspectrice des Langues Slaves pour la France de l'Est or more retired, her father born in St Petersburg in 1915 ...), Varvara Kutuzova, a young pianist very inspired too, I have know her first on RUclips and I was very impressioned by certain recitals and when she was playing Concerto n° 21 of Mozart ... I have seen that she was also on Facebook and so I 've invited to be my friend with one condition, I 've asked her not to write to me in Russian! My Russian is very poor, my own father, born in St Petersburg on the 17th of october 1913, so traumatised by the Russian Revolution refused to learn Russian to his own kids, a very bad idea ...even that my three brothers went yet to Russia, two seal Russian, some of their children, great children speak Russian, ... Dimitri and Kristina met themselves in Tomsk ... (Erasmus Foreign Exchange)
Ivo Pogorelic zachwycam się jego grą od pamiętnego Konkursu Chopinowskiego w Warszawie niestety jurorzy z wyjątkiem Marthy Argerich nie rozpoznali geniusza
Wonderful that he is giving us Granados. His sound is and has always been the most beautiful. More shades and colors. Michelangeli, Horowitz, Bolet, Arrau. I enjoy him much more. I don't know enough to make public soliloquies but Pogorelich has 8btegrity and this is not recorded well. He can be difficult with humans so I don't know who re order this I would like to hear something he has said is authorized . The piano sound he gets is still very gradated full of shade and variety. Beautiful in itself. Imagine the Ravel and Mussorgsky he could give now. I wish he'd play some Boulez Rzewsky or Bolcolm or even Stravinsky or Ligeti. Why can't pianists understand the art, archite tire, painting of today?
This guy has the nastiest aggressive banging tone of all the competition bangers I've heard in quite a while. Just brittle, ugly banging. Particularly that poor suffering music he was banging away at before he got to the encore. How can the piano possibly stay in tune for twenty minutes, much less survive more than a few concerts with this treatment?
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maestro Ivo's hands are just amazing ...fantastic quality and sound ...Martha Argerich was spot on declaring him a genius
what a great channel ! Love these intimate recordings of pogo ! Spanish piano music never sounded so good
Such a powerfull sound, and the way he's conducting, leading the voices, how he takes it out, like he was bringing out forgotten tresures...A great master!
This way of playing.... at the highest level possible , once again, , I bet is always dedicated to the memory of Ivo´s mentor, teacher, and wife, Alice Kerezade, who lovingly passed on to him the tradition of the Liszt-Siloti school, before her untimely death in 1996.
This sublime and transcendental kind of playing in such a state of grace sure pays homage to this exceptionally refined, visionary, and truly revolutionary woman, who made Pogorelich not only a unique artist of genius, but the best ever at the level of Horowitz and Maria Callas.
Ivo Pogorelich is not only an artist of the highest caliber, discipline and musicianship, but the archetype of the modern artist, the isolated and courageous master, who finds his own way to new heights of expression, no matter the prejudices or the barriers of misunderstanding raised against him. He stands alone at the beginning of a new epoch like a prophet, mapping the routes that art would take.
Pogorelich´s cathartic and mystical sound, is concerned with the ultimate mysteries that transcend this world. His grandiose, colossal and majestic art, symbolizes the struggle of the human soul to find release from the bonds of its material body. His exquisite and overwhelming music continues to echo throughout the entire performance and beyond, so the action is at once momentary, eternal and complete.
Pogorelich´s interpretations are indescribably beautiful and irresistible. His sound is pure poetry and extremely emotional, yet entirely unsentimental. We are hypnotized by his new and radical naturalness, by his nobility, dignity, severity and sobriety; transporting us to states of wonder, ecstasy, meditation, love and compassion.
Sound and Silence, Life and Death, Time and Space; collapse into the Eternal moment of Infinity.
Danke für den wunderbaren Text.
@@bv5681 Willkommen in der Welt von Pogorelich, dem unerreichbaren Genie.
Diese Art zu spielen.... auf höchstem Niveau, noch einmal, ich wette, es ist immer dem Andenken an Ivos Mentorin, Lehrerin und Ehefrau Alice Kerezade gewidmet, die ihm die Tradition des Liszt-Siloti-Schule, vor ihrem frühen Tod 1996.
Diese erhabene und transzendentale Art des Spiels in solch einem Zustand der Anmut ist eine Hommage an diese außergewöhnlich raffinierte, visionäre und wahrhaft revolutionäre Frau, die Pogorelich nicht nur zu einem einzigartigen Künstler von Genie gemacht hat, sondern zum besten aller Zeiten auf der Ebene von Horowitz und Maria Callas.
