Some historians believe the Spartans would sing in long tones to ease their nerves on the battlefield before engaging in to slaughter their enemies. I would imagine that scene sounding exactly like this.
I sat back in my armchair with my eyes closed to listen to this. Not a great idea...it started lulling me into a deep relaxed state and then...BANG!! I nearly had a heart attack a couple of times!
@@bludgerabled Not as dark as dark ambient but modern classical like this one is supposed to be avant-garde, weird, and disturbing, Ligeti is genius. Have you listen to Lustmord and Aeoga? Their release are dense and also a bit disturbing.
de Monalisa de Lego. il y a 11 a : Artistes : Barbara Hannigan (soprano), Virpi Räisänen-Midth (mezzo-soprano), Maîtrise de Radio France, Sofi Jeanin (direction maîtrise), Choeur de Radio France, Michel Tranchant (chef de choeur), Orchestre Philharmonique de Radio France, Esa-Pekka Salonen (direction)
Barbara Hannigan one of the soloists here. If you haven't seen her performance of the 'Mysteries of the Macabre' you should do that right now. No excuses.
Most of Penderecki's works with chorus and orchestra could be described as dark. Utrenja, Kosmogonia and the St. Luke's Passion are good examples. You can find all those pieces in my channel. Greetings.
Her version of MotM with the Gotesborgs Symphoniker is my favorite - she conducts and sings at the same time, and it is a marvelous performance. Not terribly a fan of the other one.
Esa-Pekka Salonen is the conductor by the way and this is a magnificent interpretation! The effect of Ligeti's depth is really chilling and fabulous. He does this with carefully choosing modal colors and combining them in a way he only could. Very close harmony with the notes creating a shimmer through the atmosphere.
Brilliant piece. I'm oddly soothed by Ligeti's slower music (ie the first two movements), but I was not prepared for that terrifying Dies Irae. Some of the stuff the soprano soloist had to do (and totally pulled off as far as I can tell) blew my mind.
@@sapitron usually i thought conductors are just glorified metronomes, but it seems this chaotic piece definitely needs one. actually it's highly impressive how they keep it all together.
This is my favourite recording of Ligeti's Requiem. The quality of the voices, the amazing soloists, and the balance between the voices and instruments are all spot-on for me. What a masterpiece. Out of all the incredible stuff here, I think the part that I enjoy the most is at 23:06. Everything builds to this moment.
this is one of the most moving pieces of all time for me - the perfect fourth in the lacrimosa always tears me up like nothing else in the history of music
Sin ahorrarnos espanto, este es un lúcido ejemplo de música sacra para un siglo trágico. Al decir de Trías, «pocas veces se ha escrito una música tan dia-bálica». Su verdad radica en su fuerza desgarradora, sin compromiso eufémico, desde el arranque quieto -«en puro pasmo contemplativo»-, somos testigos de lo irremediable. «El continuum del infinito tejer con el que se complace éros -y su principio de vida- queda quebrantado» . Toda farsa enviada al traste.
Miguel Blásica Busco música para mi obra de teatro de caracter experimental y me acerco a Ligeti con sumo cuidado. Ligeti ha sabido como complementar, como permanecer en silencio, su caracter espectral no es lo que precisamente resulta destacable, sino su estar no estando, en el límite de el acto que ya no puede representar sino ser y transcurrir
love this piece.. he wrote out the voices of heaven and hell, hope and desperate, fear and love "concretely" without restraint of tonality and harmony. love his tone clusters and micropolyphony. he is a genius because he only wrote what he hears deep in his heart when he thinks of death. his philosophy embodied in this work has far beyond what all catholic has been perusing....
As for it's use by Kubrick in 2001, no choice of pre-existing music, NO CHOICE! was more perfect than this. It fit perfectly the subject matter and the visuals, especially the Stargate trip sequence..
Even more brilliant was Kubric had an entirely original score ready for use and this along with the other musical pieces were meant to be "placeholders." Clearly Kubric underestimated the power of this Requiem at first but it worked so well he must have realized it would be foolish to discard it!
