Enter to win an Epiphone Casino here kingsumo.com/g/4bmefv/win-a-epiphone-casino-presented-by-corey-congilio Check out the gear used in this video PRS SE 594 sweetwater.sjv.io/se594family PRS HDRX20 sweetwater.sjv.io/hdrx20 Universal Audio OX imp.i114863.net/uafxox MXR Mini Timmy imp.i114863.net/mxrtimmy Get the Track here working-class-guitar.teachable.com/courses/best-of-corey-s-youtube/lectures/45979077?preview=admin
its not 'hate'.. many in the guitar community just not prefer playing PRS.. its just preference.. many people do not want flame maple and the finishes or the bird inlays and the headstock,etc... nobody looked cool playing a PRS and its just true.. and where does PRS really stand as a genre? definitely not metal and punk rock.. jazz,blues and classic rock? many would rather stick with the old timers fender and gibson.. those are just some of the reasons.. its not hate, its just preference.. im sure its a very good instrument with pristine build quality..
And that is the reason I bought a Baum Wingman without having played one - the roasted maple neck and ebony fretboard, unique pickup design- the same attitude PRS had when they started - make a guitar that lets you sound like YOU. As for PRS, my first was a US-made Starla. The pickups in that guitar were made for a band not a bedroom, they cut through like a chainsaw. Then I bought a core 594 SC from a run made for Guitar Sanctuary with a roasted maple neck and ebony fretboard. Then a Fiore. My son-in-law was a dye-in-the-wool PRS hater, all about his LPs and Custom House Strats. He called PRS the preferred guitar of successful dentists everywhere. Then he played my 594. He lost his mind, convinced that it was chambered because it resonated like nothing he ever played outside of a semi-hollow. Then he played my Fiore and went right over the edge and ordered one. He gigs 2-3 times a week and depends on that Fiore. It makes it to the gig ready to roll and is on target all night long, every time. He borrows my 594 for sessions, while he saves up for his own. You can spend half your life kissing Fender and Gibson frogs till you find your princess or you can buy a PRS and play. I know which I would rather.
The strength and weakness of a PRS is their consistency. If you don't like a specific model they make, you can't go hunting for one you like. They are consistently made the same way, so you aren't going to find that magic one if you didn't connect with the first one. But, if you've played one in a store, love it, but can't afford one, you can save up, and buy one online and know you'll get the same experience you had in the store. With Gibson and Fender, you literally have to hunt for one, as one guitar can be wildly different from the same guitar model. If you find the right one in the store, you better buy it right then and there. You cannot go home, order online and expect what you've played previously. But, because they aren't consistent, you may not like one, but find the next one you play to be utter perfection. It feels like it was custom made for your hands. This is why you'll have people swear by their Gibson, because they found the one. And because PRS makes consistent guitars, people interpret this as a lack of soul, because the identity of the guitar isn't singular, the identity is in the entire model. I feel like I can buy a PRS online and not worry about what I'm getting. You have to put a Gibson or Fender in your hands to judge whether it's any good. There is nothing wrong with both. The soul of Gibson or Fender is in a singular guitar. You pick up the right one, it speaks to your soul. The soul of PRS is in the company itself. Even though they are one of the big 3, it still feels boutique. The guy that started the company, still has the passion for making guitars. They don't feel like a soulless corporation, and they aren't worried about being a lifestyle brand. They are more concerned with making innovations that make the guitars better. And their "cheap" guitars have become the industry standard in overseas guitars. And to be honest, I get more excited for what PRS is doing next than I do with Gibson or Fender. Those companies are held back by the purists.
As a Les Paul guy you are 100% it took me 6 different Les Pauls to find the one. The necks; weight; and tone varied from one to the next. Not a guitar you want to just buy on-line 😂
I agree with you. In my opinion, searching for the holy grail version of a guitar model sounds very tedious and time consuming to me. I am a PRS owner and will choose consistency every time.
I agree, I came to that same conclusion after hearing so many people say it has no soul but spend years going thru many guitars to find the one they like both feel and sound. They either find one that feels right but sounds horrible or vice versus. I think PRS are great and once you learn how they work sonically you can shape the sound better but I personally love them right away. I come from learning some piano, playing saxophone and percussion and I need and want a consistent instrument and PRS delivers. I also think some to alot of the complaints are all in the head. I heard people complain about the thick neck on the PRS McCarty but it wasn’t a big difference to me from a Strat, Silver Sky or PRS standard. It was like “oh it’s noticeably thicker” but then I kept playing and forgot about it. Plus even experts forget to use the tone knob and volume and that can make a big difference in a guitar sound. I use to know of a semi professional who spend $1000 on tube amps only to destroy them the next day because they didn’t sound right gig to gig…he wouldn’t take into account room acoustics, humidity, crowd, etc can effect the sound. I play drums mostly and have noticed my drums may sound awesome in one place but sound terrible in another based on many factors. Still tuned correctly but the room acoustics, wood, soft panels, crowd etc would effect the sound a lot especially with temperature. Anyway I digress…went off subject but I agree with you. I love PRS guitars. I have a single cut with moon inlays and red flame veneer, a SE Silver Sky and soon a McCarty or Custom 24. I just love the sound, looks, consistency, attention to detail, etc. I’m still open to Fender and Gibson/Epiphone but after spending hours playing USA Fender Strats to Squier I chose the Silver Sky SE because I kept going back to it because it made me comfortable and happy.
PRS is completely underrated. They get scored down for looking good, staying in tune, practically playing themselves, lasting forever (without breaking) and sounding great. That's how weird the world is. I still love Fender and the other makers, but I don't get the hate, at all.
I think they get scored down because our guitar heroes of previous decades typically played Gibson and/or Fender. It's hard to overcome an image of a guitar hero from our youth. If Hendrix, SRV, Page, Lee, Berry used Fender and Gibson; then they have to be the best is the concept or at least, I can be like the heroes if I use their brand.
I don't think they look good tbh. They stay in tune the same as most other guitars in their price point. They don't play themselves in anyway though I understand that was a hyperbolic statement. They probably last forever, just like literally every guitar I've ever owned, and they sound pretty average for guitars at their price point, just like most fenders and gibsons. I mean, I get that we each have different opinions but to not comprehend that people don't like the same things as you seems a bit off. Do you truly not comprehend why people don't like the same art tool as you?
I saw a Page, Plant concert in Atlanta in the 90's and he sounded the best I ever heard him and played 3/4's of the concert on a plain red Prs with no birds. I saw Dickie Betts slaying a PRS and sounding fantastic as well as Warren Haynes. I've owned several Les Paul's and USA Strats and I do love them. I recently traded an acoustic I wasn't playing much ona used Indonesian made PRS " Paul's Guitar", and it's the best playing instrument I've ever owned. It feels great, stays in tune perfectly and sounds great. My son who is a die hard Gibson guy picked it up the other day and played it for an hour and said " that thing's hard to put down." I can't imagine how good the core is if the SE is that good.@@CJZM7777
I'm an old rocker and have been playing Fender and Gibson for decades. The first time I tried a PRS, I was hooked. I now own 6 in my collection. They all play amazing with fret work that is beyond reproach. The build quality is amazingly consistent at every price point. My new favorite brand. It doesn't mean I don't like Fender and Gibson.
I've got a 2020 Core PRS Custom 22. Love it, love the company. Love that Paul always refers to PRS as 600 people, not just him in interviews. I love that he always innovates and is not afraid to innovate. Thanks for this, Corey!
Honestly I think a lot of the anti-PRS sentiment is due to them being so well made and nice-looking that people equated them to lawyer guitars. I know I felt that way until I tried one in a guitar shop. Other than strings and the usual maintenance I haven't had to do anything to it in the 5 years I've had it. This is an SE Custom24. I went to the store with no particular budget in mind but I kept going back to that one because of how well it played.
Exactly, that’s where Corey is entirely right. We shouldn’t see SE has sub-quality guitars, or like the guitar we buy if we can’t afford the core model. Of course, if one doesn’t have the budget for core, s/he will obviously shop in the SE department, but if one has the budget for a core, it doesn’t s/he should skip the SE… I have both core and SE and I love them all.
I don’t think it’s that at all-I think it’s because they occupy too much of a middle ground. It’s like a strat without the thump or a Les Paul without the character. I love the way they look but ultimately almost every PRS track would sound better with either a LP or a strat
I started the year with 0 PRS, now have 3! I always respected and appreciated PRS a lot, but the one I had, a 594 Core, was expecting to be something it was not. Got an SE's Paul's Guitar and wow, then I got a McCarty with P90 and just got a DGT. Love all 3, but the McCarty P90 with Lollars and DGT sound absolutely amazing. I think I finally found the guitars better suited for me. I think the 25 scale length also gives it something that just suits me perfect.
I am blessed to owner several PRS Guitars. I began with their SC lineup, and then moved to the core models after a few years. PRS makes the finest guitars to enjoy visually, the feel, and he sound! They’ve got all the bases covered!!
One of the reasons I'm watching this video is because I'm seriously considering getting one. Specifically the McCarty. I'd like a Gibson but they're too expensive and on another video the McCarty was played next to a LP Standard and they both sounded more or less identical. Do you have any of the PRS Double Cuts (I was wondering if there's much of a difference sonically, if at all, between the single cuts and doubles)?
