Before discovering this video, I just requested this type of walkthrough on a Soundpaint Discord discussion as a deeper dive and wider, more comprehensive presentation of the entire production than the common individual instrument walkthroughs, which necessarily focus on just one or a small set of instruments.
got chills Dude.Thanks for posting this- just switched to Cubase13 after mucho years on Studio One- So not only enjoying the Noise but learning a great deal about setting up a Soundpaint template. Thanks mightily!! ScottR
I have always been advocating Adastra Strings for Epic Hybrid Music. For the price it is a real steal. I would say that Adastra's weakness is in sounding traditional. I can never get those traditional sounding stuff to sound as good as my other dedicated libraries, but where Adastra and inherently Soundpaint shines is in Sound Design. You can make these sounds really shine in Soundpaint for Trailer/Epic Music quite nicely :)
I haven't grasp the benefit of Soundpaint yet, as I always used Kontakt and need to research this topic more. Sounds amazing, what a GREAT Composer you are Nicolas!
Great question. We love both platforms. Soundpaint is designed specifically for the workflow of composers/producers. It loads faster. All instruments live together. The effects are modeled and more modern sounding. We have morph velocity layers, so you get up to 127 dynamics. Everything is designed around the idea of shortest distance from thought to creation. Thousands of small workflow tweaks that accumulated offers a pretty seamless experience.
![Tee Grizzley - Robbery 8 [Official Video]](http://i.ytimg.com/vi/34_vkNV6wrU/mqdefault.jpg)
I prefer this style of walkthrough. Wouldn't mind more of it.
Before discovering this video, I just requested this type of walkthrough on a Soundpaint Discord discussion as a deeper dive and wider, more comprehensive presentation of the entire production than the common individual instrument walkthroughs, which necessarily focus on just one or a small set of instruments.
Thanks for your epic/modern style, I love ! it’s very inspirational ! 👌
Lovely!!!! We want more strings ported to Soundpaint... keep them coming!
We will Hugo. But … how about some fresh next-gen strings too … ❤️
@@Soundpaintmusic Amazing, why not! My favorite of the Adastra series is the solo strings! Love them!
Very useful breakdown! Thanks 🙂
got chills Dude.Thanks for posting this- just switched to Cubase13 after mucho years on Studio One- So not only enjoying the Noise but learning a great deal about setting up a Soundpaint template. Thanks mightily!! ScottR
That is some powerful stuff! Both in subtle beauty and ground shattering intensity! Bravo!
I have always been advocating Adastra Strings for Epic Hybrid Music. For the price it is a real steal. I would say that Adastra's weakness is in sounding traditional. I can never get those traditional sounding stuff to sound as good as my other dedicated libraries, but where Adastra and inherently Soundpaint shines is in Sound Design. You can make these sounds really shine in Soundpaint for Trailer/Epic Music quite nicely :)
Sounds awesome! And great walkthough! .But I am surprised in seeing third party libraries, like the epic drums from Damage 2
Lovely job, young man...
I haven't grasp the benefit of Soundpaint yet, as I always used Kontakt and need to research this topic more. Sounds amazing, what a GREAT Composer you are Nicolas!
Great question. We love both platforms. Soundpaint is designed specifically for the workflow of composers/producers. It loads faster. All instruments live together. The effects are modeled and more modern sounding. We have morph velocity layers, so you get up to 127 dynamics. Everything is designed around the idea of shortest distance from thought to creation. Thousands of small workflow tweaks that accumulated offers a pretty seamless experience.
Fantástico y profundo!!