Ludwig Streicher's version has always been state of the art for me. But what Bozo does here is simply incredible. Not to mention the beautiful orchestration... Bravo 👏
Still haven't figured out how he does that. I guess a lot of slow practice. It looks like he's actually articulating every note like you'd have to do at a slow tempo... Yikes
I love the orchestration Bozo! (For instance the horn echo) And of course your performance is brilliant and beautiful, and the recoding is very nicely done! (Mikyung Sung plays it beautifully too, from the Bradetich competition, but it’s only with piano and the recording is not so good.)
That is absolutely true, the tempo that I have played here hasn't got much to do with the real tempo of Tarantella. I don't even remember when have I heard anyone to play Bottesini's or Glière's Tarantella in the real tempo of Tarantella. These are also composed such way that they can be played considerably faster... so that is probably the reason why most of people are doing it. The only Tarantella for double bass compost such waited just has to be played in proper tempo I know about is František Hertl's, from four pieces for double bass and piano. 🤗
The orchestra plays very fine. Many bass concertos (also this one) are instrumented too massively, so the soloist simply must play with full sound most of the time. But the balance here is realistic, I don't push the bass volume higher with spot microphones, I usee them just for the focus, maybe 5% in the mix.
Il migliore interpretazione di La tarantella di Giovanni Bottesini, molto grazie Bozo Paradzik, saluti da Perú
Ludwig Streicher's version has always been state of the art for me. But what Bozo does here is simply incredible. Not to mention the beautiful orchestration... Bravo 👏
The down bow staccato at 1:47 is perfect!
Kiefer Fuller that bowing is soo hard to do.
Still haven't figured out how he does that. I guess a lot of slow practice. It looks like he's actually articulating every note like you'd have to do at a slow tempo... Yikes
crazy...
Maybe he also has an amazing bow, it helps so much... Not denying his work though, this is properly amazing 😊
Absolutely amazing display of skill and beautiful music... Love listening to your inspiring performances. Bravo!!
Beautiful! Maestro Božo
Wonderfull interpretation!!
Ammazing soloist !! Ammazing conductor !!! Ammazing tonmaister !!
I Love his Bass ❤️
😎 then we are two
Incredible your staccato volante!!!
Incredible performance!
belíssimo. ....estupendo. ....de tirar o fôlego. .....
No la coneixia!!! I això que conec força coses de Bottesini.
Felicitats!
This is fantastic, Bozo! Bravo!
¡Eres increíble Bozo! saludos desde Perú- América del Sur
impresionante, fantástico
Bravo! Bravo! Bravo! 👏👏👏👏👏
Wow spettacolare veramente
I love the orchestration Bozo! (For instance the horn echo) And of course your performance is brilliant and beautiful, and the recoding is very nicely done!
(Mikyung Sung plays it beautifully too, from the Bradetich competition, but it’s only with piano and the recording is not so good.)
Though now there is the version on her album, which is sublime, and unmatched by anyone I have yet heard.
Spettacolare!!!!!
Superbe !
Love it
Amazing!
Bravo!!!!
И оркестр и контрабасист супер!
Гари Кар и то лучше играл
Love
Spectacular technique, but try to dance to this tarantella at this speed. Beats the whole point of calling it that.
That is absolutely true, the tempo that I have played here hasn't got much to do with the real tempo of Tarantella. I don't even remember when have I heard anyone to play Bottesini's or Glière's Tarantella in the real tempo of Tarantella. These are also composed such way that they can be played considerably faster... so that is probably the reason why most of people are doing it. The only Tarantella for double bass compost such waited just has to be played in proper tempo I know about is František Hertl's, from four pieces for double bass and piano. 🤗
똬안~~
Sounds like the people are trying to outplay their stand partners and bozo has to play louder.
Hari Rau-Murthy And he still won. :)
Hari Rau-Murthy always a danger with the bass, it is not a loud instrument and is easily drowned out by piano or orchestra.
The orchestra plays very fine. Many bass concertos (also this one) are instrumented too massively, so the soloist simply must play with full sound most of the time. But the balance here is realistic, I don't push the bass volume higher with spot microphones, I usee them just for the focus, maybe 5% in the mix.