I love PRS. I love everything about PRS. I was at Norman's Rare Guitars in Tarzana, CA and I was having a field day playing on their PRS cores. They also had a couple SE's and i gotta say- they are also amazing guitars and are beautiful as well. My dream guitar at the moment is a Gibson Gold Top with p90s, and Norm actually had 4 of them on display last week, one of them being a Murphy Lab Relic'd Gold Top, which was a BEAUT. However, I kept on wanting to play a Core 594 after playing that Murphy Gold Top. The price of the Gold Top was almost $8,000. The price of the PRS core 594 was 4500. But the 594 played and felt better. And it'll stay in tune.
I purchased my first PRS guitar at 16 (one of the first SE Santanas). I have been playing them ever since. I am 36 now. PRS Guitars always resonated with me, however, I love a good Gibson, Fender, or any other guitar. They all have so much to offer. It is a great time to be a guitar player!
And if you add that now we can produce a whole album on a computer with no special outboard gear, tape recorder, analog large console, or the fact we can distribute the album online, promote the band online using social media, etc… it’s never been a greater time to be a musician.
The problem is you have to spend too much time finding "a good Gibson". Their QC just hasn't improved to the promises they made when the leadership changed. The marketing is what they really improved on.
@@Scott__C I have yet to look for my Gibson but I do plan on doing so next year. I have heard about the many QC issues. Hopefully my search won't be to difficult. or I can just get a 594...
I play a PRS Standard SE, it's about all I would allow myself to afford. It has become my player, it's a very comfortable guitar to play. About PRS from my limited playing and watching videos and such, they are just really good quality guitars. You know you are getting a quality product. What you may not get is that undefinable character from other brands, you may find that most amazing Strat, but it may take years and lots of guitars to find. And I just like Paul's approach to making guitars, listening to how he collaborates with artists to attain just what they want and then make it available to us, both as something affordable or something unattainable.
Ok, Corey, here’s my take on PRS. I’ve watched PRS from afar, and never owned one. I’d picked them up a few times in stores just to feel them in my hands, never plugging them in, which is typical for me until I really like the feel of one. I have been playing Fenders for years and only in recent years picked up a Les Paul. The Fenders, as a result, always feel like home. The PRS guitars always felt odd in my hands. They felt small but heavy and the fretboard was foreign to me. Besides all that, I love the aesthetics of the traditional brands and all the history that goes along with them. Also, to be frank, Paul always got on my nerves with his hyper salesman personality in interviews, further distancing me from the brand. HOWEVER…. recently after learning about the SE DGT from you and others, I decided to test the waters by purchasing one. Upon receiving it, I felt that oddness I had previously experienced when I had held a PRS. After a couple days of playing it, I was still on the fence about keeping it. I convinced myself to give it more time and took it to church where I play. Hearing it in the mix was an eye-opener and seeing its versatility sold me. After a week or two of playing it I began to understand it and now really love it. I think the frets are what was causing my initial trepidation. I have a bad habit of crushing the board when I play and the rather tall frets feel almost like a scalloped fretboard. Realizing this has caused me to ease up the grip and has really helped me get the most out of the instrument. The tall frets make the guitar very playable and fast once you get used to it. I am now looking forward to exploring other guitars in the brand, in particular, the 594. As for Mr. Smith, I’m becoming a bit more sympathetic, perhaps even appreciative. I’ve got to give him credit for doing what he has done. I know it’s been a long hard road to get where he is now. His excitement for making guitars after all these years must be admired and I believe his genuine love for his company and belief in his products cause him to be a bit overbearing in his demeanor. So in conclusion, regarding PRS and his guitars, I am reminded not to judge a book by its cover.
I had a beautiful Sienna Burst strat, 2012 American standard. I sold it on a whim to go for a 2015 SC245 (core model) with 58/15 pickups (regular version, non-LT). This might sound crazy, but I actually prefer the coil-tapped PRS sounds to the strat I owned. Super sweet clean tones, and an all-round superb instrument.
Thanks for doing the demo of the HDRX20. I’ve been looking for more demos of this amp and you hit the points I wanted to hear. I’m thinking I’ll grab one. Thanks!
I just bought a SE Zach Myers and I'm loving it. It's the nicest guitar I've ever played. Can't wait to get another PRS guitar. They are definitely quality instruments.
I was never a PRS guy, not that I hated anything they make - just never really tried them. Tried a DGT and it was really good. It's straddling the Les Paul/Strat line and it has fast become my favorite guitar. It wasn't the cheapest thing I could have bought, but I'm pretty sure its a keeper.
I purchased the PRS Mc 594 in faded blue this past summer. Im much older than most people on here so buying something thats Quality made and built to last was important to me. Does it sound like a Strat ?? No. Does it sound like a Tele?? No. Does it sound like a LP??? Closer but no. But it still can accommodate and accomplish plenty musically and tone wise too. The build and visual appeal of the wood and finish is something a blind man would love to see. Great assessment and video. 1st time subscriber.
love that PRS guitars all seem playable as soon as I pick one up. Impressed with everything about PRS and their commitment to musicians and quality that's usable. Not so crazy about calling then neck pickup the "bass" pickup and then second guessing the switch direction based on their naming conventions.
I just ordered my first PRS yesterday - the exact model in your hands. I had never played a PRS before but noticed my local shop had a used 245 SE so I gave it a try. Firstly, its veneer top looked stunningly better than any guitar I owned, even ones that were over double the price. For their bottom-line model, it was breathtaking. Secondly, it played silky smooth, the pots were reactive across their entire range, it was very comfortable, and it of course sounded great. After hearing about PRS' build quality reputation over the years, I finally saw for myself what the fuss was about. After that, I had no trouble pulling the trigger on the SE Mccarty 594 sight unseen. 🤘
I have been playing PRS since the 90s, I also play Gibson, Fender, Ibanez, and Suhr. My new favorite is the PRS SE McCarty 594, there is something magical about the one I got. The reason to buy a PRS is for consistency...The 594 and Silver Sky are trying to find the magic/spirit of the originals and replicate it on a consistent basis in a modern guitar.
I bought my first PRS in 1987 which I used exclusively to 1993 when I sold it. It took me along time for no reasons before I bought a new PRS and fell in love with the brand again. Today I have a PRS DGT, a PRS S2 Vela satin semi hollow, a PRS SE 245 and a PRS SE Hollowbody II. I firmly believe that PRS makes the best guitars you can buy, regardless core, S2 or SE.
Bar raising example of a clear and concise demo of a guitar and amp. Like the thoughtfulness and commentary and agree with your sentiment about PRS and the guitar community. Really well done. Thank you.
I have a custom 24 se..12 years old from Korean factory, but it is one of my work horses still to this day…I also have strats, and a Les paul, explorer, tele, but if I need 1 ax for the most sounds that I’m needing in one night, It’s my PRS…plays beautifully and sounds killer.. great job, nice chops!!
Was frustrated with tuning and intonation issues with other big brands and was floored by how playable and reliable PRS guitars are. They just feel so easy to play. I’m a better player on them and thus I have more fun. Also, doesn’t hurt that the PRS McCarty 594 Hollowbody II is one of the most gorgeous instruments I’ve ever seen 😅
Waited almost 30 years to get my first PRS, but really glad I finally got one. Custom 24 amethyst SE with ebony fretboard. Feels like a $1500 guitar but payed way less than half that. such a smooth playing guitar and sounds great. Slightly thicker neck than I prefer, but it feels amazing so I still grab it all the time 👍
I'd like to understand PRS pickups the way I understand Gibson 58's, Fender single coils, and TV Jones' etc. "Starla," "Vela," "85/15"s, "58/15s," etc. I'd love to see a video that would demo and talk about what the goal was behind each design.
If I recall correctly, the 85/15 are pickup made to sound like the PRS built in 1985, but the pickup are designed in 2015. Th 58/15 are pickups made to sound like 1958 pickups but designed in 2015. But that’s about everything I know about them… still I hope it could help ;)
I was a fan of the PRS aesthetic for a long time before playing and got my 1st SE Custom 24 5 years ago. It had great feel and the tones were decent, but to my ears felt like something was missing. Since then, a CE 24 semi hollow and a core 594 Singlecut have become my primary electrics as well as an SE A55E acoustic. The quality at every price point is second to none. The 58/15 LT pickups in the 594 are the most harmonically rich that I’ve ever played. It took a lot of saving during Covid to afford those 2, but I’m glad I did.
New Year’s Day I bought my first PRS DGT SE Tobacco. Absolutely amazed at the quality of sound. So pleased with everything about it. PRS is making the SE with best quality for the most guitarist. Thanks for including mere mortals into some quality musical instruments that are within reach price wise but look and sound like a professional level instrument.
I just purchased a PRS T40 E. Acoustic electric and it too has a lot going for it. So now I have 2 PRS guitars. I want to get some of the other models. Each model PRS guitar has its own tone qualities. No boredom with a PRS guitar. I have many other guitars but my PRS guitars are getting more attention lately. No shortaga of fun with these..
Just bought my first electric after playing acoustic for the last 25 years and it's a PRS 594 SE. I LOVE its look and how it feels when playing it standing. I have to admit it's not the most comfortable when playing it seated but I'll get used to it. I'm looking forward to diving in and learning how to make it rock.
