Wonderful performance of a magnificent piece. Several contemporary musicians - including Telemann's student Johann Christoph Graupner, Johann Georg Piesendel, and Johann David Heinichen - have taken up elements of Telemann's work. Other composers such as Gottfried Heinrich Stolzel soon imitated them. Other students from the Hamburg period, to whom Telemann did not teach instrumental craft, but "stylistics", are Jakob Wilhelm Lustig, Johann Hewet, Christoph Nickelman, Jakob Schuback, Johann Christoph Schmigel, Caspar Daniel Kron and Georg Michael Telemann. Telemann's Polish influences inspired Karl Heinrich Graun to emulate him; Johann Friedrich Agricola studied from Telemann's works in his youth. Johann Friedrich Fach, Johann Joachim Quantz and Johann Bernhard Bach also specifically mentioned Telemann as a model for some of their works. From the handwritten notes he added to Telemann's manuscripts, it is clear that Carl Philipp Emanuel Bach studied and performed many of his compositions. Telemann's lively friendship with Handel was expressed not only in the fact that Telemann performed several of Handel's stage works in Hamburg - some with his own interludes - but also in the fact that in later years Handel often used themes from Telemann in his own compositions. Johann Sebastian Bach made copies of several of Telemann's cantatas and introduced his son Wilhelm Friedemann to his music in a piano booklet written especially for him. The music book that Leopold Mozart prepared for Wolfgang Amadeus contains eleven minuets and Telemann's Fantasia for Piano. The piano style of both Carl Philipp Emanuel Bach and Wolfgang Amadeus Mozart sometimes resembles Telemann's writing style.
Ich werde manchmal den Eindruck nicht los, daß diejenigen, die von kultureller Aneignung sprechen, gar nicht wissen, was Kultur ist - geschweige denn daß sie sich jemals mit den Preziosen unserer eigenen Kultur befaßt hätten. Und bei manchen von denen habe ich sogar den Eindruck, daß sie unser Volk von unseren eigenen Wurzeln bewußt entkoppeln wollen, um uns gezielt kaputtzukriegen. Mich entsetzt es, daß unter den jungen Menschen keiner mehr weiß, wer Händel, Telemann, Rameau oder Cherubini waren. Schon von den Rolling Stones und Black Sabbath haben die wenigsten noch was gehört!
Telemann war ja auch als sehr alter Mann noch neuen Strömungen sehr zugetan. Seine Engelskantaten, die mit über 80 Jahren geschrieben wurden, greifen der Klassik vor.
Une petite cantate mais une grande reussite que je découvre pour la premiere fois. Une realisation tout en finesse qui donne envie de mieux connaitre ce repertoire. Merci!
Dear Fleming I've tried to perform a translation to English, French Spanish, Italian and German for try to understand you better because you always express your point of view what is interesting for me. Do you mind to write in one of those languages for understand better what you have said, please?
Wonderful performance of a magnificent piece. Several contemporary musicians - including Telemann's student Johann Christoph Graupner, Johann Georg Piesendel, and Johann David Heinichen - have taken up elements of Telemann's work. Other composers such as Gottfried Heinrich Stolzel soon imitated them. Other students from the Hamburg period, to whom Telemann did not teach instrumental craft, but "stylistics", are Jakob Wilhelm Lustig, Johann Hewet, Christoph Nickelman, Jakob Schuback, Johann Christoph Schmigel, Caspar Daniel Kron and Georg Michael Telemann. Telemann's Polish influences inspired Karl Heinrich Graun to emulate him; Johann Friedrich Agricola studied from Telemann's works in his youth. Johann Friedrich Fach, Johann Joachim Quantz and Johann Bernhard Bach also specifically mentioned Telemann as a model for some of their works. From the handwritten notes he added to Telemann's manuscripts, it is clear that Carl Philipp Emanuel Bach studied and performed many of his compositions. Telemann's lively friendship with Handel was expressed not only in the fact that Telemann performed several of Handel's stage works in Hamburg - some with his own interludes - but also in the fact that in later years Handel often used themes from Telemann in his own compositions. Johann Sebastian Bach made copies of several of Telemann's cantatas and introduced his son Wilhelm Friedemann to his music in a piano booklet written especially for him. The music book that Leopold Mozart prepared for Wolfgang Amadeus contains eleven minuets and Telemann's Fantasia for Piano. The piano style of both Carl Philipp Emanuel Bach and Wolfgang Amadeus Mozart sometimes resembles Telemann's writing style.
Telemann knew what people liked, and he gave it to them. Thanks!
Magnificent!
Das ist unglaubilch schön. Gott sei Dank! Wir brauchen keine "Kulturanreicherung."
Ja, das ist wirklich himmelwunderbar, das ist die musik wir brauchen 😊 musica 🎵 🎶Vielen dank für die hochladung!
Ich werde manchmal den Eindruck nicht los, daß diejenigen, die von kultureller Aneignung sprechen, gar nicht wissen, was Kultur ist - geschweige denn daß sie sich jemals mit den Preziosen unserer eigenen Kultur befaßt hätten. Und bei manchen von denen habe ich sogar den Eindruck, daß sie unser Volk von unseren eigenen Wurzeln bewußt entkoppeln wollen, um uns gezielt kaputtzukriegen.
Mich entsetzt es, daß unter den jungen Menschen keiner mehr weiß, wer Händel, Telemann, Rameau oder Cherubini waren. Schon von den Rolling Stones und Black Sabbath haben die wenigsten noch was gehört!
Telemann war ja auch als sehr alter Mann noch neuen Strömungen sehr zugetan. Seine Engelskantaten, die mit über 80 Jahren geschrieben wurden, greifen der Klassik vor.
Mit diesem Meisterwerk hat Händel uns ein echtiges wunderbares Geschenk gemacht
this is so good
Une petite cantate mais une grande reussite que je découvre pour la premiere fois. Une realisation tout en finesse qui donne envie de mieux connaitre ce repertoire. Merci!
Oui,vous êtes sur la chaine du grand quatre .Carolus magnus ....
Höhere Wahnsinn!
Veronika Winter (S) + Lena Susanne Norin (A) + Jan Kobow (T) + Ekkehard Abele (B) + Rheinische Kantorei + Das Kleine Konzert + Hermann Max
Tímpanos ressoantes, eis o barroco magnificente!
10:00 Tout simplement magique
Une entrée en matière somptueuse avec les trompettes et les timbales ...
ja ja ja estupeeendo!
My love❤❤❤❤
Great! Who is the tenor?
Jan Kobow
Musica di circostanza in chiave trionfalistica
Musikken minder meget om Bach, det er svært at høre forskel. Men ligeså dejlig musik.
Dear Fleming I've tried to perform a translation to English, French Spanish, Italian and German for try to understand you better because you always express your point of view what is interesting for me. Do you mind to write in one of those languages for understand better what you have said, please?
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