Brahms - Streichquintett n° 1, Op. 88

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  • Опубликовано: 7 янв 2025
  • Johannes Brahms' String Quintet no. 1 in F major, op. 88, was written in 1882 in Bad Ischl, Upper Austria, and published by Fritz Simrock (1837-1901). It was first performed on 29 December 1882 at a chamber music evening in Frankfurt-on-Main. It is a "viola quintet" in the sense that it is scored for string quartet plus a second viola.
    [0:00] I. Allegro non troppo ma con brio
    [9:15] II. Grave ed appassionato
    [20:31] III. Allegro energico
    Performers: Roxana Pavel Goldstein (violin)
    Elizabeth Choi(violin)
    Elias Goldstein (viola)
    Sally Chisholm (viola)
    J. Butler (cello)
    Publisher info.: © Pandora Records/Al Goldstein Archive
    Sources: imslp.org
    Licence: creativecommon...

Комментарии • 13

  • @PaulVinonaama
    @PaulVinonaama 2 года назад +6

    At B (2:21), second violin plays G-natural instead of G#, inadvertently turning the harmony into V7/IV.

  • @fredvacher3998
    @fredvacher3998 4 года назад +4

    Very interesting and inspiring work. Thank you very much.

  • @MrDavide914
    @MrDavide914 5 лет назад +2

    Thanks

  • @DavidSmith-kc4hz
    @DavidSmith-kc4hz 10 месяцев назад +1

    What else would you find in a string quintet other than a second viola. That is usual other than a second cello as found in the quintet by Arensky, and that is rare.

  • @ConstantinosAspris-ie8mg
    @ConstantinosAspris-ie8mg 2 месяца назад

    Brahms: “Allegro non troppo ma con brio”
    Performers: “Largo 🤣🤣🤣”

  • @PaulVinonaama
    @PaulVinonaama 2 года назад +4

    The first movement too slow?

    • @raymondgood6555
      @raymondgood6555 2 года назад

      Just right for my taste!

    • @jtoddmusic7090
      @jtoddmusic7090 2 года назад

      It is an interesting question. I guess it depends on interpretation... and taste. I recall Bernstein having some slower tempos for the first movement of Beethoven's Fifth Symphony and that also changed my perspective on the movement of that piece.

    • @schubertuk
      @schubertuk Год назад +1

      Of course it is a subjective observation - but I do agree with you, this seems a little over-ponderous and tepid for what is one of Brahm's most joyful movements. They seem to have taken the "non troppo" (not to fast) to heart but ignored the crucial "ma con brio" (but with fire - or vigour - or energy - or spirit or however you like to translate).

  • @ahmadalmasarani523
    @ahmadalmasarani523 11 месяцев назад

    on piano is better