I played my first PRS in 2019. Feels great in the hands, great build quality, sound and looks nice too. I now own five: two core, two S2's and a very nice acoustic. I'm also not a dentist or lawyer - I'm a guitar player. Imagine that haha.
I agree, Corey. In 1994 I bought a pre-series "Classic Electric" which PRS brought to the Frankfurt Musikmesse. I found it, played it, loved it, bought it. To me, at that time, PRS was an unknown Company. I knew they had Santana as their main "Endorser". And since I am not a Santana Fan I wasn't very interested in PRS. But it all changed when I first got the PRS in my hands and felt it. It was so damned good - and still is... I really love this guitar. The neck is fantastic, the Trem is amazing (especially compared to my 1987 original Fender American Standard Stratocaster, which is is using the famous "...use it and you're immideatly out of tune-Technique..."). Thanks again for another great Video, Corey! Thumbs up, man! Best greetings from Germany. Michael.
Personally, I love PRS guitars. They just fit me and the way I play perfectly. I would never expect someone else to like the same guitars I do. As a wise grandpa once told his grandson, “son if everybody liked the same thing everybody’d be after your Grandma…”
I love the looks and the sound, but can't get used to their wide slim necks with all that gloss finish. Maybe a CE or a standard might work. Great video as always Corey.
Was looking at Epi Les Pauls last few months, and played a couple at GC that I wasn’t thrilled with. Picked a SE24 off the wall after seeing PRS videos pop up in my YT feed. Immediately fell in love with the playability. The quality was was also extremely apparent in handling it. Ended up finding a used, but really brand new PRS 24-08 SE with locking tuners, for around $600 shipped/taxed. It’s not a custom, but for $200 more for a paper thin maple veneer didn’t seem worth it for me. It’s not a LP and it’s not a Strat, but it does give you some of both worlds. The big kicker is the quality and playability in that price range; certainly on par with US built guitars. Wasn’t even on my radar until seeing some reviews on YT and actually playing one.
Bev and Travis are AWESOME! Been working with them for a couple of years, and I'm actually checking out this video because I'm looking at a 594. Your demos are always absolutely top notch. That HDRX 20 is no slouch either!
I just got the SE 594 double cut, and I will say it is the best PRS SE I've played or owned! The stock pickups in it are the best sounding ones I've heard in any other SE or S2 I've owned or played. I still will swap out the pickups for more output. I also own a PRS HDRX 20, and it's a great amp for the money!
Hi, I just recently purchased an SE 594 double cut model, I love everything about it except the tuners, I think they're on the cheap side, the tension varies on each one from firm to quite loose and there's no adjusting screws to remedy it, now I'm considering fitting a new set of klusons instead of these stock ones.
I have three PRS SE's at the moment. A Standard 24, Pauls Guitar and a P20. All great guitars. Waiting on a SE DGT coming. I used to have a Torero and Michael Akerfelt but didn't suit me so got rid.
Just bought the double cut 594, really love the neck, pickups are sweet PAF type, lots of variation with the controls and coil split (?) pull pots. I've owned multiple PRS SE's loved them all, this one however is my favorite so far.
Only been playing for a couple of years. My main guitar is a PRS SE HB II Piezo. Incredibly versatile and light. I did add a HB split push/pull pot. Holds tune exceptionally and has great sound. Will likely branch out to other vendors but PRS is my baseline for quality, and I really dig their products.
Corey, I really enjoy your videos and am so glad to have found your channel. Straightforward info, no time wasting fluff or intros. Your playing and presentation is superb. I’ve seen all the YT stars and you have met and exceeded them all. Please never lower your stands to the click-baiting so many are exhibiting.
Quality at an affordable price is a killer strategy. My new SE 24-08 Standard and Core CU 24(2008) are both great. Glad SE line is so accessible $-wise.
Got me a PRS SE 594 and I LOVE IT! The smaller scale fits under my smaller hands VERY nicely. One small issue: after about 6 months the pickup selector switch is being a bit finicky when moved to the "down" (bridge) pickup position, occasionally I lose all sound. So a wiring quality issue, easy fix (there's an access port on the back right to that switch) but deserves to be mentioned.
I had the same issue with the toggle switch on my S2 594, they got a bad batch of switches. PRS sent me a new one , the cloth covered wiring used in core models, but it didn't fit(the electronics used in S2 models, up until recently, were import parts). Had a tech at Noll guitars install a switch craft toggle, no more issues. Eventually I'm going to upgrade all the pots , wiring, and replace the pick-ups with the American TCI 58/15 LTs .
Great video! Been looking to find a good demo of the HDRX 20 which shows the range of tones it can deliver and you nailed it! I already have a few Marshalls and wondered how it would compare to my SV20H but from what I can find (mainly from you) is just how versatile it can be! Special thanks from my bank manager too as I now also have an itch to try out a 594 haha!
every demo i've heard of this guitar it sounds exactly the way I like, a bridge pickup that is cutting, articulate, clear, and precise, and a neck pickup that is warm but has plenty of clarity
Love the videos Corey! Just tried some SE McCartys at a store. Fantastic guitars, however the necks are massive! I thought my SEs with the wide fat necks were chunky but those tree trunks are just too much!
PRS makes great guitars in my experience. I own 5 models. None them are the high-end models. All are under $1400. Near perfect tone every time I play one. Just tweak the amp if not! Great video.
I’m 53, been playing since I was 12’ish. I really enjoyed your perspective “in general” I agree with ya. I play Gibson, Fender, Jackson, Ibanez, LTD, and PRS. In my humble opinion, PRS is like a cross between Les Paul Strat meets an LTD (Metal). It does it all very well.
Good stuff. Have a core artist stock cu22 and first year core mira. Great guitars. Also have gretsch, st blues workshop and custom built guitars. Really want to check out that amp.
I had a PRS Custom 24 SE for several years. Really nice guitar, but I've always struggled keeping a guitar with a trem in tune. I saw your video comparing the PRS SE 594 and the Epiphone 59 Les Paul Standard Limited Edition. I wound up trading in my PRS for the Epiphone. I don't regret it. I do have two PRS SE acoustics that I really like.
Love my PRS Custom 22! Whenever I'm doing, lets say session stuff and I need a guitar that I know will deliver, I'll use my PRS. Sounds great, stays in tune, intonates, sustains and is comfortable even on longer sessions. And the trem is fantastic! To me what is different about PRS as a company is that the founder of the company is still very much involved and pushing the envelope. A lot of companies are owned by venture capitalists who want to maximize profit, but I really think that since Paul has his name on the headstock, he wants to maintain the quality PRS are known for. Yep, they are not for everyone, no guitar brand is, but they make fantastic guitars and are still trying to improve the things that matter.
I own a PRS S2 single cut McCarty 594 from 2021. I do love the look of the LP. Everything that I see and hear is that PR Smith is and has been doing everything possible to build the best guitars in the world at all price points. He seems to get a real psychological boost from making superior instruments. He seems to have a burning desire to be the best at what he does. Are the other major manufacturers doing that? Or are they pretty much resting on their laurels with their reputations, however well deserved they may be? I believe that people follow narratives and like to be in the group that is largest and loudest. They follow the group who they identify with. Free thinkers are RARE. However, if PRS continues on their current trajectory of building quality instruments, they cannot help but become recognized for the quality that is built into these instruments. JMO
Thank you, Corey. Appreciate your expertise and candid evaluations. I have a PRS SE Paul Allender 2012? (not sure of the year) - Scarlet Burst-EMG Pick UPS-Bat Inlays. Paul (Allender) gave it to me himself. He's a friend of our son and has collaborated with him on various projects over the years. It's a short scale axe and I love how I can bend on it. (I'm a self-proclaimed hack.) The bat inlays speak for themselves. I've also played 1-2 of his custom built PRS's that Paul Reed Smith himself had signed on the back of the headstock. Pretty sweet guitars! 🌴
PRS are awesome ! PRS achieved a quality point that Gibson or Epiphone are very far from. Same overdriven LP tones but with Strat like clean tones that are simply beautiful !!! GREAT VIDEO and AWESOME playing !!! Congrats Corey !!!
PRS has managed to do what Fender and Gibson couldn't do in half the time. BTW, Corey I don't know if you will read this being its a year old. I've been watching some of your other videos and man you are an excellent teacher. Thank you, much appreciated.
I got the HDRX 20 recently and it's great. It's definitely a gigging amp as opposed to a "bedroom" amp but it is useable at home, if only just. This thing is loud and I just have it going through a 1x12 cab. The quality and value of this head are unmatched if you're looking for a lower wattage Marshall style amp. You can find used ones in good condition easily through GC used gear listings. Definitely worth checking out!
I've used a DTG since 2009. I love its sound, playability, and versatility. I used it in bands I played in over the years and have used it on a worship setting for a long while. In that setting, the versatility of the DTG used with a Helix on a silent stage works and is convenient (not hauling a pedal board and off-stage amp for 4 songs). When used with Blackface Fenders or DR Zs and pedals is fantastic. Although I have other guitars (tele, strat, 335) it still gets a lot of play time. I just love it!
