I first heard about this sonata in Marcel Proust's, "In Search of Lost Time." On page 479 of, "Sodom and Gomorrah," Morel plays this piece with a Schumannesque vibe. I think that Morel and the Baron Charlus were sleeping together. Earlier, maybe in, "The Guermantes Way," the Baron Charlus tried to seduce Proust. They are at the Verdurins place La Raspeliere, which is owned by the Cambremer people. I think that La Raspeliere is just south of Balbec. It's a dinner party, and Morel is the musician. On page 481, Morel plays Debussy's, "Fetes." However, he forgets the notes and breaks into Meyerbeer's, "March." Proust has taught me much. Thanks Proust.
Baron de Charlus didn't try to seduce Proust, but rather Proust's narrator. It would be interesting if a fictional character could seduce its own author.
Non, pas d'accord. Je sens Proust plutôt debussyste; plus dans une atmosphère impressionniste en fines touches nuancées. La musique de Fauré est plus franche, plus directe; surtout dans une oeuvre de jeunesse comme cette sonate, malgré ses subtilités harmoniques.
@@didierschein8515 D'accord, je dis cela parce que Proust mentionne cette musique dans sodome et gomorrhe et m'a fait connaître la beauté de cette sonate Désolé pour mon français
It's a matter of the phrasing and sweep of the music. Fauré is encouraging a sense of feeling the music in groups of two to a bar, so that--although there is much inner activity with the small notes--the performers never lose sight of conveying the larger sweep of the phrases. Composing it in 4/4 with twice smaller note values may seem like an equivalency, but visually and metrically it conveys something quite distinct.
@@jacobmcneal3011 This is NOT NOT NOT my playing. I would not ever play it that way. I asked who the players were. NOT NOT NOT my playing. Mine is at ruclips.net/user/chinkimviolinist ruclips.net/video/ptCogVh3CtM/видео.html
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Sublime
I wish Fauré had developed the violin melody at 15:24 further. It's such a beautiful thing to hear.
Wished he’d developed it more?! There’s 65 bars dedicated to it. Anymore and it would have overstayed its welcome.
@@e.hutchence-composer8203 It's mostly the piano. Would have liked to hear the violin line more.
wonderful
3:55 unison in octave
I first heard about this sonata in Marcel Proust's, "In Search of Lost Time." On page 479 of, "Sodom and Gomorrah," Morel plays this piece with a Schumannesque vibe. I think that Morel and the Baron Charlus were sleeping together. Earlier, maybe in, "The Guermantes Way," the Baron Charlus tried to seduce Proust. They are at the Verdurins place La Raspeliere, which is owned by the Cambremer people. I think that La Raspeliere is just south of Balbec. It's a dinner party, and Morel is the musician. On page 481, Morel plays Debussy's, "Fetes." However, he forgets the notes and breaks into Meyerbeer's, "March." Proust has taught me much. Thanks Proust.
Baron de Charlus didn't try to seduce Proust, but rather Proust's narrator. It would be interesting if a fictional character could seduce its own author.
Oh my God, I was reading that passage precisely before I looked for this piece.
Now I'll start reading Proust!
I just read that excerpt and came here to listen to Faure's sonata...and I found your comment as well! ❤
Não conhecia esta sonata, ouvi-a agora por estar lendo justamente essa passagem n Recherche, em que Morel a toca. Proust nos brinda com Arte.
Beautiful ❤
Wow, you actually liked something for once.
I like photos at a glance.
Merci Proust
Non, pas d'accord. Je sens Proust plutôt debussyste; plus dans une atmosphère impressionniste en fines touches nuancées. La musique de Fauré est plus franche, plus directe; surtout dans une oeuvre de jeunesse comme cette sonate, malgré ses subtilités harmoniques.
@@didierschein8515 D'accord, je dis cela parce que Proust mentionne cette musique dans sodome et gomorrhe et m'a fait connaître la beauté de cette sonate Désolé pour mon français
14:33, middle staff... uh, that key signature doesn't look right
Not a fan of E-Sharp?
It's F... it looks weird cause it's blurred 😆
The violinist sounds like Arthur Grumiaux.
Is there a reason, why the first movement is written in alla breve? Why didn't he use 4/4 time and 16th notes?
It's a matter of the phrasing and sweep of the music. Fauré is encouraging a sense of feeling the music in groups of two to a bar, so that--although there is much inner activity with the small notes--the performers never lose sight of conveying the larger sweep of the phrases. Composing it in 4/4 with twice smaller note values may seem like an equivalency, but visually and metrically it conveys something quite distinct.
@@nicholasfox966Makes the pulsebeat different.
It should be Sonata for violin and piano.
Is it
Whenever a sonata is for an instrument and the keyboard, the latter is implied. Kinda a bummer when the piano part is harder.
20:57
4:49
who are the players? The players deserve to be acknowledged for their hard work
@@andrewkennaugh1065 Thank you. it is one of my favorite pieces. Just in case you might enjoy it, ruclips.net/video/ptCogVh3CtM/видео.html
Loving playing, Mr Kim
@@jacobmcneal3011 This is NOT NOT NOT my playing. I would not ever play it that way. I asked who the players were. NOT NOT NOT my playing. Mine is at ruclips.net/user/chinkimviolinist ruclips.net/video/ptCogVh3CtM/видео.html
@@jacobmcneal3011 This is not my playing. I really don't like it. mine is at ruclips.net/user/chinkimviolinist
thanks but no thanks
@@jacobmcneal3011 why do you think it's mine? It's not ruclips.net/user/chinkimviolinist
Wow it's real
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Pezzo stupendo, grazie agli esecutori, un vai a cagare a colui che pubblicando questo video decide di inserire le inserzioni
anyone else think it's verrrry overrated, or am i just in a bad mood for listening to violin sonatas today?