संगीत एक समुन्द्र है जो अपार है मजा उसमे है लंबाई चौड़ाई पर बहस ना करके लहरों का आनंद लो एक से एक खाँ साब,पंडित लोग आये अपने फन के माहिर किसीका कोई मुकाबला नही सब एक से बढ़कर एक "मेरे हृदय से संगीत की हर विधा को नमन💐💐
Mahendra Nareda Saab, Your comment has come to my notice only today and therefore, this belated response. Very well-said! As a matter of fact, music is universal in its appeal! It has no boundary, barrier, language, race, or religion! Better, we should not try to confine our music and musicians within artificial barriers or boundaries! Music is far above all sorts of meanness and narrow-mindedness! To be very frank, music has got the potentials of unifying Mandir, Masjid, Church, or Gurudwara or for that matter, any other religion! Music disseminates the message of love and compassion ! GOD, 'THE MERCIFUL', also communicates with his MINIONS through the language of love and compassion alone! Propriety demands that one should not try to paint music with the political or religious colours! In fact, a true connoisseur of music always steer clear of political or religious controversies! Let all of us endeavour to enjoy music as it is, enrich our lives with its spiritual and aesthetic values and try to be good humanbeing which is so precious to GOD! -- Amarendra Borah, Former Commissioner and Secretary, Finance Department, Govt Of Assam (India).
The accompanying instruments being traditional is an additional bonus. I hate a gazal being accompanied by keyboards and a guitar etc. This is simply heavenly.
How gratifying it is that one Indian -- Hariharan Saab -- has offered to continue the rich legacy left behind by an another Indian -- the legendary Mehdi Hassan Saab, the 'LUNA', Rajasthan Wale -- in so far as the Ghazal Gayiki is concerned !
Hari Haran sb reaches almost the quality of the original by the master. Very exhilarating performance indeed. The bells / suntoor sound very pretty too.
Music is universal in its appeal! It's far above all sorts of meanness and narrow-mindedness! It has no boundary, barrier, language, race, or religion! Music has got the potential of unifying Mandir, Masjid, Church, Gurudwara or for that matter any other religion! Music disseminates the message of love and compassion! As a matter of fact, GOD, 'THE MERCIFUL', also communicates with HIS MINIONS through the language of love alone! I am a grand old man of 68 years. Music has been my first love all along since childhood and will remain so till I bid adieu to this world! To be true, music has been playing the most pivotal role in my life! Listening to the soulful and melodious music of the great Mehdi Hasan Saab, Rafi Saab, Latajee and Hariharan Saab, to name a few, on daily basis, is infusing a new lease of life and the will to live in me! To be very frank, music has raised my spiritual level by several notches and as a result, l feel highly blessed! I will remain indebted to MUSIC forever for this peerless gift!-- Amarendra Borah, Former Commissioner and Secretary, Finance Department, Govt Of Assam (India).
In Kaise Chupon Raaj-e- gham, Hariharan Saab and Tari Khan Saab were performing in tandem supplementing and complementing each other superbly. The end product was a gem.
There are no two opinions that music is universal in its appeal and is all pervading in its domain! Because of its high aesthetic value and rich content, good soulful music has got the potentials to soften the hardest of the human hearts and make it fall in line! Likewise, Hariharan Saab has an uncanny ability to catch the imagination of the discerning music lovers though his inimitable style of gayiki while performing thereby casting a spell on them and get them captivated instantly! Here in this ghazal, " Kaise Chupaon Raaj-e-gham", Hariharan Saab was just irresistible! Ustad Tari Khan Saab as tablanawaj had also performed very creditably! Hat's off to both of them for their exploits! -- Amarendra Borah, Former Commissioner and Secretary, Finance Department, Govt Of Assam (India).
