Monteverdi Choir Orchestre Révolutionnaire et Romantique John Eliot Gardiner, Conductor Royal Albert Hall (BBC Proms 2014) Don't forget to subscribe :)
[Allegro ma non troppo] 0:00 Credo in unum Deum, 0:28 Patrem omnipoténtem, 0:44 Factórem cæli et terræ, 0:51 Visibílium ómnium et invisibílium. 1:00 (Et) in unum Dóminum Iesum Christum, 1:27 Fílium Dei Unigénitum, 1:33 Et ex Patre natum 1:40 ante ómnia ómnia sæcula 1:51 Deum de Deo, lumen de lúmine, Deum verum de Deo vero, 2:03 Génitum, non factum, consubstantiálem Patri 2:11 (Tenor) 2:19 (Alto) 2:23 (Bass - Inaudible) 2:24 (Sop. - Inaudible) Per quem ómnia facta sunt. 2:40 Qui propter nos hómines et propter nostram salútem 3:22 Descéndit de cælis. [Adagio] 3:43 Et incarnátus est de Spíritu Sancto Ex María Vírgine [Andante] 5:12 ,et homo factus est [Adadio expressivo] 5:52 Crucifíxus étiam pro nobis sub Póntio Piláto 6:51 Passus, et sepúltus est, [Allegro] 9:24 Et resurréxit tértia die, secúndum Scriptúras, [Allegro molto] 9:35 Et ascéndit in cælum, sedet ad déxteram Patris. 9:52 Et íterum ventúrus est cum glória, 10:01 Iudicáre vivos et mórtuos, 10:19 Cuius regni non erit finis. [Allegro ma non tropo] (Credo - Tenor, Bass) 10:42 (Alto) (Et) in Spíritum Sanctum 10:53 (Sop.) Dóminum et vivificántem 10:55 (Alto) Qui ex Patre Filióque procédit. 10:58 (Sop.) Qui cum Patre et Fílio simul adorátur et conglorificátur 11:01 (Alto) 11:05 (Sop.) Qui locútus est per prophétas.
(Credo - Sop., Alto) 11:10 Et unam, sanctam, cathólicam et apostólicam Ecclésiam. 11:19 (Tenor & Bass) Confíteor unum baptísma in remissiónem peccatorum. 11:29 Et expecto resurrectionem mortuorum, [Allegretto ma non troppo] 11:57 (Fugue) Et vitam ventúri sæculi. Amen. [Allegro con motto] 14:46 14:55 (Fugue) Et vitam ventúri sæculi. Amen. [Grave] 16:21 (SATB) Et vitam ventúri sæculi. Amen. 16:46 (Soloist) Amen 17:33 SATB - Et vitam & Soloist - Amen 18:08 SATB & Soloist - Amen
Are you talking about the music or the performance? If it's the former, then hello, fellow 19th century critic, nice to meet you in such a weird place!
@@solcarzemog5232 Mendelssohn admired Beethoven and this piece so go away loser. This is one of the greatest achievements of all time, something you could never create. :)
@@solcarzemog5232 The greatest mass ever composed right along with Bach's mass in B minor, and you dare say Mendelssohn has works that can compare to this? You must be an Italian
Having sung the entire work before, I thought the Credo and its double fugue presents a more difficult challenge compared to the Gloria.
[Allegro ma non troppo]
0:00 Credo in unum Deum,
0:28 Patrem omnipoténtem,
0:44 Factórem cæli et terræ,
0:51 Visibílium ómnium et invisibílium.
1:00 (Et) in unum Dóminum Iesum Christum,
1:27 Fílium Dei Unigénitum,
1:33 Et ex Patre natum 1:40 ante ómnia ómnia sæcula
1:51 Deum de Deo, lumen de lúmine, Deum verum de Deo vero,
2:03 Génitum, non factum, consubstantiálem Patri
2:11 (Tenor) 2:19 (Alto) 2:23 (Bass - Inaudible) 2:24 (Sop. - Inaudible) Per quem ómnia facta sunt.
2:40 Qui propter nos hómines et propter nostram salútem
3:22 Descéndit de cælis.
[Adagio]
3:43 Et incarnátus est de Spíritu Sancto Ex María Vírgine
[Andante]
5:12 ,et homo factus est
[Adadio expressivo]
5:52 Crucifíxus étiam pro nobis sub Póntio Piláto
6:51 Passus, et sepúltus est,
[Allegro]
9:24 Et resurréxit tértia die, secúndum Scriptúras,
[Allegro molto]
9:35 Et ascéndit in cælum, sedet ad déxteram Patris.
9:52 Et íterum ventúrus est cum glória,
10:01 Iudicáre vivos et mórtuos,
10:19 Cuius regni non erit finis.
[Allegro ma non tropo]
(Credo - Tenor, Bass)
10:42 (Alto) (Et) in Spíritum Sanctum 10:53 (Sop.) Dóminum et vivificántem
10:55 (Alto) Qui ex Patre Filióque procédit.
10:58 (Sop.) Qui cum Patre et Fílio simul adorátur et conglorificátur
11:01 (Alto) 11:05 (Sop.) Qui locútus est per prophétas.
(Credo - Sop., Alto)
11:10 Et unam, sanctam, cathólicam et apostólicam Ecclésiam.
11:19 (Tenor & Bass) Confíteor unum baptísma in remissiónem peccatorum.
11:29 Et expecto resurrectionem mortuorum,
[Allegretto ma non troppo]
11:57 (Fugue) Et vitam ventúri sæculi. Amen.
[Allegro con motto]
14:46
14:55 (Fugue) Et vitam ventúri sæculi. Amen.
[Grave]
16:21 (SATB) Et vitam ventúri sæculi. Amen.
16:46 (Soloist) Amen
17:33 SATB - Et vitam & Soloist - Amen
18:08 SATB & Soloist - Amen
What a rhythmic, exciting performance! The high B-flats are perfect!
The vocal soloists, especially, have great tone. 3:43 is a good example of this.
What need to want to make us singers suffer, Beethoven?
hahahaha
1:51 Those outburst share the first few notes as the credo motif 0:00
I love your recording choice!
15:04
Horrendous!
What are you talking about?
Are you talking about the music or the performance? If it's the former, then hello, fellow 19th century critic, nice to meet you in such a weird place!
@@elias69420 The MUSIC is horrendous. Gio listen to Mendelssohn and maybe you'll learn something about good taste and finesse.
@@solcarzemog5232 Mendelssohn admired Beethoven and this piece so go away loser. This is one of the greatest achievements of all time, something you could never create. :)
@@solcarzemog5232 The greatest mass ever composed right along with Bach's mass in B minor, and you dare say Mendelssohn has works that can compare to this? You must be an Italian