I own a PRS SE 245 and SE Custom 24... I am very happy with both guitars. My favorite of the two is the 245. So I am interested in the SE Single Cut 594. Just hope I like the neck of the 594. I've heard they're really chunky.
Went into a guitar store 2 weeks ago to get either the Epiphone Les Paul custom in Ivory or a Epi '59 Les Paul standard. I tried both and felt it wasn't a 1300$ guitar. Then I took the Mccarty 594 single cut and was in love by the second note
I have medium to smaller hands and Im going to take your advice and play one and I hope I can navigate the thicker neck. I prefer the CE 24 thinner wide neck and I want to try the 594 McCarty.
Testing random guitars at the store and picked one of these up to play. 1st impressions are true. It feels comfortable and light to carry. Looks cool and sounds bright and bold. It's on my list.
I love PRS… I own 11 PRS because I love the tone and feel of those guitars. Do I like other guitars? Yes… but my number 1 is still my 408 and DGT. Great video, playing and tone 😊… your playing is from a different planet Corey.
Great review and great playing. I wish you would’ve demonstrated that guitar without all the treble boost on and things like that right from the start so we can hear how the guitar really sounds.
Hey Corey! My thoughts about PRS? My SC58 is BY FAR the best sounding guitar I’ve ever played/owned. Not even close. I find that I never even change amp settings or anything because I’m always satisfied with the first sound that I hear. lol
Thanks for this vid and your sentiments toward PRS! I have Two models in SE, love them! Hope to get the single cut before the years out. Dare say that resale value may suffer a bit with this brand
Been having the 7 year guitar itch for a while now so I went down to Bangor to try out a few. Wanted to check out a new Strat pro and a couple of PRS models. Mind you, I'm old now and pretty much play what I want. Loved the Custom 24 and the PRS strat model but bought the Fender. Although the PRS models are very very nice, I just couldn't get past the "smug factor". PRS folks are always sure to tell you all about how much better the guitar is and all the tone wood stuff. All I want is something comfortable that plays and sounds good. Never even looked at what kind of wood the strat is made of. Could be plywood for all I know.
I've got 3 prs guitars as well as gibsons, fender and ibanez......one is an 'expensive ' the other 2 are se models.....I love them all....I think the se models are incredible for the price.
Thank's for another great video Corey. I've been a subscriber for a year or two now and have been able to get a good deal of info from your videos about different ways to approach playing and "spicing up" common progressions. I particularly enjoyed the intro to this video concerning your thoughts on PRS as a company and loosely speaking, their "ethos". I own more guitars and amps than any non-professional has a right to, but have never had a hard core stance or the "over the top" brand loyalty that I see out in the world sometimes. I've always chosen instruments and equipment to achieve the tone or vibe that I want to create. I own core PRS's, Gibsons, Fenders, Yamaha's....etc, all chosen because they do the job that they should, and I have connected with them. I am really impressed with the most recent release of SE models from PRS. The DGT's, and 594's. I believe that they really hit the mark on delivering very high value for your money, and with the attention to detail and build quality that has always been the hallmark of PRS, I believe that PRS will be able to put a good deal of these guitars into players hands that may have been previously relegated to purchase a lesser guitar. Just really wanted to say thank you as I am watching more and more of your channel.
Where I'm at with PRS: I'm 36, been playing on and off for 20 years. Have always been a Gibson guy, but dabbled here and there with Fender strats. Growing up I heard all about PRS and how they are "all the same" and "sterile", which actually prevented me from ever wanting to pick one up. A month ago I picked up a used Brent Mason Collection Series IV for a killer price. Incredible feel and sound. It would be pointless to benchmark it against my les paul, 335 or strat, as PRS has its own thing going. PRS guitars deserve their own seat at the table. If anyone else is on the fence about PRS without ever having tried one, give it a try! Nothing to lose, other than perhaps some forum perpetuated misconceptions and assumptions.
I like PRS and have a custom 22 and have literally worn the finish off the neck and I love it. My reason for owning a core model vs a SE is the person who built the core model might be my neighbor and I want that person have a living wage and support his/her craft. That said on price point the SE is a lotta bang for your buck.
Been a LP man since 74 and got my first PRS Custom in 93 and couldn't let it out of my hand for over 15 years. Now in 2023 I've gone 180º and returned to my LP's. PRS hardly gets played. Life is a journey.
I just played my PRS Custom 24 this morning at church. It is a joy to play and sounds/looks great! It was a gift from my wife for our 20th wedding anniversary. Yes, I am happily married! :-) One of the highest praises I have heard from guys on the SE types is that it somewhat compares to the Core models. That is a high compliment indeed, especially coming from people who own both a core and an SE.
I have HDRX20 and really struggle to find good clean sound/ edge of break up. I wish you do a deeper dive on it and show your amp settings with the tones you achieve.
Well , I’ve had 3 Se’s over the last 8 years or so , even the excellent Bernie Marsden signature but have never bonded with any of them , great guitars , no doubt , but for me no mojo or that special feeling which makes me keep a guitar and play it and gig with it . Old 1980’s Japanese Fenders are my drug of choice and nothing seems to come close , for me anyway . Although I did play a USA PRS Mira and loved it , not able to buy at time though .
About 6 months ago, I bought an s2 starla after a friend’s suggestion after being disappointed with several lower priced gibsons. I was blown away. The s2 was the les paul style guitar i was looking for. I have since bought a se hollowbody that i love too.
I love PRS. I’ve had a couple and only sold because I quit for a while. I would’ve picked up another is they had an affordable HSS strat. Still planning on getting the SE McCarty soon.
I saw a player on a cruise who's guitar really caught my attention, mostly because it was the only PRS I'd ever seen with what looked like a single coil between the humbuckers. It was a PRS Swamp Ash Special, with a bolt-on maple neck and fretboard. I bought one about six months later. The tone control is a push-pull, which activates the Seymour Duncan Vintage Rails PU in the centre. It also selects 3 different pickup configurations with the 3 way toggle. The authenticity of the Fender and Gibson sounds are real eyebrow raisers. PRS made the first version between 1996 and 2009, after which they started using 3 PRS Narrow Field Pickups. It was the least expensive PRS that I've ever seen. I have some very nice Gibsons and Fenders, but don't need to bring a couple of guitars to gigs anymore. The SAS covers everything. When I travel, I just unbolt the neck and throw it in a suitcase. I would HIGHLY recommend checking one out.
Fell in love with a C24 Emerald Green C24 10 top with Birds in 1988... I think it was $1800 (an LP Standard was about $1000 then). I bought the LP and truly loved it. Had to sell in the early 2000s along with most of my collection of 80s guitars (Jacksons, Kramers etc...). Finally bought a PRS core C24 Piezo in early 2018. I have many nice guitars from different brands but now also have a Core Tremonti, a CE 24 and one of the new SE DGT models... I love them all. The SE DGT is truly phenomenal and hope to pick up one of the SC SE 594s you are playing sometime this year and eventually a Core DGT. Are they the only guitars I play? No but when I practice they are what I pickup probably 80% of the time and play live unless a portion of the set requires a very specific sound I can't get well with a PRS.
A while back, I came into some money, enough to be able to afford a single cut instrument. A good friend owns a music store and is a PRS dealer among others. He is also probably our areas top gig musician and he plays a PRS on stage and for recording. I went to the store and asked if I could just mess around with some PRS guitars, not even knowing the difference between SE and core models. All I saw was how much they cost. I played around with some of the different SE models, liked them all just because they felt great and played well, but after a while, I happened on a Mark Tremonti SE in that same burst pattern you have there. I couldn't put it down. I didn't put it down, I bought it! At that time, Eastman had not yet released their SB59 single cut. When they finally entered the market, I ordered and paid for one and then had to wait almost two years to finally get it. Since acquiring this instrument, the Tremonti has not been used at all and I finally took it over and traded it in on the purchase of a new Casino. I think that PRS was a fine guitar. The Eastman SB59 is a dream come true however. PRS SE models are not wannabe guitars! They are wonderful musical instruments and anyone who plays one should agree, they feel and sound amazing, price not even being considered
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Check out the gear used in this video
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its not 'hate'.. many in the guitar community just not prefer playing PRS.. its just preference.. many people do not want flame maple and the finishes or the bird inlays and the headstock,etc... nobody looked cool playing a PRS and its just true.. and where does PRS really stand as a genre? definitely not metal and punk rock.. jazz,blues and classic rock? many would rather stick with the old timers fender and gibson.. those are just some of the reasons.. its not hate, its just preference.. im sure its a very good instrument with pristine build quality..
PRS pushes the rest of the guitar community to do better. Much respect from us!
And that is the reason I bought a Baum Wingman without having played one - the roasted maple neck and ebony fretboard, unique pickup design- the same attitude PRS had when they started - make a guitar that lets you sound like YOU. As for PRS, my first was a US-made Starla. The pickups in that guitar were made for a band not a bedroom, they cut through like a chainsaw. Then I bought a core 594 SC from a run made for Guitar Sanctuary with a roasted maple neck and ebony fretboard. Then a Fiore. My son-in-law was a dye-in-the-wool PRS hater, all about his LPs and Custom House Strats. He called PRS the preferred guitar of successful dentists everywhere. Then he played my 594. He lost his mind, convinced that it was chambered because it resonated like nothing he ever played outside of a semi-hollow. Then he played my Fiore and went right over the edge and ordered one. He gigs 2-3 times a week and depends on that Fiore. It makes it to the gig ready to roll and is on target all night long, every time. He borrows my 594 for sessions, while he saves up for his own. You can spend half your life kissing Fender and Gibson frogs till you find your princess or you can buy a PRS and play. I know which I would rather.
