ok maybe the folks below are professional and i am not.. but geez that was outstanding!! ive watched it 6 times and wow i think its totally amazing.. aka freaking bad ass!!
There is a delay of the sound of the effects due to the distance of the shoot site to the camera. Unfortunately light travels faster than sound so it isn’t possible to have both the visual and audio in sync. Yes, Cobra system.
@@abecoulter8550 Analog, Soundcraft EPM8. It’s a pretty limited mixer but does the job. With Cobra SMPTE you can only run a mono audio signal so you can’t get to carried away with the audio quality.
@@Scott-Norman i know how smpte works mate, my cobra system has quite an advanced system, runs to a timecode rack that puts it into 2 different systems, the music runs to a Dante system that runs into any digital audio console, my personal is an A&H avantis then out to the big RCF concert PA or LD array for up to 2500 people, the SMPTE rack has a 2 way ISO Splitter that puts in into an Audio interface for video land and resolume, i run music videos live with lyrics or visualisers, then line 2 runs to pangolin beyond for lasers, then the other split runs to my Chamsys MQ500M console for DMX Flames Sparks and other FX and Lighting
Very synchronized show! Great job!
Excellent job ! 👏
I wish I could have been there! Outstanding job!
ok maybe the folks below are professional and i am not.. but geez that was outstanding!! ive watched it 6 times and wow i think its totally amazing.. aka freaking bad ass!!
What did this show cost ?
You killed it! Great job!
Amazing!!!!!!!!! What Camera did you use?
Thanks! Sony A7III
Great show, how many modules and cues were used?
Thanks! 7 18M modules, 126 cues. A lot series wiring with a lot of shoot wire.
Big fireworks
timing is off by a couple of frames, your firing with cobra?
There is a delay of the sound of the effects due to the distance of the shoot site to the camera. Unfortunately light travels faster than sound so it isn’t possible to have both the visual and audio in sync.
Yes, Cobra system.
@@Scott-Norman run audio into the camera from the mixer on an AUX
how are you running you audio? do you have subs?
SMPTE timecode track from laptop to mixer and Cobra remote. Yep, 2 18” subs.
@@Scott-Norman digital mixer?
@@abecoulter8550 Analog, Soundcraft EPM8. It’s a pretty limited mixer but does the job. With Cobra SMPTE you can only run a mono audio signal so you can’t get to carried away with the audio quality.
@@Scott-Norman i know how smpte works mate, my cobra system has quite an advanced system, runs to a timecode rack that puts it into 2 different systems, the music runs to a Dante system that runs into any digital audio console, my personal is an A&H avantis then out to the big RCF concert PA or LD array for up to 2500 people, the SMPTE rack has a 2 way ISO Splitter that puts in into an Audio interface for video land and resolume, i run music videos live with lyrics or visualisers, then line 2 runs to pangolin beyond for lasers, then the other split runs to my Chamsys MQ500M console for DMX Flames Sparks and other FX and Lighting
i removed the Grand MA NSP for an artnet Node
ruclips.net/video/hyRfUiNpU58/видео.html&ab_channel=ChristianJackson
meh. the sillver thumbing double break whistles could have been used in a different song for a better fit. 6/10