Ivo Pogorelich ist nicht nur ein Künstler von höchstem Niveau, Disziplin und Musikalität, sondern der Archetyp des modernen Künstlers, des isolierten und mutigen Meisters, der seinen eigenen Weg zu neuen Ausdruckshöhen findet, ungeachtet der Vorurteile oder der Barrieren des Missverständnisses gegen ihn erhoben. Wie ein Prophet steht er allein am Anfang einer neuen Epoche und zeichnet die Wege der Kunst nach.
Pogorelichs kathartischer und mystischer Sound beschäftigt sich mit den ultimativen Mysterien, die diese Welt transzendieren. Seine grandiose, kolossale und majestätische Kunst symbolisiert den Kampf der menschlichen Seele, sich von den Fesseln ihres materiellen Körpers zu lösen. Seine exquisite und überwältigende Musik hallt während der gesamten Aufführung und darüber hinaus wider, sodass die Handlung gleichzeitig vorübergehend, ewig und vollständig ist.
Pogorelichs Interpretationen sind unbeschreiblich schön und unwiderstehlich. Sein Sound ist pure Poesie und äußerst emotional, aber völlig unsentimental. Wir sind hypnotisiert von seiner neuen und radikalen Natürlichkeit, von seiner Vornehmheit, Würde, Strenge und Nüchternheit; der uns in Zustände des Staunens, der Ekstase, der Meditation, der Liebe und des Mitgefühls versetzt.
Klang und Stille, Leben und Tod, Zeit und Raum; in den ewigen Moment der Unendlichkeit einstürzen.
@@Chopin4321 Thank you.We're coming from same country 🥰.
I've tried to post ticket, I do not know why but does not go.26.02. Stuttgart 8p.m.Liederhalle, Beethoven-sall.
Here I will post a part of interview.He gave it to Die Velt 2006.Post is written in Cro-Srn lang.
Morao sam da se ponovo osmislim. Bila je tako zahtevna. Obukla je sebe u umetnost, upijala je i gutala. Bila je tako univerzalna. Imala je sve - klasu, obrazovanje, lepotu, talenat i privrženost. Isijavala je sve kao kometa. Nikad niste mogli ići u korak sa njom, jer je uvek bila ispred vas. Čak i u smrti bila je i dalje princeza kakva je i rođena. Imala je karcinom jetre, a kad je umirala jetra joj je eksplodirala. Poslednjim poljupcem okupala me je crnom krvlju, tako da sam izgledao kao Fantom iz Opere. Moja kosa je bila u ugrušcima, ali nisam želeo da je operem. Svi su to razumeli. Bilo je to kao sa Džeki Kenedi koja nije želela da promeni haljinu koja je bila umazana prosutim mozgom njenog supruga. Bio sam srećan sa njom, ali tada sam znao da ću morati da stanem na svoje dve noge. Samo mi je trebalo mnogo vremena. Dugo nisam mogao da dodirnem klavir, jer su me sećanja plavila kao Nijagarini vodopadi i trebalo je dosta vremena da prođe pre nego što sam opet mogao biti kreativan. Aliza me je oblikovala onako kao kada svakodnevno oštrite nož. Kada je došla u moj život imao sam samo 17 godina.
@@bv5681 HVALA VAM PUNO PRIJATELJE, ZAGRLJAJ
Оркестровка рояля невероятная по дифференцированности и разноплановости!Как будто 2 рояля и 4 руки!В этой музыке он прекрасен!
my favorite pianist
Why does he sound like this and how and if someone could answer would be very thankfull?
I just want to know about this, because his sound is really unique, no one is able to or let may say has made such a sound with the piano.
I admire him a lot.
Enrique Granados (1867-1916), Spanish dances no.4, no.5, timeless spanish soul sculpted in sound, mystery, grace, pure essence, intoxicating tragic beauty
I like so much Granados (not only Spanish dances n°4 and 5 ?)!
Very beautiful playing! Thank you, Gazda!
la mejor musica española tocada por el mejor, este es el perfume de españa, asi huelen los campos y las almas, cuanta cortesia, caballerosidad, nobleza y belleza...escucha el silencio final...lo dice tooo...soledad sonora...mistica y eternidad
Tellement beau ...
So I have to change my opinion about Ivo Pogorelich again. He plays very well again!!! :-)
It was just one concert. In a very nice ambient. He doesn't play very well again. Dubrovnik was just an exception.
He has always played well!! He is an extremely talented musician and pianist. You might like his interpretations or not but that doesn’t mean he doesn’t play well!
What is Deutsche Grammophon doing ? A record please ! It'll never be as good as a performance but still, a record please.
freeze at 3:09 his left hand stretches easily a nith from G to B, and right hand makes comfortably a tenth from D to G...his body and mind relaxation while concentrated is fascinating and unique, he is the most natural musician
Actually G to B is a 10th and D to G an 11th - he really does have big hands! Hamelin can just span an 11th as well - but Ivo looks almost as though he could do a 12th at a stretch
Sure is! He stretched a major tenth with his left hand and a perfect eleventh with his right hand. 😊
Even by concert pianist standards his hands are huge!