John Ditta in this mehfil they have also sung Apne Aaine mein utaar mujhe but i am unable to get that audio after researching a lot.. if you get kindly share with me .. thanks
It is really some kind of an achievement on the part of someone, whose mother tongue is not URDU, to excel in a language in which he may not be so well conversant with than those whose mother tongue is URDU itself ! That is what Hariharan Saab has been doing exactly throughout his illustrious career spanning over almost four decades now in so far as ghazal gayiki is concerned and that too, with aplomb and phenomenal success, and in a style so unique to him ! It is, indeed. an another feather in the cap of Hariharan Saab as a versatile singer! Therefore, those detractors who use to criticise Hariharan Saab's gayiki on every available opportunity at the drop of a hat on slightest of pretext should bear this in mind while doing so in future ! To be very frank, as a genuine music lover, l get mortally hurt whenever someone, without having the required credentials and expertise, sits on judgement like an expert and cast cast aspersions or pass a disparaging remark on Hariharan Saab without any plausible reason or evidence, whatsoever ! It is, indeed, heartening to note that Hariharan Saab has been striving hard to continue the glorious legacy left behind by the great Mehdi Hassan Saab and has been able to get a foothold in the process ! I think -- Hariharan Saab has got the right credentials to become one of the potential successors to the great Khan Saab's legacy in the days to come ! Hariharan Saab certainly deserves a pat on his back from all genuine music lovers for his untiring efforts so far to this effect ! -- Amarendra Borah, Former Commissioner and Secretary, Finance Department, Govt Of Assam (India).
कैसे छुपाऊँ राज़-ए-ग़म How could I hide my mystery of sorrow दीदा-ए-तर को क्या करूँ What I do with my wet eyes दिल की तपिश को क्या करूँ What I do with the warmth of heart सोज़-ए-जिगर को क्या करूँ What I do with my burning soul शोरिश-ए-आशिक़ी कहाँ Where is my excitement of love और मेरी सादगी कहाँ And where is my simplicity हुस्न को तेरे क्या कहूँ What I say about your attractiveness अपनी नज़र को क्या करूँ What I do with my eyes on you ग़म का न दिल में हो गुज़र No sorrows there in my heart वस्ल की शब हो यूँ बसर When we meet at night time सब ये क़ुबूल है मगर Yes everything I admit but ख़ौफ़-ए-सहर को क्या करूँ What I do with the fear of dawn हाल मेरा था जब बतर When I was in a bad Situation तब न हुई तुम्हें ख़बर You didn't noticed that time ब'अद मेरे हुआ असर You did feel it after I left अब मैं असर को क्या करूँ What I do with that feelings now
The great Mehdi Hassan Saab was, in the real sense of the term, Shah-en-Shah-e-Ghazal because of his complete mastery over labz,sur,tal and loy! It's, indeed,very laudable that Hariharan Saab has been trying his best to maintain the rich legacy left behind by the great Mehdi Hassan Saab and has been able to get a foothold in the process! His voice, which has clarity, depth and wide range, is eminently suited to this style of ghazal gayiki! Hat's off to him for this nice initiative!
Many many thanks Gurpreet ji for presenting the precious moment of the great legends. Some vedio clip will be more desired. Look forward. God bless you.
Amazing, beautiful, Wonderful, heart touching and Evergreen presentation ! Wah wah maza aagaya ! Allah Gifted voice ! The Ghazal of Hasrat Mohani is all time excellent ! The lyrics are excellent and the music is also excellent ! Comments from Shahid Rasheed Khan from Islamabad, Pakistan. Comments posted on 09th March, 2019. 💜💛💖👍👍💚💟❤💥🇵🇰🇵🇰
Wt. A great tabla acompaniment & Hari Haran is the only singer who can Sing the way Mehdi sahib sets a goal for ghazal singing. Tell me who Else sings equally perfect ghazal style of Mehdi sahib. Jagjit sahib is a different case AS his style is another one & more modern & simple But his voice quality is too complex & beautiful.
John Ditta sahab , hariharan bilashuba Mehdi sb k Bohot bary fan hein auer unka andaz b follow b karty hn lakiN ager app ye samajty hein k in jesa koi nahe ga sakta to ye bat durust nahi . MALIK KA ASAAAN HE K ME KHUD MEHDI SB KA STUDENT HU . I CAN GIVE YOU A NEVER ENDING LIST OF SINGERS WHO SING MEHDI SB FAR BETTER THAN HARI G . I WILL NAME A FEW USTAD GHULAM ABBAS SB THE LIVING LEGEND ASIF MEHDI SB PERVEZ MEHDI SB LATE SHAMOUN FIDA,
John Ditta aur ager ilM se daleel du to hariharan ki awaz me kharaj ki kami he . He still needs practice to sing mehdi sb . Secondly , his variations are undue . Most importantly , his expression is not good enough. However I agree that he is a good Ghazal singer
This talafuz (pronunciation) debate is silly and tiresome. There is hardly any discernible mispronunciation and if there is one, this is a musical rendering and not a language master class. It should be a matter of pride for the maestro Mehdi Hassan's followers that his memory and tradition of Ghazal singing is being kept alive by the likes of Hariharan ji for all of us to enjoy. Lighten up my dear countrymen.