The strength and weakness of a PRS is their consistency. If you don't like a specific model they make, you can't go hunting for one you like. They are consistently made the same way, so you aren't going to find that magic one if you didn't connect with the first one. But, if you've played one in a store, love it, but can't afford one, you can save up, and buy one online and know you'll get the same experience you had in the store.
With Gibson and Fender, you literally have to hunt for one, as one guitar can be wildly different from the same guitar model. If you find the right one in the store, you better buy it right then and there. You cannot go home, order online and expect what you've played previously. But, because they aren't consistent, you may not like one, but find the next one you play to be utter perfection. It feels like it was custom made for your hands.
This is why you'll have people swear by their Gibson, because they found the one.
And because PRS makes consistent guitars, people interpret this as a lack of soul, because the identity of the guitar isn't singular, the identity is in the entire model.
I feel like I can buy a PRS online and not worry about what I'm getting. You have to put a Gibson or Fender in your hands to judge whether it's any good.
There is nothing wrong with both. The soul of Gibson or Fender is in a singular guitar. You pick up the right one, it speaks to your soul.
The soul of PRS is in the company itself. Even though they are one of the big 3, it still feels boutique. The guy that started the company, still has the passion for making guitars. They don't feel like a soulless corporation, and they aren't worried about being a lifestyle brand. They are more concerned with making innovations that make the guitars better. And their "cheap" guitars have become the industry standard in overseas guitars.
And to be honest, I get more excited for what PRS is doing next than I do with Gibson or Fender. Those companies are held back by the purists.
Very well put,I think PRS would agree with you
As a Les Paul guy you are 100% it took me 6 different Les Pauls to find the one. The necks; weight; and tone varied from one to the next. Not a guitar you want to just buy on-line 😂
I agree with you. In my opinion, searching for the holy grail version of a guitar model sounds very tedious and time consuming to me. I am a PRS owner and will choose consistency every time.
I agree, I came to that same conclusion after hearing so many people say it has no soul but spend years going thru many guitars to find the one they like both feel and sound. They either find one that feels right but sounds horrible or vice versus.
I think PRS are great and once you learn how they work sonically you can shape the sound better but I personally love them right away. I come from learning some piano, playing saxophone and percussion and I need and want a consistent instrument and PRS delivers. I also think some to alot of the complaints are all in the head. I heard people complain about the thick neck on the PRS McCarty but it wasn’t a big difference to me from a Strat, Silver Sky or PRS standard. It was like “oh it’s noticeably thicker” but then I kept playing and forgot about it. Plus even experts forget to use the tone knob and volume and that can make a big difference in a guitar sound.
I use to know of a semi professional who spend $1000 on tube amps only to destroy them the next day because they didn’t sound right gig to gig…he wouldn’t take into account room acoustics, humidity, crowd, etc can effect the sound. I play drums mostly and have noticed my drums may sound awesome in one place but sound terrible in another based on many factors. Still tuned correctly but the room acoustics, wood, soft panels, crowd etc would effect the sound a lot especially with temperature.
Anyway I digress…went off subject but I agree with you. I love PRS guitars. I have a single cut with moon inlays and red flame veneer, a SE Silver Sky and soon a McCarty or Custom 24. I just love the sound, looks, consistency, attention to detail, etc. I’m still open to Fender and Gibson/Epiphone but after spending hours playing USA Fender Strats to Squier I chose the Silver Sky SE because I kept going back to it because it made me comfortable and happy.
Very well said
PRS is completely underrated. They get scored down for looking good, staying in tune, practically playing themselves, lasting forever (without breaking) and sounding great. That's how weird the world is. I still love Fender and the other makers, but I don't get the hate, at all.
Couldn't be any truthful than this! 💯
Perfectly stated!!!
I think they get scored down because our guitar heroes of previous decades typically played Gibson and/or Fender. It's hard to overcome an image of a guitar hero from our youth. If Hendrix, SRV, Page, Lee, Berry used Fender and Gibson; then they have to be the best is the concept or at least, I can be like the heroes if I use their brand.
I don't think they look good tbh. They stay in tune the same as most other guitars in their price point. They don't play themselves in anyway though I understand that was a hyperbolic statement. They probably last forever, just like literally every guitar I've ever owned, and they sound pretty average for guitars at their price point, just like most fenders and gibsons. I mean, I get that we each have different opinions but to not comprehend that people don't like the same things as you seems a bit off. Do you truly not comprehend why people don't like the same art tool as you?
I saw a Page, Plant concert in Atlanta in the 90's and he sounded the best I ever heard him and played 3/4's of the concert on a plain red Prs with no birds. I saw Dickie Betts slaying a PRS and sounding fantastic as well as Warren Haynes.
I've owned several Les Paul's and USA Strats and I do love them. I recently traded an acoustic I wasn't playing much ona used Indonesian made PRS " Paul's Guitar", and it's the best playing instrument I've ever owned. It feels great, stays in tune perfectly and sounds great. My son who is a die hard Gibson guy picked it up the other day and played it for an hour and said " that thing's hard to put down." I can't imagine how good the core is if the SE is that good.@@CJZM7777
I'm an old rocker and have been playing Fender and Gibson for decades. The first time I tried a PRS, I was hooked. I now own 6 in my collection. They all play amazing with fret work that is beyond reproach. The build quality is amazingly consistent at every price point. My new favorite brand. It doesn't mean I don't like Fender and Gibson.
Same.
I've got a 2020 Core PRS Custom 22. Love it, love the company. Love that Paul always refers to PRS as 600 people, not just him in interviews. I love that he always innovates and is not afraid to innovate.
Thanks for this, Corey!
Honestly I think a lot of the anti-PRS sentiment is due to them being so well made and nice-looking that people equated them to lawyer guitars. I know I felt that way until I tried one in a guitar shop. Other than strings and the usual maintenance I haven't had to do anything to it in the 5 years I've had it. This is an SE Custom24. I went to the store with no particular budget in mind but I kept going back to that one because of how well it played.
Exactly, that’s where Corey is entirely right. We shouldn’t see SE has sub-quality guitars, or like the guitar we buy if we can’t afford the core model. Of course, if one doesn’t have the budget for core, s/he will obviously shop in the SE department, but if one has the budget for a core, it doesn’t s/he should skip the SE… I have both core and SE and I love them all.
😂😂😂 We hate PRS because they have no Soul. Good looking? PRS are Ugly AF. Seriously the birds on the Fret Board looks retarded
Agree. PRS make awesome guitars, great sustain, look excellent, versatile. I've got the SE2408. Absolutely love it
I don’t think it’s that at all-I think it’s because they occupy too much of a middle ground. It’s like a strat without the thump or a Les Paul without the character. I love the way they look but ultimately almost every PRS track would sound better with either a LP or a strat
@@watermelontreeofknowledge8682 Exactly!! PRS looks like a Corporate Guitar. Les Pauls sounds way better
I started the year with 0 PRS, now have 3!
I always respected and appreciated PRS a lot, but the one I had, a 594 Core, was expecting to be something it was not.
Got an SE's Paul's Guitar and wow, then I got a McCarty with P90 and just got a DGT. Love all 3, but the McCarty P90 with Lollars and DGT sound absolutely amazing. I think I finally found the guitars better suited for me.
I think the 25 scale length also gives it something that just suits me perfect.
I am blessed to owner several PRS Guitars. I began with their SC lineup, and then moved to the core models after a few years. PRS makes the finest guitars to enjoy visually, the feel, and he sound! They’ve got all the bases covered!!
One of the reasons I'm watching this video is because I'm seriously considering getting one. Specifically the McCarty. I'd like a Gibson but they're too expensive and on another video the McCarty was played next to a LP Standard and they both sounded more or less identical.
Do you have any of the PRS Double Cuts (I was wondering if there's much of a difference sonically, if at all, between the single cuts and doubles)?
I love PRS. I love everything about PRS. I was at Norman's Rare Guitars in Tarzana, CA and I was having a field day playing on their PRS cores. They also had a couple SE's and i gotta say- they are also amazing guitars and are beautiful as well.
My dream guitar at the moment is a Gibson Gold Top with p90s, and Norm actually had 4 of them on display last week, one of them being a Murphy Lab Relic'd Gold Top, which was a BEAUT. However, I kept on wanting to play a Core 594 after playing that Murphy Gold Top. The price of the Gold Top was almost $8,000. The price of the PRS core 594 was 4500. But the 594 played and felt better. And it'll stay in tune.
I purchased my first PRS guitar at 16 (one of the first SE Santanas). I have been playing them ever since. I am 36 now. PRS Guitars always resonated with me, however, I love a good Gibson, Fender, or any other guitar. They all have so much to offer. It is a great time to be a guitar player!
And if you add that now we can produce a whole album on a computer with no special outboard gear, tape recorder, analog large console, or the fact we can distribute the album online, promote the band online using social media, etc… it’s never been a greater time to be a musician.