My first exposure to this piece was exactly that. I was taking a Music History course, and this was a required listening excerpt. I was home alone on a dark winter night, and since my roommates were out I thought I would knock out some of my listening homework while making dinner. This totally spooked me! I had to stop it after only a couple of minutes and start playing something upbeat to get over the creeps and be able to sleep that night.
Context, anyone? Wikipedia tells us: "In 1944, Ligeti's education was interrupted when he was sent to a forced labor brigade by the Horthy regime during events of the Holocaust. His brother, age 16, was deported to the Mauthausen-Gusen concentration camp and both of his parents were sent to Auschwitz. His mother was the only other person to survive in his immediate family."
Great work worthy of a performance at this level of excellence (and as a bonus, with Esa-Pekka Salonen, one of my fave conductors)... Thank you for posting this.
Requiem is certainly a creation coming from the deep soul of Ligeti. From a stylistic point of view, I find it in between two typical styles, and this makes the work so peculiar !!!!
just ahead of its time ..can you imagine any other type of music surviving and giving this film its longevity with the sequences in that era of bubblegum pop ..am mono radio ..and 3 channels of b and w t.v. and the currency was in pounds shillings and pence..and then you paid a visit to see a film called 2001
In my beach house where in winter I go more often scaping fron the city noise, I once played this Requiem and I had a marvelous after breakfast nap. Love this piece! Much better than Clonopin.
It doesn't make me uncomfortable; there is a certain hesitation to being sucked too far in too quickly. I don't know how else to say it. It does create apprehension, but I don't want it to stop.
I feel comfortable. This is a matter of habit. Modern music needs to be approached step by step. My steps were Debussy, Schoenberg, Webern, Boulez. After all, you do not enter the art of the fugue of Bach or the great fugue of Beethoven so easily, except in a superficial way.
Barbara Hannigan is Truly Transcendent. To put such Amazing Vigor/Spirit into such a Otherworldly piece requires an almost Superhuman ability. She must simply collapse in a heap on the floor after she’s finished performing this piece…
You're lucky to have a station that plays adventurous, complex music like this! In L.A. we have KUSC. A station that bends over backwards to avoid contemporary music like this (except more commercial stuff, like Adams and Glass).
I'm amused in figuring what you can find on score and lyrics: "eeeeeeeee- eeeeee- eeeeee".... :) I am still emotioned in the sequence of Bowman's pod approching the Monolyth
@@darthbiker2311 Every note is written down, the vocals are syllables of the text. I once reheased the Kyrie, so yeah, all written down, no ad libbing.
it just shows how far ahead of his time kubrick was ..when you consider the music etc that was around at that time that other directors could have used ..and now when you listen and play you realise that this eerie disturbing piece of music that as an 8 year old at the time being fascinated by space listened to is what really gave it its longevity 50 years later and to the the infinite ..............................................................................
from out of ligeti's s head all them different tones and having to write for the entire orchestra and choir ..so complex ...geneius . a bit more thought put in then little mix s latest record
Ok - this music is beyond weird. But as used in the movie - it;s perfect. It takes an avant garde genius to write this stuff. It breaks all the classical rules of tonality, repetition, development, theme and variation, etc. If Ligeti drives like he writes music, stay off the road! And can someone tell me why I have a strong urge to open the pod bay doors? I don't even have any in my house!
i cant read music ..but ive seen the sheet music for this stuff and its like maths on another level to me .one has to remember that all the voices who look at the music script ..ie the choir can reproduce this tone again and again like reading a written poem
Alas, that's the price for the supposed importance of classical music. If it was treated more like every other genre of music and not some hoity-toity shit, we might get fewer dying old people in the audiences.
As the video has no credits, does anybody know details on the performers (orchestra, choir, singers) and performance date? I recognised Barbara Hannigan but no the other soloist ...
imagine a movie with a visual atmosphere based on zdzislaw beksinski and a soundtrack based on György Ligeti's works. kinda like dark souls but not in video game form. if only i had a movie production company.....
Zdzislaw's paintings really do go excellently with Ligeti's music. It's literally like your in the dream world. Also Krzysztof Penderecki goes supremely well with his art.