Amjad Javaid Saab/ all who are concerned, Your comment has come to my notice only today and therefore, this belated response. I have been listening to the ghazals of Hariharan Saab for the last 33 years since 1985 when I happened to purchase his first L.P. album for my stereo, l am now 68 years old. However, no any discernible flaw in his pronounciation, while rendering ghazals, has come to my notice ever since. What is more heartening to note is that after the emergence of the great Mehdi Hassan Saab, arrival of Hariharan Saab is the next best thing to happen on the ghazal horizon of India! Although,there is no dispute over the fact that the great Mehdi Hassan was the first amongst its equals as an exponent of ghazal gayiki! He had given ghazal gayiki a pedestal which will be difficult to surpass! As a matter of fact, the great Mehdi Hassan Saab was a multidimensional and multidisciplinary singer who had proved his worth in each and every discipline of music -- be it Khayal, Thumri, Ghazal or Playback Singing in films! Perhaps, such a resourceful musician will ever be born again in this world! While, the great Mehdi Hassan Saab is my all time favourite singer ; amongst the new comers, I have found Hariharan Saab to be the most promising! In the same breath, it's heartening to note that Hariharan Saab is trying to follow the traditions set by the great Mehdi Hassan Saab and has been able to get a foothold in the process! Hariharan Saab's voice has clarity, quality, depth and wide range which is eminently suitable for ghazal gayiki! Further,, he has complete control over Labz, Sur, Taal, and Loy! Besides, he has got the rare ability of rendering ghazals very soulfully in a style which is very unique to him! Perhaps, there should not be any other opinion on the fact that all these attributes have enabled Hariharan Saab to blossom into a complete ghazal gayak in the truest sense of the term! Hariharan Saab has already completed almost four decades as a successful exponent of ghazal gayiki! His endeavour towards popularising ghazal gayiki in India has been able to earn laurels from the pundits and connoisseurs of music alike across the world! Therefore, Hariharan Saab certainly deserves a pat on his back from all discerning music lovers for his stupendous contributions to the World Of Music in general and Ghazal Gayiki in particular! Let us stand up and salute this immensely talented singer for his stupendous contributions to the World Of Music! -- Amarendra Borah, Former Commissioner and Secretary, Finance Department, Govt Of Assam (India).
@@amarendraborah6941 sir you are 100% true, n there should be no comparison with great Mehdi hasan saheb to anyone , He is still King of gazal gayki n will remain
@@ajaypratapsingh2600 Saab,. Thanks for the compliment ! To be very true, the great Mehdi Hassan Saab Saab was miles ahead of his contemporaries and juniors as an exponent of ghazal gayiki in so far as his control over Lafz, Sur, Taal, and Loy is concerned ! A singer of the caliber and brilliance of the great Mehdi Hassan Saab is born only once in a millennium !
Boht acha gayaaa but effort nazar a rahi hai jab ke Mehdi sahab ne ju gaya wo natural aur flawless tha. Ye comments iss ghazal ki had tak hein warna Hari Harran sahab is a living legend.
Sir apka jabab nahi hai, mere anusar jagjeet singh sir ke bad ap hi hai pure hindastan me jo, pakistan me yadi mehdi hassan ar gulam ali sahv hai to hindustan me jagjeet ji ar aap...
Sir yeh to darust hai lekin bahut se Urdu speaking Raj-maa Jise kehte hain woh to Raj-Mah hoti hai jo ham. Khate hain. Maa ko to slam kiya jata hai khaya nahin. Jata. All in all Hari Haran ji is a good singer. Enjoy singing.
Ye dono artist ko sunkar koi kahega ki India Pakistan me duriya heen prantu ye bekuf gnde dimag ke pakistani neta army officers ko ye madhur awwaje achhi nhi lagti isliye inhe mohabbat pasand nhi hee.
Hariharan Ji! A Suggestion for you.. An Ass can never be a Horse! Why do you try to copy an Maestro? You have plenty of compositions to express yourselves.