The problem is you have to spend too much time finding "a good Gibson". Their QC just hasn't improved to the promises they made when the leadership changed. The marketing is what they really improved on.
@@Scott__C I have yet to look for my Gibson but I do plan on doing so next year. I have heard about the many QC issues. Hopefully my search won't be to difficult. or I can just get a 594...
I play a PRS Standard SE, it's about all I would allow myself to afford. It has become my player, it's a very comfortable guitar to play. About PRS from my limited playing and watching videos and such, they are just really good quality guitars. You know you are getting a quality product. What you may not get is that undefinable character from other brands, you may find that most amazing Strat, but it may take years and lots of guitars to find. And I just like Paul's approach to making guitars, listening to how he collaborates with artists to attain just what they want and then make it available to us, both as something affordable or something unattainable.
Ok, Corey, here’s my take on PRS. I’ve watched PRS from afar, and never owned one. I’d picked them up a few times in stores just to feel them in my hands, never plugging them in, which is typical for me until I really like the feel of one. I have been playing Fenders for years and only in recent years picked up a Les Paul. The Fenders, as a result, always feel like home. The PRS guitars always felt odd in my hands. They felt small but heavy and the fretboard was foreign to me. Besides all that, I love the aesthetics of the traditional brands and all the history that goes along with them. Also, to be frank, Paul always got on my nerves with his hyper salesman personality in interviews, further distancing me from the brand. HOWEVER…. recently after learning about the SE DGT from you and others, I decided to test the waters by purchasing one. Upon receiving it, I felt that oddness I had previously experienced when I had held a PRS. After a couple days of playing it, I was still on the fence about keeping it. I convinced myself to give it more time and took it to church where I play. Hearing it in the mix was an eye-opener and seeing its versatility sold me. After a week or two of playing it I began to understand it and now really love it. I think the frets are what was causing my initial trepidation. I have a bad habit of crushing the board when I play and the rather tall frets feel almost like a scalloped fretboard. Realizing this has caused me to ease up the grip and has really helped me get the most out of the instrument. The tall frets make the guitar very playable and fast once you get used to it. I am now looking forward to exploring other guitars in the brand, in particular, the 594. As for Mr. Smith, I’m becoming a bit more sympathetic, perhaps even appreciative. I’ve got to give him credit for doing what he has done. I know it’s been a long hard road to get where he is now. His excitement for making guitars after all these years must be admired and I believe his genuine love for his company and belief in his products cause him to be a bit overbearing in his demeanor. So in conclusion, regarding PRS and his guitars, I am reminded not to judge a book by its cover.
So your problem was never PRS. You just didn’t like or were used to a certain fret height.
I had a beautiful Sienna Burst strat, 2012 American standard. I sold it on a whim to go for a 2015 SC245 (core model) with 58/15 pickups (regular version, non-LT). This might sound crazy, but I actually prefer the coil-tapped PRS sounds to the strat I owned. Super sweet clean tones, and an all-round superb instrument.
Thanks for doing the demo of the HDRX20. I’ve been looking for more demos of this amp and you hit the points I wanted to hear. I’m thinking I’ll grab one. Thanks!
Have no PRS guitars, but recently got their HDRX50. This amp is pure magic …
so is the 20 watt version.
The Se line is for professional musicians
se literally stands for student edition
I just bought a SE Zach Myers and I'm loving it. It's the nicest guitar I've ever played. Can't wait to get another PRS guitar. They are definitely quality instruments.
I was never a PRS guy, not that I hated anything they make - just never really tried them. Tried a DGT and it was really good. It's straddling the Les Paul/Strat line and it has fast become my favorite guitar. It wasn't the cheapest thing I could have bought, but I'm pretty sure its a keeper.
Cory, this is the only video that doesn't only play Hendrix on the amp. I wanted to hear different kinds of music,. You did it. Congrats!
I love my PRS guitars. PRS probably is my favorite brand. Not sure what the hate is all about
I purchased the PRS Mc 594 in faded blue this past summer. Im much older than most people on here so buying something thats Quality made and built to last was important to me. Does it sound like a Strat ?? No. Does it sound like a Tele?? No. Does it sound like a LP??? Closer but no. But it still can accommodate and accomplish plenty musically and tone wise too. The build and visual appeal of the wood and finish is something a blind man would love to see. Great assessment and video. 1st time subscriber.
Just got my first PRS and loved it so much that I now have the second one on the way.
love that PRS guitars all seem playable as soon as I pick one up. Impressed with everything about PRS and their commitment to musicians and quality that's usable. Not so crazy about calling then neck pickup the "bass" pickup and then second guessing the switch direction based on their naming conventions.
I just ordered my first PRS yesterday - the exact model in your hands. I had never played a PRS before but noticed my local shop had a used 245 SE so I gave it a try.
Firstly, its veneer top looked stunningly better than any guitar I owned, even ones that were over double the price. For their bottom-line model, it was breathtaking.
Secondly, it played silky smooth, the pots were reactive across their entire range, it was very comfortable, and it of course sounded great.
After hearing about PRS' build quality reputation over the years, I finally saw for myself what the fuss was about. After that, I had no trouble pulling the trigger on the SE Mccarty 594 sight unseen. 🤘
I have been playing PRS since the 90s, I also play Gibson, Fender, Ibanez, and Suhr. My new favorite is the PRS SE McCarty 594, there is something magical about the one I got. The reason to buy a PRS is for consistency...The 594 and Silver Sky are trying to find the magic/spirit of the originals and replicate it on a consistent basis in a modern guitar.
I bought my first PRS in 1987 which I used exclusively to 1993 when I sold it. It took me along time for no reasons before I bought a new PRS and fell in love with the brand again. Today I have a PRS DGT, a PRS S2 Vela satin semi hollow, a PRS SE 245 and a PRS SE Hollowbody II. I firmly believe that PRS makes the best guitars you can buy, regardless core, S2 or SE.
Bar raising example of a clear and concise demo of a guitar and amp. Like the thoughtfulness and commentary and agree with your sentiment about PRS and the guitar community. Really well done. Thank you.
I have a custom 24 se..12 years old from Korean factory, but it is one of my work horses still to this day…I also have strats, and a Les paul, explorer, tele, but if I need 1 ax for the most sounds that I’m needing in one night, It’s my PRS…plays beautifully and sounds killer.. great job, nice chops!!
Was frustrated with tuning and intonation issues with other big brands and was floored by how playable and reliable PRS guitars are. They just feel so easy to play. I’m a better player on them and thus I have more fun. Also, doesn’t hurt that the PRS McCarty 594 Hollowbody II is one of the most gorgeous instruments I’ve ever seen 😅
Waited almost 30 years to get my first PRS, but really glad I finally got one. Custom 24 amethyst SE with ebony fretboard. Feels like a $1500 guitar but payed way less than half that. such a smooth playing guitar and sounds great. Slightly thicker neck than I prefer, but it feels amazing so I still grab it all the time 👍
I'd like to understand PRS pickups the way I understand Gibson 58's, Fender single coils, and TV Jones' etc. "Starla," "Vela," "85/15"s, "58/15s," etc. I'd love to see a video that would demo and talk about what the goal was behind each design.
If I recall correctly, the 85/15 are pickup made to sound like the PRS built in 1985, but the pickup are designed in 2015. Th 58/15 are pickups made to sound like 1958 pickups but designed in 2015. But that’s about everything I know about them… still I hope it could help ;)
I was a fan of the PRS aesthetic for a long time before playing and got my 1st SE Custom 24 5 years ago. It had great feel and the tones were decent, but to my ears felt like something was missing. Since then, a CE 24 semi hollow and a core 594 Singlecut have become my primary electrics as well as an SE A55E acoustic. The quality at every price point is second to none. The 58/15 LT pickups in the 594 are the most harmonically rich that I’ve ever played. It took a lot of saving during Covid to afford those 2, but I’m glad I did.
New Year’s Day I bought my first PRS DGT SE Tobacco. Absolutely amazed at the quality of sound. So pleased with everything about it. PRS is making the SE with best quality for the most guitarist. Thanks for including mere mortals into some quality musical instruments that are within reach price wise but look and sound like a professional level instrument.
I just purchased a PRS T40 E. Acoustic electric and it too has a lot going for it. So now I have 2 PRS guitars. I want to get some of the other models. Each model PRS guitar has its own tone qualities. No boredom with a PRS guitar. I have many other guitars but my PRS guitars are getting more attention lately. No shortaga of fun with these..
Just bought my first electric after playing acoustic for the last 25 years and it's a PRS 594 SE. I LOVE its look and how it feels when playing it standing. I have to admit it's not the most comfortable when playing it seated but I'll get used to it. I'm looking forward to diving in and learning how to make it rock.
I played my first PRS in 2019. Feels great in the hands, great build quality, sound and looks nice too. I now own five: two core, two S2's and a very nice acoustic. I'm also not a dentist or lawyer - I'm a guitar player. Imagine that haha.
I've been gigging for about 30 years. Just purchased the PRS GDT SE Gold Top. I am LOVING IT Great tones, great neck, and great looks. Wow!
Great video, and love your style. Conversational, approachable delivery. Thanks
Hey thx!