I love so much these Spanish Danses, but I love also Jean Rondeau (French clavecinist playing Sonata K 141 from Scarlatti ... that Ivo Pogorelich hadn't never enregistered (Yes!!!) See on RUclips (a video with a photo of him in black and white, he's looking at the sky, very inspired )!
@@lsbrother Ivo does stretch a 12th, like Richter and Rachmaninoff.
que perfume tan familiar....increible, y que lejos esta del topico amateur y superficial español te tanto artista falso nacional y foraneo.
sueño sonoro autentico, que cobra vida milagrosamente, y ese silencio final....bello...verdadero...abismal...se escuchan aplausos mudos de otros genios por venir
la magia se revela, el sueño musical se hace real como la vida misma,
inmutable cultura y esencia españolas, de antes, de ahora y de siempre,
ivo parece español como paco de lucia, como goya y como velazquez,
pogorelich es como rembrand pintando las meninas,
misterios y medias sombras cerca de ese haz de luz español.
Bravo,I Ivo!!!
If you want to discuss with me and have further information about me, go to my Facebook Page and you will see, I don't collect friends, except 4 people, I know all the others personally, some knows me since a very long time when I was less than 6 months, I should be in my landau cousins, friends, Gabrielle (a neighbour, the young sister of 3 girls, ... who speaks very well Russian ("inspectrice des Langues Slaves pour la France de l'Est or more retired, her father born in St Petersburg in 1915 ...), Varvara Kutuzova, a young pianist very inspired too, I have know her first on RUclips and I was very impressioned by certain recitals and when she was playing Concerto n° 21 of Mozart ... I have seen that she was also on Facebook and so I 've invited to be my friend with one condition, I 've asked her not to write to me in Russian! My Russian is very poor, my own father, born in St Petersburg on the 17th of october 1913, so traumatised by the Russian Revolution refused to learn Russian to his own kids, a very bad idea ...even that my three brothers went yet to Russia, two seal Russian, some of their children, great children speak Russian, ... Dimitri and Kristina met themselves in Tomsk ... (Erasmus Foreign Exchange)
Ivo Pogorelic zachwycam się jego grą od pamiętnego Konkursu Chopinowskiego w Warszawie niestety jurorzy z wyjątkiem Marthy Argerich nie rozpoznali geniusza
Wonderful that he is giving us Granados. His sound is and has always been the most beautiful. More shades and colors. Michelangeli, Horowitz, Bolet, Arrau. I enjoy him much more. I don't know enough to make public soliloquies but Pogorelich has 8btegrity and this is not recorded well. He can be difficult with humans so I don't know who re order this I would like to hear something he has said is authorized . The piano sound he gets is still very gradated full of shade and variety. Beautiful in itself. Imagine the Ravel and Mussorgsky he could give now. I wish he'd play some Boulez Rzewsky or Bolcolm or even Stravinsky or Ligeti. Why can't pianists understand the art, archite tire, painting of today?
Gorgeous!
Kopije u A3 format!Bravo!
speechless
🙏🙏🙏🙏😊
if you have the full moment musicaux 6, can you please upload it? my life depends on it
2:01
Please could you install English subtitles? Thank you so much!
❤️
please help me! i don't know names of extraordinary music..
Could anyone specify the name of the very first piece, please? Thanks.
Matteo Duó is the last of rachmaninoff moments musicaux op.16
Fabrizio Pelli Thank you, thank you!
His hand scratch looks like he can max reach a 12th comfortably?
he plays chopin prelude 24 without moving his left hand so yeah probably
Yes he can!
I think 13th
What I can't quite figure out is why one of the greatest Masters of the piano gets so poorly recorded?
J'adore ces deux danses de Granados mais Gazda Mitke II ... un peu moins ...
can anyone completely take the dance out a spanish dance like this chap?
paul vandenberg buddy it’s supposed to be that slow not all dances are yippity yappity stop judging and listen
The supreme narcissist.
How is that ?
@@TheSoteriologist The Supreme Narcissist.
@@thepianocornertpc Oh I see, that's _your_ signature ! And there I had thought you were speaking of IP :D
@@TheSoteriologist How is that?
@@thepianocornertpc In short, it's because you called someone a narcissist without rational justification.
To nije sviranje nego udaranje po klaviru. Pogorelic nije u stanju normalno svirat.
This guy has the nastiest aggressive banging tone of all the competition bangers I've heard in quite a while. Just brittle, ugly banging. Particularly that poor suffering music he was banging away at before he got to the encore. How can the piano possibly stay in tune for twenty minutes, much less survive more than a few concerts with this treatment?
This is just awful...