Mr Sharma, Mr Hariharan’s pronunciation is not correct for this song and most of his Urdu ghazals. No doubt, he is one of the foremost singers of the subcontinent, but Urdu Kafi, ghazals etc need this pronunciations to correct to begin with... If you listen to Mehdi Hassan’s original version, you’ll know what I’m talking about.
Sharmaji, you are the beholder. You clearly like the way he sang this song. All I can say is when a genre of music that is purely North Indian, with the best efforts this can be heard as not exactly inherent under these circumstances. Maybe I’m too much of a puritan when it comes to genres like ghazal, Kafi etc.
gias aapka Urdu knowledge adhura hai. ungli Baad me uthana. Muslim hone se Urdu nahee aatee. kai jagah to ghulam Ali bhi galat bol gaye hai. par wo jante nahee yeah kahna galat hai.
U r only good singer I also listen u but sir never try ghazal already sung by grate grate grate .......ttt one n only MADIHASAN IT REALLY EXPOSE U SO NEVER TRY AGAIN SIR
Propriety demands that one should try to inculcate the habit of seeing the goodness in others as well ; instead of finding fault on every available opportunity, on the slightest of pretext, and at the drop of a hat ! It raises one's spiritual level by several notches up !
![NLE Choppa - Or What ft. 41 (Orchestra Mix) [Official Music Video]](http://i.ytimg.com/vi/biOFASEgSOM/mqdefault.jpg)
संगीत एक समुन्द्र है जो अपार है मजा उसमे है लंबाई चौड़ाई पर बहस ना करके लहरों का आनंद लो एक से एक खाँ साब,पंडित लोग आये अपने फन के माहिर किसीका कोई मुकाबला नही सब एक से बढ़कर एक "मेरे हृदय से संगीत की हर विधा को नमन💐💐
mahendra nareda salute to ur thoughts
mahendra nareda whaaa sahi kaha apne at hah h ye
Mahendra Nareda Saab, Your comment has come to my notice only today and therefore, this belated response. Very well-said! As a matter of fact, music is universal in its appeal! It has no boundary, barrier, language, race, or religion! Better, we should not try to confine our music and musicians within artificial barriers or boundaries! Music is far above all sorts of meanness and narrow-mindedness! To be very frank, music has got the potentials of unifying Mandir, Masjid, Church, or Gurudwara or for that matter, any other religion! Music disseminates the message of love and compassion ! GOD, 'THE MERCIFUL', also communicates with his MINIONS through the language of love and compassion alone! Propriety demands that one should not try to paint music with the political or religious colours! In fact, a true connoisseur of music always steer clear of political or religious controversies! Let all of us endeavour to enjoy music as it is, enrich our lives with its spiritual and aesthetic values and try to be good humanbeing which is so precious to GOD! -- Amarendra Borah, Former Commissioner and Secretary, Finance Department, Govt Of Assam (India).
waah!!
mahendra nareda so beautifully expressed Mahendra ji.
What a combination hariharan and ustad g love from Pakistan
The accompanying instruments being traditional is an additional bonus. I hate a gazal being accompanied by keyboards and a guitar etc. This is simply heavenly.
Fully agree these traditional instruments r the best
A.Harharan too leaves audiences " Spellbound " by his " Perfect Clssical
Tunes that always leave " Lasting impressions " ! Truly awarded " Padamshree " !
Wow! One legend sings composition of another legend accompanied by 3rd legend!!
Wah ji wah kya baat hai Mehdi hasan yaad aagaye❤
How gratifying it is that one Indian -- Hariharan Saab -- has offered to continue the rich legacy left behind by an another Indian -- the legendary Mehdi Hassan Saab, the 'LUNA', Rajasthan Wale -- in so far as the Ghazal Gayiki is concerned !
Hariharran jee aapkee Ghazal gaikee bhee Sabh sey alagg hai, MUJHEY aap ki variations sabh se behtarr aur khoobsoorat lageen❤️❤️🌹🌹👍👍🌷🌷
Hari Haran sb reaches almost the quality of the original by the master. Very exhilarating performance indeed. The bells / suntoor sound very pretty too.