This needs to be in some sort of Berserk cinematic scene. When Guts is found as a baby. Foreshadowing the horrors he endures right from the moment he is born up until the latest chapters of The ultimate Manga that is Berserk.
When I listen to some of Ligeti's or Penderecki's work, especially Penderecki's, it's hard not to feel that they have upstaged every rockband in the world for energy.
I'm in a bit of melancholic state. What's the point of being here. 300,00,000 have died before us. I think this is what Ligeti and Arthur C. Clark were getting at.
there's no point, but nothing can remove the fact that you lived.... even if all multiverses go back to the void, you still exist, because you did "stuff" "once" in some space-time and the void can't remove that from you
the need for a "value" or "meaning" for our lives is a human desire. Just because we desire it does not make it something that is a law of nature and has an answer. The only truth can be found through science, and even science is full of theory or educated unprovable conclusions. Everything else is emotion. The human mind simply can not grasp the idea of death being eternal nothingness. I try to just live, appreciate the people I meet and love and not think about it to much. Why live ones only life fearing things you have no controll over. I guess that sums up the serenity prayer.
as some people here have pointed out different visions of films that this would go well with i might add that a long-form readaptation of conan would go well with this piece as a soundtrack - rated r, cynical yet with all the hints of cosmic grandeur, ultra-dark and stone cold in tone, one that really stresses the distance of that world from ours, telling the tales of actions of hardly relatable, uncomplex yet deeply driven characters in a long gone dangerous world full of horrors and poetry.
Pedro Cantero, su critica me pareció tan hermosa como la siniestra pieza del maestro, yo tengo una afición por las criticas que en si mismas creo que pueden llegar a tener categoría artística.
7 лет назад
De acuerdo. A mi me pareció, más bien una crítica con más intenciones poéticas que descriptivas. Lo cual la hace hermosa, sin duda... en mi humilde opinión.
de Monalisa de Lego. il y a 11 a : Artistes : Barbara Hannigan (soprano), Virpi Räisänen-Midth (mezzo-soprano), Maîtrise de Radio France, Sofi Jeanin (direction maîtrise), Choeur de Radio France, Michel Tranchant (chef de choeur), Orchestre Philharmonique de Radio France, Esa-Pekka Salonen (direction)
2001 space odissey, godzilla 2014. This is dantes inferno...the fall of angels when you live alone with no girl no wife and kids like me struggling to survive...you see how this world is falling apart tragedy epic scary masterpiece 😥😥😥😥😥
For that first half. Ligeti almost didn't go far enough. Could add an extra bit to have all the soprano's and tenors to slowly exit from singing into yelling, to screaming, to blood curdling shrieks.
I'm amazed that 1 man, ONE human being can create such a creepy and heart thumping sound by combining instruments. This is talent.
Some historians believe the Spartans would sing in long tones to ease their nerves on the battlefield before engaging in to slaughter their enemies. I would imagine that scene sounding exactly like this.
Talent, deepest knowledge of polyphony, and years of work. This piece was written between 1963 and 1965.
I sat back in my armchair with my eyes closed to listen to this. Not a great idea...it started lulling me into a deep relaxed state and then...BANG!! I nearly had a heart attack a couple of times!
Puts death metal to shame.
i fucking love death metal but i have to agree with you
It puts shame to death metal
Puts dark ambient to shame.
@@sangd4lang I just wish I could find some dark ambient which could make me feel as disturbed as this does.
@@bludgerabled Not as dark as dark ambient but modern classical like this one is supposed to be avant-garde, weird, and disturbing, Ligeti is genius. Have you listen to Lustmord and Aeoga? Their release are dense and also a bit disturbing.
A smooth black rectangle appeared outside my house while I was listening to this, what should I do?
