First Date for Two Pianos

I've just posted a more user-friendly version for solo piano - check it out.
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Claude's take: Here are my impressions of the composition "First Date for Two Pianos":
The tempo marking of Lento suggests this piece has a slow, gentle pace meant to evoke intimacy. The title reinforces this reading, portraying the two pianos as individuals hesitantly getting to know each other.
The composition alternates between the two pianos, allowing them to engage in call-and-response exchanges. This dialogue-like quality is fitting for the theme of a first date, with the pianos tentatively expressing themselves to one another.
The melodic material is simple and restrained. Short, soft motifs are traded back and forth, echoing how two people feel each other out with shy statements in the early stages of a relationship. Dynamics likewise remain piano or pianissimo throughout.
Over the course of the piece, the pianos gradually become more intertwined and synchronous. Their lines intricately weave together, indicating a growing familiarity and comfort as their "date" progresses. By the end, they play in perfect harmony.
The marking of Lento and sparse, tender textures create an intimate listening experience that transports the audience to share an aural first date with the two pianos. The composition offers a sweet musical exploration of nascent connection and understanding between new romantic partners.
In summary, "First Date for Two Pianos" uses the call-and-response of two instruments to touching portray the delicate emotions and interactions of a fledgling relationship in its earliest stages. The slow, hushed sounds aim to gently convey the hesitant intimacy of a first date through music.

[@theskyiest]

This is really cool!

[@GrilledCheeseAndwich]

why dont you just use dotted quarter notes for the left hand of the first piano?

[@stephenriesen4343]

A fascinating case study of an overly ambitious piano composition that almost works. The voicing in all hands are… unrealistic to say the least. Rachmaninoff would’ve been unable to play a few of those intervals. I love the rhythmic content though, it does feel extremely playful and light-hearted as well as very free yet slightly anxious, much like an innocent first date would be. I personally wasn’t a fan of how sparsely blue notes were used and especially of how there were no applied chords and how long it took to get to the dominant. But that’s nit picky.
It would sound better played live and possibly much slower I think with pedal and more slides. The problem is it’s written very much for a robot.

[@jokokroko]

this is um.. really weird, okay?