Music is universal in its appeal! It's far above all sorts of meanness and narrow-mindedness! It has no boundary, barrier, language, race, or religion! Music has got the potential of unifying Mandir, Masjid, Church, Gurudwara or for that matter any other religion! Music disseminates the message of love and compassion! As a matter of fact, GOD, 'THE MERCIFUL', also communicates with HIS MINIONS through the language of love alone! I am a grand old man of 68 years. Music has been my first love all along since childhood and will remain so till I bid adieu to this world! To be true, music has been playing the most pivotal role in my life! Listening to the soulful and melodious music of the great Mehdi Hasan Saab, Rafi Saab, Latajee and Hariharan Saab, to name a few, on daily basis, is infusing a new lease of life and the will to live in me! To be very frank, music has raised my spiritual level by several notches and as a result, l feel highly blessed! I will remain indebted to MUSIC forever for this peerless gift!-- Amarendra Borah, Former Commissioner and Secretary, Finance Department, Govt Of Assam (India).
In Kaise Chupon Raaj-e- gham, Hariharan Saab and Tari Khan Saab were performing in tandem supplementing and complementing each other superbly. The end product was a gem.
Khan Sab mahdi hassan khan sab ki yad taza ho gai
Great rendition by Hariharan ji. Ustad Mehdi Hassan would be proud.
Just Heavenly. There are no other words to describe this singing.
Ustad Tari g Kia kehne... dunia mein esi sangat nai hy...wah re wah
There are no two opinions that music is universal in its appeal and is all pervading in its domain! Because of its high aesthetic value and rich content, good soulful music has got the potentials to soften the hardest of the human hearts and make it fall in line! Likewise, Hariharan Saab has an uncanny ability to catch the imagination of the discerning music lovers though his inimitable style of gayiki while performing thereby casting a spell on them and get them captivated instantly! Here in this ghazal, " Kaise Chupaon Raaj-e-gham", Hariharan Saab was just irresistible! Ustad Tari Khan Saab as tablanawaj had also performed very creditably! Hat's off to both of them for their exploits! -- Amarendra Borah, Former Commissioner and Secretary, Finance Department, Govt Of Assam (India).
You're absolutely right sir, the voice of Hariharan sab and the way he sings is incredible..
Gurpreet Singh Saab,. Thank you! I will continue to listen to Hariharan Saab, till I breathe.!
The silk voice of Hari Jii WoW
Best explaination sil voice
Harri sab mahdi hassan g zinda ho gay ap ki awaz may.
Wish to hear more stuff from Hari Haran ji & Tari Sahib in the near future.
John Ditta in this mehfil they have also sung Apne Aaine mein utaar mujhe but i am unable to get that audio after researching a lot.. if you get kindly share with me .. thanks
Mesmerising, hats off to the masters.
Pt hariharan ji
Wht a variations and soulful voice. The great hari ji...
It is really some kind of an achievement on the part of someone, whose mother tongue is not URDU, to excel in a language in which he may not be so well conversant with than those whose mother tongue is URDU itself ! That is what Hariharan Saab has been doing exactly throughout his illustrious career spanning over almost four decades now in so far as ghazal gayiki is concerned and that too, with aplomb and phenomenal success, and in a style so unique to him ! It is, indeed. an another feather in the cap of Hariharan Saab as a versatile singer! Therefore, those detractors who use to criticise Hariharan Saab's gayiki on every available opportunity at the drop of a hat on slightest of pretext should bear this in mind while doing so in future ! To be very frank, as a genuine music lover, l get mortally hurt whenever someone, without having the required credentials and expertise, sits on judgement like an expert and cast cast aspersions or pass a disparaging remark on Hariharan Saab without any plausible reason or evidence, whatsoever ! It is, indeed, heartening to note that Hariharan Saab has been striving hard to continue the glorious legacy left behind by the great Mehdi Hassan Saab and has been able to get a foothold in the process ! I think -- Hariharan Saab has got the right credentials to become one of the potential successors to the great Khan Saab's legacy in the days to come ! Hariharan Saab certainly deserves a pat on his back from all genuine music lovers for his untiring efforts so far to this effect ! -- Amarendra Borah, Former Commissioner and Secretary, Finance Department, Govt Of Assam (India).
mehdi hsan sb dilon men zinda rahy ga jab tak dunian hy ❤
Keya bat ha wah tare kahn sab and hariharan g
Superb, wonderful, beautiful..... what else you can say..... 🙏🙏
Ustaad tari khan shb ke jtni tareef kee jai kum hai...hari shb super.....