Touch it
twalsh06 wake up and look confused
twalsh06 surely you meant a rectangular prism
My God! Is it full of stars?
have you tried turning it off and back on again?
de Monalisa de Lego. il y a 11 a :
Artistes : Barbara Hannigan (soprano), Virpi Räisänen-Midth (mezzo-soprano), Maîtrise de Radio France, Sofi Jeanin (direction maîtrise), Choeur de Radio France, Michel Tranchant (chef de choeur), Orchestre Philharmonique de Radio France, Esa-Pekka Salonen (direction)
Barbara Hannigan one of the soloists here. If you haven't seen her performance of the 'Mysteries of the Macabre' you should do that right now. No excuses.
I'm looking for some choral dark classical musics, do you know more?
Most of Penderecki's works with chorus and orchestra could be described as dark. Utrenja, Kosmogonia and the St. Luke's Passion are good examples. You can find all those pieces in my channel. Greetings.
She's done two versions (very different) of Mysteries of the Macabre.
Her version of MotM with the Gotesborgs Symphoniker is my favorite - she conducts and sings at the same time, and it is a marvelous performance. Not terribly a fan of the other one.
Barbara Hannigan is awesome. Saw her perform with the Bamberg Symphony Orchestra. Now I have to listen to her take on 'Mysteries of the Macabre'...
the darkest piece of humanity.
Esa-Pekka Salonen is the conductor by the way and this is a magnificent interpretation! The effect of Ligeti's depth is really chilling and fabulous. He does this with carefully choosing modal colors and combining them in a way he only could. Very close harmony with the notes creating a shimmer through the atmosphere.
I'm sorry Dave. I'm afraid I can't do that.
JazzKeyboardist1 It's so dissonant.... it gives it an amospheric tone.
Great quote!!!
The best movie ever!
This quote makes me cry... Long live Kubrick, Ligeti. great MINDS
I have a bad feeling about this.
Brilliant piece. I'm oddly soothed by Ligeti's slower music (ie the first two movements), but I was not prepared for that terrifying Dies Irae. Some of the stuff the soprano soloist had to do (and totally pulled off as far as I can tell) blew my mind.
This is what I believe you'd hear if you were falling into hell...
So, epic fall :)
Or in the middle of a kaiju battle
Its' origin and purpose, still a total mystery.
Terrifying yet fascinating piece. Sometimes I have the same feeling while watching Giger's paintings.
Good suggestion! Next time I will visit his museum in Switzerland, I should play this with my headphones.
For those just wanting to hear the part used in "2001: A Space Odyssey" it starts at 7:58
They also snuck it into the halo jump scene in the 2014 Godzilla movie
But please don't just listen to that bit. If you're able to, take some time, put all your work aside, and just listen to this the whole way through.
I wonder how they assess that they are performing it right. Sounds quite messy and dificult
@@sapitron usually i thought conductors are just glorified metronomes, but it seems this chaotic piece definitely needs one. actually it's highly impressive how they keep it all together.
This is my favourite recording of Ligeti's Requiem. The quality of the voices, the amazing soloists, and the balance between the voices and instruments are all spot-on for me. What a masterpiece. Out of all the incredible stuff here, I think the part that I enjoy the most is at 23:06. Everything builds to this moment.
this is one of the most moving pieces of all time for me - the perfect fourth in the lacrimosa always tears me up like nothing else in the history of music
Monolith Scene and spacegate scene in 2001 a space Odyssey , Godzilla 2014 H.A.L.O. Jump Scene ..
spongebob
Sin ahorrarnos espanto, este es un lúcido ejemplo de música sacra para un siglo trágico. Al decir de Trías, «pocas veces se ha escrito una música tan dia-bálica». Su verdad radica en su fuerza desgarradora, sin compromiso eufémico, desde el arranque quieto -«en puro pasmo contemplativo»-, somos testigos de lo irremediable. «El continuum del infinito tejer con el que se complace éros -y su principio de vida- queda quebrantado» . Toda farsa enviada al traste.
pedro a. cantero Precisa y encomiable apreciación, gracias
Miguel Blásica Busco música para mi obra de teatro de caracter experimental y me acerco a Ligeti con sumo cuidado. Ligeti ha sabido como complementar, como permanecer en silencio, su caracter espectral no es lo que precisamente resulta destacable, sino su estar no estando, en el límite de el acto que ya no puede representar sino ser y transcurrir
Deseo que logres tu propósito, creo que vas por buen camino
Pedro, TE AMO!