I agree, Corey. In 1994 I bought a pre-series "Classic Electric" which PRS brought to the Frankfurt Musikmesse. I found it, played it, loved it, bought it. To me, at that time, PRS was an unknown Company. I knew they had Santana as their main "Endorser". And since I am not a Santana Fan I wasn't very interested in PRS. But it all changed when I first got the PRS in my hands and felt it. It was so damned good - and still is... I really love this guitar. The neck is fantastic, the Trem is amazing (especially compared to my 1987 original Fender American Standard Stratocaster, which is is using the famous "...use it and you're immideatly out of tune-Technique..."). Thanks again for another great Video, Corey! Thumbs up, man! Best greetings from Germany. Michael.
Personally, I love PRS guitars. They just fit me and the way I play perfectly. I would never expect someone else to like the same guitars I do. As a wise grandpa once told his grandson, “son if everybody liked the same thing everybody’d be after your Grandma…”
I just bought a 594 SE and I'm in love. Its perfect. It sustains forever. It's bright. Its everything you need.
I love the looks and the sound, but can't get used to their wide slim necks with all that gloss finish. Maybe a CE or a standard might work. Great video as always Corey.
Was looking at Epi Les Pauls last few months, and played a couple at GC that I wasn’t thrilled with. Picked a SE24 off the wall after seeing PRS videos pop up in my YT feed. Immediately fell in love with the playability. The quality was was also extremely apparent in handling it. Ended up finding a used, but really brand new PRS 24-08 SE with locking tuners, for around $600 shipped/taxed. It’s not a custom, but for $200 more for a paper thin maple veneer didn’t seem worth it for me. It’s not a LP and it’s not a Strat, but it does give you some of both worlds. The big kicker is the quality and playability in that price range; certainly on par with US built guitars. Wasn’t even on my radar until seeing some reviews on YT and actually playing one.
Bev and Travis are AWESOME! Been working with them for a couple of years, and I'm actually checking out this video because I'm looking at a 594. Your demos are always absolutely top notch. That HDRX 20 is no slouch either!
I just got the SE 594 double cut, and I will say it is the best PRS SE I've played or owned! The stock pickups in it are the best sounding ones I've heard in any other SE or S2 I've owned or played. I still will swap out the pickups for more output. I also own a PRS HDRX 20, and it's a great amp for the money!
I wish PRS would offer more options with a stop-tail.
Hi, I just recently purchased an SE 594 double cut model, I love everything about it except the tuners, I think they're on the cheap side, the tension varies on each one from firm to quite loose and there's no adjusting screws to remedy it, now I'm considering fitting a new set of klusons instead of these stock ones.
I have three PRS SE's at the moment. A Standard 24, Pauls Guitar and a P20. All great guitars. Waiting on a SE DGT coming. I used to have a Torero and Michael Akerfelt but didn't suit me so got rid.
Just bought the double cut 594, really love the neck, pickups are sweet PAF type, lots of variation with the controls and coil split (?) pull pots. I've owned multiple PRS SE's loved them all, this one however is my favorite so far.
I generally like PRS as a brand. Not all of their products meet my needs, but I've tried several that do and I use them.
Only been playing for a couple of years. My main guitar is a PRS SE HB II Piezo. Incredibly versatile and light. I did add a HB split push/pull pot. Holds tune exceptionally and has great sound. Will likely branch out to other vendors but PRS is my baseline for quality, and I really dig their products.
Most impressed by the use of the word facsimile. Killer guitar playing PLUS an exceptional vocabulary? You talent is unparalleled my friend
Corey, I really enjoy your videos and am so glad to have found your channel. Straightforward info, no time wasting fluff or intros. Your playing and presentation is superb. I’ve seen all the YT stars and you have met and exceeded them all. Please never lower your stands to the click-baiting so many are exhibiting.
I appreciate that very much! Doing what I can to educate and inspire. Glad you enjoy!
Quality at an affordable price is a killer strategy. My new SE 24-08 Standard and Core CU 24(2008) are both great. Glad SE line is so accessible $-wise.
I'm seriously considering purchasing one of these 594's in the same Vintage Sunburst... Great presentation... God bless.
Got me a PRS SE 594 and I LOVE IT! The smaller scale fits under my smaller hands VERY nicely. One small issue: after about 6 months the pickup selector switch is being a bit finicky when moved to the "down" (bridge) pickup position, occasionally I lose all sound. So a wiring quality issue, easy fix (there's an access port on the back right to that switch) but deserves to be mentioned.
I had the same issue with the toggle switch on my S2 594, they got a bad batch of switches. PRS sent me a new one , the cloth covered wiring used in core models, but it didn't fit(the electronics used in S2 models, up until recently, were import parts). Had a tech at Noll guitars install a switch craft toggle, no more issues. Eventually I'm going to upgrade all the pots , wiring, and replace the pick-ups with the American TCI 58/15 LTs .
Great video! Been looking to find a good demo of the HDRX 20 which shows the range of tones it can deliver and you nailed it! I already have a few Marshalls and wondered how it would compare to my SV20H but from what I can find (mainly from you) is just how versatile it can be! Special thanks from my bank manager too as I now also have an itch to try out a 594 haha!
Glad to see a new video Corey!! Hope all is well with you! 🙏👍
every demo i've heard of this guitar it sounds exactly the way I like, a bridge pickup that is cutting, articulate, clear, and precise, and a neck pickup that is warm but has plenty of clarity
Love the videos Corey! Just tried some SE McCartys at a store. Fantastic guitars, however the necks are massive! I thought my SEs with the wide fat necks were chunky but those tree trunks are just too much!
PRS makes great guitars in my experience. I own 5 models. None them are the high-end models. All are under $1400. Near perfect tone every time I play one. Just tweak the amp if not! Great video.
I’m 53, been playing since I was 12’ish. I really enjoyed your perspective “in general” I agree with ya. I play Gibson, Fender, Jackson, Ibanez, LTD, and PRS. In my humble opinion, PRS is like a cross between Les Paul Strat meets an LTD (Metal). It does it all very well.
Started with PRS soapbar 11 for $100 bucks now have Santana semi-hollow, parlor 20. Mim stratocaster is still in case.
Good stuff. Have a core artist stock cu22 and first year core mira. Great guitars. Also have gretsch, st blues workshop and custom built guitars. Really want to check out that amp.
I had a PRS Custom 24 SE for several years. Really nice guitar, but I've always struggled keeping a guitar with a trem in tune. I saw your video comparing the PRS SE 594 and the Epiphone 59 Les Paul Standard Limited Edition. I wound up trading in my PRS for the Epiphone. I don't regret it. I do have two PRS SE acoustics that I really like.
Love my PRS Custom 22! Whenever I'm doing, lets say session stuff and I need a guitar that I know will deliver, I'll use my PRS. Sounds great, stays in tune, intonates, sustains and is comfortable even on longer sessions. And the trem is fantastic!
To me what is different about PRS as a company is that the founder of the company is still very much involved and pushing the envelope. A lot of companies are owned by venture capitalists who want to maximize profit, but I really think that since Paul has his name on the headstock, he wants to maintain the quality PRS are known for.
Yep, they are not for everyone, no guitar brand is, but they make fantastic guitars and are still trying to improve the things that matter.
I own a PRS S2 single cut McCarty 594 from 2021. I do love the look of the LP. Everything that I see and hear is that PR Smith is and has been doing everything possible to build the best guitars in the world at all price points. He seems to get a real psychological boost from making superior instruments. He seems to have a burning desire to be the best at what he does. Are the other major manufacturers doing that? Or are they pretty much resting on their laurels with their reputations, however well deserved they may be? I believe that people follow narratives and like to be in the group that is largest and loudest. They follow the group who they identify with. Free thinkers are RARE. However, if PRS continues on their current trajectory of building quality instruments, they cannot help but become recognized for the quality that is built into these instruments. JMO
Thank you, Corey. Appreciate your expertise and candid evaluations. I have a PRS SE Paul Allender 2012? (not sure of the year) - Scarlet Burst-EMG Pick UPS-Bat Inlays. Paul (Allender) gave it to me himself. He's a friend of our son and has collaborated with him on various projects over the years. It's a short scale axe and I love how I can bend on it. (I'm a self-proclaimed hack.) The bat inlays speak for themselves. I've also played 1-2 of his custom built PRS's that Paul Reed Smith himself had signed on the back of the headstock. Pretty sweet guitars! 🌴
PRS are awesome ! PRS achieved a quality point that Gibson or Epiphone are very far from. Same overdriven LP tones but with Strat like clean tones that are simply beautiful !!! GREAT VIDEO and AWESOME playing !!! Congrats Corey !!!
PRS has managed to do what Fender and Gibson couldn't do in half the time.
BTW, Corey I don't know if you will read this being its a year old.
I've been watching some of your other videos and man you are an excellent teacher. Thank you, much appreciated.
Thx for the kind words and for watching!
@@coreycongilio You're very welcome!
I got the HDRX 20 recently and it's great. It's definitely a gigging amp as opposed to a "bedroom" amp but it is useable at home, if only just. This thing is loud and I just have it going through a 1x12 cab. The quality and value of this head are unmatched if you're looking for a lower wattage Marshall style amp. You can find used ones in good condition easily through GC used gear listings. Definitely worth checking out!
