I love Anna. Sometimes I forgot about her and lissening her playing i think: who is with this beautiful sound and perfect execution? How stupid I am! She is Anna Besson! I think she has an incredible talent, an incredible sound, an extreme precision. Hope to lissen soon a concert of Anna!
Wonderful! I play this on the organ and whilst I love it on the organ, I particularly love the extra expression afforded here by Anna on a real (baroque) flute, especially in the middle movement.
Muy bella interpretación, sin duda por la presencia de mi admirado Jean Rondeau... aunque personalmente prefiero la transcripción para oboe, viola y continuo interpretada por miembros de The King's Consort, con su teclista y director Robert King, en un disco de hace ya 25 años en el que recogían transcripciones de las seis sonaas en trío para órgano BWV 525-530. Dedicado a mi amiga Cuca, para cuando se deleite con este vídeo y con la escucha de las otras versiones de esta misma sonata.
I think it would work better in D major. It would make the violin play in a slightly brighter texture and avoid altering the text, which has to be done, because it goes down to low F.
Gorgeous, creamy and hangs together beautifully. I especially adore the rising theme in the first mov. You’ve stolen my heart…..
Anna is a fantastic artist: her breath emission is so smooth and the sound coming out of her flute is just perfect.
And the harpsichord player is simply magnificent
I love Anna. Sometimes I forgot about her and lissening her playing i think: who is with this beautiful sound and perfect execution? How stupid I am! She is Anna Besson! I think she has an incredible talent, an incredible sound, an extreme precision. Hope to lissen soon a concert of Anna!
Such a beautifully nuanced performance
Браво,флейтистка-чудо! Как,впрочем и весь ансамбль!
2nd movement is extremely beautiful ❤
The third movement is one of my favorite piece to play in organ with 8 and 4 stops
Energetic and beautiful!
Wonderful! I play this on the organ and whilst I love it on the organ, I particularly love the extra expression afforded here by Anna on a real (baroque) flute, especially in the middle movement.
Toujours trop vite! Quelle manie!
Ах! КАК ЧУДЕСНО💕💕❤️🎶
Superb!
Magnifique Nevermind comme toujours...
Heady stuff, ravishingly performed
Браво ☘️☘️☘️
Gorgeous
Excellent! BRAVO, BRAVO!
Fantastic!
A joy.
Geniales como siempre! Bravo!!!! 🥰🥰🥰
Muy bella interpretación, sin duda por la presencia de mi admirado Jean Rondeau... aunque personalmente prefiero la transcripción para oboe, viola y continuo interpretada por miembros de The King's Consort, con su teclista y director Robert King, en un disco de hace ya 25 años en el que recogían transcripciones de las seis sonaas en trío para órgano BWV 525-530. Dedicado a mi amiga Cuca, para cuando se deleite con este vídeo y con la escucha de las otras versiones de esta misma sonata.
Très bel ensemble
Muy bello...gracias!!!
I like the first movement its nostalgic
Heerlijk. Delightful. Délicieux. Precioso.
Is that a Palanca model flute? What a wonderful sonata! And beautiful playing too. 🥰
bravissimi!!!’👏
Super
👏👏👏
12:08
I think it would work better in D major. It would make the violin play in a slightly brighter texture and avoid altering the text, which has to be done, because it goes down to low F.
In D, the flute cannot play
F work better for the ensemble
Sonata-Quartet, you mean, Johann.
2:59
Welches Flötenmodell
Glorious sound and combination of instruments. Mozart wasn’t fond of the flute; he should have listened to more Bach.
Браво!
Ни одного комментария на русском, позор!
Вот один. А почему позор?
3:11