Best piece of music ever!
This gives me some Lovecraft vibes.
Music of the Universe
love this piece.. he wrote out the voices of heaven and hell, hope and desperate, fear and love "concretely" without restraint of tonality and harmony. love his tone clusters and micropolyphony. he is a genius because he only wrote what he hears deep in his heart when he thinks of death. his philosophy embodied in this work has far beyond what all catholic has been perusing....
Super rendition conducted by Esa-Pekka Salonen !
Thanks lot
Absolutely amazing!
im going to sacrifice a sheep to nyarlatothep
What about me?
oh
Masterpiece... this is fear...amazing, beautiful, epic, and scarry the female voices are great
It sounds like a sleeping beehive waking up
Damnit I can't unhear this
This is the sunn o))) of the past
Un havre de paix, un compositeur qui dirige, tout en étant lui-même compositeur. Merci
As for it's use by Kubrick in 2001, no choice of pre-existing music, NO CHOICE! was more perfect than this. It fit perfectly the subject matter and the visuals, especially the Stargate trip sequence..
Even more brilliant was Kubric had an entirely original score ready for use and this along with the other musical pieces were meant to be "placeholders." Clearly Kubric underestimated the power of this Requiem at first but it worked so well he must have realized it would be foolish to discard it!
Stargate trip music is from "Athmosphère"
Imagine listening to this, alone in the dark ? Nope. Not me !
+David C. I did. Don't.
I did in college with my hall mate knowing it would freak her out. To her credit, she made it through the piece :-)
That's how I first listened to Varese's "Nocturnal." That's a trip.
What is so scary about this? Too many movies Lol
My first exposure to this piece was exactly that. I was taking a Music History course, and this was a required listening excerpt. I was home alone on a dark winter night, and since my roommates were out I thought I would knock out some of my listening homework while making dinner. This totally spooked me! I had to stop it after only a couple of minutes and start playing something upbeat to get over the creeps and be able to sleep that night.
interprétation superbe
et comment ne pas se perdre au delà de Saturne !!!
Context, anyone? Wikipedia tells us: "In 1944, Ligeti's education was interrupted when he was sent to a forced labor brigade by the Horthy regime during events of the Holocaust. His brother, age 16, was deported to the Mauthausen-Gusen concentration camp and both of his parents were sent to Auschwitz. His mother was the only other person to survive in his immediate family."
Great work worthy of a performance at this level of excellence (and as a bonus, with Esa-Pekka Salonen, one of my fave conductors)... Thank you for posting this.
Amazing work and performance.
Requiem is certainly a creation coming from the deep soul of Ligeti. From a stylistic point of view, I find it in between two typical styles, and this makes the work so peculiar !!!!
just ahead of its time ..can you imagine any other type of music surviving and giving this film its longevity with the sequences in that era of bubblegum pop ..am mono radio ..and 3 channels of b and w t.v. and the currency was in pounds shillings and pence..and then you paid a visit to see a film called 2001
For those looking for the drop
12.50 is where the proper build up starts
15.40 shit kicks off
This is the most "other worldly" music ever written. Fabulous.
Immense et intense!
top anti anti depressor ever
In my beach house where in winter I go more often scaping fron the city noise, I once played this Requiem and I had a marvelous after breakfast nap. Love this piece! Much better than Clonopin.
Wow, the guys hitting the tuning fork on their heads at 11.54 just give the idea of how hard sing in a choir like that could be!
Grandiosamente Obscura,...
I haven't heard one piece from ligeti that wasn't scarry for me. Who is feeling comfortable hearing such music?😲
It doesn't make me uncomfortable; there is a certain hesitation to being sucked too far in too quickly. I don't know how else to say it. It does create apprehension, but I don't want it to stop.
I feel comfortable. This is a matter of habit. Modern music needs to be approached step by step. My steps were Debussy, Schoenberg, Webern, Boulez. After all, you do not enter the art of the fugue of Bach or the great fugue of Beethoven so easily, except in a superficial way.