कैसे छुपाऊँ राज़-ए-ग़म
How could I hide my mystery of sorrow
दीदा-ए-तर को क्या करूँ
What I do with my wet eyes
दिल की तपिश को क्या करूँ
What I do with the warmth of heart
सोज़-ए-जिगर को क्या करूँ
What I do with my burning soul
शोरिश-ए-आशिक़ी कहाँ
Where is my excitement of love
और मेरी सादगी कहाँ
And where is my simplicity
हुस्न को तेरे क्या कहूँ
What I say about your attractiveness
अपनी नज़र को क्या करूँ
What I do with my eyes on you
ग़म का न दिल में हो गुज़र
No sorrows there in my heart
वस्ल की शब हो यूँ बसर
When we meet at night time
सब ये क़ुबूल है मगर
Yes everything I admit but
ख़ौफ़-ए-सहर को क्या करूँ
What I do with the fear of dawn
हाल मेरा था जब बतर
When I was in a bad Situation
तब न हुई तुम्हें ख़बर
You didn't noticed that time
ब'अद मेरे हुआ असर
You did feel it after I left
अब मैं असर को क्या करूँ
What I do with that feelings now
Wah wah wah Subhanallah Bht Hi Khubsurat
Superb classical presentation.
Heart touching indeed👌👌💕💕
Magic. Hariji and Tariji
What a great style of singing Ustad ji
The great Mehdi Hassan Saab was, in the real sense of the term, Shah-en-Shah-e-Ghazal because of his complete mastery over labz,sur,tal and loy! It's, indeed,very laudable that Hariharan Saab has been trying his best to maintain the rich legacy left behind by the great Mehdi Hassan Saab and has been able to get a foothold in the process! His voice, which has clarity, depth and wide range, is eminently suited to this style of ghazal gayiki! Hat's off to him for this nice initiative!
Amarendra Borah il
waaah...Hariharan ji the maestro!!!
Many many thanks Gurpreet ji for presenting the precious moment of the great legends. Some vedio clip will be more desired. Look forward.
God bless you.
Will try my best purnendu ji 🙏
1 Like For The Great Mehdi Hassan Sahab❤️🥀
Ustad ji sadar pranam❤
Tabla aur gayaki ka jawab nahi 👌👌👌👌
Wah wah love from Pakistan
After mahdi hassan ist time listen perfect ghazal
Sveet voice 👍🙏
Hariharan Ji yards alam media Hassan Ji ko zinda rakhiga
Waaaaah kya baat hai.
Very nice
Kia bt hai bt uatad tari jsa Puri duniye ma koi nh Kia saggat ki hai kamal
Subhaan Allah... Kya baat hai...
Hariharan sir is a legendary singer...
MashaAllah******Zindabad******
Amazing, beautiful, Wonderful, heart touching and Evergreen presentation ! Wah wah maza aagaya ! Allah Gifted voice ! The Ghazal of Hasrat Mohani is all time excellent ! The lyrics are excellent and the music is also excellent ! Comments from Shahid Rasheed Khan from Islamabad, Pakistan. Comments posted on 09th March, 2019. 💜💛💖👍👍💚💟❤💥🇵🇰🇵🇰
❤️❤️❤️
Love u harri jee ever🙏🙏🙏
wajhhhji ji wahhhhh
Kia kehne.....lajawab.
Wah kya bat a ji
Lovely Music.
Ustadji❤
Wt. A great tabla acompaniment & Hari Haran is the only singer who can Sing the way Mehdi sahib sets a goal for ghazal singing. Tell me who Else sings equally perfect ghazal style of Mehdi sahib. Jagjit sahib is a different case AS his style is another one & more modern & simple But his voice quality is too complex & beautiful.
John Ditta sahab , hariharan bilashuba Mehdi sb k Bohot bary fan hein auer unka andaz b follow b karty hn lakiN ager app ye samajty hein k in jesa koi nahe ga sakta to ye bat durust nahi .
MALIK KA ASAAAN HE K ME KHUD MEHDI SB KA STUDENT HU .
