Penderecki: Kosmogonia (1970) - Markowski
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- Опубликовано: 26 ноя 2024
- Uploaded by request
Krzysztof Penderecki (1933 -)
Kosmogonia (1970),
for soprano, tenor, bass, mixed chorus and orchestra
Stefania Woytowicz, soprano
Kazimierz Pustelak, tenor
Bernard Ładysz, bass
Warsaw National Philharmonic Chorus and Symphony Orchestra
Andrzej Markowski
Cover image taken from: hubblesite.org/...
2:57 to 3:02. This was used to great effect by David Lynch in that scene from Wild at Heart with Diane Ladd and the red lipstick. His perfect placement of this classical piece on film is so worthy of Kubrick.
Well said.
Great Chef. J'ai écouté la première de Jutrznia à Wroclaw
Thank you so much! I heard this way back around 1973 on the radio - I taped it live on cassette. As a science fiction geek kid I was fascinated by it. But I have never heard it rebroadcast since. They say all things come to those who wait.
I'm glad you liked it.
Today Maestro has just passed away. In memoriam... :( R.I.P
Try listening to this at night in a dark basement in the middle of the night with your headphones on, playing this in full blast.
That was absolutely fantastic! I swear I went inside the picture and traveled wonderfully in spice.
As the French and Russian research submersibles held station behind the massive structures, they switched on powerful floodlights and backlit the massive stone ruins from behind, lending a ghostly aspect to the towering sillhouettes of what could only be giant pillars and arches hundreds of feet high! But... how... What ancient builders had built these imposing, monolithic structures down here?! Three miles down on the Atlantic Seafloor? Good Lord the water pressure down here was tons per square inch! This was half again as far down as the Titanic! And here they were evidently seeing some sort of ancient Olympian stone city! As mercer switched the single powerful Lumitec Caprera floodlight on the Proteus, the explosion of white light stabbed out into the dark water, and countless floating white specks of flotsam and small flecks swam in the cone of light. He maneuvered the vectoring fans to bring the Proteus close to the tops of the giant pillars and the capitols atop each were adorned with statues of winged angelic figures. Then examined the adornments in the middle centers of the great soaring arches and saw carvings of bearded faces with strange helmets or head dresses and one was the face of a woman with a crown of some kind, another was the face of a bearded man with a horn protruding from the forehead. And all had one thing in common: they were frozen in expressions of agony. Dr. Okimura, the marine biologist on the American submersihle had seen enough. "Okay I don't know what sort of graveyard for olympian gods this place is but I think we've seen enough! Can we head back to the surface? This is too creepy", to which Dr. Yaroslav asked: "But this is incredible! What if this is Atlantis?!" Mercer dispelled the idea with a half tilt of his head: "Atlantis is just a Greek legend doctor. No, this is something different. This... this is something different, something older I think." Vanessa no longer cared. She wanted to head back up to the ocean research ship. "Who cares! Maybe some dark secrets are better left... undisturbed!"
Made in Poland for whole World. Proud of it. ❤️❤️❤️
Terrific composition, tremendous performance.
Very nice rendition !
Thanks
6:53 The best part!
Like the beginning of THE CREATION by Joseph Haydn - only any years later, of course
intense!! incredible!!!
This is a review we did of this album's re-release on Cold Spring records.
noisebeneaththesnow.com/2017/08/04/krzysztof-penderecki-kosmogonia-album-review/
Nice review :) thank you!
Absolutely horrifying and ritualistic. The amount of depth in this piece seems almost boundless, like space itself.
danke!!!
As they maneuvered the submersibles closer to the ruins of the ancient stone city on the Madiera Plain, the undulating dull grey terrain of the seabottom gradually smoothed out into a dark reddish or purple surface like marble, cracked here and there but a marble surface! Here! Three miles down on the Atantic seafloor! Then they came to the high walls of what the sonar hydrographic surveys had called... the Arena! They flew the little robot sub up and over the walls 500 feet high! There was an elsborate system of grooves running along atop the walls. Grooves for ancient cartwheels? Then the little ROV swam down into the vast wall stadium and saw a vast marble surface littered with polymorphous shapes all over. This place was miles in area! Sloping steps seemed to line the inside walls. Ancient bleachers? When the ROV imaged the objects all over the marble floor of the arena, they took on many shapes, like spears and swords and staves and exotic handweapons! What ancient and terrible violence had happened here thousands of years ago? And how had this vast construction come to exist here? On the Atlantic Seafloor! Three miles down in the abyssopelagic ocean layer!! Then there appeared other barnable-encrusted objects lying on the vast surface of the arena floor, still disturbingly smooth underneath the regolith of ocean sediment. But this object looked like a spear or a sword made for a person thirty feet tall! A giant! Was this a megacity from... the World Before the Flood?!
R.I.P
Neil DeGrasse Tyson's favorite dance song!
"They dove down into the vast ancient seafloor arena and went to the rectangular slab in the center, half again larger than a modern football field yet only one small tile within the staggering area of the ancient arena floor! There was a slit fifty meters long and ten 15 wide, more then large enough for them to dive down into the gigantic box-shaped dungeon below the arena floor. The sonar survey showed this to be a perfect box shape, whose smooth walls plunged down thurty one thousand feet to the floor below! A giant box-shaped dungeon set into the field of a vast coliseum of ancient combat from before the Flood! As they descended down along a vast and high wall orders of magnitude bigger than any room that existed in the world above, the Russian submersible shone it's flood lights at a massive structure five hundred feet wide by a fifteen hundred feet high, roughly half the height of the room itself! Inset into this vast vault in the east facing wall of the giant sunken chamber were enigmatic carvings of humanoid and demonoid faces and even some winged, cherubic figures carved into the giant vault structure, set against the east wall like the mantle over a fireplace. "That's some trophy case", said LtCommander Mercer. But the most terrifying task lay further down. The floor. They were only about twelve hundred feet from the bottom and the powerful floodlights on the Russian, French AND American submersibles still could not penetrate the profound darkness below! When they performed the first sonar scan of the floor below, what was revealed was too horrifying for them to have anticipated! It nearly drove them mad..."
Excerpt from the soon coming novel:
"ANTEDILUVIA! an ancient evil lies three miles down! that still might not be deep enough!"
13:02 to 14:57 as they are surveying that giant stone vault set into the east facing wall and preparyng to point the sonar at the floor below
What the hell is that??
@@alucard347 a hardcore story idea
@@officialxverzusz love it.
pépite
6:43 Sounds like a primitive worshipping and sacrificial ceremony. That is a flipping terrifying way to do a choir.
"Marat Sade"
Stanley Kubrick is fan Penderecki.
yeh,wasn't this in 2001?
I'm pretty sure Kubrick never used this song in any of his films
@Bob Martin oh,ok,if you say so ,pal!
上帝的荣耀
波兰人的辉煌🎉🎉
would ve been good in 2001