Thanks for your answer. Perhaps it`s a matter of "get used to this kind of music" too :-)
Yes for sure. All the best ....
Listen to his cello sonata
"My God It's Full Of Stars ! ! !" 👍👍👍👍👍👍👍
とても難解な音楽です。しかしよく聴けば、複雑な音響の中に新しい響きがひそんでいます。オーケストラと独唱、そして合唱の響きをうまく整理して聴く人に届けているのは、ひとえに指揮者の手腕のなせる技だと思います。素晴らしいパフォーマンスです。
outstanding conductor
Very great performance
10:48 might be the greatest moment in XXth century music... goosebumps everytime. Master!
Barbara Hannigan is Truly Transcendent. To put such Amazing Vigor/Spirit into such a Otherworldly piece requires an almost Superhuman ability. She must simply collapse in a heap on the floor after she’s finished performing this piece…
18:09 Me when I see my face in the morning
I heard this on radio one day, and i wondered what it was. Amazing.
You're lucky to have a station that plays adventurous, complex music like this! In L.A. we have KUSC. A station that bends over backwards to avoid contemporary music like this (except more commercial stuff, like Adams and Glass).
Parece um grande ecoo fantasmagórico! Incrível!
Goosebump. wow
I'm amused in figuring what you can find on score and lyrics: "eeeeeeeee- eeeeee- eeeeee".... :)
I am still emotioned in the sequence of Bowman's pod approching the Monolyth
The parts where they're all turning pages simultaneously just makes me go, What? You guys were actually reading???
@@darthbiker2311 Every note is written down, the vocals are syllables of the text. I once reheased the Kyrie, so yeah, all written down, no ad libbing.
it just shows how far ahead of his time kubrick was ..when you consider the music etc that was around at that time that other directors could have used ..and now when you listen and play you realise that this eerie disturbing piece of music that as an 8 year old at the time being fascinated by space listened to is what really gave it its longevity 50 years later and to the the infinite ..............................................................................
from out of ligeti's s head all them different tones and having to write for the entire orchestra and choir ..so complex ...geneius . a bit more thought put in then little mix s latest record
Stravinsky did the same
Ok - this music is beyond weird. But as used in the movie - it;s perfect. It takes an avant garde genius to write this stuff. It breaks all the classical rules of tonality, repetition, development, theme and variation, etc. If Ligeti drives like he writes music, stay off the road!
And can someone tell me why I have a strong urge to open the pod bay doors? I don't even have any in my house!
Trabalho difícil. Requer paciência. Contudo, o resultado é magnífico.
i cant read music ..but ive seen the sheet music for this stuff and its like maths on another level to me .one has to remember that all the voices who look at the music script ..ie the choir can reproduce this tone again and again like reading a written poem
I always wondered what this looked like on stage. As trippy as I thought it would be.
is there a non-coughing version of this music.
Alas, that's the price for the supposed importance of classical music. If it was treated more like every other genre of music and not some hoity-toity shit, we might get fewer dying old people in the audiences.
I have been asking myself the same thing. The only non-live YT video I have found is from a scratching LP.
Genius
As the video has no credits, does anybody know details on the performers (orchestra, choir, singers) and performance date? I recognised Barbara Hannigan but no the other soloist ...
Micropolyphony of the human mind unleashed
Sublime
this is just perfect!
Wish Ligeti would have also composed a Dies irae...would've loved to see what he would've come up with for that movement.
The Dies Irae is the 3rd movement
Immensity and intense!
imagine a movie with a visual atmosphere based on zdzislaw beksinski and a soundtrack based on György Ligeti's works. kinda like dark souls but not in video game form. if only i had a movie production company.....
Zdzislaw's paintings really do go excellently with Ligeti's music. It's literally like your in the dream world. Also Krzysztof Penderecki goes supremely well with his art.
This needs to be in some sort of Berserk cinematic scene. When Guts is found as a baby. Foreshadowing the horrors he endures right from the moment he is born up until the latest chapters of The ultimate Manga that is Berserk.