I CAN GIVE YOU A NEVER ENDING LIST OF SINGERS WHO SING MEHDI SB FAR BETTER THAN HARI G . I WILL NAME A FEW
USTAD GHULAM ABBAS SB THE LIVING LEGEND
ASIF MEHDI SB
PERVEZ MEHDI SB LATE
SHAMOUN FIDA,
John Ditta aur ager ilM se daleel du to hariharan ki awaz me kharaj ki kami he . He still needs practice to sing mehdi sb .
Secondly , his variations are undue .
Most importantly , his expression is not good enough.
However I agree that he is a good Ghazal singer
Yeah bro you are right Ustad Ghulam Abbas is living legend.. Shamoun fida sahib ki kea bat hai.. ab Ustad Gulam ali k shagird hogaye wo..
Yes I know shamoun bhai very well . Haunting baritone voice
Thanks for the list! Will listen to them just now.
Tari sab you plying tabla very well
Wah wah
Very nice 👏👏👏👍👌👌🌹🌹
वाह वाह जवाब नही two legends together .
Wahh ‘sum bht acha rakha’’ Ghazal ka
Gajab ki singing h
kya bat very nice
Awesome!!!
best of india and pakistan together of this time 👍
Kya kehne khan sahb mehdi sahb k student hain hariharan g kya kehty
Awesome
Kya baat hai.
This ghazal was also sung by Mubarak Begum, even before Mehdi Hassan Sb. Can anyone upload that version please?
True ! Also before Mubarak Begum it was sung by Khursheed miya ghaznavi ... would be great if someone could share that as well
@@vtlbz Mubarak Begum's composition of this ghazal was in Raga Malkauns!
This talafuz (pronunciation) debate is silly and tiresome. There is hardly any discernible mispronunciation and if there is one, this is a musical rendering and not a language master class. It should be a matter of pride for the maestro Mehdi Hassan's followers that his memory and tradition of Ghazal singing is being kept alive by the likes of Hariharan ji for all of us to enjoy. Lighten up my dear countrymen.
Amjad Javaid Saab/ all who are concerned, Your comment has come to my notice only today and therefore, this belated response. I have been listening to the ghazals of Hariharan Saab for the last 33 years since 1985 when I happened to purchase his first L.P. album for my stereo, l am now 68 years old. However, no any discernible flaw in his pronounciation, while rendering ghazals, has come to my notice ever since. What is more heartening to note is that after the emergence of the great Mehdi Hassan Saab, arrival of Hariharan Saab is the next best thing to happen on the ghazal horizon of India! Although,there is no dispute over the fact that the great Mehdi Hassan was the first amongst its equals as an exponent of ghazal gayiki! He had given ghazal gayiki a pedestal which will be difficult to surpass! As a matter of fact, the great Mehdi Hassan Saab was a multidimensional and multidisciplinary singer who had proved his worth in each and every discipline of music -- be it Khayal, Thumri, Ghazal or Playback Singing in films! Perhaps, such a resourceful musician will ever be born again in this world! While, the great Mehdi Hassan Saab is my all time favourite singer ; amongst the new comers, I have found Hariharan Saab to be the most promising! In the same breath, it's heartening to note that Hariharan Saab is trying to follow the traditions set by the great Mehdi Hassan Saab and has been able to get a foothold in the process! Hariharan Saab's voice has clarity, quality, depth and wide range which is eminently suitable for ghazal gayiki! Further,, he has complete control over Labz, Sur, Taal, and Loy! Besides, he has got the rare ability of rendering ghazals very soulfully in a style which is very unique to him! Perhaps, there should not be any other opinion on the fact that all these attributes have enabled Hariharan Saab to blossom into a complete ghazal gayak in the truest sense of the term! Hariharan Saab has already completed almost four decades as a successful exponent of ghazal gayiki! His endeavour towards popularising ghazal gayiki in India has been able to earn laurels from the pundits and connoisseurs of music alike across the world! Therefore, Hariharan Saab certainly deserves a pat on his back from all discerning music lovers for his stupendous contributions to the World Of Music in general and Ghazal Gayiki in particular! Let us stand up and salute this immensely talented singer for his stupendous contributions to the World Of Music! -- Amarendra Borah, Former Commissioner and Secretary, Finance Department, Govt Of Assam (India).
