Stravinsky: Le sacre du printemps - Radio Filharmonisch Orkest olv Vasily Petrenko - Live concert HD
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- Опубликовано: 8 сен 2024
- In Het Zondagochtend Concert van 13 maart 2022 speelde het Radio Filharmonisch Orkest o.l.v. Vasily Petrenko 'Le sacre du printemps' van Igor Stravinsky.
Met een ijle, verbazingwekkend hoge fagotsolo ontleend aan een Litouws volksliedje, opent het ‘werk van de eeuw’ dat de muziekgeschiedenis voor decennia de weg zou wijzen.
Stravinsky kreeg visioenen van dit werk dankzij zijn jeugdherinneringen aan de Russische lente, die met kosmisch geweld in een half uur leek uit te breken. Het verhaal van druïden en mensenoffers dat eromheen gedrapeerd werd, doet er eigenlijk niet toe: hier wordt de eeuwige hartslag van het universum voelbaar.
www.nporadio4.nl/programmas/het-zondagochtend-concert
Het muzikale programma:
Igor Stravinsky - Le sacre du printemps (versie 1947)
De uitvoerenden:
Radio Filharmonisch Orkest
Vasily Petrenko, dirigent
Opname:
Het Zondagochtend Concert van zondag 13 maart 2022 in Het Concertgebouw te Amsterdam.
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On the musical program:
Igor Stravinsky - Le sacre du printemps (1947)
The musicians:
Radio Filharmonisch Orkest
Vasily Petrenko, conductor
Recording:
'Het Zondagochtend Concert' (Sunday Morning Concerto) of Sunday the 13th of March 2022, in Concertgebouw in Amsterdam, The Netherlands.
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I will never get bored of Le sacre du printemps.
Agree
[me, listening to it for the thirteenth time in a row] Getting bored with Le Sacre? Thats a thing?
Yes it is a greatest composition
The one that get bored of Le sacre du printemps is probably totally deaf.
@@staffanolofsson8201 or knows how it can REALLY sound:-)
Perhaps this is the first "modern" music we all can relate to, like we relate to Mozart, Beethoven and so on? We know it and can go back to it, perhaps as an old friend. I first heard this music fifty years ago, but it still is "new" to me. But during the years it has become my friend.
A quite wonderful bassoon solo in the beginning, it sets the whole atmosphere of this work! Thank you mr bassoon-player!
His name is Jos Lammerse!
This video is what I’ve waited for my whole life- to actually walk through an orchestra to feel the music, not just hear it. This is SUPERB!
Congratulations on the excelent quality of Nederlands public television and radio. My best regards from Rio de Janeiro, Brazil.
Misschien wel de beste compositie van de 20e eeuw! Zo intens! Zo’n spanning ademt dit stuk! Al die wisselende ritmes… waanzinnig! In één woord geniaal. Op een paar slordigheidjes na een uitstekende uitvoering! Bravo maestro Petrenko!
Incroyable ! Formidable ! Merveilleux ! Fantastique ! Superbe ! Impressionnant !
Adoro esta intensidade e tanta imprevisibilidade. Para mim, reflete estados múltiplos da alma, um sentir livre, desmedido, atemorizantemente belo!
I have always love this music. Also, I find this such a cleverly composed piece of music. To me Stravinsky was a genius. This is a magnificent performance and the sound quality and camera work is outstanding. I must say, it doesn't get any better than this. Thank you so much for uploading this for all to enjoy.
De verdad que Stravinsky estaba arrebatado para la época del estreno del ballet en París. Hoy aún suena impactante. No obstante prefiero con mucho El Pájaro de Fuego.
Cualquier concierto en el Concertgebouw es simplemente una maravilla.
Orquesta inmensa, dirección impecable. Gracias!!
¡What a superb kind of orquestra! Accomplished Stravinsky sound. And always a difficult work for the musical director. Thanks to Avrotros and RUclips to brings to us this magnificent artwork.
¡Viva Stravinsky!
Wonderful music!
Wonderful Orchestra!
Excellent music 🎶
Awesome very good music from the Great Stravinsky thansk
I remember my attendance in the previous century of Le Sacre by I believe Radio Symphonic (at student rate :-) in one of those seats behind the brass section with excellent view. One can feel the percussion and drums in the stomach and how loud the brass sounds, even those flutes ... I noticed several players wearing ear plugs ...
오케스트라 잘 봤어요 ^^ 오랜만에 힐링합니다
이런 날이 자주 오길 기대합니다 ^^
Loved it. Thankyou for the video.
At 29:16 the camera forgot the timpani solo !!!
Lindo
Is this the same orchestra that did Rite with Maestro van Zweden 5 or 6 years ago?
Yes, it is the same orchestra.
@@kerstinkendler9930 i thought the bassoonist looked familiar
Make that 11 years ago, 2010
Marvelous engineering work, but I'm not so thrilled by the performance. So laid-back and refined, that bassoon solo with ornamentation... Additionaly, some lack of power and stamina here and there... Petrenko has a great studio recording, here I find him too soft.
Have to agree - too refined, not savage enough. But we’ll engineered by the sound technicians and interesting to see the orchestra at work. I quite enjoyed it.
Exactly. It's very ineresting to compare this rendition of the Sacre with the performance given 12 years ago by the same orchestra, same concert hall, same 1947-version, but conducted by Jaap van Zweden. Also on this same channel. If you should imagine this score being the soundtrack for a movie, than Petrenko has a documentary in mind of old pagan rituals, while Van Zweden drags the listener irrresistible right into a dark thriller or horror film. Unforgettable version!
@@Lajos279 Yes, that performance is iconic. Unorthodox, very focused, not at all rushed, with clear intention and uneasy tension - great mixture for Le Sacre. But Petrenko can do similar things like in this recording: ruclips.net/video/zFe_H2w2LPU/видео.html . I guess the pushed high tempo is not always the best choice for a live performance...
@@jassenjj Just came across this stunning performance of the Sacre by the LSO under Sir Simon Rattle: ruclips.net/video/EkwqPJZe8ms/видео.html . Proves that the main thing a conductor has to do is bringing synergy between every single member of the orchestra, so that they can play and feel all together the same story that the music has to tell. Taking into account that Rattle took a pause of nearly 30 seconds between part I and part II, the total length of his performance is only about 35 seconds longer than Pretenko's, but it feels quite different! Besides, if you can see the Sacre as the mother of all soundtracks, I think there is no other orchestra than the LSO that has so much experience in playing soundtracks! It's in their DNA one could say, like Mahler and Bruckner is in the DNA of the Concertgebouw Orchestra.
@@BackwardFinesse Peter, when it is not savage enough, just turn up the volume.
What was Jason Watkins doing on bassoon?
11:16 lekker Rommert
🙏🙏🙏🙏🇺🇦🇮🇱🇩🇪🇧🇷🤝
Rotherrie.. kwelling voir mijn oren. Wens er nooit meer 1 noot van te horen.
Moge God ons zegenen met onrust bij gemakkelijke antwoorden, halve waarheden, en oppervlakkige relaties zodat er diepgang vanuit ons hart moge leven. Moge God ons zegenen met boosheid over onrechtvaardigheid, onderdrukking, en uitbuiting van mensen zodat we werken voor rechtvaardigheid, vrijheid, en vrede.
Amen.
Gewoon vaker naar luisteren, gaat een wereld voor je open
Terrible!
Why?
Niet mijn keuze !
Fascination of horrible music: Feel like being stabbed down brutally at some musical passages. Gruesomely, isn't it?
Oh dear! And I was criticising it for not being savage enough!