I've used a DTG since 2009. I love its sound, playability, and versatility. I used it in bands I played in over the years and have used it on a worship setting for a long while. In that setting, the versatility of the DTG used with a Helix on a silent stage works and is convenient (not hauling a pedal board and off-stage amp for 4 songs). When used with Blackface Fenders or DR Zs and pedals is fantastic. Although I have other guitars (tele, strat, 335) it still gets a lot of play time. I just love it!
I own a PRS SE 245 and SE Custom 24... I am very happy with both guitars. My favorite of the two is the 245. So I am interested in the SE Single Cut 594. Just hope I like the neck of the 594. I've heard they're really chunky.
Went into a guitar store 2 weeks ago to get either the Epiphone Les Paul custom in Ivory or a Epi '59 Les Paul standard. I tried both and felt it wasn't a 1300$ guitar. Then I took the Mccarty 594 single cut and was in love by the second note
I have medium to smaller hands and Im going to take your advice and play one and I hope I can navigate the thicker neck. I prefer the CE 24 thinner wide neck and I want to try the 594 McCarty.
Testing random guitars at the store and picked one of these up to play. 1st impressions are true. It feels comfortable and light to carry. Looks cool and sounds bright and bold. It's on my list.
I love PRS… I own 11 PRS because I love the tone and feel of those guitars. Do I like other guitars? Yes… but my number 1 is still my 408 and DGT.
Great video, playing and tone 😊… your playing is from a different planet Corey.
Yes prs is phenomenal....what can you say about their model se custom 24?
Great review and great playing. I wish you would’ve demonstrated that guitar without all the treble boost on and things like that right from the start so we can hear how the guitar really sounds.
That HDRX20 sounds really good. I recently bought my first PRS - SE standard 24-08. I’d like to get the SE HBII piezo.
Hey Corey! My thoughts about PRS? My SC58 is BY FAR the best sounding guitar I’ve ever played/owned. Not even close. I find that I never even change amp settings or anything because I’m always satisfied with the first sound that I hear. lol
Thanks for this vid and your sentiments toward PRS! I have Two models in SE, love them! Hope to get the single cut before the years out. Dare say that resale value may suffer a bit with this brand
I love my se594 std, looking forward to an s2 594 thinline next
Hi Corey, I enjoy your videos a plenty my friend. One question please...which se would you buy , the dgt or 594 . The deserted island thing.
Been having the 7 year guitar itch for a while now so I went down to Bangor to try out a few. Wanted to check out a new Strat pro and a couple of PRS models. Mind you, I'm old now and pretty much play what I want. Loved the Custom 24 and the PRS strat model but bought the Fender. Although the PRS models are very very nice, I just couldn't get past the "smug factor". PRS folks are always sure to tell you all about how much better the guitar is and all the tone wood stuff. All I want is something comfortable that plays and sounds good. Never even looked at what kind of wood the strat is made of. Could be plywood for all I know.
I've got 3 prs guitars as well as gibsons, fender and ibanez......one is an 'expensive ' the other 2 are se models.....I love them all....I think the se models are incredible for the price.
Thank's for another great video Corey. I've been a subscriber for a year or two now and have been able to get a good deal of info from your videos about different ways to approach playing and "spicing up" common progressions. I particularly enjoyed the intro to this video concerning your thoughts on PRS as a company and loosely speaking, their "ethos". I own more guitars and amps than any non-professional has a right to, but have never had a hard core stance or the "over the top" brand loyalty that I see out in the world sometimes. I've always chosen instruments and equipment to achieve the tone or vibe that I want to create. I own core PRS's, Gibsons, Fenders, Yamaha's....etc, all chosen because they do the job that they should, and I have connected with them. I am really impressed with the most recent release of SE models from PRS. The DGT's, and 594's. I believe that they really hit the mark on delivering very high value for your money, and with the attention to detail and build quality that has always been the hallmark of PRS, I believe that PRS will be able to put a good deal of these guitars into players hands that may have been previously relegated to purchase a lesser guitar. Just really wanted to say thank you as I am watching more and more of your channel.
Where I'm at with PRS: I'm 36, been playing on and off for 20 years. Have always been a Gibson guy, but dabbled here and there with Fender strats. Growing up I heard all about PRS and how they are "all the same" and "sterile", which actually prevented me from ever wanting to pick one up. A month ago I picked up a used Brent Mason Collection Series IV for a killer price. Incredible feel and sound. It would be pointless to benchmark it against my les paul, 335 or strat, as PRS has its own thing going. PRS guitars deserve their own seat at the table. If anyone else is on the fence about PRS without ever having tried one, give it a try! Nothing to lose, other than perhaps some forum perpetuated misconceptions and assumptions.
I like PRS and have a custom 22 and have literally worn the finish off the neck and I love it. My reason for owning a core model vs a SE is the person who built the core model might be my neighbor and I want that person have a living wage and support his/her craft. That said on price point the SE is a lotta bang for your buck.
Been a LP man since 74 and got my first PRS Custom in 93 and couldn't let it out of my hand for over 15 years. Now in 2023 I've gone 180º and returned to my LP's. PRS hardly gets played. Life is a journey.
Life’s a hole, dig it. lol, not sure if that’s a saying, I think I heard it before, maybe I messed it up.
I just played my PRS Custom 24 this morning at church. It is a joy to play and sounds/looks great! It was a gift from my wife for our 20th wedding anniversary. Yes, I am happily married! :-) One of the highest praises I have heard from guys on the SE types is that it somewhat compares to the Core models. That is a high compliment indeed, especially coming from people who own both a core and an SE.
I have HDRX20 and really struggle to find good clean sound/ edge of break up. I wish you do a deeper dive on it and show your amp settings with the tones you achieve.
Start with the master high and slowly dial in the pre amp gain. That’s my best advice
Well , I’ve had 3 Se’s over the last 8 years or so , even the excellent Bernie Marsden signature but have never bonded with any of them , great guitars , no doubt , but for me no mojo or that special feeling which makes me keep a guitar and play it and gig with it . Old 1980’s Japanese Fenders are my drug of choice and nothing seems to come close , for me anyway . Although I did play a USA PRS Mira and loved it , not able to buy at time though .
So, which one you prefer, this one or Paul's SE guitar? Thanks
About 6 months ago, I bought an s2 starla after a friend’s suggestion after being disappointed with several lower priced gibsons. I was blown away. The s2 was the les paul style guitar i was looking for. I have since bought a se hollowbody that i love too.
I love PRS. I’ve had a couple and only sold because I quit for a while. I would’ve picked up another is they had an affordable HSS strat. Still planning on getting the SE McCarty soon.
Corey ..Nick G from Easton Pa...just ordered PRS 594 McCarty Se in same finish...can't wait to receive it...luv'd this video 👍💕🎶
I saw a player on a cruise who's guitar really caught my attention, mostly because it was the only PRS I'd ever seen with what looked like a single coil between the humbuckers. It was a PRS Swamp Ash Special, with a bolt-on maple neck and fretboard. I bought one about six months later. The tone control is a push-pull, which activates the Seymour Duncan Vintage Rails PU in the centre. It also selects 3 different pickup configurations with the 3 way toggle. The authenticity of the Fender and Gibson sounds are real eyebrow raisers. PRS made the first version between 1996 and 2009, after which they started using 3 PRS Narrow Field Pickups. It was the least expensive PRS that I've ever seen. I have some very nice Gibsons and Fenders, but don't need to bring a couple of guitars to gigs anymore. The SAS covers everything. When I travel, I just unbolt the neck and throw it in a suitcase. I would HIGHLY recommend checking one out.
Fell in love with a C24 Emerald Green C24 10 top with Birds in 1988... I think it was $1800 (an LP Standard was about $1000 then). I bought the LP and truly loved it. Had to sell in the early 2000s along with most of my collection of 80s guitars (Jacksons, Kramers etc...). Finally bought a PRS core C24 Piezo in early 2018. I have many nice guitars from different brands but now also have a Core Tremonti, a CE 24 and one of the new SE DGT models... I love them all. The SE DGT is truly phenomenal and hope to pick up one of the SC SE 594s you are playing sometime this year and eventually a Core DGT. Are they the only guitars I play? No but when I practice they are what I pickup probably 80% of the time and play live unless a portion of the set requires a very specific sound I can't get well with a PRS.
A while back, I came into some money, enough to be able to afford a single cut instrument. A good friend owns a music store and is a PRS dealer among others. He is also probably our areas top gig musician and he plays a PRS on stage and for recording. I went to the store and asked if I could just mess around with some PRS guitars, not even knowing the difference between SE and core models. All I saw was how much they cost. I played around with some of the different SE models, liked them all just because they felt great and played well, but after a while, I happened on a Mark Tremonti SE in that same burst pattern you have there. I couldn't put it down. I didn't put it down, I bought it! At that time, Eastman had not yet released their SB59 single cut. When they finally entered the market, I ordered and paid for one and then had to wait almost two years to finally get it. Since acquiring this instrument, the Tremonti has not been used at all and I finally took it over and traded it in on the purchase of a new Casino. I think that PRS was a fine guitar. The Eastman SB59 is a dream come true however. PRS SE models are not wannabe guitars! They are wonderful musical instruments and anyone who plays one should agree, they feel and sound amazing, price not even being considered