@@JasinBoland I will say were seeing reports some of the media agencies are going for a one person operation of stills and video photographer for the upcoming European football and Tokyo Olympics
Great watch. I’m always so inspired hearing your stories and your approach. Can I ask about a couple of terms: ‘in the book’ when the publicist is reviewing your work in progress, and ‘shot it deep’ when talking about that stunning Ghost in the Shell pic (do you mean you went for an f5.6 or higher to get good depth of field?). Thanks so much Jas
I always learn something from you Jasin even if your covering things again. One question is the grading on fury road, did you create a LUT or an action to keep the finish consistant ? or every image treated as a new canvas ? cheers.
Glad to hear that buddy! So on every film in NIK I make some recipes but they can't be applied to images remote as each one is always a little different so I have to tweak each image individually. But I do have starting points.
Curious - from the first Matrix film specifically what is your favorite still that you’ve shot and being on set was there an air of “we’re making cinema history” or was it just another movie set?
Oh we knew it was something special! I wish I was a little more experienced to appreciate the opportunity I was given though... I think one of my fave shots was Morpheus being interrogated.
Jason Boland is a diamond in the rough.
That's what I always say!
Best interview from "Inside the Movie Photographer" to date.😉 Entertaining & educational, can't wait for the feature length version.
Oh my one! Thanks so much Adrian!
loved your interview, tiger! insightful, entertaining, and truly inspirational! so honored to have worked with you on "Karate Kid!" xoxoxo
I always love you comments my friend, thanks for taking the time to watch!
@@JasinBoland miss your lovely company! Xoxoxo
Excellent
Thank you so much champ 😀
Another great talk JB! There are always new tips each time I hear you speak 😁
Glad to hear it champ!
Another great episode Champ! 👑
thanks Buster!
Thanks. That was excellent :) Jd
Stoked you enjoyed it!
Brilliant video as usual and always memorable
So happy you enjoy these series!
@@JasinBoland your the Nikon oracle
NIkCan possibly haha
@@JasinBoland I will say were seeing reports some of the media agencies are going for a one person operation of stills and video photographer for the upcoming European football and Tokyo Olympics
Great watch. I’m always so inspired hearing your stories and your approach. Can I ask about a couple of terms: ‘in the book’ when the publicist is reviewing your work in progress, and ‘shot it deep’ when talking about that stunning Ghost in the Shell pic (do you mean you went for an f5.6 or higher to get good depth of field?). Thanks so much Jas
That's very kind! By deep I am referring to portrait frame soit fits a poster better.
I always learn something from you Jasin even if your covering things again. One question is the grading on fury road, did you create a LUT or an action to keep the finish consistant ? or every image treated as a new canvas ? cheers.
Glad to hear that buddy! So on every film in NIK I make some recipes but they can't be applied to images remote as each one is always a little different so I have to tweak each image individually. But I do have starting points.
@@JasinBoland thanks mate . hopefully catch up one day.
Curious - from the first Matrix film specifically what is your favorite still that you’ve shot and being on set was there an air of “we’re making cinema history” or was it just another movie set?
Oh we knew it was something special! I wish I was a little more experienced to appreciate the opportunity I was given though... I think one of my fave shots was Morpheus being interrogated.