@@amarendraborah6941 sir you are 100% true, n there should be no comparison with great Mehdi hasan saheb to anyone , He is still King of gazal gayki n will remain
@@ajaypratapsingh2600 Saab,. Thanks for the compliment ! To be very true, the great Mehdi Hassan Saab Saab was miles ahead of his contemporaries and juniors as an exponent of ghazal gayiki in so far as his control over Lafz, Sur, Taal, and Loy is concerned ! A singer of the caliber and brilliance of the great Mehdi Hassan Saab is born only once in a millennium !
Gajab
aaha
Great
You are almost 50% close to Khan Saheb and that is an exceptional achievement because people cannot copy him even 5 %.
Waa waa kiya baat hai.
Uttam very nice tabla signing
Boht acha gayaaa but effort nazar a rahi hai jab ke Mehdi sahab ne ju gaya wo natural aur flawless tha. Ye comments iss ghazal ki had tak hein warna Hari Harran sahab is a living legend.
KiranRizwan
Patdeep 👍
....... ഹരി സാബ് !.!
Ustad log
Sorry bhai. Jo main jagah hain is ghazal ke wo hi theek nahi arahi. Mahdi sahab ka gala resham tha resham
wOW
Sir apka jabab nahi hai, mere anusar jagjeet singh sir ke bad ap hi hai pure hindastan me jo, pakistan me yadi mehdi hassan ar gulam ali sahv hai to hindustan me jagjeet ji ar aap...
#KiranRizwan
Ise bhi sune:
ruclips.net/video/5RlMArKMt64/видео.html
Raaj gham nahi hay razz-e-gham hay. Please correct
Adeel Khan thanks for the correction gbu
Khan sahib Raz-e- gham hi keh rahe hein Janab.
Sir yeh to darust hai lekin bahut se Urdu speaking Raj-maa Jise kehte hain woh to Raj-Mah hoti hai jo ham. Khate hain. Maa ko to slam kiya jata hai khaya nahin. Jata. All in all Hari Haran ji is a good singer. Enjoy singing.
Gurpreet Singh I dont know dear.
tum Muslim Ho to Urdu jyada aayegi. singer ko shayree ka itna gyaan hota hai.
He would never let a singer sing . He thinks Tabla is the main instrument and singer is second !
Ye dono artist ko sunkar koi kahega ki India Pakistan me duriya heen prantu ye bekuf gnde dimag ke pakistani neta army officers ko ye madhur awwaje achhi nhi lagti isliye inhe mohabbat pasand nhi hee.
Hariharan Ji! A Suggestion for you.. An Ass can never be a Horse! Why do you try to copy an Maestro? You have plenty of compositions to express yourselves.
Gazal aapke bas ke nahin hai boss.
Maf krna but lgta h Apne abhi suna nhi hariharan ji ko
Ustad ghulam Mustafa or ustad Mehdi hasan ji ...hariharan ji k guru hai to hariharn jinse sikhe hai to phir kuchh na kuchh to asar hoga bhai...❤
This is a joke!
Gias Ahmed you are!!
Mr Sharma, Mr Hariharan’s pronunciation is not correct for this song and most of his Urdu ghazals. No doubt, he is one of the foremost singers of the subcontinent, but Urdu Kafi, ghazals etc need this pronunciations to correct to begin with... If you listen to Mehdi Hassan’s original version, you’ll know what I’m talking about.
Gias Ahmed Which word he pronounced wrongly??
Sharmaji, you are the beholder. You clearly like the way he sang this song. All I can say is when a genre of music that is purely North Indian, with the best efforts this can be heard as not exactly inherent under these circumstances. Maybe I’m too much of a puritan when it comes to genres like ghazal, Kafi etc.
gias aapka Urdu knowledge adhura hai. ungli Baad me uthana. Muslim hone se Urdu nahee aatee. kai jagah to ghulam Ali bhi galat bol gaye hai. par wo jante nahee yeah kahna galat hai.
U r only good singer I also listen u but sir never try ghazal already sung by grate grate grate .......ttt one n only MADIHASAN IT REALLY EXPOSE U SO NEVER TRY AGAIN SIR
wel said
Why not at least that much calibre to show that guts we should always appreciate honest try ....
Propriety demands that one should try to inculcate the habit of seeing the goodness in others as well ; instead of finding fault on every available opportunity, on the slightest of pretext, and at the drop of a hat ! It raises one's spiritual level by several notches up !
Vahh..Kya baat hain