Austere medieval and totally contemporary - an arcane music for the future
Wonderful!
MÚSICA ELABORADA, INTELIGENTE, CONCATENADA COM PROFUNDA HARMONIA .
When I listen to some of Ligeti's or Penderecki's work, especially Penderecki's, it's hard not to feel that they have upstaged every rockband in the world for energy.
great Barbaraaaa
I'm in a bit of melancholic state. What's the point of being here. 300,00,000 have died before us. I think this is what Ligeti and Arthur C. Clark were getting at.
The point is to carry out your assignment. I know what you are going to ask next.
there's no point, but nothing can remove the fact that you lived.... even if all multiverses go back to the void, you still exist, because you did "stuff" "once" in some space-time and the void can't remove that from you
But the void has no return value...
the need for a "value" or "meaning" for our lives is a human desire. Just because we desire it does not make it something that is a law of nature and has an answer. The only truth can be found through science, and even science is full of theory or educated unprovable conclusions. Everything else is emotion. The human mind simply can not grasp the idea of death being eternal nothingness. I try to just live, appreciate the people I meet and love and not think about it to much. Why live ones only life fearing things you have no controll over. I guess that sums up the serenity prayer.
Great epic one
22:20 to 23:40 so crazy
as some people here have pointed out different visions of films that this would go well with i might add that a long-form readaptation of conan would go well with this piece as a soundtrack - rated r, cynical yet with all the hints of cosmic grandeur, ultra-dark and stone cold in tone, one that really stresses the distance of that world from ours, telling the tales of actions of hardly relatable, uncomplex yet deeply driven characters in a long gone dangerous world full of horrors and poetry.
Everyone, shout "E"!
Pedro Cantero, su critica me pareció tan hermosa como la siniestra pieza del maestro, yo tengo una afición por las criticas que en si mismas creo que pueden llegar a tener categoría artística.
De acuerdo. A mi me pareció, más bien una crítica con más intenciones poéticas que descriptivas. Lo cual la hace hermosa, sin duda... en mi humilde opinión.
It's so far out to be able to see this being performed. You might think that would demystify it somewhat. If anything, the opposite is the case.
amazing
JazzKeyboardist1 i
The brass section sometimes makes dissonance sounds that Norwegians are only used to hearing 12 O'clock on the second Wednesday in January and June.
I was curious to see if there was someone mad enough to learn it by heart
Imagine the space aliens getting a wiff of this. They wouldn't want to invade us.
Nice introduction, but a short mention of the artists and the orchestra playing would have been nice !
Johann Brandstatter So I don’t know about the orchestra but that’s definitely Essa Pekka Salonen conducting
de Monalisa de Lego. il y a 11 a :
Artistes : Barbara Hannigan (soprano), Virpi Räisänen-Midth (mezzo-soprano), Maîtrise de Radio France, Sofi Jeanin (direction maîtrise), Choeur de Radio France, Michel Tranchant (chef de choeur), Orchestre Philharmonique de Radio France, Esa-Pekka Salonen (direction)
2001 space odissey, godzilla 2014. This is dantes inferno...the fall of angels when you live alone with no girl no wife and kids like me struggling to survive...you see how this world is falling apart tragedy epic scary masterpiece 😥😥😥😥😥
"I WAS Dave Bowman ! ! !" 👍👍👍👍👍👍👍
Perfect 😍😍😍😍
공연장 가서 직접 들으면 사운드에 압도돼서 체험감 장난 아니겠는데…
minuto 11:52 dos de los intérpretes son muy cuidadosos con la afincación
Needless to say this is good stuff - but - does anyone else notice the compression?
Unfortunately yes, there is an other (imo better) Version on YT too, but with an unimagineably noisy audience😕
beyond intensity
IDENTIFY THE PERFORMERS - PLEASE ♥
For that first half. Ligeti almost didn't go far enough. Could add an extra bit to have all the soprano's and tenors to slowly exit from singing into yelling, to screaming, to blood curdling shrieks.
If 16:00 doesn't get you saucy I don't know what does...
мня поражает его музыка!
Lindo!